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(RUSSIAN AVANT-GARDE). VARIOUS ARTISTS & POETS Korneev, Boris (Ed).Biblio.com

VariousBiblio.com

Archivo Espanol de Arte y Arqueologia

1925860P16Madrid: Consejo Superior de Investigaciones Cientificas 1925-83. Vellum. Very Good. 11" by 7.5". Various. A scarce to see set of the popular Spanish journal exploring art and archeology lavishly illustrated across eighty-five volumes. An unbroken run of the Spanish journal Spanish Archive of Art and Archaeology.Illustrated throughout with thousands of plates approximately sixty to each volume including plans folding diagrams and photographs along with illustrations in the text.From 1940 This periodical split into two companion periodicals for art and archaeology running concurrently. Containing:Volumes I-XIII Spanish Archive of Art and ArchaeologyVolumes XIV-LVII of Archivo Espanol de ArteVolumes XIV-LVI of Archivo Espanol de ArqueologiaIndex volume to Arte L-XXV 1925-1952The main field of interest included in the publication are cultures of Europe and the Mediterranean.It is divided into two sections: articles and book reviews.The first twenty-eight volumes are bound in full vellum with the next 30 volumes of Arte bound in quarter-vellum and the 27 volumes of Arqueologie bound in quarter-morocco.Including contributions from Diego Angulo Iniguez Francisco Alnarez Ossorio El Marques de Lozoya and many others.Complete up until 1983 though publication continues to the present day. In vellum and half-morocco bindings. Externally smart with just a few marks. Internally generally firmly bound although strained in places particularly to the earlier volumes. Three hinges are strained. Institutional blindstamp to front endpapers which is difficult to photograph with gilt institutional stamps of CSIC Instituto Rodrigo Carlo to spines of nineteen volumes of the Arqueologia volumes. Pages to the earlier volumes are marginally browned due to the paper used with some foxing but later volumes are very bright and clean. Very Good Consejo Superior de Investigaciones Cientificas hardcover

Rooke Books · Royaume-Uni9 750,00 £GB≈ 11 132,55 €

[Various Artists]Biblio.com

One Picture Book Series: Complete Set #1-100

140938852Portland OR: Nazraeli Press 2017. First Edition. Fine. 124 Volumes 100 titles five multi-volume deluxe sets and duplicates of several titles several labeled AP for Artist's Proof. A complete run of the celebrated series which features 100 uniformly sized books of various colors giving each artist a 16-page canvas to exhibit a cohesive body of work. Each volume is limited to 500 copies and each contains one photographic print tipped in and signed by the artist--hence the name of the series. Conceived in 1998 as a way to make original art more affordable titles were originally released in groups of four generally twice a year beginning in 2000 and ending in 2017 with most copies reserved in advance for subscribers. Complete sets of the 100 titles are uncommon as many volumes are out of print; even more uncommon are those with the deluxe box sets as few were issued toward the beginning of the series. All volumes are Fine to Near Fine. Several volumes with light spine sunning or a slight shelf lean. The deluxe sets are by John Gossage Four American Photographs Todd Hido Taft Street Eduardo del Valle & Mirta Gomez Four Sections of Time all marked as "AP" or artist's proofs Judy Gelles Beach Boxes and Emi Anrakuji e hakagi Comprised of 1. Terri Weifenbach Instruction Manual No. 1: 21. May 1995; 2. John Gossage Four American Photographs 4-volume set in slipcase; 3. Terri Weifenbach Instruction Manual No. 2: 21. April 1996 "Bee"; 4. Terri Weifenbach Instruction Manual No. 3: 25. June 1996 "Blue Sky"; 5. Chan Chao Letter from P.L.F. Burma; 6. Todd Hido Taft Street 4-volume set in slipcase; 7. Ron van Dongen Rosa Ferreus; 8. Susan Hornbeak-Ortiz True; 9. Bill Jay Bill Brandt 2 copies; one signed as usual on limitation line and there the other marked "print signed on verso"; 10. Julien Coulommier Soleil Cou Coupe; 11. Yuki Onodera How to Make a Pearl; 12. Robert Adams Alders; 13. Risaku Suzuki Fire: February 6; 14. Robert Heinecken studiesnineteenseventy; 15. Don Kirby You're not really initiated until your eyes are redder than your lips; 16. Masao Yamamoto The Path of Green Leaves; 17. Martin Parr 7 Communist Still Lifes; 18. Andreas MÃ¼ller-Pohle Yumiko; 19. Sara Gilbert Cues; 20. Toshio Shibata Type 55; 21. Michael Kenna Boarding School; 22. Eduardo del Valle & Mirta GÃ³mez Four Sections of Time 4-volume set all marked as "AP" or artist's proofs; 23. Weng Fen Sitting on the Wall & Bird's Eye View; 24. Judy Gelles Beach Boxes 1 copy 4-volume set in slipcase; 25. Naoya Hatakeyama River Series / Shadow; 26. Boomoon Kwon On the Clouds; 27. Camille Solyagua Twenty-One Red-Crowned Cranes and One Black Crow; 28. Martin Parr 7 Colonial Still Lifes; 29. Jim Stone Why My Photographs are Good; 30. Stu Levy Cranial Czar Eh; 31. Ken Ohara One; 32. Steve Pyke: Post Partum; 33. Steve Pyke: Post Mortem; 34. Joseph Mills e mars Lilly's Waist; 35. Yuichi Hibi Robert Frank A Weekend with Mr. Frank; 36. Twinkako Ishiwata-Pichler Desperately Seeking Twinka; 37. Ron van Dongen A. angustatum; 38. Junko Takahashi The Receptionist; 39. Daido Moriyama Kuchibiru; 40. Emi Anrakuji e hagaki 7 volumes included with 6 unique prints; no slipcase present perhaps as issued; 41. Michael Kenna Montecito Garden; 42. Tanya Marcuse Fruitless; 43. Stephen Shore Merced River; 44. Jesse Diamond Drum Circle; 45. Nancy Honey Poodle Parlour; 46. Lars Schwander Manuel Ãlvarez Bravo: One Day in April 1999; 47. John Divola Seven Dogs; 48. Masao Yamamoto Fujisan; 49. David Maisel Cascade Effect; 50. Rob McDonald Birth Place; 51. Netta Madahar Sustenance; 52. David Tseklenis Julius Shulman Does His Own House; 53. Joe Deal Indian Bingo; 54. Raymond Meeks Doctrine of an Axe; 55. Mayumi Lake Ex Post Facto; 56. Michael Kenna Heiden Hotel; 57. Eduardo del Valle & Mirta GÃ³mez En Vista; 58. Edward Bateman Mechanical Brides of the Uncanny; 59. Todd Hido: Cracked Trees 2 copies one numbered the other labeled "AP" for Artist's Proof; 60. Todd Hido: Crooked Cracked Tree in Fog 2 copies one numbered the other marked "AP" for Artist's Proof; 61. David H. Gibson: Water Cascade: A Sequence; 62. Eiji Ina: Wacht; 63. Alec Soth: One Mississippi; 64. Mark Steinmetz: Italia: Cronaca di un Amore; 65. Pine & Woods: For Constance; 66. Hiroshi Watanabe: Love Point; 67. Terri Weifenbach: Some Insects; 68. Sally Mann Rob McDonald and Even Rogers: Cy's Rollei; 69. Corey Arnold: Fishing with My Dad 1978-1995; 70. Joni Harbeck & Neil Krug: Indian Girl; 71. Steve Fitch: Motel Signs; 72. Liz Steketee: Dystopia; 73. Stephen Shore: Pet Pictures; 74. Martin Parr: Seven Cups of Tea; 75. Stu Levy: Honk If You Love Stieglitz: Jerry Uelsmann A Grid-Portrait; 76. Leon Borensztein: Portraits ii; 77. Carol E. Richards: Birds Have Wings; 78. Melanie Pullen: Juliette; 79. Martin Usborne: Fox About Town; 80. Risaku Suzuki: Snow Letter; 81. John Divola: Supermarket; 82. Richard Misrach: iPhone Studies: Reverse Scrubs; 83. Dan Solomon: Witness; 84. Jim Goldberg: Polaroids from Haiti 2 copies one marked "AP" for Artist's Proof; 85. Roger Ballen: The Audience; 86. Doug Rickard: All Eyes on Me; 87. Aaron Ruell: Ten Years Too Late; 88. Alec Soth: Bogota Funsaver; 89. Steve Kahn: Corridors; 90. Daido Moriyama: Self 2 copies; 91. Katy Grannan: Lion King; 92. Michael Kenna: Kussharo Lake Tree; 93. Todd Hido: Season Road; 94. Elaine Ling: Habitacion Cubana; 95. Ed Templeton: Memories of the Salt.; 96. Ave Pildas: Bijou; 97. Javier Carrillo: Las Trocas Angelinas con sus Mercancia; 98. Gregori Maiofis: Taste for Russian Balet; 99. Tomoko Sawada: Face; 100. Gloria Katz: Souvenirs. Nazraeli Press unknown

