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1996Embry 150514Dial Books 1996. First printing thus. Fine in fine dust jacket in mylar cover. Color illus. by Christian Birmingham. Abridged by Lesley Baxter. Dial Books, 1996. First printing thus. unknown books
1950WRCLIT53771Np 1950. 345314513791028 leaves plus numerous unnumbered inserted leaves. Quarto. Original typescript with frequent revisions and alterations throughout in pencil and occasionally in ink with a few inserts in carbon typescript. Punched and enclosed in leatherette binder. Generally very good to fine. An original working typescript for this evidently unproduced musical adaptation with text and lyrics by Rosen to be accompanied by music by Carleton Carpenter. The undertaking was quite ambitious and this draft stems from a point of ongoing substantive revision. Evidently plans proceeded to a further stage as tipped in front is a clipping from an unidentified trade paper indicating that Cyril Ritchard had been signed for the lead and negotiations were ongoing for a Broadway run produced by Kermit Bloomgarden. However IBDB records no such production though Rosen's and Carpenter's other Broadway accomplishments are represented. Rosen is there credited with staging the 1938-9 WPA Production of Shaw's ANDROCLES AND THE LION at the Lafayette Theatre in New York which ran 104 performances and featured an all African American cast. hardcover books
19712312412Great Britain: Penguin Books 1971. 4th Printing. Mass Market Paperback. Good. Cruikshank George. Fourth printing. Slight smell of smoke spine lightly rubbed pages lightly toned. 1971 Mass Market Paperback. 489 pp. "A poor orphan's adventures in the criminal underworld of mid-nineteenth-century London are the central theme of Dickens' second major novel. Penguin Books paperback books
19122312087New York: Grosset & Dunlap 1912. Photoplay Edition. Hard Cover. Very Good/No Jacket. Photoplay edition. Stamp-style bookplate featuring Dickens portrait affixed to front paste-down endpaper ink gift note on front free endpaper boards lightly soiled. 1912 Hard Cover. We have more books available by this author!. xv 1 432 pp. 8vo. Green cloth gilt image of Dickens on front board black titles. Illustrated with photographs from The Liebler Company's Centenary Celebration production of J. Comyn Carr's Adaptation of the Novel first acted by a special cast at the New Amsterdam Theatre New York City February 26 1912. "Oliver Twist subtitled The Parish Boy's Progress is the second novel by English author Charles Dickens published by Richard Bentley in 1838. The story is about an orphan Oliver Twist who endures a miserable existence in a workhouse and then is placed with an undertaker. He escapes and travels to London where he meets the Artful Dodger leader of a gang of juvenile pickpockets. Naively unaware of their unlawful activities Oliver is led to the lair of their elderly criminal trainer Fagin. Oliver Twist is notable for Dickens' unromantic portrayal of criminals and their sordid lives.1 The book exposed the cruel treatment of many a waif-child in London which increased international concern in what is sometimes known as "The Great London Waif Crisis": the large number of orphans in London in the Dickens era. The book's subtitle The Parish Boy's Progress alludes to Bunyan's The Pilgrim's Progress and also to a pair of popular 18th-century caricature series by William Hogarth A Rake's Progress and A Harlot's Progress.2 An early example of the social novel the book calls the public's attention to various contemporary evils including child labour the recruitment of children as criminals and the presence of street children. Dickens mocks the hypocrisies of his time by surrounding the novel's serious themes with sarcasm and dark humour. The novel may have been inspired by the story of Robert Blincoe an orphan whose account of hardships as a child labourer in a cotton mill was widely read in the 1830s. It is likely that Dickens's own early youth as a child labourer contributed to the story's development.3 Oliver Twist has been the subject of numerous film and television adaptations and is the basis for a highly successful musical play and the multiple Academy Award winning 1968 motion picture made from it. Grosset & Dunlap hardcover books
