Daumier (Honoré)Livre Rare Book
Scènes d’atelier
1849ARC-113257Lithographie Le Charivari 29/03/1849 Scènes d’atelier Un français peint par lui-même Hazard & Delteil N° 2526 N° de pierre 1136
Arcala Livres Anciens · Clermont-Ferrand, France120,00 €
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0413253104.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1971mon0000179727TBS The Book Service Ltd 1971-01-01. Hardcover. Very Good. in x in x in. very clean hardcove with mylar covered jacket. no marks. clean text. solid binding. very light wear. ISBN matches listing TBS The Book Service Ltd hardcover
1849ARC-113257Lithographie Le Charivari 29/03/1849 Scènes d’atelier Un français peint par lui-même Hazard & Delteil N° 2526 N° de pierre 1136
2002x-0470847662John Wiley & Sons Inc 2002. Hardcover. New. 1st edition. 282 pages. 9.50x6.75x0.75 inches. John Wiley & Sons Inc hardcover
2002I2-30-01-25-003Wiley 2002-11-22. hardcover. Good. 6x0x9. Minor wear on edges and corners. Clean pages with no markings. The image in this listing is stock photo for reference. Actual item may differ. Any queries just ask for photos. Your satisfaction matters!Ships same day in most cases!Textbooks may not include supplemental items i.e. CDs access codes etc. Wiley hardcover
2002Q-0470847662Wiley 2002-11-22. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Wiley hardcover
6346495John Wiley & Sons pp. xv 266 . Hardback. New. John Wiley & Sons hardcover
1835792979.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1889GIT00d2fForcalquier Imprimerie Brevetée Eugène Martin 1889. In-12 broché 4ff n ch 68pp.
2010DADAX1160556334Kessinger Publishing 2010-02-23. hardcover. New. 6.00x0.69x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing hardcover
1160556334.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1160249938.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
116757253X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1842Sand29<p><strong>DELACROIX SAND George 1804-1876</strong></p><p><u>Two autograph letters</u> signed " GS " to Eugène Delacroix<br />Nohant 6 & 7 July 1842 3 p. in-8° in total in black ink<br />Autograph addresses on verso<br />Stamp marks previous trace of mounting</p><p><strong>Saddened by the departure of her "good little" Delacroix after the latter's stay in Nohant in the company of Chopin and the rest of the Sand family the writer found herself immersed in her reading of <em>Les Mystères de Paris</em></strong></p><p><strong><u>From the Marc Loliée library</u></strong></p><p><em>" <strong>Cher bon petit</strong> J'espère que vous êtes arrivé à bon port sans trop souffrir de la chaleur qui a été modérée le jour de votre départ. Vous avez oublié ici quelques effets dont Maurice a fait une caisse laquelle part aujourd'hui. Comme le port en est payé accusez-en réception afin qu'elle ne s'égare pas sans que nous la fassions réclamer. J'ai encore retrouvé dans mes mouchoirs un mouchoir à vous. Je vous le mets à part ainsi que ceux qui pourraient se retrouver au prochain blanchissage. <strong>Que Jenny</strong></em> la gouvernante de Delacroix <strong><em>ne nous accuse donc pas de vous avoir grinché vos zardes</em></strong>¹<em>. – <strong>Je lis le Chourineur et je vous assure que malgré l'horreur du sujet et des détails</strong></em>²<strong><em> c'est jusqu'à présent fort intéressant et fabriqué avec beaucoup de talent</em></strong><em>. – <strong>Nous sommes restés tout tristes et tout déconfits de votre départ</strong>. Nous tâchons de jouer au billard mais je crois que vous avez emporté le carambouillage</em>³<em> dans votre poche et que vous ne nous avez laissé que le manque de touche. J'attends avec impatience un petit mot de vous. <strong>Nous sommes encore trop chagrins pour vous en dire long aujourd'hui</strong>. Et puis l'heure me presse. À présent cher soyez bien portant. Si vous nous regrettez autant que nous vous regrettons faites un effort pour nous oublier jusqu'à notre retour </em>Sand et Chopin rentreront à Paris le 31 juillet<em> alors vous nous raimerez de nouveau. <strong>Adieu moi et tous vous embrassons et vous aimons</strong>.