Burnside Rare Books, ABAA · États-Unis12 500,00 $US≈ 10 576,25 €

VARIOUS - (21st Editions)Biblio.com

The Journal of Contemporary Photography - 6 volumes

000475Dennis Massachusetts 21st Editions 1998 - 2003 1998. The Signed Deluxe Limited Editions contain original hand-pulled photogravures and color ptanographs waterless lithographs that illuminate the essays and commentaries found in each book. Bound in Morocco Japanese silks and Italian fabrics and are cased in a matching portfolio box. They are fully signed on the limitation page by the artists included in each volume. Each book measures approximately 15.25" x 13.75" and the clamshell box measures approximately 16.875" x 14.75". There are 6 volumes of The Journal published. Volume 1. Number 193 of 235. Focuses on the "transcendent vision" of 15 major contemporary photographers illustrated here in richly printed hand-pulled photogravure. Volume I also contains a woodcut by the late Leonard Baskin. Writers include Pulitzer Prize winning poet Richard Wilbur; prize-winning novelists Ann Beattie and Robert Olen Butler; poet and critic Dana Gioia; Harvard professors and award winning historians John Stilgoe and John Stauffer; and Wales' great poet the late R. S. Thomas among many others. Signed by: Bernard Faucon Michael Kenna Holly Wright Luis Gonzales Palma Keith Carter Duane Michaels Steven Albahari Mark Klett Sandy Skoglund Jock Sturgis Ernestine Ruben Willie Middlebrook John Metoyer Olivia Parker Leonard Baskin and Patrick Bailey-Maitre-Grand. Volume 2. Number 187 of 200. Extends the metaphysical themes of the first volume and brings together the work of 13 modern masters of the photographic arts. It contains original essays by France's leading novelist Michel Tournier; philosopher Frederick Turner; award-winning photographic historian Lee Fontanella; novelist and playwright Elizabeth Dewberry; novelist Josh Russell; and photographic historian and 21ST contributing editor Lance Speer. Signed by: Adam Fuss Jaume Blassi Bill Jacobson Joyce Tenneson Kenro Izu Vik Muniz Cy DeCosse John Dugdale Tom Baril Joan Fonteuberta Arthur Tress Robert ParkeHarrison and Sheila Metzner. Volume 3. Number 82 of 100. Entitled The Clandestine Mind is devoted entirely to the lyrical work of John Dugdale. This master photographer's elegant male nudes and still lifes printed in rich blue inks to match the original tones of his cyanotypes are complemented by a short prayer for Dugdale by Pulitzer Prize winner Robert Olen Butler; a poem by prize-winning poet Morri Creech; and an essay by John Wood the editor of 21ST. Signed by: John Dugdale and features - Annunciation Christ Out Liberator The Clandestine Mind I Could Not See To See Longing Mourning Tulips Wonder Stings Me More Than Bee and Three White Peaches. Volume 4. Number 82 of 100. Entitled The Gardens of DeCosse focuses exclusively on the beautiful works of Cy DeCosse. Literary contributors include fiction writer Scott Ely; gallery director John Stevenson; poet Susan Ludvigson; musician and scholar Carol Wood; and editor John Wood. Signed by Cy Decosse and features the following: King of the Night Sunflower Fritillaria Cultered Pearl Squash Flowers & Dill Water Lilly Tuscan Lemons and Queen of the Night. Volume 5. Number 39 of 125. Aptly named Strange Genius is an insightful examination of the ways in which artists today make conscious attempts to create work that can often be unsettling difficult even horrific. Writers include poets Raul Peschiera Susan Ludvigson Gerard Malanga and Paul Zimmer; novelists Ann Beattie and Neil Connelly; and essayists Paul LaRosa Lance Speer and John Wood. Signed by: Sally Mann Michal Macku Connie Imboden Vincent Serbin Sheila Metzner Andrea Modica Josephine Sacabo John Metoyer David Levinthal Stephen Berkman Kelly Grider Keith Carter Christopher Pekoe and Don Gregorio Anton. Volume 6 an international survey titled Flesh and Spirit combines the images of some of the finest contemporary Belgian Brazilian Chinese English French Greek Mexican Spanish and American photographers. Dennis, Massachusetts, 21st Editions, 1998 - 2003 unknown

D&D Galleries - ABAA · États-Unis11 985,00 $US≈ 10 140,51 €

GRANDVILLE, (Jean-Ignace-Everard Gerard). Various AuthorsBiblio.com

Scènes de la Vie Privée et Publique des Animaux.

184247346Paris.: J. Hetzel et Paulin Editeurs. 1842. Original publisher's maroon morocco boards ruled in blind with matching gilt vignettes to front and rear boards and spines titles gilt to spines cream moiré endpapers two original part wrappers retained a.e.g. 2 vols. Large 8vo. 270 x 194 mm. Each vol. with half-title title and frontispiece and a total of 199 hors-texte monochrome plates as well as numerous monochrome vignettes all engraved by Brevière after Grandville. The first edition of Grandville's anthropomorphic masterpiece in the deluxe publisher's binding.This exceptional copy bound in full maroon morocco features all of the plates in the first issue as per Carteret and the first issue of the binding incorporating the special tools after Grandville's designs but without the additional decorative tools to the corners of the central panels of the front boards. The legend 'Badigeonographie générale des murailles de la France et de l'étranger' to the frontispiece later removed by the censor is present and four of the original yellow paper part wrappers the two volumes were issued in 100 parts are retained. Grandville's inspirational illustrations were engraved on wood by Brévière coted by Ray as 'the one craftsman whose renderings of his work Grandville refused to criticize'.The twenty-nine tales by various authors of the Scènes de la Vie Privée et Publique des Animaux are accompanied by J. J. Grandville's wonderful anthropomorphic illustrations. The tales themselves are by the foremost authors of the day with four by Honoré de Balzac Peines de Coeur d'une Chatte Anglaise Guide-Ane à l'Usage des Animaux qui Veulent Parvenir aux Honneurs Voyage d'un Lion d'Afrique à Paris and Les Amours de Deux Bêtes as well as tales by George Sand Voyage d'un Moineau à Paris Paul Bernard Les Animaux Médecins Charles Nodier Jules Janin Paul de Musset and so on. The majority of the stories and text is by P.-J. Stahl who wrote the Preface to the first volume. In contrast to all of the other plates the final plate in volume two depicts human figures - the authors themselves - as animals in the Jardin-des-Plantes in Paris regarded by spectating animals while being sketched by Grandville himself.'Through Grandville's animals Hetzel and his colleagues the authors offered a witty and telling commentary on contemporary politics and personalities. Bouchot described the result as the best satire on French manners during the middle of the century . Returning to the 'têtes-de-bêtes' of 'Les métamorphoses du jour' Grandville provided 323 illustrations about two-thirds of which are full-page plates . '. Ray.'Il a été exécuté pour les SCÈNES DES ANIMAUX des reliures et cartonnages artistiques qui sont parmi les plus beaux dans ce genre.' Carteret.Ray 194; SR / BF 63 / 64 / 65; Carteret III 552 - 559; Rebeyrat 289 / 190. J. Hetzel et Paulin, Editeurs. hardcover

