912 résultats
19850ssCottondale AL: Plain Wrapper Press 1985. Limited edition of only 75. Hardcover in tray case. Very Good/no dj as issued. In custom tray case. Antonio Frasconi. Italian text and English translation. Signed.<br /> Plain Wrapper Press. One of Gabriel Rummonds finest books with illustrations by Antonio Frasconi.<br /> --- --- <br /> Cottondale AL Plain Wrapper Press 1985. Hardcover in tray case 12.25" x 7.5". 1st Edition limited to 75 numbered copies signed by Calvino and illustrator Antonio Frasconi. This is copy no. 52. Printed on an 1847 Washington handpress at Gabriel Rummonds & Alessandro Zanella's Plain Wrapper Press. Housed in a cloth covered traycase with the publishers signet on the front.<br /> <br /> Hand-set in Berthold Post Mediaeval with Post Mediaeval display; text in 16D. White Magnani handmade wove paper printed damp on a Washington handpress in black and blue; woodcuts printed by Antony O’Hara and John Coleman. Bound by Craig Jensen in quarter leather with decorated paper over boards. <br /> <br /> Original Italian text of Calvino's short story followed by English version translated by William Weaver Calvinos longtime translator. Illustrated with 4 colored woodcuts by Antonio Frasconi. Smyth item 37<br /> <br /> Some faint foxing on the paper edge and in the margins of some pages. Very solid tray case with very light shelf wear. In all Very Good.<br /> <br /> ABOUT:<br /> <br /> Book collectors worldwide acknowledge GABRIEL RUMMONDS 1931–2024 as one of the world’s pre-eminent handpress printers of the late Twentieth Century. For almost 25 years using the imprints of Plain Wrapper Press and Ex Ophidia he printed and published illustrated limited editions of contemporary literature on iron handpresses primarily in Verona Italy and Cottondale Alabama. Rummonds has had several exhibitions of his work in Rome New York San Francisco and Verona culminating with a major retrospective exhibition held at the Biblioteca di Via Senato in Milan Italy in 1999. Many of the world’s most famous museums including The Museum of Modern Art and The Whitney Museum of American Art and libraries including the rare-book libraries of Harvard University Princeton University Stanford University The University of Georgia The University of Oregon and The University of Texas as well as numerous private collections of fine printing house his books.<br /> <br /> The University of Alabama appointed Rummonds the founding director of its MFA in the Book Arts Program in 1984. Several of his students have become prominent fine-press printers. He has also given workshops on Problem-Solving on the Cast-Iron Handpress at Rochester Institute of Technology in Rochester NY and at Victoria University of Wellington in New Zealand.<br /> <br /> Rummonds authored four trade books on printing: Problem Solving and Printing on the Cast-Iron Handpress Rochester Institute of Technology 1991 Printing on the Iron Handpress Oak Knoll Press & The British Library 1998 Nineteenth-Century Printing Practices and the Iron Handpress Oak Knoll Press & The British Library 2004 and Fantasies & Hard Knocks: My Life as a Printer Ex Ophidia Press 2015. He won a prestigious “Fifty Books of the Year†award for excellence in book design from the American Institute of Graphic Arts.<br /> <br /> Publisher Mark E. Fischer and late Publisher Emeritus Gabriel Rummonds relaunched Plain Wrapper Press in 2021. Sadly Rummonds passed away on Friday August 23 2024 at age 93. Over the past three years however he had worked tirelessly to revive the press which will continue to publish fine-press editions in the tradition that he established over 50 years ago. plainwrapperpress. Plain Wrapper Press hardcover
198126new york: harcourt brace jovanovich 1981. signed first edition in english 1981.<br /> <br /> translated from italian by william weaver. described as "a book about books" this postmodernist novel chronicles the experience of a reader trying to read a book with the title "if on a winter's night a traveler." since its publication this work has been featured on numerous must-read lists and is often included in courses on experimental fiction writing.<br /> <br /> new york: harcourt brace jovanovich. 8.75 x 5.75". 260 pages. hardcover. bound in cloth covered boards. book condition: fine. jacket condition: unclipped $12.95. fine. harcourt brace jovanovich unknown
