Diderot, DenisBiblio.com
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2001DADAX2253149977Livre de Poche 2001-08-22. pocket_book. New. 4.33x0.31x7.01. Buy with confidence. Excellent Customer Service & Return policy. Livre de Poche unknown
2041Paris: Editions Edouard Pelletan / Helleu et Sergent Editeurs 1922. An edition of Diderot's subversive classic illustrated by Bernard Naudin one of the great book illustrators of the early 20th century. Includes a striking etched portrait of Diderot by Naudin here present in two states: the first state on Japanese paper and the final state on Chinese paper. Also includes seven wood-engravings by Perrichon after designs by Naudin. Edition limited to 750 numbered copies of which THIS IS ONE OF ONLY 25 COPIES BEAUITFULLY PRINTED IN BLACK AND RED ON FINE CHINESE PAPER. Squarish 8vo. Loose as issued in original wraps. Uncut largely unopened fine and bright. Original folding case a bit worn but still structurally sound. <br/><br/> Paris: Editions Edouard Pelletan / Helleu et Sergent Editeurs, 1922 paperback
MN22520Éditios Marval 1945 París. 19x14. XV214 pgs. Firma de anterior poseedor. Leve falta en la parte inferior del lomo. 666656 Éditios Marval, 1945, París. unknown
192275242Paris: Editions d'art Edouard Pelletan 1922. Fine. Editions d'art Edouard Pelletan Paris 1922 16 x 21 cm relié Edition illustrated with 7 original wood engravings by Jules Léon Perrichon and a portrait of Denis Diderot by Bernard Naudin one of 20 numbered copies on Japan paper deluxe copy. Bradel binding in full boards with overlapping flaps in vellum style endpapers and pastedowns of gold and silver effect paper covers and spine preserved top edge gilt on deckled edges contemporary binding. Fine copy well complete at rear with its duplicate suite on China paper of the original woodcuts and the double state of the frontispiece portrait. Editions d'art Edouard Pelletan hardcover
1757elala128Amsterdam i.e. Paris: Prault fils aîné 1757. 1757. 8vo. pp. ix 10-299. contemporary mottled calf gilt back binding damage to corners & spine ends. First Edition of the first of Diderots two plays. "The publication of the Fils Naturel occasioned an uproar It was sufficently novel in techniques of staging and acting as well as new emphases in character analysis and intellectural content to make it controversial The plays of Diderot were in sober fact revolutionary not merely in an aesthetic sense but also in a political one. The motivations the values the morality the self-evident truths set forth in the Fils Naturel and the Père de Famille were those of a new social class just beginning to feel its own power and to respect its own intutions it is impossible to say anything more cogent about Diderots plays than to repeat what Alexis de Tocqueville wrote in Democracy in America. If you would judge beforehand he remarked of the literature of a people which is lapsing into democracy study its dramatic productions The tastes and propensities natural to democratic nations in respect to literature will therefore first be discernible in drama and it may be foreseen that they will break out there with vehemence. Arthur M. Wilson Diderot pp. 261-62 Diderot sought to reform the theatre in three principal ways by giving it greater realism through an emphasis on stage settings the use of explicit stage directions and increased use of pantomime and gesture by creating what he called domestic and bourgeois tragedy and by making theatre a vehicle for inspiring virtuous conduct. Many of these theoretical aspects were dealt with in the accompanying Discours sur la Poésie Dramatique. The play was published anonymously although everyone knew Diderot was the author mainly because of some remarks concerning heaven and the ways of its providence that prevented the work from being published under public licence. Adams FN1. Tchemerzine IV p. 447. Cioranescu 24091 incorrectly referring to 12mo. format. 1st Edition. Amsterdam [i.e. Paris: Prault fils aîné], 1757. unknown
A9781165566006New. unknown
B9781165541669New. unknown
B9781165566006New. unknown
1018177655.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
110425705X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1104281392.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1165566001.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1165541661.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1375157795.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1016584369.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2009DADAX1104281392Kessinger Publishing 2009-04-02. hardcover. New. 6.00x0.81x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing hardcover
2003BN127667HERMANN 2003. 2003. Softcover. Le drame bourgeois : Fictions 2: OEuvres complètes volume X <br/><br/>Le drame bourgeois : Fictions 2: OEuvres complètes volume X Denis Diderot HERMANN paperback
58425Paris: Briasson David Le Breton. 1771. The set of 12 engraved plates from the Encyclopedie ou Dictionnire Raisonné des Sciences des Arts et des Métiers published 1751-80 each 38.5 x 25.5 cm. 6 fold out with the 3 original leaves of descriptive text. Paris: Briasson, David, Le Breton. 1771. unknown