Sims Reed Rare Books · Royaume-Uni8 500,00 £GB≈ 9 705,30 €

VARIOUS; HODGKIN, [Sir] Alan Lloyd (1914-1998)Biblio.com

An Archive of Books and Papers from the Library of Sir Alan Lloyd Hodgkin

592371907-1988. Physiology and Biophysics ORIGINAL FELLOWSHIP DISSERTATION NOTEBOOK OFF-PRINT COLLECTION AND INSCRIBED BOOKS. A remarkable collection of books and papers associated with the Nobel Prize-winning scientist including the original typescript of the dissertation which won him a research Fellowship at Trinity College in 1936 and a year's study at the Rockefeller Institute in 1937. 1 HODGKIN A.L. The Electrical Basis of Nervous Conduction dated 1936 in pencil to title leaf. A4 type-written leaves in a black ring binder 34 x 26cm pp.2 93. Including charts and diagrams drawn and affixed by hand as well as occasional corrections and mathematical formulae written in by hand. With a selection of pencil and photocopied notes loose at rear. 2 HODGKIN A.L. General Notebook dated 19th March 1988 inscribed 'A.L. Hodgkin Physiological Laboratory Cambridge' and 'please return if found £5-00 reward' in blue ink to fly-leaf. A rough Chartwell Students' Sketch Book yellow cloth over boards more than 3/4 full with notes in various colours of ink. Also including a number of loose papers: 'Distribution of Membrane Proteins in Mechanically Dissociated Retinal Rods' by M. Spencer P.B. Detwiler and A.H. Bunt-Milam from Investigative Ophthalmology & Visual Science vol. 29 no. 7 July 1988 inscribed from P.B. Detwiler in black ink: 'For Alan with best wishes Peter.' Three Abstract forms stapled together; two loose pages of general notes; one photocopied leaf from Hodgkin's memoirs discussing his Fellowship thesis and his work at the Rockefeller Institute; and two photocopied letters from Hodgkin addressed to his mother from Cambridge in 1933 running to eight leaves altogether. 3 HODGKIN A.L. Off-Print Collection three volumes containing numerous journal off-prints of articles by Hodgkin published between 1951 and 1980 bound in contemporary black cloth with gilt titles to spines. Lacking volume I 1937-1950 and volume V 1981-1988 as sold by Christie's 9th-30th July 2020 lot 159. Two volumes 24 x 17cm; one volume 31 x 22cm. 4 HODGKIN A.L. The Conduction of the Nervous Impulse Liverpool University Press 1963. Octavo 22 x 15cm pp.108. With occasional graphs and diagrams. Publisher's black cloth with gilt titles to spine and upper. Inscribed in pencil to fly-leaf: 'A.L. Hodgkin please return.' 5 HODGKIN A.L. The Conduction of the Nervous Impulse Liverpool University Press 1967 third impression. Octavo 22 x 15cm pp.108. With occasional graphs and diagrams. Publisher's black cloth with gilt titles to spine and upper. Inscribed in blue ink to fly-leaf: 'A.L. Hodgkin please return.' 6 VARIOUS Les Prix Nobel en 1963 Stockholm: Imprimerie Royale P.A. Norstedt & Soner 1964. Octavo 25 x 17cm pp.332. Various languages. Including Hodgkin's Nobel Lecture 'The Ionic Basis of Nervous Conduction.' Publisher's cream cloth with orange titles to spine and upper. 7 HODGKIN Thomas and Jonathan B. Hodgkin Pedigree Book or Dates of Births Marriages and Deaths of the Hodgkin Family. 1644-1906. Printed for Private Circulation 1907. Small quarto 27 x 21cm pp.33 7. With extensive black ink additions and annotations including the insertion of Alan Hodgkin into the scheme on p.25. Publisher's green cloth with gilt titles to spine and upper; floral patterned endpapers. 8 FISHER Ronald A. and YATES Frank Statistical Tables for Biological Agricultural and Medical Research London: Oliver and Boyd 1948. Small quarto 29 x 23cm pp.viii; 112. Publisher's navy cloth with gilt titles to spine and upper. Hodgkin's pencil ownership to fly-leaf. 9 BAYLISS Sir William Maddock Principles of General Physiology London: Longmans Green and Co. 1927 fourth edition. Octavo 26 x 17cm pp.2 xxviii; 882. With numerous in-text illustrations. A large tear to p.3/4 and facing plate. Gresham's School prize plate for Natural History awarded to A.L. Hodgkin to front pastedown with blue ink Trinity College inscription above. Publisher's red cloth with gilt titles to spine black titles to upper and heavy sunning to spine. 10 KATO Genchi The Further Studies on Decrementless Conduction Hongo Tokyo: Nankodo 1926. Octavo 23 x 16cm pp.2 163 1. With frequent in-text diagrams and folding illustrations. Publisher's cream cloth with gilt titles to spine and upper. 'Compliments of the Author' label to fly-leaf. 11 ADRIAN E.D. The Physical Background of Perception Oxford: at the Clarendon Press 1947. Octavo 23 x 15cm pp.8 95 1. Publisher's navy cloth with gilt titles to spine. Pencil ownership of A.L. Hodgkin to fly-leaf. 12 FISHER R.A. Statistical Methods for Research Workers Edinburgh: Oliver and Boyd 1948 tenth edition. Octavo 23 x 15cm pp.xvi; 354 2. Publisher's blue cloth with titles in gilt to spine and blind to upper. Pencil ownerships of A.L. Hodgkin to fly-leaf and first blank. 13 HILL A.V. Muscular Movement in Man: The Factors Governing Speed and Recovery from Fatigue New York NY: McGraw-Hill Book Company 1927. Octavo 24 x 16cm pp.10 104 2. With occasional diagrams and photographic plates including a frontispiece portrait of the author. Publisher's blue cloth with titles in gilt to spine and blind to upper. With an invoice from W. Heffer & Sons showing the sale of the book to A.L. Hodgkin in 1955 loose to preliminaries. 14 WILSON Edward O. Biophilia Cambridge MA: Harvard University Press 1984. Octavo 24 x 16cm pp.10 157 9. Publisher's blue quarter cloth with cream cloth over boards and gilt titles to spine and upper. Blue endpapers. With the illustrated dust-jacket priced at $15.00 sunned to spine. INSCRIBED in blue ink by the author to first blank: 'For Alan and Marion Hodgkin with warmest regards Edward O. Wilson September 4 1984.' 15 WEIDMANN Silvio Elektrophysiologie der Herzmuskelfaser Bern: Medizinischer Verlag Hans Huber 1956. Octavo 23 x 16cm pp.100. With occasional in-text graphs and diagrams. Publisher's soft covers. INSCRIBED by the author in blue ink to half-title: 'To Alan with thanks Silvio.' 16 VARIOUS Keith Lucas Cambridge: W. Heffer & Sons 1934. Octavo 19 x 15cm pp.131 1. With a frontispiece portrait. Publisher's orange cloth with gilt titles to spine and upper. INSCRIBED by a member of the Lucas family in black ink to fly-leaf: 'Alan Hodgkin from Bryan Keith-Lucas.' Also with a small associated note loose to preliminaries. 17 GUGGENHEIM E.A. Boltzmann's Distribution Law Amsterdam: North-Holland Publishing Company 1955. Octavo 19 x 13cm pp.8 61 3. Publisher's purple cloth with gilt titles to spine and upper. Blue ink ownership of A.L. Hodgkin to fly-leaf. 18 VARIOUS Nerve Impulse: Transactions of the Fourth Conference March 4 5 and 6 1953 Princeton N.J. New York NY: Josiah Macy Jr. Foundation 1954. Octavo 24 x 16cm pp.224. With frequent in-text graphs and diagrams. Publisher's grey/blue cloth with gilt titles to spine. 19 VARIOUS Nerve Impulse: Transactions of the Second Conference March 1-2 1951 New York N.Y. New York NY: Josiah Macy Jr. Foundation 1951. Octavo 24 x 16cm pp.204. With frequent in-text graphs and diagrams. Publisher's grey/blue cloth with gilt titles to spine. 20 HARDY G.H. Bertrand Russell and Trinity a facsimile reproduction with a foreword by C.D. Broad Cambridge: at the University Press 1970. Octavo 22 x 15cm pp.xiv; 61 3. Publisher's burgundy cloth with gilt titles to spine. With the photographic dust-jacket priced at 80p / 16s. Pencil ownership of A.L. Hodgkin to fly-leaf. 21 KATZ Bernard The Release of Neural Transmitter Substances Liverpool University Press 1969. Octavo 22 x 15cm pp.x; 60 2. With frequent in-text graphs and diagrams. Publisher's black cloth with gilt titles to spine and upper. INSCRIBED by the author in black ink to fly-leaf: 'To Alan from Bernard.' 