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1947V18706Paris (Le Musée des Chefs-Oeuvre) 1947 (= Erste Ausgabe). 4°, Originalbroschur mit illustriertem Originalumschlag (Paperback), 12 unpaginierte Blatt, 2 farbige und zahlreiche schwarz-weiße Abbildungen, 1
199042966New York: The International Archive of Art Ltd 1990. First Edition. Quarto 35cm x 29.5cm. Blue cloth boards hardcover with blind-stamped titling on cover and titling embossed in gold on spine; pictorial dustjacket; 198pp; illus. Near Fine copy; very slight wear to upper extemities else clean and tight. Very Good dustwrapper; shelf wear to extremitie; small tears in bottom back panel and upper cover corner. An exploration of the work of 20th century French painter Michel Delacroix's of the urban landscapes and street life of his native Paris. 141 color reproductions of Delacroix's paintings 8 duotone photograps of his life 29 archival photographs of Paris and 39 pencil goache and pen-and-ink sketches by the artist. Text by Richard Howard. Foreward by David Rogath. Preface by Michel Delacroix. Edited designed and produced by Marshall Lee. The International Archive of Art, Ltd unknown books
74804<p>Michel Delacroix <br />A La Manille<br />Original lithograph <br />Hand signed in pencil lower right<br />Edition EA lower left<br />Image size: 48 x 57 cm<br />Sheet size: 56 x 76 cm</p><p>A La Manille is a very early lithograph from 1979. It depicts the everyday life of one of Paris' residential neighborhoods with laundry hanging out of windows and old storefronts selling groceries and everyday goods.</p>
74813<p>Michel Delacroix <br />Paris - Chez Riton<br />Original lithograph <br />Hand signed in pencil lower right<br />Edition EA lower left<br />Image size: 48 x 57.5 cm<br />Sheet size: 56 x 75.5 cm</p><p>classic paris street scene with bicycle cafes and shops. Michel Delacroix master of the Naïf Folk Art or Naive the most popular and successful artists in the world today. A self-styled "painter of dreams and of the poetic past" Delacroix has devoted five decades to painting a city he calls "the Paris of then" the magical place where he was born where he spent his boyhood and where he continues to live to this day.</p><p>But the Paris Delacroix paints is not the urban metropolis of the present. It is the dream-like place the city became in the 1940's during the Occupation when "we suddenly jumped fifty years into the past. No more cars in the streets very few lights. Paris suddenly became very quiet very dark and though people were afraid there was a brotherhood and spirit that was very delightful." For Delacroix who was then a child of seven and spared by his age from understanding "the cruelties and absurdities" of war it was "the one great adventure of my life."</p><p>And it is to this special Paris - the Paris of by-gone years and innocent splendors - that Delacroix has returned to over and over again in his gentle works. Theses works renowned for their graceful balance of "the earthy and the urban the cosmic and the ordinary" have captivated private collectors museums and ordinary people alike throughout the world earning the artist both universal acclaim and numerous awards.</p>
74814<p>Michel Delacroix <br />Arrivee du Tour de France sur le Champs Elysees 1990<br />Original lithograph <br />Hand signed in pencil lower right<br />Numbered XIX/CC lower left<br />Sheet size: 78.5 x 91.5 cm<br />Published by Axelle Fine Arts</p><p>classic paris street scene with bicycle cafes and shops. Michel Delacroix master of the Naïf Folk Art or Naive the most popular and successful artists in the world today. A self-styled "painter of dreams and of the poetic past" Delacroix has devoted five decades to painting a city he calls "the Paris of then" the magical place where he was born where he spent his boyhood and where he continues to live to this day.</p><p>But the Paris Delacroix paints is not the urban metropolis of the present. It is the dream-like place the city became in the 1940's during the Occupation when "we suddenly jumped fifty years into the past. No more cars in the streets very few lights. Paris suddenly became very quiet very dark and though people were afraid there was a brotherhood and spirit that was very delightful." For Delacroix who was then a child of seven and spared by his age from understanding "the cruelties and absurdities" of war it was "the one great adventure of my life."</p><p>And it is to this special Paris - the Paris of by-gone years and innocent splendors - that Delacroix has returned to over and over again in his gentle works. Theses works renowned for their graceful balance of "the earthy and the urban the cosmic and the ordinary" have captivated private collectors museums and ordinary people alike throughout the world earning the artist both universal acclaim and numerous awards.</p>
