Pierre Augustin Caron de BEAUMARCHAISLivre Rare Book
Pierre-Augustin Caron De BeaumarchaisLivre Rare Book
Le Barbier De Seville
1996500084073Classiques larousse 1996 1996.
Démons et Merveilles · Joinville, France5,00 €
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1882736Théâtre de Beaumarchais; I.Portrait en frontispice.Reliure demi-maroquin prune à grands coins. Dos lisse richement orné de mosaïques dorées, pièce de titre verte, date en queue. Coiffes et charnière très légèrement frottées. Filets dorés que les plats. Tête dorée. Couverture et dos conservés. Intérieur très frais.
188237847Reliure plein maroquin rouge. Dos à nerfs. Filets dorés sur le dos et en encadrement sur les plats. Toutes tranches dorées. Reliure signée JOLY. Intérieur d'une belle fraicheur. Dessins de S. ARCOS gravés à l'eau-forte par Monziès.
190340363Reliure demi-maroquin rouge à coins. Dos à nerfs avec filets et fleurons dorés et date au talon. Tête dorée. Couverture conservée. Reliure signée CANAPE. Quelques piqures éparses et sur tranches. Orné de 62 compositions de Daniel VIERGE dans le texte. Faute sur la reliure sur le nom de l'auteur.
176542889Chez Duchesne et chez Merlin | à Paris 1765, 1764 et 1767 | 12.50 x 20 cm | trois textes reliés en un volume
190385449Edouard Pelletan | Paris 1903 | 17 x 24 cm | broché
1996500084073Classiques larousse 1996 1996.
1991500117454Hachette 1991 285 pages 17 8x10 9x1 5cm. 1991. Broché. 285 pages.
2522Maison Quantin 184 pages in8. Sans date. broché. 184 pages.
2007RO20148113FAYARD. 2007. In-16. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 140 pages.. . . . Classification Dewey : 843.085-Le roman sentimental
200773712Paris, Fayard, 2007, in-8, Broché, 140 pages. Envoi de l'auteur. Neuf.
177352614Imprimerie de Valleyre | Paris 1773 | 20 x 25.50 cm | relié
177380435Chez Ruault | à Paris 1773 - 1776 | 19 x 25 cm (In-4) | relié
31262Paris, Valleyre l'aîné, 1773 (pour la première partie. Les autres parties datent de 1773 et 1774) - in-12, reliure cartonnée d'époque pleine basane, titre doré sur dos orné de caissons et floraisons dorés, tranches jaspées - 1ere partie : Mémoire à consulter, pour Pierre-Augustin Caron de Beaumarchais, Ecuyer, Confeiller-Secrétaire du Roi, & Lieutenant-Général des Chaffes au Bailliage & Capitainerie de la Varenne du Louvre, grande Vénerie & Fauconnerie de France, Accufé. 66 pages par Caron de Beaumarchais, suivies de 6 pages de Consultation par Me Malbeste, avocat de Beaumarchais - 2eme partie : Supplément au mémoire à consulter, pour Pierre-Augustin Caron de Beaumarchais, Ecuyer, Confeiller-Secrétaire du Roi, & Lieutenant-Général des Chaffes au Bailliage & Capitainerie de la Varenne du Louvre, grande Vénerie & Fauconnerie de France, Accufé en corruption de Juge & calomnie. 111 pages par Caron de Beaumarchais, suivies de 9 pages de Cosultation, signés Bidault et Ader - 3eme partie : Addition au supplément au mémoire à consulter, pour Pierre-Augustin Caron de Beaumarchais, Ecuyer, Confeiller-Secrétaire du Roi, & Lieutenant-Général des Chaffes au Bailliage & Capitainerie de la Varenne du Louvre, grande Vénerie & Fauconnerie de France, Accufé : Servant de Réponfe à Madame Goezman, Accufée ; au fieur Bertrand d'Airolles, Accufé, aux fieurs Marin, Gazetier de France, & Darnaud Baculard Confeiller d'Ambaffade, affignés comme témoins. 