22 KANDEL Eric R. A Cell-Biological Approach to Learning Bethesda MD: the Society for Neuroscience 1978. Octavo 24 x 16cm pp.6 90. With frequent in-text graphs and diagrams. Publisher's maroon cloth with dulled gilt titles to spine and upper. INSCRIBED by the author in blue ink to fly-leaf: 'For Professor Hodgkin with best wishes for the New Year Dec. 1978 Eric Kandel.' 23 DAVSON Hugh A Textbook of General Physiology London: J. & A. Churchill 1951. Octavo 24 x 17cm pp.2 x; 659 1. With frequent in-text graphs and diagrams and occasional plates. Publisher's green cloth with rubbed gilt titles to spine. INSCRIBED by the author in black ink to fly-leaf: 'To A.L. Hodgkin with kind regards from the author Hugh Davson 13.9.51.' 24 WHITEHEAD A.N. Science and the Modern World Cambridge: at the University Press 1933 sixth impression. Octavo 19 x 14cm pp.xii; 265 3. Publisher's orange cloth with gilt titles to spine; top edge brown fore-edge untrimmed. Black ink ownership of A.L. Hodgkin to fly-leaf. 25 KEYNES R.D. and AIDLEY D.J. Nerve and Muscle Cambridge University Press 1981. Octavo 22 x 14cm pp.viii; 163 5. With frequent in-text graphs and diagrams. Publisher's yellow soft covers. INSCRIBED by the author in black ink to inside of front cover: 'A.L.H. from R.D.K. 13.X.81.' 26 VARIOUS The Properties and Functions of Membranes Natural and Artificial: A General Discussion London: Published for the Faraday Society by Gurney and Jackson 1937. Octavo 25 x 17cm pp.2 911-1151 1. With occasional in-text graphs and diagrams. Publisher's green cloth with black titles to spine and upper. Pencil ownership of A.L. Hodgkin to fly-leaf. 27 PAULI W. Theory of Relativity London: Pergamon Press 1958. Octavo 25 x 16cm pp.xiv; 241 1. Publisher's blue cloth with gilt titles to spine. Pencil ownership of A.L. Hodgkin to fly-leaf. 28 VARIOUS The Physiological Society Cambridge Meeting and A.G.M. 19-20-21 July 1984. Octavo programme 25 x 17cm with Hodgkin's notes in blue ink to back cover. 29 HILLE Bertil Ionic Channels of Excitable Membranes Sunderland MA: Sinauer Associates 1984. Octavo 26 x 19cm pp.14 426 8. With frequent in-text graphs and diagrams. Publisher's black cloth with silver titles to spine and upper. INSCRIBED by the author in black ink to label on fly-leaf: 'September 1 1984 To Alan Hodgkin with respect and admiration for your insight as you created this new field of science. Bertil.' 30 ECCLES John C. ITO Masao and SZENTAGOTHAI Janos The Cerebellum as a Neuronal Machine Berlin: Springer-Verlag 1967. Octavo 26 x 18cm pp.8 335 1. With frequent in-text graphs and diagrams. Publisher's blue cloth with white titles to sunned spine and upper. Pencil ownership of A.L. Hodgkin to fly-leaf. 31 VARIOUS Electrical Activity of Single Cells Tokyo: Igaku Shoin 1960. Octavo 27 x 19cm pp.x; 312. With frequent in-text graphs and diagrams. Publisher's black cloth with gilt titles to spine and upper. INSCRIBED by the editor in blue ink to fly-leaf: 'Professor A.L. Hodgkin with the author's compliments.' 32 ECCLES John Carew The Neurophysical Basis of Mind: the Principles of Neurophysiology Oxford: at the Clarendon Press 1953. Octavo 23 x 15cm pp.2 xii; 314 2. With frequent in-text graphs and diagrams. Publisher's navy cloth with gilt titles to spine. Pencil ownership of A.L. Hodgkin to fly-leaf. 33 KATZ Bernhard Electrical Excitation of Nerve: A Review Oxford University Press 1939. Octavo 23 x 15cm pp.2 x; 151 1. With occasional graphs and diagrams. Publisher's maroon cloth titled in gilt to spine and black to upper. Blue pencil ownership of A.L. Hodgkin to fly-leaf and pencil notation to rear fly-leaf. 34 COLE Kenneth S. Membranes Ions and Impulses: A Chapter of Classical Biophysics Berkeley CA: University of California Press 1972 second impression. Octavo 24 x 16cm pp.8 x; 569 9. With frequent in-text graphs and diagrams. Contemporary blue half morocco with raised bands gilt titles and decoration to spine and blue cloth over boards. Top edge gilt; marbled endpapers. INSCRIBED in black ink to label on first blank: 'Alan Hodgkin who conceived proved & inspired so much of this & the continuing progress Kacy 1974.' 35 BOLAM T.R. The Donnan Equilibria and their Application to Chemical Physiological and Technical Process London: G. Bell and Sons 1932. Octavo 23 x 15cm pp.viii; 154 2. With frequent in-text graphs and formulae. Publisher's navy cloth with gilt titles to spine. Black ink ownership of A.L. Hodgkin to fly-leaf. Also with a leaf of notes on Steady State Mechanisms in black ink and a letter in blue ink on Churchill College note paper dated 30th September 1964 apologising for keeping the book for so long. 36 DUBOS Rene J. The Professor the Institute and DNA New York NY: The Rockefeller University Press 1978. The second impression with AUTOGRAPH LETTER FROM MAX PERUTZ. Octavo 24 x 16cm pp.10 238 2. With a suite of six double-sided black and white photographic plates and a frontispiece portrait of Oswald Avery. With an autograph letter in blue ink from Nobel Prize-winning scientist Max Perutz 1914-2002 loose to preliminaries. Dated 30th November 1980 and addressed to Hodgkin's wife Marni it thanks her and Alan for their recent hospitality and recommends the book as fine remembrance of times past. Publisher's blue cloth with silver titles to spine and grey endpapers. With the blue dust-jacket priced at $14.50. Perutz's blue ink ownership to fly-leaf. Top 1/4 of letter heavily toned. All books are very good first editions showing light to moderate handling and lacking jackets except where stated otherwise. The dissertation is housed in a contemporary back ring binder in poor condition with the spine and lower board almost detached. The leaves themselves are a little toned and handled to edges but otherwise undamaged. This collection of books and papers many with Hodgkin's ownership and warm inscriptions from the authors constitutes a significant selection from his personal working library which was evidently disbursed after his death along with his Nobel Prize which was notably sold for $795500 in 2015. Alan Lloyd Hodgkin inherited a strong work ethic from his Quaker parents who suffered abuse for their pacifist stance during the First World War. He did well both at Gresham's School in Norfolk a prize book from his school years is included here and at Trinity College Cambridge where he won a scholarship and later a research Fellowship. Particularly significant books include those by A.V. Hill 1886-1977 and E.D. Adrian 1889-1977 Nobel Prize-winning Cambridge dons of the previous generation; by John Eccles 1903-1997 with whom he shared the 1963 Nobel Prize for Physiology or Medicine; and a retrospective volume on the life of Neuroscientist Keith Lucas 1879-1916 who had known Hodgkin's father George 1880-1918 at Cambridge. Hodgkin's research Fellowship dissertation on the electrical transmission of nerve impulses is by far the most important item here being a unique typescript copy showing the wear of a lifetime of constant use to the ring binder. A.V. Hill sat on the panel which granted Hodgkin the Fellowship at the remarkably young age of 22 and immediately sent a copy of the dissertation on to Herbert Gasser President of the Rockefeller Institute who then invited Hodgkin to study at the institute in 1937. This early work was pivotal to the development of his later research with Andrew Huxley 1917-2012 in which they established how nerve impulses are exchanged between cells leading to a joint Nobel Prize. Of great interest also is a personal notebook from the end of his career stuffed with personal notes and "back of a fag packet" calculations. The bound collection of off-prints is not unique with a more complete collection recently sold by Christie's and further odd volumes currently available but it is certainly rare. Taken together this collection which includes a copy of the book containing Hodgkin's 1963 Nobel lecture and a very rare volume on family history compiled partly by his grandfather Thomas 1831-1913 constitutes an important personal archive which should be of interest to scholars. 1907-1988 unknown