198382953Ediciones Antiguas S.A. 1983. Piel. 2ª Mano. Clásicos Licenciosos 3. . Edición enriquecida con 9 grabados de la época y. con la serie de 30 ilustraciones modernas. Plena piel con dorados en portada lomo y corte. Piel. 450 p. ; 13x21 cm Ediciones Antiguas, S.A. unknown
1947862B4Paris: Pierre Larrive 1947. First edition. Paperback. Very Good Indeed. 10" by 8". Paul-Emile Becat . A limited edition copy of La Religieuse with colour illustrations. A limited edition copy. This volume contains La Religieuse by Denis Diderot with illustrations by Paul Emile Becat. Paul Emile Becat was a French painter printmaker and engraver and was awarded first prize in the Priz de Rome in 1920. Denis Diderot was a French philosopher art critic and writer and a prominent figure in the Age of Enlightenment.With fourteen colour plates by Paul-Emile Becat and a folder of seventeen black and white plates to the rear.Collated complete. The pages are loose in a folder and all present as issued. In a slipcase. In the original folder. Externally very smart with some light marks to the spine and boards. Internally the pages are loose as issued but bright and clean. The slipcase is smart with some light marks. Very Good Indeed Pierre Larrive paperback
1972Q-2070360571Gallimard 1972-03-01. Mass Market Paperback. New. New. In shrink wrap. Looks like an interesting title! Gallimard paperback
105525Paris : P. Arnould sans date. 125x90mm. frontispice reliure demi-chagrin. Avec piÂces dÕauteur et de titre et ornementations dorÂŽes au dos. Plats et garde marbrÂŽ. Tranche supÂŽrieure dorÂŽe. Belle reliure. Bel exemplaire. 236 P. Arnould unknown
1796049229Paris: Paris 1796 Book. Fair. Leather. Tome Deuxieme. Front board is detached covers have rubs and edgewear; minor foxing; the last page is torn and creased . Scarce copy of this 18th century work of fiction by Denis Diderot 1713 - 1784 the French philosopher and writer who was a prominent figure during the Enlightenment his major contribution to the Enlightenment being the Encyclopédie. This fictional work was completed in c.1780 however it wasn't published until 1796 after his death. 244 pages. Paris hardcover
79177Paris éditions André Vial 1970. 4to. 196 6 pp. Numerous plates in colour.Original full calf. Gilt. All edges gilt. In slipcase. Limited edition. . <br/><br/><em>Exemplaire No. 36 ""100 exemplaires sur vélin à la cuve de Rives numérotés de 29 à 128 contenant une suite en coleurs des illustrations"". </em> unknown
179652668Paris Buisson 1796/97 - An Cinquième De La République. 8vo. Very nice contemporary half calf with gilt spine. Minor barely noticeable repair to upper capital and slight bumping to corners. A very nice and clean copy with only very minor brownspotting. Printed on good paper. With the half-title bearing the "Décret concernant les Contrefacteurs" on verso. Book plate of Guy de Portuales to inside of front board. 4 411 1 pp. <br/><br/><em>The very rare first edition of Diderot's famous novel "The Nun" which was actually begun as an elaborate practical joke but which ended up as one of the most famous novels of the period. A great succes-de-scandale "The Nun" has both fascinated and unsettled the vast reading public since its first appearance. It started out as a series of letters from a fictitious character the nun Suzanne to one of Diderot's friends the Marquis de Crosmare who Diderot was trying to lure back to Paris describing her intolerable life in the convent and imploring him to help regain her freedom and her renounce her vows. The fictitious letters were later revised and written in to the novel that we know today. The work was completed in ab. 1780 and was published posthumously in 1796/97 attracting enormous attention and bringing to light a number of issues that had not previously been publically addressed. It focuses on the then-current practice of forcing young women into convents in order to get them out of the way on the unnatural life of the convents and on the corruption in religious institutions and among the clergy. As such it caused an outrage when it appeared and and became an instant succes-de-scandale. "A novel mingling mysticism madness sadistic cruelty and nascent sexuality it gives a scathing insight into the effects of forced vocations and the unnatural life of the convent. A succes de scandale at the end of the eighteenth century it has attracted and unsettled readers ever since. For Diderot's novel is not simply a story of a young girl with a bad habit; it is also a powerfully emblematic fable about oppression and intolerance. This new translation includes Diderot's all-important prefatory material which he placed disconcertingly at the end of the novel and which turns what otherwise seems like an exercise in realism into what is now regarded as a masterpiece of proto-modernist fiction." From the Oxford University Press edition 2005. Tchemerzine IV:471 </em> unknown