19901-0940577011Chalk Vermilion 1990. Hardcover. New. 13.60x11.60x1.10 inches. Chalk Vermilion hardcover
1999043737LITTLE BROWN US 1999. 1st Edition . Hardcover. Fine/Very Good. Signed by the artist with "Best wishes." Clean pages in bright newlooking covers. The book is nearly all full page artwork in color with minimal text. PAges show light fading to borders. Glossy jacket with fading along spine and spine ends rubbed. Oversize and heavy. First Edition. <br/> <br/> LITTLE BROWN US hardcover
ANAIS-0941393054LITTLE BROWN US. paperback. Good. 1.8x09x2.1. Buy with confidence. Excellent Customer Service & Return policy. LITTLE BROWN US paperback
20121257Axelle Fine Arts 2012. 2012 First Edition. Oblong 8vo. 120 pp. Red cloth. Jacket rubbed shelf wear. Fine in Near Fine dust jacket. 1st Edition. Hardcover. Fine/Near Fine. Axelle Fine Arts, 2012. hardcover
19902083002115803754THE INTERNATIONAL ARCHIVE OF ART 1990. Soft Cover. Fine. Volume: 1 THE INTERNATIONAL ARCHIVE OF ART paperback
0941393054.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
74783<p>Michel Delacroix <br />Rendez Vous de Macons 1984<br />Original lithograph <br />Hand signed in pencil lower right<br />Edition E.A. lower left<br />Published by Lublin Graphics</p><p>A lovely street scene view of the colorful bustling daily activity of wartime Delacroix's 1940's Childhood Paris. Michel Delacroix master of the Naïf Folk Art or Naive the most popular and successful artists in the world today. A self-styled "painter of dreams and of the poetic past" Delacroix has devoted five decades to painting a city he calls "the Paris of then" the magical place where he was born where he spent his boyhood and where he continues to live to this day.</p><p>But the Paris Delacroix paints is not the urban metropolis of the present. It is the dream-like place the city became in the 1940's during the Occupation when "we suddenly jumped fifty years into the past. No more cars in the streets very few lights. Paris suddenly became very quiet very dark and though people were afraid there was a brotherhood and spirit that was very delightful." For Delacroix who was then a child of seven and spared by his age from understanding "the cruelties and absurdities" of war it was "the one great adventure of my life."</p><p>And it is to this special Paris - the Paris of by-gone years and innocent splendors - that Delacroix has returned to over and over again in his gentle works. Theses works renowned for their graceful balance of "the earthy and the urban the cosmic and the ordinary" have captivated private collectors museums and ordinary people alike throughout the world earning the artist both universal acclaim and numerous awards.</p>
74819<p>Michel Delacroix <br />Roofs in Paris in the Snow 1991<br />Original lithograph <br />Hand signed in pencil lower right<br />Numbered 134/200 lower left<br />Published by Axelle Fine Arts</p><p>classic paris street scene with bicycle cafes and shops. Michel Delacroix master of the Naïf Folk Art or Naive the most popular and successful artists in the world today. A self-styled "painter of dreams and of the poetic past" Delacroix has devoted five decades to painting a city he calls "the Paris of then" the magical place where he was born where he spent his boyhood and where he continues to live to this day.</p><p>But the Paris Delacroix paints is not the urban metropolis of the present. It is the dream-like place the city became in the 1940's during the Occupation when "we suddenly jumped fifty years into the past. No more cars in the streets very few lights. Paris suddenly became very quiet very dark and though people were afraid there was a brotherhood and spirit that was very delightful." For Delacroix who was then a child of seven and spared by his age from understanding "the cruelties and absurdities" of war it was "the one great adventure of my life."</p><p>And it is to this special Paris - the Paris of by-gone years and innocent splendors - that Delacroix has returned to over and over again in his gentle works. Theses works renowned for their graceful balance of "the earthy and the urban the cosmic and the ordinary" have captivated private collectors museums and ordinary people alike throughout the world earning the artist both universal acclaim and numerous awards.</p>