132 pages par Caron de Beaumarchais, suivies de 8 pages de Consultation signées Bidault et Ader - 4eme partie : Mémoire à consulter, pour Pierre-Augustin Caron de Beaumarchais, Ecuyer, Confeiller-Secrétaire du Roi, & Lieutenant-Général des Chaffes, & Accufé de corruption de Juge. Contre M. Goezman, Juge, accufé de fubordination & de faux ; Madame Goezman, & le fieur Bertrand, accufés ; les fieurs Marin, Gazetier ; Darnaud-Baculard, Confeiller d'Ambaffade ; & Conforts. 172 pages par Caron de Beaumarchais, suivies de 26 pages de Consultation signées Bidault et Ader, puis de 2 pages de Notes par Caron de Beaumarchais - 5eme partie : Arrest de la Cour du Parlement, extrait des Regiftres du Parlement. Du 26 Février 1774. 43 pages signés Le Lay et 1 page signée Le Breton - Edition originale - Très bon état, malgré qqs pages mal imprimées
196188915Hachette | Paris 1961 | 12.5 x 19.3 cm | Broché
177989093Sans nom d'éditeur | Londres Philadelphie 1779 | 12.5 x 19.5 cm | Relié
1774481321774 A GENEVE, 1774 - 1775 - 1776 - In-12 - Reliure veau brun de l'époque - Manque au dos, 1 mors fragilisé - 230 , 168 & 110 pages + Errata (2) - Ex-libris manuscrit de l'époque joseph de Lamourous & Edmond Antin, 1824 - mouillures sur 10 pages, sinon correct - envoi rapide et soigné -Réf. 48132
176778500Paris, 1767 in-8, demi-reliure tardive (mi-19e), soigneusement restaurée avec conservation du dos. 2 pièces de titre cuir "Répertoire du théâtre français" //"Comédies"//"Beaumarchais", plats papier scrotel, tranches jaspées rouges, EUGENIE Drame en cinq Actes en prose, enrichi de figures en taille-douce, avec Un Essai sur le drame sérieux. A Paris, chez Merlin, 1767, 118p. Considéré comme l'édition originale, bien que Cordier présente une édition sans l'Essai sur le drame sérieux. LES DEUX AMIS, drame en cinq actes en prose, Chez la Veuve Duchesne / Chez Merlin, 1770, 156p. suivi de la partition pp. 157/163. Edition originale, en tous points conforme à l'exemplaire de Cordier. LE BARBIER DE SEVILLE comédie en quatre actes, 5e édition, Chez Ruault / La Veuve Duchesne, 1785, 132p. Cinquième édition. LE MARIAGE DE FIGARO comédie en cinq actes, Au Palais-Royal, Chez Ruault, 1785, 237p. Véritable EDITION ORIGINALE, la première citée dans la bibliographie de Cordier et parfaitement conforme aux caractéristiques de premier tirage. Il y précise que les tous premiers exemplaires ont paru sans figures, auxquels elles ont été ajoutées par la suite. Nôtre exemplaire possède les cinq planches sur papier fort, par St-Quentin et gravées pour les quatre premières par C.N. Malapeau, la dernière par Roi (où la Comtesse Rosina a la poitrine bien découverte). Cette édition contient : La Préface de l'auteur (suivie de "Caractères et habillements de la pièce"), au verso du faux-titre sous la liste des libraires dépositaires de l'ouvrage, l'Avis de l'Editeur et à la fin, après les Approbations (en dates des 28 février 1784 par Coqueley de Chaussepierre et du 21 mars 1784 par Bret, suivi du Permis d'imprimer et de représenter en date du 29 Mars 1784, par Lenoir), l'Achevé d'Imprimer du 28 Février 1785. Seule manque la mention " Avec les fig. de Malapeau (...) Sans les fig. de 5 à 10fr." citée sous l'achevé d'imprimer. (Sources : Bibliographie des oeuvres de Beaumarchais, Henri Cordier, A. Quantin, 1883). L'AUTRE TARTUFFE, drame en cinq actes, en prose, Nouvelle édition, A La Haye, Chez J.L. Dufour, 1802, 89 p. Textes en bon état de fraîcheur.