Adrian Harrington Rare Books · Royaume-Uni8 000,00 £GB≈ 9 134,40 €

VariousBiblio.com

Seventy-one volumes of Collections of the Public General Statutes

1810SET16-A-1London: George Eyre and Andrew Strahan 1810-1882. Leather. Very Good. Between 11" by 8.5" and 10.5" by 8.4". None. Seventy-one volumes of Collections of Public General Statutes spanning the last ten years of the reign of George III the reigns of George IV and William IV and part of the reign of Victoria. Forty-three volumes bound in half-leather with marbled paper-covered boards. Twenty-eight volumes bound in quarter-leather with vellum-covered boards. All with spine labels and gilt lettering. With Shaw & Sons Law Stationers' label to the front pastedown of several Victoria-era volumes. With J. Goodwyn's book binders label on the front pastedown of a few volumes. In uniform half calf bindings with marbled boards. Externally smart with slightly strained inner hinges which are still good and firm. There is only some mild wear to the extremities with just some mild bumping and rubbing with discolouration and marks to the boards. There is significant rubbing to the boards of several volumes with loss to the paper coverings and repairs to the paper-covered boards of a few volumes. The paper coverings have been removed from the boards of "16 & 17 Vict.". Scoring to the front board of "2 & 3 Gull. 4 William IV". There is lifting and occasional ink marks to the vellum-covered boards of several volumes including copperplate signatures to the rear board of "5 Geo. 4". There are closed tears to the lifted vellum on the front board of "6 Geo. 4" and sections of wear to the vellum on the front board of "60 Geo. 3 & 1 Geo. 4". Internally the pages have scattered foxing prominent to the first and last few pages significant in several volumes. There is slight browning to the page edges. The title page is missing from "21 & 22 Vict." there is a repaired closed tear to the half-title of "26 & 27 Vict." and very occasional closed tears in a couple of volumes. Very Good George Eyre and Andrew Strahan hardcover

Rooke Books · Royaume-Uni7 750,00 £GB≈ 8 848,95 €

Plutarch; Various, TranslatorsBiblio.com

Plutarch's Morals; Translated From the Greek By Several Hands Complete Five Volume Set First Editions

1684061630London: John Gellibrand / R. Bentley 1684 / 1685 / 1690 . First Edition. Hardcover. Very Good/No Jacket as Issued. A Very Rare Set of First Edition Volumes. Only one other listing of such a set is online owned by Pryor-Johnson Rare Books who write that they are not aware of another copy of this edition. Brown half leather covers with marbleized boards. Decorative blind and gilt stamping on the spines with dual black slips on each. Five very slightly raised bands. Marbled page edges and end-papers. Woodcut engraved frontispiece presumably of Plutarch with tissue guard in each volume. Irregular pagination. Each volume is 500 to 600 pages long. Covers and spines are lightly rubbed in a few places. Back cover of volume 1 is nearly detached and head of spine is pulling away from binding good only. The heads of the other spines have some chipping. No marginalia only writing on tissue guard in volume 1. Volume 3's front end-paper has paper loss to it possibly from a removed bookplate. Bindings are tight and hinges/joints on each beside's back cover of volume 1 are holding strong. Very light to mild foxing as well as age-toning to each volume though for the publishing dates the text bodies are in wonderful condition. Full refund if not satisfied. "The Moralia Ancient Greek: Ethika; loosely translated as "Morals" or "Matters relating to customs and mores" of the 1st-century Greek scholar Plutarch of Chaeronea is an eclectic collection of 78 essays and transcribed speeches. They provide insights into Roman and Greek life but often are also timeless observations in their own right." Wikipedia. This particular edition contains 77 essays including the psuedo-Plutarchian work "On the Names of Rivers and Mountains" not typically found in the Moralia and lacks "Summary of the Birth of the Spirit" as well as "Sayings of the Spartan Women." Prefaces and dedicatories are authored as follows: Matthew Morgan for Volume 1; George Tullie for Volume 2; Robert Midgley for Volume 4; Samuel White for Volume 5. The English translation "Plutarch's Morals" 1684-1690 was a collaborative effort undertaken by a host of scholars. Their goal was to outdo the work of Philemon Holland who first translated the Moralia into English in 1603. As Matthew Morgan's preface to the first volume makes clear the entire Moralia was intended to be translated/published by the end of a single year 1684-5. It was also meant to only be 4 volumes altogether. But the collaborative translation ended up taking over 6 years and was 5 volumes when completed. The first 3 volumes were published by John Gellibrand 1684-1685 and the last 2 by R. Bentley 1690. The order of each treatise although not in the order classically placed in Plutarch's Moralia is according to the completion of each translation as they came to the publishers' hands. William W. Goodwin upon revising the 5th Edition of this translation in 1870 had this to say in his preface "The original editions.contained translations of every grade of merit. Some of the essays were translated by eminent scholars like William Baxter nephew of Richard Baxter and Thomas Creech.But a large number including some of the longest and most difficult treatises were translated by men whose ignorance of Greek - or whatever language was the immediate ancestor of their own version - was only one of their many defects as translators. Notwithstanding all the defects of the translation.it is beyond all question a more readable version than could be made now; and the liveliness of its style will more than make up to most readers for its want of literal correctness." A most rare and attractive set one of great historical value. PLEASE NOTE: This set will arrive with "signature required" upon delivery. Full refund if not satisfied. John Gellibrand / R. Bentley hardcover