38142Paris : Armand Colin, 1896 - in-12 demi-chagrin à faux nerfs avec fleurons, titre et auteur dorés, 297 pages - première édition - ex-libris gravé sur le contre-plat - bon état -
26545Written between May 1815 and October 1822. Addressed to Messrs Henri Pierre Delacroix et Fils of Elbeuf Normandy from various French locations principally Paris. 105 items of correspondence in French in various formats mainly 8vo. In good condition on lightly-aged paper. Each text clear and complete. The whole contained in a grey paper folder with 'Juillet 1818' on the front wrap. Each item unobtrusively numbered in neat red pencil. Featuring a wide range of the correspondents as few write more than once. Occasional letters docketed. Accompanied by a modern abstract by a French-speaker reflecting the difficulty of the various hands contained in the collection. Beginning on the eve of Napoleon's defeat at the Battle of Waterloo this substantial correspondence provides a mass of valuable information about social history and textile industry in France in the early nineteenth-century. Textile mills began to appear at Elbeuf at the beginning of the sixteenth century; by 1802 the industry was deemed of sufficient importance for the Emperor Napoleon to pay a visit. For more on the subject see 'La draperie d'Elbeuf des origines à 1870' by Alain Becchia Université de Rouen 2000. Included are several accounts including one for the whole of 1816 from Bertrand et Fils for dying textiles with the various colours given including 'bleu carbeau' and 'vert dragon'. This account is followed by a bill to the younger Delacroix from his vintner Boules and a long statement of account by 'Barbier Sellier Caroissier a Rouen'. Also present is an itemised bill by another 'sellier' named Le Roi followed by a long itemised bill by a 'chaudronnier' named Morchaud. Although the first letter in the collection from Welz et Cie of Rouen 4 May 1815 together with another from the same firm four days later sets the general tone giving detailed instructions regarding business about an 'envoy de laine' by a third party L. F. Ehrmann of Strasbourg the early correspondence also reflects the political anxieties of the period. On 15 May 1815 a correspondent writes anxiously from Paris of 'les morts et blessés la perspective de veuves et enfants de créancier et ouvriers'. On 21 May Duruflé of Paris comments with equal anxiety: 'il faut attendre le resulta du chant de mai. On a lespoir - s'il ya Delusion - que sa poura detourner les ennemis du projet qu'ils ont d'<arracher> notre territoire. S'il en est autrement il parait que nous avons des forces considerable sur toute la Ligne de nos frontieres et bien disposée'. On 12 July one Boulé writes from Paris that 'depuis la fin du Courant je n'ai pas recu un Soli et je n'avait presque rien recu de ce que je devait recevoir obligé de recevoir des Troupes étranger et de les faire nourire il faut de l'argent'. Duruflé writes again on 20 July that 'les moments de crise qui vienne de se passé in ne nous est heureusement rien arrivé. Madame Duruflé en a été quitté come bien d'autres pour <>'. Shortly afterwards one Choberl compliments the firm on not sending cloth to Angers. A. J. Curet on 30 July 1815 states that 'nous jouissons de la paix et de la tranquilité'. Among the orders contained in the correspondence is a request for cloth 'pour manteau capotte' for the 'habillement du 11e. Regiment. de Dragons'. Reflecting the state of affairs after Napoleon one Boucher writes from Paris in September of 1815 that the movement of troops in Paris is 'toujours considerables et nocturnes'. Of interest is a letter in French from the English inventor Samuel Pugh writing that he has not received a bill. A small swatch of green cloth is attached to a letter from Lamargne of Toulouse. With inadvertently poetic utterance a correspondence writes on 14 October that 'la couleur feuille morte n'est pas ma nuance'. Commenting on financial impropriety G. Jammon writes 18 October 1822 about 'des chevaliers d'industrie' who with 'aucun Domicile fixe' can have goods delivered and then disappear. One of the last letters contains a handwritten cheque by Henry Delacroix made out to 'Monsieur Charles Michel'. This is followed 24 October 1822 by an offer of the 'Sistemes sic de Tisseranderie Continue'. Written between May 1815 and October 1822. Addressed to Messrs Henri Pierre Delacroix et Fils of Elbeuf, Normandy, from various hardcover
189219947Chanson Moderne 1892 approx.
