Wichert, FritzAntiquariat.de
120 résultats
192065767München, F. Bruckmann, (1920). 57 S. Mit lithograph. Titel u. 16 auf der Handpresse in den Text eingedruckten lithograph. Illustr. Gr.-8vo (ca. 26 x 21,5 cm). OHPgt. mit VDeckel-Illustr.
195365437Zürich, Büchergilde Gutenberg, 1953. 46 S. in Rot-Schwarz-Druck. Mit 3 schwarz-weißen Textillustr., 7 ganzseitigen Farbillustr. Illustr. OKart. 4to. In iIlustr. OHPgt.-Mappe mit goldgeprägtem Rückentitel.
1906257051906. Insel, Leipzig. Sarkowski 844. Erstausgabe Franz Blei, Wilpert/Gühring 24. Originalederband in Originalseidenkassette im Schuber. [19] Faltblätter. Gebunden als Blockbuch. 23,5 : 19,5 cm.
196864930(Bremen), Carl Schünemann, (1968). 140 S. Mit ganzseit. Illustr. u. 1 Original-Radierung als Beilage. (= Sammlung Dieterich, Sonderausgabe). OHPgt. mit Orig.-SU. (dieser im Rückenbereich leicht gebräunt).
1982ST16482Bayreuth: Printed by Chr. Scheufele Offizin Stuttgart for Bear Press 1982. No. 1 OF 10 COPIES ON VELLUM plus a "special" edition of 25 copies and 185 copies on Kochi Japanese paper. 223 x 148 mm. 8 7/8 x 5 3/4". 50 pp. 2 leaves.Translated and with an afterword by Wolfram Benda. <br/> Publisher's fine burgundy morocco by Erwin Lehr upper cover with gilt rose in recessed square flat spine with gilt titling turn-ins with gilt fillet frame pale yellow silk pastedowns. In the original burgundy suede slipcase. With three large initials in burnished gold and four signed and numbered original etchings by Peter Klitsch. Printed in red and black. Signed in the colophon by the artist the binder and the publisher/translator. In mint condition.<br/> <br/> This is the splendid deluxe version of a finely crafted private press edition of Wilde's fairy tales "The Nightingale and the Rose" "The Happy Prince" and "The Selfish Giant." It is the third work issued by the Bear Press founded in 1979 by literary scholar Wolfram Benda and still in operation. According to the firm's website "at a time when the craftsmanship and ethos of the artisan in bookmaking have been damaged by ever-increasing industrialization and neglect . . . The Bear Press . . . tries to achieve the highest possible degree of technical and artistic perfection in its printed works." The font used to print the text and the artist chosen to illustrate each work are carefully selected to express "the individual author's personality and intention." Even the discriminating aesthete Wilde 1854-1900 would be pleased with the choices here especially for the luxurious vellum printing: the type is set in refined Walbaum Antiqua and shown off with special effect by the creamy leaves; the etchings by Austrian artist Peter Klitsch b. 1934 are meticulous detailed and reminiscent of the work of Wilde's friend Aubrey Beardsley; and the binding is the epitome of tasteful restraint flawlessly executed with premium materials. <br /> <br /> The three tales here first appeared in 1888 and are bittersweet in their themes of love and self-sacrifice. His stories for children were one of Wilde's early successes and DNB notes "Their permanent place in child affections refutes the vulgarism that Wilde's literary reputation arose from his legal notoriety. In all cases the fairy tales are on the child's side celebrating the courage and generosity of the poor and vulnerable while their satire mocks the kind of pomposity and hypocrisy children can recognize." We have been able to trace just two other copies of the vellum printing at auction in ABPC and RBH. [Printed by Chr. Scheufele Offizin, Stuttgart, for] Bear Press unknown
192059156München, (Julius Schröder-Verlag), 1920. 51 S., [2] Bl. Mit 17 Original-Holzschnitten von Bruno Goldschmitt. (= Meisterwerke der Weltliteratur mit Originalgraphik, Druck 4). 4to. OHPgt mit Deckelholzschnitt, 7 durchgezog. Bünden u. Goldfileten auf d. Deckeln sowie mit Kopfgoldschnitt.
190898314Jena, Diederichs, 1908. IV, 244 S. Mit rot u. schwarz gedrucktem Titel. 19 cm. OHPgt m. goldgepr. Rückenschild, goldgepr. Signet vorn u. Kopfgoldschnitt.
191242569Leipzig, Xenien Verlag, 1912. 222 S., 47 S. Mit 1 Frontispiz u. 1 gefalt. Faks. 12mo. OBrosch. Zusammen in OHPgt. Schuber mit RVergold. u. Einstecklasche.
191194119München, Georg Müller, 1911. 520 S. Mit zahlr. s/w Abb. auf Tafeln. Kl.-8vo (18 cm). OHPgt m. Rückenvergoldung.
192439689Hellerau bei Dresden, Avalun-Verlag, (1924). 157 S. Mit 13 Original-Radierungen (davon 6 blattgroße) von Alois Kolb. (= Avalun-Druck 34). 4to. OHPgt. mit Kopfgoldschnitt u. goldgeprägtem RTitel.
192464944Jena, Eugen Diederichs, 1924. 71 S. Gr.-8vo. OHPgt. mit Goldpräg.
190796014Leipzig, Insel-Verlag, 1907. 170 S. 18 cm. OHPgt mit goldgepr. Deckelsignet u. goldgepr. RTitel.
191396508Jena, Eugen Diederichs, 1912/1913. XV, 244, [3] S. u [VI], 389, [3] S. Mit zu. 34 Tafeln (teils in Kupfertitefdruck). 22 cm. [Bd 1:] Weißes OHLdr u. [Bd 2:] HPgt.