Shelley and Son Books · États-Unis10 000,00 $US≈ 8 461,00 €

VariousBiblio.com

Progressive Architecture

1950SET65-66-B-1New York : Reinhold Publishing Co. 1950-73. Leather. Fine. 11.5" by 9". Various. A continuous 23 year run of selected sections from one of the 20th century's most significant architectural magazines uniformly bound by Bayntun Riviere of Bath. The sections included from the magazine are those concerning the design of either real planned or hypothetical buildings. Sections such as the 'newsletter' or 'manufacturers' literature' are not included. Thus there is a streamlined focus on design content. The relevant sections from each month's magazine are bound together by year with each volume running from January to December as one would expect. The pagination is truncated as a result: for most months the pagination will run from roughly 50-120. Thus there are twelve separately paginated sections in each volume corresponding loosely to those figures. Replete with illustrations both photographic and draughted. Colour photos become more frequent from the 1957 volume onwards. There is a general American focus but the wider world is not neglected. Every imaginable sort of building is covered from schools to hotels to offices and houses. Contemporary design is rigorously and intelligently discussed in the accompanying articles which situate the featured buildings within their wider social and practical context. New materials and technology are explored and ambitious theoretical designs are analysed. The architectural discussions by their very nature provide a fascinating angle on the wider cultural economic and political world of their particular year. For example one will find the design and utility of bomb shelters discussed at the height of the cold war and then 'omnibuildings' eagerly anticipated in the late 60s. In 1969 there is a feature titled 'Machine Art Past and Technology Art Present' while in 1970 the influence of modern technology on the design of movie theatres is explored. A beautifully bound unparallelled primary source for the history of architecture as well as for socio-economic history in the mid to late twentieth century. In half morocco by Bayntun Riviere. Externally excellent with just the occasional light mark to the boards. The 1955 volume has a small bookseller's stamp to the front pastedown. Internally generally clean and bright and firmly bound Fine Reinhold Publishing Co. hardcover

Rooke Books · Royaume-Uni6 800,00 £GB≈ 7 764,24 €

VariousBiblio.com

Etchings from Celebrated French Artists - 100 Etchings Signed by Etcher - TWO 2 VOLUME SET

97471As New. N.D. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - TWO 2 VOLUME SET. 100 etchings 50 in each volume. No date published circa 1850 -1890. Marbled endpapers; gilt-edged pages. List of etchers in alphabetical order: Boilvin Braquemond Brunet-Debaines Ch. Courtry Deblois Delauney Flameng Gaucherel Greux Ed. Hedouin Laguillermie Lalauze Lefort Lemaire LeRat Martinez Muzelle Rajon. List of French artists represented: Marilat Humbert Troyon Th. Rousseau JF Millet Manet Monet Jules Dupre Rosa Bonheur DeKniff Cormon Fromentin G. Courbet Eugene Delacroix Corot Georges Michel Barye Boulard Lhermitte Cabanal La Rochenoire Ricard Pissarro Van Marke Degas Diaz Sisley G. Moreau Goya E. Vernier Franz Halz Puvis De Chavannes. List of each etching with artist and etcher: Each etching is on 8X11 inch heavy paper; dimensions cited are approximate. Volume 1: "Ruines Et Mosquee Au Caire" by Marilat; etched by Rajon; 6X4 inches. "Vache Blanche Dans Un Pre" By Troyon; etched by Delauney; 5X4 inches. "Decollation De Saint Jean Baptiste" by Puvis De Chavannes; etched by Ch. Courtry; 6X4. "La Foret DHiver" by Rousseau; etched by Brunet-Debaines; 6X4. "Lecon De Tricot" by JF Millet; etched by Laguillerme; 5X4. "Enfant A Lepee" by Manet; etched by Braquemond; 6X4. "Grands Arbres Au Bord De Leau" by Jules Dupre; etched by Boilvin; 6X5. "Lautomne" by G. Courbet; etched by Ch. Courtry; 6X5. "Les Deux Foscari" by Eugene Delacroix; etched by Ch. Courtry; 6X5. "Danse De Nymphes" by Corot; etched by Boilvin; 6X5. "Gelee Blanche" by JF Millet; etched by Delauney; 6X5. "Une Chute Deau" by Georges Michel; etched by L. Gaucherel; 6X4. "Biches Et Daims" by Barye; etched by Deblois; 6X3. "Le Dejeuner by Boulard"; etched by Rajon; 5X4. "Macbeth" by Corot; etched by Laguillermie; 6X5. "Lhiver" by Eugene Delacroix; etched by Laguillermie; 5X5. "Grande Marine" by Jules Dupre; etched by L. Gaucherel; 5X4. "Barateuse" by JF Millet; etched by Ed. Hedouin; 6X4. "Mare Et Chenes" by Th. Rousseau; etched by Boilvin; 6X5. "Troncon Darbre En Travers Dune Route" by Georges Michel; etched by Lalauze; 6X5. "Petite Bergere" by J. F. Millet; etched by Ch. Courtry; 6X5. "Moulin Et Route" by Georges Michel; etched by Boilvin; 6X5. "Lion Rugissant" by Barye; etched by Boilvin; 6X5. "Incendie De Sosome" by Corot; etched by Laguillermie; 6X3. "Chasse Au Lion" by Eugene Delacroix; etched by Laguillermie; 6X5. "Bergere Filant" by J. F. Millet; etched by Brunet-Debaines; 6X5. "Environs De Granville" by Th. Rousseau; etched by Delauney; 6X4. "Plage De Scheveningue" by Georges Michel; etched by L. Gaucherel; 6X4. "Marine Clair De Lune" by Jules Dupre; etched by Lefort; 5X4. "Village Au Pied Dune Montagne" by Georges Michel; etched by Lefort; 6X4. "Pommiers en Fleur" by Claude Monet; etched by Lefort; 6X5. "Chevaux Sortant De Leau" by Eugene Delacroix; etched by Laguillermie; 5X4. "Homme A La Brouette" by J. F. Millet; etched by Le Rat; 6X5. "Lancien Parc De Saint-Cloud" by Th. Rousseau; etched by Delauney; 6X5. "Vaches Pres Dune Mare" by Jules Dupre; etched by Brunet-Debaines; 6X5. "Le Repos Des Moissonneurs" by Lhermitte; etched by Deblois; 6X4. "Femme Au Repos" by J. F. Millet; etched by Ch. Courtry; 6X4. "Hauteurs De Ville-Davray" by Corot; etched by Laguillermie; 6X3. "Marine; Temps Calme" by Jules Dupre; etched by L. Gaucherel; 6X5. "Un Etang" by Georges Michel; etched by Le Rat; 5X4. "Jeune Fille Appuyee Contre un Arbre" by Cabanal; etched by Boilvin; 6X4." Joueurs Dechecs" by Eugene Delacroix; etched by E. Hedouin; 5X4. "Le Gue" by La Rochenoire; etched by Lalauze; 5X4. "Portrait De Feydeau" by Ricard; etched by Martinez; 6X5. "Hauteurs De Sevres" by Corot; etched by Laguillermie; 6X3. "Route Dosny Pres Pontoise" by Pissarro; etched by Lemaire; 5X4. "Sommeil De Venus" by J. F. Millet; etched by Laguillermie; 6X4. "La Moisson" by Lhermitte; etched by H. Lefort; 5X4. "Vaches SAbreuvant" by Jules Dupre; etched by Laguillermie; 6X5. "Ciel Orageux" by Georges Michel; etched by Boilvin; .5X3. Volume II: "Habitations Et Canal A Saardam" by Claude Monet; etched by L. Gaucherel; 6X4. "La Cueillette" by Corot; etched by Brunet-Debaines; 6X4. "Chevaux Se Battant Dans Une Ecurie" by Eugene Delacroix; etched by Boilvin; 6X5. "Sentier Montant Dans Les Roches" by Th. Rousseau; etched by Brunet-Debaines; 6X4. "Vaches Pres Dune Mare" by Van-Marke; etched by Rajon. 5X4. "Femmes Causant Dans Une Rue De Village" by Lhermitte; etched by H. Lefort; 6X4. "Tour Au Bord Dun Etang" by Corot; etched Brunet-Debaines; 6X5. "Le Smeur" by J. F. Millet; etched by LeRat; 5X4. "Chaumieres Pres Cayeux" by Jules Dupre; etched by Greux; 6X5. "Troncs DArbres" by Georges Michel; etched by Muzelle; 6X5. "Landes Du Bassin DArcachon" by Van-Marke; etched by Ch. Courtry; 5X4. "LEte" by Eugene Delacroix; etched by Laguillermie; 5X5. "Foyer De La Danse A LOpera"by Edgar Degas; etched by Martinez; 5X4. "LAumone" by J. F. Millet; etched by Laguillermie; 5X5. "Route Au Bord De La Seine" by Sisley; etched by Lemaire; 6X4. "Environs De Granville" by Th. Rousseau; etched by Brunet-Debaines; 6X3. "Toreador Mort" by Manet; etched by Flameng; 6X4. "Un Passeur A Lile Saint-Ouen" by Corot; etched by Laguillermie; 6X4. "Le Jeune Homme Et La Mort" by G. Moreau; etched by LeRat; 6X4. "Route Montant A Un Moulin" by George Michel; etched by Flameng; 6X4. "Une Route Pres Voisin" by Pissarro; etched by Lefort; 6X5. "Charlotte Corday" by Goya; etched by E. Hedouin; 6X5. "Barques De Pecheurs A Fecamp" by E. Vernier; etched by Brunet-Debaines; 6X4. "Orphee" by Corot; etched by Delauney; 6X4. "Le Printemps" by Eugene Delacroix; etched by Laguillermie; 6X5. "Entree Du Bas-Breau" by Diaz; etched by Greux; 6X4. "Femme Entrainee Par Les Amours" by J. F. Millet; etched by Le Rat; 5X5. "Vaches Dans Un Marais" by Van-Marke; etched by H. LeFort; 6X4. "Vaches Passant Un Gue" by Jules Dupre; etched by Laguillermie; 6X5. "Les Moulins De Montmartre" by Georges Michel; etched by F. Flameng; 6X4. "Combat De Goetz De Berlichingen" by Eugene Delacroix; etched by Boilvin; 6X5. "Retour Du Laboureur" by J. F. Millet; etched by CH. Courtry; 6X4. "Clair De Lune Au Jean De Paris" by Th. Rousseau; etched by Greux; 5X5. "Le Joueur De Violon" by Frans Hals; etched by Ch. Courtry; 5X5. "Chaumieres Sous Des Arbres" by Georges Michel; etched by C. Lemaire; .5X4. "Le Lac De Nemi" by Corot; etched by Laguillermie; 6X5. "Une Saulane" by Jules Dupre; etched by Le Rat; 5X4. "Saint Jean" by Humbert; etched by Le Rat; 5X5. "Chevaux Et Moutons" by Rosa Bonheur; etched by Delauney; 6X4. "Un Clos Pres De La Foret De Fontainebleau" by De Kniff; etched by C. Lemaire; 6X4. "Cap Et Dunes De Saint-Quentin" by Jules Dupre; etched by L. Gaucherel; 6X5. "La Captive" by Cormon; etched by Martinez; 5X5. "Berger Ramenant Son Troupeau" by J. F. Millet; etched by Ch. Courtry; 6X5. "Un Vieux Manoir En Ruines" by Georges Michel; etched by Le Rat; 6X4. "Coucher De Soleil Foret De Fontainebleau" by Th. Rousseau; etched by Delauney; 6X4. "Saint Sebastien Secouru" by Eugene Delacroix; etched by Boilvin; 5X4. "Moulins Et Marais En Hollande" by Claude Monet; etched by Flameng; 6X4. "Portrait DAlberto Foraster" by Goya; etched by Laguillermie; 6X5. "Vue Du Nil" by Fromentin; etched by Flameng; 6X4. "Un Gue" by Corot; etched by Bracquemond; 7X4. -- with a bonus offer-- . hardcover

