(HUGHES, Langston and Bertolt Brecht)Biblio.com
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1965415839New York: Greenwich Mews Theatre 1965. Unbound. Fine. One mimeographed leaf folded to make four pages. Playbill for performances of Bentley's translation of Brecht's play with Hughes' "Gospel songplay The double bill was at its heart a marriage of financial convenience but Hughes admired Brecht and was happy with the pairing. The 21 May 1965 New York Times review commented to its readers "We know now that there are many other aspects to the Negro . but if we remember that this is only one side of his nature and potentialities we can share in his gift for rapturously innocent song and dance." The double-bill enjoyed success with over 100 performances. Greenwich Mews Theatre unknown
1960384904New York: Reuben Gallery 1960. Softcover. Near Fine. Single spirit-duplicated sheet. Quarto. Near fine with light wear along the foredge with a few tiny tears. A program for an early Happening performance held at the Reuben Gallery in New York by Allan Kaprow who coined the phrase to describe the emerging performance art that incorporated various forms of artistic expression such as text dialogue sounds colors music and audience participation. The pieces at this show featured: "Gossoon a chamber event movement" arranged by George Brecht with performances by James Waring John Baker and Jerry King; "E.G." by Robert Whitman starring Jim Dine Rosalyn Drexler Pat Oldenburg and Lucas Samaras; "Intermission Piece" by Kaprow; "Electronic Music" by Richard Maxfield who co-curated the Fluxus concerts at Yoko Ono's loft with LaMonte Young; and "Vaudeville Collage" written and performed by Dine. An important piece of ephemera from the then-emerging New York performance art scene of the early 1960s. OCLC locates no copies of this 1960 performance but one from 1959. Reuben Gallery unknown
Milano, Mursia, 1972, 8vo brossura editoriale, pp. 164 (Quaderni del Teatro Stabile di Torino, 26) .
1962365867New York: LeRoi Jones / Diane Di Prima 1962. Softcover. Fine. Magazine. 12pp. Single sheets printed both sides and secured with a staple. Fine. An influential mimeograph published by Jones and di Prima featuring some of the most important poets of the 20th Century. Unlike other magazines this so-called "newsletter" was distributed via a mailing list many of which were noted poets journalists critics publishers and artists. For this reason most copies were hand addressed or affixed with a mailing label and stamp and folded for mailing. This copy is remarkably pristine with no writing stamp or label. This issue features contributions from Jones Charles Olson David Meltzer Mike Strong Joseph LeSueur George Brecht John King and Frank Buck. [LeRoi Jones / Diane Di Prima unknown
3289(Oakland, California, Oakland Art Museum, 1963). 22.9 cm x 14 cm 63, (1) pages, illustré de 47 peintures en noir et blanc et couleurs. Brochure agrafée en très bel état.
In 4, pp. (24) con foto in b/n e pubblicita' n.t. Br. ed. con qualche alone polveroso al piatto anteriore. Programma di sala dello spettacolo di Brecht per la regia di De Bosio.
32403Nyons Borderie / Obliques, numéro 20-21 1979 in 4 (27x21) 1 volume broché, couverture illustrée, 304 pages, couverture illustrée, avec de nombreuses illustrations dans le texte. Revue Obliques, numéro 20-21. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
71740P., Le Seuil (Collection "Pierres Vives"), 1960, in 8° broché, 219 pages ; non coupé.
71434P., Editions Universitaires (Collection "Classiques du XXe siècle"), 1961, in 12 broché, 163 pages ; portrait en frontispice.
53704P., Le Seuil, 1973, in 8° broché, 477 pages ; index in-fine ; des rousseurs ; couverture illustrée.
20227Numéro spécial de la revue "Europe", 35ème année, N°133-134, janvier -février 1957, in 8° broché, 254 pages ; ilustrations hors-texte.
3615ADAM INTERNATIONAL REVIEW. N°254, 1956. In-8, plaquette agrafée, 32 p.