19122281598Grosset & Dunlap 1912. Reissue. Hard Cover. Very Good/No Jacket. Light stain to top margin corner does not affect text light spot on spine head. 1912 Hard Cover. We have more books available by this author!. xv 1 432 pp. 8vo. Green cloth gilt image of Dickens on front board black titles. Illustrated with photographs from The Liebler Company's Centenary Celebration production of J. Comyn Carr's Adaptation of the Novel first acted by a special cast at the New Amsterdam Theatre New York City February 26 1912. "Oliver Twist subtitled The Parish Boy's Progress is the second novel by English author Charles Dickens published by Richard Bentley in 1838. The story is about an orphan Oliver Twist who endures a miserable existence in a workhouse and then is placed with an undertaker. He escapes and travels to London where he meets the Artful Dodger leader of a gang of juvenile pickpockets. Naively unaware of their unlawful activities Oliver is led to the lair of their elderly criminal trainer Fagin. Oliver Twist is notable for Dickens' unromantic portrayal of criminals and their sordid lives.1 The book exposed the cruel treatment of many a waif-child in London which increased international concern in what is sometimes known as "The Great London Waif Crisis": the large number of orphans in London in the Dickens era. The book's subtitle The Parish Boy's Progress alludes to Bunyan's The Pilgrim's Progress and also to a pair of popular 18th-century caricature series by William Hogarth A Rake's Progress and A Harlot's Progress.2 An early example of the social novel the book calls the public's attention to various contemporary evils including child labour the recruitment of children as criminals and the presence of street children. Dickens mocks the hypocrisies of his time by surrounding the novel's serious themes with sarcasm and dark humour. The novel may have been inspired by the story of Robert Blincoe an orphan whose account of hardships as a child labourer in a cotton mill was widely read in the 1830s. It is likely that Dickens's own early youth as a child labourer contributed to the story's development.3 Oliver Twist has been the subject of numerous film and television adaptations and is the basis for a highly successful musical play and the multiple Academy Award winning 1968 motion picture made from it. Grosset & Dunlap hardcover books
1948135649London: Cineguild 1948. Vintage black-and-white reference photograph of director David Lean cinematographer Oswald Morris and lighting cameraman Guy Green on the set of the 1948 film. With a mimeograph snipe detailing who is in the shot. <br/><br/>From the estate of Guy and Celia Green with a letter of provenance attesting to same. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Criterion Collection 32. Cineguild unknown books
184044033London: Richard Bentley 1840. New Edition cf. Tillotson Transactions of the Bibliographical Society. Fifth Series Vol. XVIII No. 2 June 1963; Smith Notes 5d and 5e. Publisher's original dark red-brown diaper cloth vertically-ribbed with gilt spine lettering imprint present; arabesque design in blind to the boards. Average wear to extremities; spines sunned; light foxing and occasional edge-darkening to plates. VG. Three volumes: 2 331 1 blank 4 ads pp.; 2 307 1 blank pp.; 2 315 1 blank pp. 24 engraved plates by George Cruikshank. 8vo. 8-1/4" x 5" <br/><br/>Volumes I and II of the Bentley's fictitious "new edition" printed from the plates of the Second Edition with Vol III of the 1840 publication this volume entirely reset and printed by Schulze. Given the matched casings we presume the sheets were sent by the publisher to bindery at the same time and so sold as a set in 1840. Tillotson mentions having seen only one other copy of the New Edition at the London Library rebound and lacking the advertisements; Smith notes that it is "very scarce" and adds that the 1840 issue is also "quite scarce." Richard Bentley hardcover books