AB Books · États-Unis8 765,97 $US≈ 7 416,89 €

[various authors]Biblio.com

MY OWN MAG

19361A group of 12 numbers comprising: Nos. 5 - 17 out of 17 published. Barnet Herts. May 1964--Sept. 1966. Mimeographed sheets foolscap stapled. Illustrated. Individually cut pages with some issues featuring 'designed' stains gaps cut into the text see-through burns and inserts. Edited by Jeff Nuttall. Amongst other things important for the collaboration of Burroughs who introduced his own newspaper called variously The Burrough and The Moving Times also with Claude Pélieu and Carl Weissner. No.5 No date May 1964. Contains the first appearance of The Moving Times defined by Nuttall as Burroughs' "programmed assault on reality" via the cut-up method. Described as a 'Special Tangier Edition' the cover has a full-page drawing of Burroughs wearing a fez. M&M C100. Also: Jeff Nuttall. Light staining mostly on the blank back-page No. 6 No date July 1964. The "Cut-Up Issue" with most pages having been cut into eight squares which are stapled at edges to backing sheet. Contains "Afternoon Ticker Tape" in The Burrough appearing as the last two pages of My Own Mag. In "St. Louis Return" Burroughs refers to this magazine appearance "an experiment in newspaper format…largely a rearrangement of phrases from the front page of The New York Times September 17 1899 cast in the form of code messages." M&M C95. Also: B.S. Johnson; Anselm Hollo; Keith Musgrove; Jeff Nuttall. A bit stained rusting on the staples No.7 No date July 1964. Contains "Bring Your Problems to Lady Sutton Fix" and "Over the Last Skyscrapers a Silent Kite" in The Moving Times. M&M C97. Also: Alden Van Buskirk his first publication; Jeff Nuttall. The second burned cover with see-through window. Staples sl. rusty with a few staple-mark indentations. No.10 No date Dec. 1964. All British number featuring Bill Butler Tom McGrath Dave Cunliffe and others. Very well preserved clean. No. 11 Feb. 1965. Contains "Dec. 29: Tuesday was the Last Day for Singing Years" "Letter to Jeff Nuttall" and "Collage" in The Moving Times; plus letters and quotes from newsclippings on Dr. Dent's apomorphine treatment. M&M C105-108. Also: Michael McClure; Jeff Nuttall; Anselm Hollo. Near Fine No. 12 May 1965. Contains "The Last Words of Dutch Schultz" first appearance and "Letter to Sunday Times". M&M C112-113. Also: Carl Weissner; Jeff Nuttall on Sigma; Martin Bax. Staples sl. rusty o/w Near Fine. No. 13 Aug. 1965. "Dutch Schultz Special" containing "The Dead Star". One of 500 numbered copies in offset facsimile of the original manuscript. M&M C122. Also: Jeff Nuttall. Wear to the righthand margin. No. 14 Dec. 1965. Contains "Moving Times" being Burroughs quotes in collaged material by Carl Weissner. M&M C131. Also: Charles Plymell; Brian Patten; Tom McGrath; Bill Butler; others. Near Fine. No. 15 April 1966. With Editorial Bit 2 small leaves and list of subscribers/stencilled stapled to front page. Contains "Nut Note on the Column Cutup Thing" "WB Talking" "Quantities of the Gas Girls" and an untitled piece all appearing in The Moving Times. M&M C137-140. Also: Bill Butler; Claude Pélieu; Jeff Nuttall. Near Fine. No.16 May 1966. Edited by Clifton DeBerry c/o Better Books ie. Nuttall who only later discovered that the 'real' DeBerry was a black American Communist former Wobbly and two-time Socialist Workers Party candidate for President of the United States. Near Fine. No. 17 Sept. 1966. Contributors incl. Carl Weissner a cut-up of a Burroughs text; Jim Haynes; Criton Tomazos; Wm. Wantling; Doug Blazek; Claude Pélieu; Charles Plymell; Jeff Nuttall. The last issue. M&M C154. Near Fine. unknown

