((O P )), Noel AlexandreBiblio.com
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1275436129.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1275287670.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1275375111.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1275648525.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1275663095.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1270957341.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
114753Paris, Chez la Veuve Estienne 1789, 170x100mm, relié veau moucheté de l’époque, fleurons dorés, pièce de titre bordeau, tranches rouges, garde marbré. Bel exemplaire.
18822Privas, Imprimerie Ardéchoise, 1898, 1 broché, première de couverture détachée, 4ème de couverture manquante, dos fragile, exemplaire à relier. in-8 de 319-(2) pages non coupées, petits manques dans la marge du dernier feuillet ;
#[30796]Colonia appresso gli Heredi di Cornelio d'Egmond 1701. Sm.8vo. Contemporary vellum autograph title to spine. 158 pp. First published in 1700. - 'The eminent Dominican theologian of the Sorbonne Noel Alexandre 1639-1724 led the attack in France on the Jesuits' attitude towards the Chinese rites. He published an attack upon the Jesuit position in which he endeavours to show the similarities between the Chinese ceremonies and the idolatrous rites of the Greeks and Romans' Lach & Van Kley III p.430. - An interesting work as it mark the author out as a pioneer in the study of comparative religion. - Age-browned otherwise fine. Cordier BS col. 880; Lust 883 French ed.; Walraven 128 French ed.; Löwendahl Sino-Western relations 237 French ed. hardcover
3120" Police " n° 12 / Les Presses Noires (1969) - In-12 broché de 184 pages - Couverture en couleurs - Très bon état
3119Collection " La Chouette " n° 205 - Editions Ditis (1961) - Broché de 188 pages - Très belle couverture en couleurs de G. Benvenuti - Très bon état
151931211519 " Police " n° 15 / Les Presses Noires (1969) - In-12 broché de 190 pages - Couverture en couleurs - Très bon état
196931221969 Les Presses Noires (1969) - In-12 broché de 254 pages - Couverture photo de Jean Michalon - Très bon état
182798804New York: Published by the American Tract Society and sold at their depository no. 144 Nassau-Street 1827-1832. 1827-1832. Very good. - Octodecimo 18mo 6-6/8 inches high by 4-1/4 inches wide. Softcover laid into pictorial wrappers featuring a woodcut by Alexander Anderson. The corners of the covers are creased and there is a slit along the tail of the spine. The wrappers consist of 4-pages. The pamphlet itself consists of 8 numbered pages with the woodcut repeated on the first page and it is laid into the wrappers forming a total of 12 pages. There is a circular stain to the inner edges of the pages. Very good. <p>First edition. American Tract Society pamphlet number 183.<p>In the American tract magazine of November 1831 authorship is attributed to the Rev. Joseph S. Christmas. As to the date the American Tract Society was located at 144 Nassau Street between 1827 and 1832.<p>On the fourth page of the wrapper is printed a hymn by Isaac Watts "Imploring Mercy". New York: Published by the American Tract Society, and sold at their depository, no. 144 Nassau-Street, [1827-1832]. paperback
Barcelona, Editorial Planeta, 1960. Carta muy graciosa que un labrador envía a su querida con quien piensa casarse y una respuesta della en el mismo estilo. 31 p. 8º. Rústica editorial ilustrada algo rozada. Buen ejemplar. 1a edición. Primera edición. 1st edition. First edition.
1915z012737n/a: n/a 1915. Paperback. Very Good. 1915 season's greetings card featuring an early model of airplane. Measures 5 by 8 inches tie bound front illustrated with airplane and folding calendar contemporary gift inscription. Very good. Light edge wear and toning else clean and unmarked. n/a paperback
198362275s. l.: Par l'auteur 1983. Fine. Par l'auteur s. l. 1983 22 x 22 cm une feuille Large original black and white photographic portrait by Marc Trivier. Original unsigned gelatin silver print like most of Trivier's works. A precious original gelatin silver print by the celebrated Belgian photographer one of the most secretive contemporary artists who despite early international success preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his old portraits and the printing paper he used is no longer commercially available. The artist ""produces his own prints on Ilford baryta paper devoting several days of work to each one with particular concentration on rendering the whites in contrast with blacks of rare density. A print by Marc Trivier resembles no other. When he agrees to exhibit them he suspends them in stainless steel frames of his own making giving free rein to the life of the paper."" Xavier-Gilles ""Marc Trivier et la tragédie de la lumière"" ""Marc Trivier and the tragedy of light"" in Le Monde Libertaire 2011. This ""life of the paper"" ""vie du papier"" participates in the work just as much as the various alterations that photographs undergo when they are exhibited: ""Dans les boites les tirages gondolent mais qu'importe : le photographe affectionne ce genre d'accident."" ""In the boxes the prints warp but no matter: the photographer is fond of this kind of accident."" Claire Guillot ""Les face à face sans échappatoire du photographe Marc Trivier"" ""The inescapable face-to-face encounters of