20648München: Piper, um 1913.,IN4 reliure pleine toile decorée editeur,plat illustré,envoi autographe auteur,274 S., mit zahlreichenm Abbildungen im Text und, montioert, auf Tafeln, illustr. Or.Pbd. 4°. Mit illustriertem Interimsumschlag, nicht beschnitten. Erstausgabe. (Umschlag etwas berieben, am Rand etwas bestossen, Einbandrücken erneuert)
192245031922; R. Piper & Co; München 2. Auflage (3.-4. Tsd.); Original-Halbleinen, 4°, 257 S.; mit 162 Abb., 1 Titelporträt u. 2 Faksimiles.
1836876319.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ria9781836876311_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
1957346H2551London: The Wide World 1957. Book. Illus. by Nicolson W.C. cover. Good. Single Issue Magazine. First Edition. 8vo - over 7¾" - 9¾" tall. xxiv 129-194 pages. Features: Heroes of the Tractor Trails with cover illustration - photo-illustrated article on the men who blaze tractor trails across the frozen north to supply mines and the military; Full Ahead to Destruction - a ten million dollar smuggling operation in the Mediterranean - article with photos; Red Eyes of Evil - hunting a 15' crocodile on the Zambezi; The Temple of Snakes - five white men filming a documentary amongst the savage Arusi tribesmen find trouble; Murderers in my Kitchen - the author's two jungle workers were convicted murderers; Trapped in a Floating Tomb - an astonishing sea story from off the Prussian coast involving the "Aurora"; Tooth for a Tooth - a Scotish flyer creates trouble in the city of Kandy on Ceylon when he violates a sacred shrine; Squeeze to Freedom - the amazing escape of a British P.O.W. from a German train in WWII; Caught in a Whirlpool in the Vialala river in Eastern Papua - article with photos; Sports Day with the Veiled Warriors - the Oulliminden Tuaregs of the French Sudan - article with photos; Jungle Guinea Pigs - Sgt. Ken McConnell's Auster crashed in Malaya - his nightmare trip to safety; and more. Bit of pencil writing on front cover. Average wear. Binding intact. A sound vintage copy. The Wide World Paperback
5930Le Musée personnel +/-1970
1926ABE-1648925988144BROCHE-282 PAGES-12 CM X 19 CM-LA SIBYLLE D'AUXERRE-LES TURQUOISES GRAVEES-SOUS LE SIGNE DE L'ESPRIT-LA MUSIQUE EN PERDITION-LE TESTAMENT D'EUGENE DELACROIX-LETTRE A GYP SUR LE PRINTEMPS A MIRABEAU-L'ENFANCE DE JEANNE D'ARC-L'AUTOMNE A CHARMES AVEC CLAUDE GELLEE (PAGES INTERROMPUES)-LE DEUX CENT VINGT CINQUIEME ANNIVERSAIRE DU LORRAIN-QUELQUES ROUSSEURS EN DEBUT D'OUVRAGE (5C)
1858003173Paris Schulz et Thuillié 1858 In-12 Demi-reliure Edition originale
47640Paris, Imp Brebant, édité par la revue L'Artiste, sans date (circa 1860), 315x225mm (avec marges), 195x160mm (hors marges), gravure en noir sur vélin, dessin et gravure par Masson. PHOTOS SUR DEMANDE. PHOTOS AVAILABLE. Quelques rousseurs en marge, sinon bon état.