18381712004London: Richard Bentley 1838. 1st Edition. Hardcover. Very Good. First edition first issue title pages author noted as Boz no mention of Dickens and with the suppressed "Fireside" illustration. 24 plates by Cruikshank. 20.6 x 13 cm. 3 volumes very good in original cloth. 8 vo. In a handsome custom-made collector's case with leather spine and gold gilt lettering. London: Richard Bentley hardcover books
183945745.1Cincinnati: Published by U. P. James 1839. 1st edition thus American Imprints 55382. Cf. Smith AMERICAN 3 p. 115. Original publisher's rose-colored ribbon-embossed quarter cloth over drab boards both volumes rebacked at some point in the past. Printed paper title labels to spine. Wear & soiling. Volumes a bit cocked with wear & chipping to title labels Vol I mostly worn away. Usual foxing. Evidence of bookplate removal. Withal an About Very Good copy of this rare edition of Twist. iv 216; 2 196 pp. Cancel title leaves in both volumes from a comparison to our 1839 2 vol Lea & Blanchard copy apparently using the L&B sheets an aspect not recorded by Smith. 12mo. 7-1/4" x 4-1/2" <br/><br/> Published by U. P. James hardcover books
183946402Philadelphia: Lea and Blanchard Successors to Carey & Co 1839. 1st US edition American Imprints 55385; Smith AMERICAN 3 p. 85 - 87. Original publisher's rose-colored quarter cloth over drab boards both volumes rebacked at some point in the past. Printed paper title labels to spine. Now housed in a handsome quarter-leather custom chemise/slipcase. Wear & soiling. Volumes a bit cocked with title labels mostly worn away. Usual foxing. Evidence of bookplate removal. Vol I with paper repair to preliminary blank and lacking rfep. Vol II with period pencil pos to ffep. Withal a Good set of this important and rare US 2 volume edition housed in a handsome Fine condition slipcase. 2 adverts first state iv 224; iv 196 16 publisher catalogue pp. 12mo. 7-3/8" x 4-5/8" <br/><br/>A rare set infrequently offered on the market. Lea and Blanchard, Successors to Carey & Co hardcover books
1839LD7802Philadelphia / Paris: Lea & Blanchard / Baudry's European Library 1839 / 1844. possibly First American Edition. Hardcover. Good. Binding broken; neatly detached text block all edges marbled; 8vo 2 volumes bound together; OLIVER TWIST pp. 4 title-p. list of illustrations TOC 13-212 plus 20 of 24 plates by George Cruikshank; IVANHOE pp. 2 title-p. blank 223 with text printed in double columns. Text blocks including plates a little foxed and browned but bright and clean overall. Nice early copies worthy of rebinding -- Dickens may be the First American Edition. <br/><br/> Lea & Blanchard / Baudry's European Library hardcover books
196646889London: Oxford University Press 1966. Hardcover. Very good. lvi 403pp; folding map. Ink name on front free endpaper foxing to edges of textblock else a very good hardback in a rubbed jacket that has some loss at the extremities. <br/><br/> Oxford University Press hardcover books
18381903016Richard Bentley 1838. 1st Edition. Hardcover. Very Good. The first edition first issue in book form published before the magazine serialization was completed. In original cloth. Very good condition. Housed in a custom case with a leather spine. This the first issue has the "Fireside" plate in volume 3 and Boz listed as the author on all title pages. It was issued on November 9 1838. At Dicken's insistence the Fireside plate was replaced with the "Church" plate and Dickens's name replaced Boz and the book was reissued in three volumes a mere 7 days after the first issue on November 16 1838. Richard Bentley hardcover books
18381704204Richard Bentley 1838. 1st Edition. Hardcover. Very Good. Three volumes first edition first issue with "Boz" as author and "fireside" plate in Vol. 3. Rebound in handsome decorated leather binding. Repair to hinge in volume 1 volume 2 has some pages cut at the bottom not affecting text. With the bookplate of Ralph Clutton probably Rev. Ralph Clutton vicar of Horsted Keynes whose family later created a prominent real estate business still in operation today. Richard Bentley hardcover books