photographer Marc Trivier"" Le Monde 2011. Marc Trivier has a particular sensitivity for the material aspect of his productions. While photography is essentially about multiples this intervention by the artist in the entire creative process confers an autographic aura to these prints. Photographs of artists madmen trees or slaughterhouses Marc Trivier approaches all these subjects with a gaze as precise as it is intense. ""Dans sa cosmogonie chaque chose chaque être végétal animal ou humain mérite le même respect. Car tous sont confrontés à la même loi d'airain : la solitude."" ""In his cosmogony each thing each being plant animal or human deserves the same respect. For all are confronted with the same iron law: solitude."" Luc Desbenoit. The beauty that emanates from his photos comes from this nakedness. There is neither retouching nor cropping. We find in his work the same square format emphasized by the square of the negative that Trivier leaves on his prints. This frame traps our gaze in photographs where the artifice of color is rejected for an incisive black and white. With all artificiality having disappeared we do not face the staging of a subject but a presence exacerbated by radiating and singular light witness to an instant of life and not of pose. It is this light linked to the photographic medium that unites Marc Trivier's series: ""Les photographies de Marc Trivier écrivent une tragédie de la lumière celle-ci n'accueillant les êtres - hommes arbres ou bêtes - qu'en les brûlant avant disparition."" ""Marc Trivier's photographs write a tragedy of light welcoming beings - men trees or beasts - only by burning them before disappearing."" Xavier-Gilles in Le Monde Libertaire. It is also this light freed from all artifices that gives his works the aura that makes them so present. This ""burning"" ""brûlure"" of light brings us back to a real instant to Barthes' ""that-has-been"" ""ça a été"" La Chambre Claire 1980: ""De trente-cinq ans de pratique photographique d'obsessions c'est peut-être ça qui reste : un mode d'enregistrement singulier de la brûlure de la lumière décliné d'une image à l'autre en une succession de propositions qui se ressemblent et pourtant chacune est aussi singulière que la fraction de temps auquel elle renvoie."" ""From thirty-five years of photographic practice of obsessions this is perhaps what remains Par l'auteur unknown
pp. 37, plus color frontis & illustrations including a folding plate. Uncut. 8vo. Original printed wraps. Attractive Xmas book issued privately by publisher, bibliophile and Borrow collector Moncure Biddle. **PRICE JUST REDUCED! GYPSY 1.
19706069Garden City NY: Doubleday & Company 1970. First Edition First Printing. Hardcover. Near Fine/Very Good. 6 1/2 X 9 1/2 Inches. 441 PP. Stated "First Edition" on the copyright page. Original price of $6.95 intact on front flap. Signed by Gerson directly on the FFEP. Light wear to DJ edges. A very attractive copy overall. Doubleday & Company hardcover
20862Montpellier, Fata Morgana, 1975, in-4, en feuilles, couv. rempliée, chemise et étui. Édition originale de cet hommage collectif rendu à Bram van Velde. 1/100 ex. de tête num. sur Arches comprenant une suite de 5 très belles lithographies en couleurs, toutes justifiées et signées par l'artiste.
183694231836 Rittner et Goupil Paris 1836. E.O. Ex-dono en page de garde « A la grande actrice Madame DORVAL / Le baron de Brian » Reliure in-8 romantique d’éditeur, pleine percaline cerise, plat à encadrement à froid et or, petites taches sur le premier plat, dos lisse orné de dorure, date en pied, trois tranches dorées, rares taches en marge sinon intérieur frais. Prestigieuse provenance.
JD37176London Thomas Davison 1819-1824 first editions. Includes all 16 cantos of Byron's masterpiece printed anonymously complete in six volumes Vol. I Cantos I-II in 4vo with the remaining five volumes in 8vo half titles in volumes I and II Cantos I-II III-V errata slip bound at the end of volume 6 without advertisements bound in mid-20th Century blue half morocco with gilt borders spines gilt TEG marbled endpapers all spines with five raised bands this is one of the greatest works of the Romantic Period this his final masterpiece was begun in 1819 and was left unfinished at the time of his death in Greece in 1824. Occasional marginal foxing in volumes 1 2 and 4 else a beautiful set. London, Thomas Davison, 1819-1824, first editions. hardcover
JD37172Edinburgh D. Willison 1808 first edition. Article II in "The Edinburgh Review Or Critical Journal for October 1807.January 1808" this is Vol. XI printed by Willison for Archibald Constable and John Murray contemporary calf this is the first appearance of Lord Henry Brougham's scathing review of Byron's Hours of Idleness to wit: "his effusions are spread over a dead flat and can no more get above or below the level than if they were so much stagnant water" this review led Byron as he put it to drink three bottles of claret and begin composing his reply -- English Bards and Scotch Reviewers. Very good minus. Edinburgh, D. Willison, 1808, first edition. unknown
15359CAMBRIDGE CHRISTMAS BOOK THE UNIVERSITY PRINTING HOUSES AT CAMBRIDGE FROM SIXTEENTH TO THE TWENTIETH CENTURY. Cambridge: 1962. Oblong 4to. Cloth slipcase. 16 pages. One of 500 copies. A history of the press here issued as one of its series of Christmas Books. Fine. unknown