1968COLLECTI014462IPARIS: EDITIONS DU SEUIL. FINE IN PRINTED WRAPS. PUB 1968. FIRST FRENCH. PAPERBACK. INSCRIBED BY CALVINO IN PARIS 1969 ON THE HALF-TITLE /TRANSLATED FROM THE 1965 ITALIAN EDITION BY JEAN THIBAUDEAU . PUBLISHER'S ORIGINAL GREEN BLACK AND WHITE PRINTED WRAPS. BOOK IS IN FINE CONDITION. THE BOOK IS INSCRIBED TO CHRISTIAN GIUDICELLI FRENCH NOVELIST AND LITERARY CRITIC. . EDITIONS DU SEUIL paperback
1967173168Torino: Giulio Einaudi Editore 1967. Il rischio che abbiamo corso è stato vivere: vivere sempre First edition inscribed by the author on the second blank "a Amanda & Robert da Calvino 20 Nov. 67". Calvino was awarded the Viareggio Prize for the short story collection but turned it down on the grounds that it was an award given by "institutions emptied of meaning". The English translation by William Weaver was published in the US as T Zero in 1969 and in the UK as Time and the Hunter in 1970. Octavo. Original green cloth spine lettered in white. With dust jacket. Spine faded cloth and contents slightly toned; jacket a little rubbed and toned extremities lightly chipped and creased a couple of small strips of old tape to rear panel flaps without price as issued: a very good copy in very good jacket. hardcover
1999BOOKS058856ISan Francisco: Arion Press. Fine copy in metal box. 1999. 1st. hardcover. Folio Limited to 400 numbered copies signed by the illustrator on the page opposite to the first drawing Translated from the Italian & introduced by William Weaver. The paper both colored and white is Italian Tiziano mould-made at Fabriano mill. The types are Veronese Monotype and handset and Twentieth Century handset. The type on paper and the photopolymer plates for the drawings on mylar were printed by letterpress. The book is bound in an anodized aluminum ring binding with U-posts allowing the leaves to be turned over in sequence. A back cover supports four U-posts a lid has four slots through which the U-posts rise and a locking pin of aluminum rod slips through the hoops securing the lid to the base. The binding was fabricated by Paul Sheet Metal Works in San Francisco. The titling is screen-printed onto a side of the lid. Includes the original cardboard mailing carton. . Arion Press hardcover
6579Plain Wrapper Press 1985. 1st Edition Limited Edition . Hardcover. Fine. Original Italian text followed by English version translated by William Weaver Calvinos longtime translator. Illustrated with 4 multicolored woodcuts by Antonio Frasconi. 4to. ¼-leather-backed paste-paper boards enclosed in publishers clamshell box paper label on cover. Plain Wrapper Press Cottondale AL 1985. <b>First Edition. Limited to 75 numbered copies signed by Calvino and Frasconi</b>. Smyth 37. This copy # 67. The second of two signed limited editions by Calvino in English. Without question Calvino was one of the greatest of modern Italian writers. It was rumored he was about to receive the Nobel Prize in Literature but he died shortly before the announcement. Fine Plain Wrapper Press hardcover
153781New York: Harcourt Brace Jovanovich 1981. Inscribed in Rome First edition in English inscribed by the author on the half-title "For Ken & Lee Auchincloss happy to find very good readers Italo Calvino Rome June 12th 1981" with Ken's bookplate. Kenneth Auchincloss 1937-2003 was a journalist author and collector of fine printing and private press books. He and his wife Lee "played host to memorable gatherings of printers artists and wood-engravers from both sides of the Atlantic" Independent. Auchincloss was widely travelled journeying to "more continents while stricken with cancer than most people do in a lifetime of good health" Gordon. He and Lee evidently met Calvino in Rome one year after the author's move to Piazza Campo Marzio near the Pantheon where he was occupied editing the work of Tommaso Landolfi for Rizzoli. Octavo. Original yellow cloth backed red boards titles to spine in black ISBN and star to rear in black red endpapers. With dust jacket. Head of spine and tips slightly bumped a few trivial marks to lower edge else bright and firm. A very good copy indeed in the sharp jacket spine panel sunned top edges a little toned nicks to head of spine and one tip lower tips a little rubbed and creased. John Randle "Kenneth Auchincloss Obituary" Independent 14 March 2003. Devin Gordon "Remembering Ken Auchincloss" Newsweek 3 April 2003. hardcover