1842304371New York: Robert P. Bixby & Co. No. 3 Park Row opposite Astor House 1842. Fourth Edition. With Illustrations by George Cruikshank. 314pp. 1 vols. 8vo. Original brown blindstamped ribbed cloth gilt spine minor wear at head and bottom of spine else Very Good. Text very clean. Cruikshank George. Fourth Edition. With Illustrations by George Cruikshank. 314pp. 1 vols. 8vo. Robert P. Bixby & Co. No. 3 Park Row, opposite Astor House unknown books
196276399London:: Michael Joseph. Very Good in Very Good dust jacket. 1962. Hardcover. B000VTWJLI . Edited by Doris Dickens. First edition thus. Very good in a very good small impression from a removed sticker on front flap minor edge wear age toning along the spine price clipped dust jacket.; 354 pages . Michael Joseph, hardcover books
183913941.5Philadelphia: Lea & Blanchard. Successors to Carey & Co 1839. 1st edition thus Gimbel A31; Smith American 3 pp 96 - 97; Tillotson - Clarendon OT p. lv; Vander Poel B90; Wilkins p. 15. Original publisher's deep purple pebbled cloth binding with gilt stamping to spine. Cocked a bit shelfwear. Period pos to ffep which has a bit of foxing. A bit shaken with one early gathering coming loose. Withal an About Very Good copy. 2 11 - xii 13 - 212 pp double column of text. 4 preliminary blank leaves. 16 pp of adverts divided between front & rear including listings for other Dickens' titles. 24 inserted plates on yellow manila paper after Cruikshank's as redrawn by Yeager. Signed in both sixes & fours; sewn in 6s. 9-3/4" x 6-1/8" <br/><br/>The Philadelphia editions are textually important for they were typeset by the publisher using on occasion proofs of Bentley's Miscellany and therefore reflect a preliminary state of the text before Dickens' final revisions NCBEL III 792. NB. This is the copy pictured in Smith p. 94. Lea & Blanchard. Successors to Carey & Co hardcover books
184235306Philadelphia: Lea & Blanchard 1842. "3rd edition" Gimbel A31 'fifth copy'. Cf. Edgar & Vail note p. 18. Period maroon half-sheep binding with marbled paper boards. Spine darkened a bit with chip at base of spine. Pencil pos to t.p. Repaired tear to plate preceding p. 123. Withal a VG copy. vi ix - xii 15 - 212 pp. Text double column. 24 inserted plates after Cruikshank redrawn by Yeager. 10" x 6-1/2". Signed in both sixes & fours; sewn in 6s. <br/><br/> Lea & Blanchard hardcover books
184149132Philadelphia: Lea & Blanchard 1841. 3rd edition" Gimbel A31 "third copy". Period black half-leather binding with black cloth boards. Gilt stamping to spine. Modest binding wear. First gathering a bit loose. Leaf with pp. 167/168 with paper flaw/closed horizontal tear no missing text. An About VG copy. vi ix - xii 15 - 212 pp. Text double column. 24 inserted plates after Cruikshank's redrawn by Yeager. 9-5/8" x 6". Signed in both sixes & fours; sewn in 6s. <br/><br/>Includes 'The Author's Introduction to the Third Edition'. <br /> <br />Uncommon: not in Edgar & Vail nor VanderPoel; with the NUC showing no institutional holdings RLIN only 1 & OCLC locating just 6. Lea & Blanchard hardcover books
03743London: Richard Bentley 1838. Charles Dickens Unromantic Portrayal of Criminals and Their Sordid Lives<br/><br/>DICKENS Charles. Oliver Twist. By Charles Dickens. Author of "The Pickwick Papers" In Three Volumes. Vol. I. II. III. London: Richard Bentley 1838. <br/><br/>First edition of Dickens' second novel. The "Charles Dickens" issue with the title-page authorship credit to Charles Dickens instead of "Boz" and with the "Church" version of the final plate. First state of volume III with "pilaster" instead of "pier" or "pedestal" on page 164. Almost all the internal flaws according to Smith present. <br/><br/>Three octavo volumes 7 15/16 x 4 7/8 inches; 202 x 124 mm. Volumes I and III in twelves volume II in eights. iv 12-331 1 blank 4 advertisements; iv 12-307 1 blank; iv 12-315 1 blank pp. No half-title called for in Volume III. Twenty-four engraved plates by George Cruikshank. Small piece 3/4 x 3/8 inch torn away from upper corner of second plate in volume II repaired tear to top margin of following pages 61/62; E7. <br/><br/>Original Smith primary binding; Carter binding variant B reddish brown fine-diaper cloth front and