John Benjamins Antiquariat B.V. · Pays-Bas7 000,00 €

[various authors]Biblio.com

BAZOOKA

21249Collection of 36 Bazooka-group publications including complete sets of the 5 periodicals -BULLETIN PÃ‰RIODIQUE'' - "LES ANIMAUX MALADES' -"MÃ‰TAL HURLAND" -"UN REGARD MODERNE" -"ORPHELINA'' and some separate publications by the Bazooka group a collective of French graphic designers mainly active from 1974 to late 1978. It included Christian Chapiron using the pseudonym Kiki Picasso Jean-Louis DuprÃ© Loulou Picasso Olivia Clavel Electric Clito Lulu Larsen Bernard Vidal Bananar and Jean Rouzaud. The group with ultra-left sympathies was formed in the aftermath of May 68 and presented comics graphics and photographic creations of an aggressive and subversive nature. - Although some Bazooka publications were published in collaboration with existing journals the nature of their work remained provocative both in content and in its distinctive graphic style foreboding the nascent Punk movement. Bazookaâ€™s first magazine â€˜Bulletin PÃ©riodiqueâ€™ was immediately forbidden to minors. The various publications in this lot are illustrated throughout with photographs cartoons and comics and include numerous b/w and duotone plates. All text in French except for the last issue of â€˜Bulletin PÃ©riodiqueâ€™ which also features English text. The publications are ASSEMBLED in a unique hardcover binding 44.5 x 32 cm designed by Paul Groenendijk. The blue cloth cover has Bazooka printed on the front and features three foldable sections. The backcover and spine are executed in black cloth are black with the spine featuring the title Bazooka printed in gold. The binding is designed in such a matter that the magazines can be completely opened up for viewing purposes. Binding and spine are in mint condition. -Together with: SILENCE No. 1 seul paru Paris Futuropolis 1980 350x300mm 28 p. brochÃ© sous couverture illustrÃ©e de Loulou Picassoglassine originale. Interviews rÃ©alisÃ©es par DorothÃ©e Lalanne de Iggy Pop Howard Devoto John McKay Human League. Sept compositions pleine page en noir et blanc par Loulou Picasso du groupe Bazooka. Together with: Bazooka. Il Ã©tait une fois. Exposition â€œBazooka Un Regard moderneâ€ Les Sables-dâ€™Olonne MusÃ©e de lâ€™Abbaye Sainte-Croix 2 avril-12 juin 2005. Les Sables-dâ€™Olonne Le MASC 2005. EXHIBITION CATALOG. 335X485 cm 8 pagesincl. Covers. One of an edition of 200. IN THIS COPY CONTRIBUTIONS SIGNED BY THE AUTHORS/ARTISTS except T5DUR 6 prints by Lulu Larsen T5Dur Kiki Picasso Loulou Picasso Olivia Clavel Bernard Vidal printed in b/w on luxurious thick paper. Works of Bazooka Olivia Clavel Loulou Picasso Kiki Picasso T5Dur Bernard Vidal. With a copy of the invite to the exhibition. -Together with: PERVERS No 1 all published. Paris Bazooka Production 1979 58x29 cm sheet folded to 8pp equal to the size of a gramophone record 29x29 cm. Together with the actual gramophone record Â« La Perversita Â» Invisible Records 1979 in the original decorated sleeve designed by Kiki Picasso. Text and designs by Loulou Picasso Jean-Louis DuprÃ© Olivia Clavel T5 Larsen. This is actually the last Bazooka Production Â« mort Â» in 1980. hardcover

John Benjamins Antiquariat B.V. · Pays-Bas6 000,00 €

VariousBiblio.com

The Gurgoyle Stories: 1859 & 1860

185911196London: Gray's Inn. London Gray's Inn 1859-1860. Manuscript. Hardback. A fantastic manuscript comprising 17 original unpublished short stories and poems with elements of fantasy and the supernatural. Appears to be the sole surviving artefact of the Gurgoyle Club a group of Victorian barristers meeting at chambers in the Inns of Court. All seventeen contributions twelve stories three poems and two songs apparently unpublished. All but a couple of the contributors were distinguished men four feature in the Oxford DNB with the Cambridge friends Ralston and Munby in particular noted for their literary achievements. The ten contributors are: Richard Butt; Victor Chevalley de Rivaz 1833-1895 writer of cookery books two stories; Charles Wycliffe Goodwin 1817-1878 Egyptologist; William Henfrey two stories; Sir James Charles Mathew 1830-1908 judge; Arthur Joseph Munby 1828-1910 civil servant poet and diarist poem and song; Charles Spencer Perceval 1829-1889 F.S.A. Secretary to the Commissioners of Lunacy; William Ralston 1829-1889 writer and translator reported to have become insane 'from too close a study of the mysterious Whitechapel murders' story poem and song; John Lewis Roget 1828-1908 son of the compiler of the 'Thesaurus' two stories; Charles Mahon Tyndall d.1881 barrister two stories. Most of the contributors were born in the late 1820s or early 1830s and several were educated at Cambridge. The collection is entertaining and flashes of humour abound but horror and fantasy predominate. For example the poem 'Ye Pot of Porter' Ralston finds himself standing beside "the grave of one I loved: .The coffin bursts & from its reeking dark Rolls out a hideous mass of writhing flesh - She haunts me with her eyes: their glaring orbs Flash in the cornice dance around the walls And mock me through the trellice of the grate."And in Goodwin's 'Chalybaeus' the narrator writes of a baby: "The poor thing screamed & struggled as I took it up but I only hugged it the tighter and when I placed it in the arms of its mother it had ceased to scream; to my horror I found that it was a mere charred and roasted mass. In the heat of the moment I had not perceived that my arms had become redhot & the child had perished in my too ardent embrace." And in 'The Devil' Mathews writes: ".the demon sprang towards me & burst into a roar of fiendish laughter. He stood before me for an instant with his knees slightly bent & a hand resting on each: while his eyes transfixed me. An awful change rapidly came over him; his garments shrunk off him like burned skin off an eel; a hideous green cuticle covered with scales glistened upon him; a lurid flame burst out of a saucepan on his head; wings grew from his arms down his sides and to my unspeakable anguish he commenced tumbling in all directions round me. I lost all consciousness. Presently a horrible noise filled the chamber; I heard a voice like thunder consigning me to damnation. I felt that if I did not make a final effort & call the police I should be lost." 4to volume leaf dimensions 25 x 19.5 cm: 338 unnumbered pages. The entire volume is written out in the same neat hand only Roget's first contribution carries any emendation. The title two half-titles and the title of each piece are written out in red with initials illuminated in gold blue and white. Each page is enclosed in a red border. Internally tight and clean with text clear and complete on lightly-aged paper. In a sturdy red morocco binding with the boards blind-stamped with a fleur-de-lys decoration dentelles and marbled endpapers. Title in gilt Old English letters on spine. Worn and rebacked. Illustrated bookplate of the contributor V. C. de Rivaz and label of Dr Michael Brown of Gerrard's Cross. The first eight pieces are grouped under the half-title 'The Gurgoyle Stories read at the Supper at Coates' Chambers vi Grays Inn Square the xix of Jan. mdccclix' and the last nine under 'The Gurgoyle St . Very Good. Hardback. Manuscript. 1859. Gray's Inn hardcover

Hyraxia · Royaume-Uni5 250,00 £GB≈ 5 994,45 €

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