<br />GS. "</em></p><p><em>" Cher ami mon dadet </em>sic <em>de Thomas </em>peut-être Thomas Aucante autrefois vacher<em> a commencé le cours de bêtises auxquelles je dois m'attendre en ne payant pas le port de la caisse que je vous ai envoyée hier. Si bien qu'il faut que vous le sachiez afin de n'avoir pas de contestation avec l'administration. Accusez-moi réception car tout ceci a été fort mal fait malgré mes précautions.<br />Nous nous portons bien. <strong>Nous vous aimons. J'ai rêvé de vous toute la nuit</strong> ; j'espère que c'est bon signe et que vous êtes bien portant.<br />À vous<br />GS. "</em></p><p>In response to his friend's repeated invitations Delacroix spent nearly two weeks in Nohant in June 1842. He wanted above all to rest "vegetate" as he put it and enjoy the pleasures of the countryside. Back in Paris he replied on the 8th stating that he had received the crate and calling the person who had brought it to him a cheat and an imposter demanding postage. He asked his friend for a small purse left in Nohant a purse that Solange had given him and a small cord from Algiers. He concluded: "The weather is awful for the nerves. When you dreamed that you saw me did you dream that you were the Duchess of Berry I send you all my sincere embraces but I am very sad" Corr. gén. de Delacroix t. II p. 116.</p><p>Using the slang present in Eugène Sue's work we understand that Sand is here in the middle of reading The Mysteries of Paris. The serial novel published in the Journal des débats from June 19 1842 to October 15 1843 inaugurated mass literature in the 19th century and earned its author immense fame in all social classes.</p><p><u>Provenance:<br /></u>Bibliothèque Marc Loliée<br /><u><br />Bibliography:<br /></u><em>Correspondance</em> t. V éd. G. Lubin Garnier n°2477 & 2478</p>
2019100095291ABC MELODY 2019 40 pages 21x21x1cm. 2019. Relié. 40 pages.
2019300032905ABC MELODY 2019 40 pages 21x21x1cm. 2019. Relié. 40 pages.
2019300033310ABC MELODY 2019 40 pages 21x21x1cm. 2019. Relié. 40 pages.
500307988abc MELODY Sans date.
1836876319.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ria9781836876311_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
177847462Le Jay Cuir Paris (Amsterdam) 1778
1012535592.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
036442740X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0259394351.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
74819<p>Michel Delacroix <br />Roofs in Paris in the Snow 1991<br />Original lithograph <br />Hand signed in pencil lower right<br />Numbered 134/200 lower left<br />Published by Axelle Fine Arts</p><p>classic paris street scene with bicycle cafes and shops. Michel Delacroix master of the Naïf Folk Art or Naive the most popular and successful artists in the world today. A self-styled "painter of dreams and of the poetic past" Delacroix has devoted five decades to painting a city he calls "the Paris of then" the magical place where he was born where he spent his boyhood and where he continues to live to this day.</p><p>But the Paris Delacroix paints is not the urban metropolis of the present. It is the dream-like place the city became in the 1940's during the Occupation when "we suddenly jumped fifty years into the past. No more cars in the streets very few lights. Paris suddenly became very quiet very dark and though people were afraid there was a brotherhood and spirit that was very delightful." For Delacroix who was then a child of seven and spared by his age from understanding "the cruelties and absurdities" of war it was "the one great adventure of my life."</p><p>And it is to this special Paris - the Paris of by-gone years and innocent splendors - that Delacroix has returned to over and over again in his gentle works. Theses works renowned for their graceful balance of "the earthy and the urban the cosmic and the ordinary" have captivated private collectors museums and ordinary people alike throughout the world earning the artist both universal acclaim and numerous awards.</p>