back covers stamped in blind with an arabesque design spines ruled in blind and lettered in gilt original pale yellow coated endpapers. Some light foxing to plates as usual some light occasional marginal soiling. Spine ends and inner hinges of volume three expertly and almost invisibly repaired spines very slightly faded but gilt still bright. Armorial bookplate of Adrian Hoffman Joline on front paste-downs bookplate for volume two removed. Housed in a quarter brown morocco clamshell case. An excellent and very attractive set. <br/><br/>For this novel Dickens's first in the standard three-volume form Bentley divided the printing task between two firms: Volume I was printed in a twelvemo format by Samuel Bentley; Volume II in octavo format by Whiting; and Volume III preliminaries and signatures A-F and probably G by Whiting with the remaining text by Samuel Bentley again in twelvemo format. The three-decker publication date was 9 November 1839 and within a week at Dickens's insistence the title-pages were changed to include his name and the "Church" version of the final plate was substituted for the "Fireside" version. <br/><br/>Smith I 4. <br/><br/>Oliver Twist is the second novel by Charles Dickens and was first published as a serial 1837-39. The story is of the orphan Oliver Twist who starts his life in a workhouse and is then sold into apprenticeship with an undertaker. He escapes from there and travels to London where he meets the Artful Dodger a member of a gang of juvenile pickpockets led by the elderly criminal Fagin.<br/><br/>Oliver Twist is notable for its unromantic portrayal by Dickens of criminals and their sordid lives as well as for exposing the cruel treatment of the many orphans in London in the mid-19th century. <br/><br/>"My dear child' said the old gentleman moved by the warmth of Oliver's sudden appeal 'you need not be afraid of my deserting you unless you give me cause.' I never never will sir' interposed Oliver."<br/><br/>In this early example of the social novel Dickens satirizes the hypocrisies of his time including child labor the recruitment of children as criminals and the presence of street children. The novel may have been inspired by the story A Memoir of of Robert Blincoe 1832 an orphan whose account of working as a child laborer in a cotton mill was widely read in the 1830s. It is likely that Dickens's own youthful experiences contributed as well.<br/><br/>Oliver Twist has been the subject of numerous adaptations for various media including a highly successful musical play Oliver! and the multiple Academy Award-winning 1968 motion picture which featured Mark Lester as Oliver Jack Wild as the Artful Dodger Ron Moody as Fagin and Oliver Reed as Bill Sykes. London: Richard Bentley, 1838 unknown books
1838140940185London: Richard Bentley 1838. First Edition. Near Fine. First edition. First issue with Boz listed as the author on all title pages and with the Fireside plate as the final plate in Volume III. i-iv 12-3311 blank 4 ads; i-iv 12-307308; i-iv 12-315316 no half-title called for in Vol. III. Twenty-four inserted plates by George Cruikshank. Bound in publisher's primary original reddish-brown cloth decorated in blind arabesque pattern on on front cover with spine ruled in blind and lettered in gilt. Near Fine with slight fading to spines cloth lightly marked. Several previous owner names and bookplates to front and rear pastedowns. Rear inner hinge of Volume I started at top. Spine cloth of Volume III partially split along rear joint and large corner of rear free endpaper has been filled in otherwise free of restoration work. A fantastic set or one of Dickens' best-known works in the original cloth. Richard Bentley unknown books
1838140937708London: Richard Bentley 1838. First Edition. Very Good. First edition first issue with Boz listed as the author on all title pages and with the Fireside plate as the final plate in Volume III. Bound in early three-quarter leather over marbled paper all edges marbled. Spines darkened with cracking and repairs evident on the third volume hinges rubbed. Pages toned plates are browned and foxed. A lovely set. Richard Bentley unknown books