198620959AB1986. Frankfurt am Main Suhrkamp 1986. 8°. XII 135 Seiten. Softcover. 1.Auflage von 1986. Sehr guter neuwertiger Zustand mit nur geringen Gebrauchsspuren. KEINE Anstreichungen oder sonstige Eintragungen. paperback
17748Paris, L'Arche (coll. "Les grands dramaturges"), 1955. In-8°, 157p. Broché, couverture illustrée.
19958529Marval 1995 In-4 broché. 150 pages. Très bon état d’occasion.
178928034Paris Imprimerie BAUDOUIN 1789 une gravure en couleurs sur papier vergé ligné blanc, FORMAT : 25 x 30,5 cm, représentant une planche de Coléoptères gravés en noir et colorés à la main et gommées à la gomme arabique, par OLIVIER Guillaume-Antoine (1756-1814) . Auteur - J. Le brecht Reinold pinx.- Sellier sculp., 1789 Paris Imprimerie BAUDOUIN Editeur, ,
178928035Paris Imprimerie BAUDOUIN 1789 une gravure en couleurs sur papier vergé ligné blanc, FORMAT : 25 x 30,5 cm, représentant une planche de Coléoptères gravés en noir et colorés à la main et gommées à la gomme arabique, par OLIVIER Guillaume-Antoine (1756-1814) . Auteur - J. Le brecht Reinold pinx.- Copia sculp., 1789 Paris Imprimerie BAUDOUIN Editeur, ,
1970168340New York: Heiner Friedrich 1970. Second Edition a trade softcover original with all inserts present. The faithful reprint of the seminal Fluxus manifesto originally published in 1963. INSCRIBED by editor Jackson MacLow on the front wrapper verso: "This copy for David and Ellie and Blaine / Jackson / 3/11/74." <br /> <br /> Good to Very Good in perfect bound red-and-black wrappers with loss at the bottom fore-edges and moderate fading on the spine and page edges. <br /> <br /> Fluxus Codex US. Heiner Friedrich unknown
1990168375New York: Tellus 1990. Vintage cassette tape created by Tellus audio arts nonprofit Harvestworks and the Wexner Center for the Visual Arts at The Ohio State University. As New.<br /> <br /> Tellus was an audio cassette magazine based out of Manhattan active between 1983 and 1993. Strongly inspired by Fluxus and no wave art the publication was founded by visual artist and noise musician Joseph Nechvatal Shaker Museum curator Claudia Gould and new music composer and Harvestworks director Carol Parkinson. <br /> <br /> Fine in publisher's shrinkwrap. Tellus unknown
9230EUROPE, n° 137, mai 1957. In-8, broché.
1982400278New York: The Limited Editions Club 1982. A few tiny chips to glassine otherwise fine. Folio. Illustrations and an original lithograph by Jack Levine. Original gilt-lettered and -decorated black cloth; original glassine; original slipcase. LIMITED EDITION number 605 of 2000 copies SIGNED by the Levine and Bentley. The Limited Editions Club unknown
200505621Berlin, Suhrkamp verlag, 1956 ; in-8, 114 pp., broché. N° 13.
196240304New York: Living Theatre 1962. Very Good. New York: Living Theatre 1962. First Edition. Broadside flyer printed mimeograph on blue stock. Previous horizontal fold and light toning else Very Good and sound.<br /> <br /> Program to a Living Theatre group performance whose proceeds were used towards the publication of An Anthology "You may subscribe to an anthology in the lobby or by sending $2.98 To: La Monte Young.". Performances include Comb Music by George Brecht; Afro-American music by Henry Flynt with La Monte Young; and one of Yoko Ono's earliest American performances in both her piece The Chair #1 and her then-husband Toshi Ichiyanagi's piece Mudai #1. . Living Theatre unknown
4365Sans lieu, 1990. Tapuscrit in-4.
198918872Genève, Kundig, 1989. In-128 (lisez 3,8 x 2,8 cm) broché de 96 pages sur papier bible, couverture avec titre doré au premier plat. Flambant neuf. Livré sans la pièce de 1 €, qui ne figure ici que pour l'échelle...