191397088Leipzig, Insel-Verlag, 1913. 136 S. 17,5 cm. HPgt m. Kopfgoldschnitt.
1929108587Weimar. Gesellschaft der Bibliophilen 1929. 140 Seiten u. 2 Bll. auf Büttenpapier. Original-Ganzpergament-Einband mit vergoldetem Rückentitel. 19x13 cm
190597919Jena, Eugen Diederichs Druck: Leipzig, Spamersche Buchdruckerei, 1905. XXIV, 289; 308 S. 20 cm. OHPgt m. goldgeprägt. Deckelsignet, goldgeprägten roten Rückenschildern u. Kopfgoldschnitt.
196497503(Hamburg, Otto Rohse Presse, ( 1964). 28 S. Mit illustriertem Titel in Original-Radierung [= / Gesamtausgabe, Bd. 2 / Druck der Otto-Rohse-Presse, 4]. 26 cm. OPp. mit Deckelbezugsradierungen u. goldgeprägtem Rückentitel.
193466155Berlin, Georg Bondi, 1934. 31 S. Mit 1 Porträt als Frontispiz. Beigebunden 22 w. Bll., davon 8 S. mit handschriftl. bibliographischen Einträgen. Kl.-8vo. Privat. HPgt. mit eingebund. VDeckel der Orig.-Broschur.
192396022Jena, E. Diederichs, 1923. 218 S. Mit illustr. Titel. 20 cm. OHPgt.
19572567Copenhagen, 1957. 31 S. Mit 187 Abb. 4to. OHPgt.
1929260431929. L'Edition d'Art H. Piazza, Paris. Mit 12 Farbtafeln und Abbildungen von Kay Nielsen. Originalbroschur im Originalschuber. 117, [3] Seiten.
192496454Frauenfeld (Schweiz) & Leipzig, Huber, 1924. VIII, 240 S. 19,5 cm. OHPgt. mit Goldprägung u. Farbkopfschnitt.
191388686Berlin, J.G.Cotta, 1913. 348 S. 18,5 cm. Privat. HALBPERGAMENT mit Pergamentecken, gebatikter Deckelbezug.
192196148Tübingen, A. Fischer, 1921. 132 S. Druck in Rot und Schwarz. 19 cm. OHPgt mit goldgeprägtem Rückentitel.
1915ST17129-042Chicago: Written and Illuminated for The Renaissance Society ca. 1915. 216 x 153 mm. 8 1/2 x 6". ii 28 pp. 1 leaf colophon. Single column 18 lines in an attractive calligraphic hand. <br/> VERY PRETTY VIOLET CRUSHED MOROCCO GILT AND INLAID for The Renaissance Society stamp-signed in gilt on front doublure smooth spine with gilt titling FULL MOROCCO DOUBLURES consisting of a green morocco panel framed by purple morocco with gilt dots and scrolling floral motifs at each corner each with an inlaid white morocco flower cream-colored watered silk endleaves. In a lavender buckram chemise and matching purple morocco-backed slipcase with raised bands and gilt lettering. With many one-line initials in pink each leaf with a different two- to four-line initial in a different style with both painted and gilt elements and exuberantly decorated most leaves with a panel or "L"-shaped border ranging from simple lines to elaborate decorative bars a few borders with small landscapes and a total of FOUR FIGURAL SCENES decorative title page with colorful initials lettering and decorative flourishes text beginning with A HALF-PAGE MINIATURE OF ST. JEROME AT HIS DESK surrounded by A FULL BORDER of flowers gilt detailing and stylized heads of putti all by Louis Bauhan. Front free endpaper with bookplate of Phoebe Boyle. Leather with a slight chalky appearance silk endleaves starting to fray at fore edge a few leaves with a hint of waviness but THE MANUSCRIPT IN BEAUTIFUL CONDITION the vellum entirely clean and the paint especially bright and fresh.<br/> <br/> Exuberantly decorated by a major illustrator of the period this manuscript was commissioned and bound for The Renaissance Society of Chicago before making its way into the superb collection of American bibliophile Phoebe Boyle. The text here comes from a poem by "Atlantic Monthly" writer and editor Thomas Bailey Aldrich 1836-1907 imagining the agony and the ecstasy of St. Jerome as he sat down to write his translation of the Bible. The illumination though certainly inspired by the decorative programs of Medieval manuscripts is decidedly modern in appearance drawing on the Art Nouveau movement and utilizing bold color combinations and whimsical design motifs. It is not clear why the illustrator here Louis Bauhan 1855-1941 has used the ananym "Siuol Na-Huab" because there is no reason to hide responsibility for producing the clean elegant script the imaginative marginal decoration and the finished human and animal images that enliven the manuscript. Bauhan was a very successful painter and illustrator perhaps best known to the public as art editor of "Cosmopolitan Magazine" under John Brisben Walker who edited and published the magazine from 1889 to 1905. In 1881 Bauhan helped to found the Kit-Kat Club of New York a bohemian artists' and cultural association; he was persistently in demand as a book illustrator; and among other things he painted landscapes and portraits in oil. The colophon here states that the manuscript was written and illuminated for The Renaissance Society--an artistic group associated with the University of Chicago whose mission was to cultivate and promote modern art--and it was given an appropriately luxurious binding by the same organization. The manuscript was obviously valued highly enough to join the collection of Phoebe A. D. Boyle a client George Sutcliffe described as "rivalling the Medici in her patronage of the production of beautiful books." Shepherd "The Cinderella of the Arts" p. 63 Stephen Ratcliffe describes the Boyle collection as "unrivalled" for its jewelled bindings and modern illuminated manuscripts and any book from the Boyle collection which was put together with the greatest taste and discrimination is recognized as desirable beyond its intrinsic literary merit. Written and Illuminated for The Renaissance Society unknown