1860WRCLIT64144London: Chapman & Hall 1860. Contemporary three quarter brown morocco and marbled boards a.e.g. Binding worn joints mended some restoration to spine front binder's free endsheet cracking at gutter; just a sound copy. First edition. An uncommon collection containing fifteen of Dickens' articles including some well-known pieces: "A Curious Dance Round a Curious Tree" "A Plated Article" and "Valentine's Day at the Post Office." Dickens revised the texts of these pieces for this book publication and Wills dedicated the volume to Dickens. The editor's copy with his bookplate William Henry Wills on the front paste-down and a statement written out by a later owner in ink on a prelim narrating the provenance of this volume: it stayed with Wills' widow "formerly Miss Janet Chambers" until her death in 1892 when "Mr. Wills' library was inherited by my aunt Lady Priestly and is now in the possession of her son Dr. R. Priestly and to a smaller extent in that of her second son Mr. J.G. Priestly K.G. who presented me with this volume. G.E.S. Chambers. Edinburgh. May 1911." William Henry Wills' lifelong association with Dickens began in the fall of 1845 when Wills became the novelist's personal secretary and general administrative assistant. Wills had contributed to Bentley's MISCELLANY in 1837 had been a member of the literary staff of PUNCH at its founding in 1841 and had served since 1842 as assistant editor of Chambers's JOURNAL in Edinburgh. "On John Forster's suggestion Wills was made assistant editor of 'Household Words' and was given the same position by Dickens when ten years later 'All the Year Round' was incorporated with it. His business capacity was invaluable to Dickens and he was one of the most intimate friends of the novelist in later life. At the end of 1851 Wills accompanied Dickens on his theatrical tour in connection with the Guild of Literature and Art to the temporary success of which his exertions largely contributed. In 1868 while Dickens was in America Wills suffered concussion of the brain from an accident in the hunting field and was disabled from his duties as editor of 'All the Year Round.' He never recovered and retired from active work" - DNB. ECKEL pp.187-8. GIMBEL D35. SUZANNET E50. Chapman & Hall hardcover books
6176.1Philadelphia: T. B. Peterson and Brothers 306 Chestnut Street n.d. Early US printing ca mid-1850s per t.p.; cased post 1860 per binding style. Cf. Gimbel D25. Original brown cloth with gilt spine lettering; gilt figure on spine; Dickens' bust blindstamped to boards. Bright yellow eps. VG bright spine gilt/cloth chipped at spine ends/board showing slightly at tips/pos name stamp to t.p. vi 9 - 362 pp. Text double column. 6 pages of adverts at rear. Frontis & engraved t.p. 101 intratextual woodcut illustrations. Tall 8vo. 9-1/4" x 5-7/8" <br/><br/> T. B. Peterson and Brothers, 306 Chestnut Street hardcover books
8569Dickens Charles. THE NOVELS AND TALES. Philadelphia: Lea & Blanchard 1846. 3 vols. First edition. Original deep navy-blue cloth gilt. Some fraying to spine of first volume general mild edge wear discrete library stamps on front end papers and top edges no other markings to text or binding; a bright and attractive set. Included are PICKWICK OLD CURIOSITY SHOP BARNABY RUDGE OLIVER TWIST NICHOLAS NICKLEBY and MARTIN CHUZZLEWITT. We have seen only two other sets: we sold a rebound set more than a decade ago and we have seen a set in shabby condition worn and faded original purple cloth recased with new end papers. Because these volumes were the same size and thickness as the English "octavo novels" very few survive in acceptable condition. This is the first collected edition of Dickens' works published in America and it is entirely unrecorded: Wilkins thought the 1851 Peterson edition was the first collected American edition; Podeschi records only the four-volume reprint of 1851; the McGuire collection included an 1847-8 reprint. This edition even precedes by one year the first `Cheap Edition' of Dickens WORKS published in England and the Chapman & Hall collected edition "Library Edition" of the 1850s. Rare. hardcover books