51-3723Amsterdam :Zacharias Chatelain 1733. Large folio. 32 x 49 cm. 12.25 x 19.25 inches.Modern binding by the artisan binder Sasha Mosalov; 3/4 Sokoto goatskin and marbled boards with matching endpapers. Half title and title page with repairs. Some pages with light stains. Very good. Text in Dutch. OCLC Number: 937130768. . . 6 xxviii 158 4 pp. With 60 copper plate engravings by Bernard Picart "The Roman" additional engraved architectural title page title page engraved printer's device an engraved headpiece woodcut floriated initials and woodcut endpieces. Picart based his illustrations primarily on the plates by Abraham van Diepenbeek that were engraved by Bloemaert for Michel de Marolles' Temples des Muses Paris 1655. Picart added superb rococo borders however that are exemplars of the style. The result combines the high baroque period of the Rubens school with the more gracious inventions of his own time. Each plate bears captions in French English German and Dutch. This is among Picart's final works as he died during the year of its publication. Brunet V:696. t.Titelbladet tryckt i rött och svart. Gravyr på titelbladet.Detta verk är baserat på tidigare arbeten av Jacques Favereau och Michel de Marolles.Grav. frontespis: "De Tempel der Zang-Godinnen. T'Amsterdam by Z. Chatelain." Amsterdam :Zacharias Chatelain, 1733 hardcover
1733B5643Amsterdam: Printed for Zachariah Chatelain c. 1733. Corners slightly bumped occasional faint browning; faint dampstains to blank margins of final plate and final few leaves; otherwise text and plates clean and crisp; a bright near fine copy in full contemporary mottled calf. Edition: First Edition in English Binding: Contemporary mottled calf seven raised bands with gilt morocco title on two and elaborate floral gilt design on remaining compartments; edges marbled. Notes: First Edition in English; published the same year as the French edition. Illustrated with Picart’s magnificent engravings each within an ornate border depicting fables of the ancient world many from Ovid. The text is by Antoine de La Barre de Beaumarchais. Size: Folio 297x468mm. Illustration: Illustrated with additional engraved allegorical title-page dated 1732 by B. Picart red- black title with printer’s device dated 1729 and 60 full-page plates captioned in French English German and Dutch engraved by Picart; tail pieces and rubricated initials. References: Reference Cohen de- Ricci 531; Brunet V 696 Pages: Half title blind illustrated title blind title blind preface xxii contents xxiii-xxiv 153 with 60 plates index and advertisement 3. Category: Book Plate Books General; Book Antiquities Printed for Zachariah Chatelain hardcover
2305SB039<p>ORNÉ DE LX TABLEAUX Où sont représentés les Evenemens les plus remarquables de LANTIQUITÉ FABULEUSE; Dessinés & gravés par B. Picart Le Romain & autres habiles Maitres; et accompagnés DEXPLICATIONS et de REMARQUES Qui découvrent le vrai sens des Fables & le fondement quelles ont dans lHistoire. A AMSTERDAM Chez ZACHARIE CHATELAIN M. DCC. XXXIII. 1733.</p>_x000d_<p>De 44x305 cm. Com xii 152 iv págs. Encadernação de grande beleza de inícios do século XX inteira de pele com nervos e ferros a ouro em casas fechadas na lombada com o ano de 1783 gravado no pé. As pastas totalmente cobertas por belos e muito elaborados ferros a ouro em esquadrias com uma cercadura exterior com uma fiada dupla de elementos vegetalistas delimitada por filetes duplos que enquadram nova cercadura simples que por sua vez é separada por filetes duplos de uma terceira cercadura simples com motivos vegetalistas virados para o centro que está decorado por um losango constituído pelos mesmos motivos sobre filetes duplos também em losango tendo ao centro interiormente um florão rodeado de pequenos elementos decorativos que se repetem nos cantos da parte central juntamente com motivos vegetalistas em voluta. Cortes das folhas carminados. Folhas de guarda em belo papel marmoreado.</p>_x000d_<p>Ilustrado em extratexto com frontispício gravado bela composição de motivos arquitectónicos com o título enquadrado por um pórtico com duas colunas com figuras alegóricas na frente de cada uma e composições alegóricas na parte superior e no embasamento relativas à morte ao tempo e à arte; e 54 belas gravuras em água-forte sobre papel mais encorpado a maioria da autoria de Bernard Picart. As gravuras incluem legendas em alemão francês neerlandês e inglês e encontram-se enquadradas por belas molduras com motivos alegóricos e antropomórficos todas da autoria de Picart.</p>_x000d_<p>Rosto impresso a vermelho e preto. Texto em caracteres itálicos na dedicatória índice de capítulos e citações no texto e nas notas dispostas em duas colunas. Inclui iniciais ornamentadas e florões de remate em xilogravura. A dedicatória apresenta um cabeção em água-forte com as armas do dedicatário.</p>_x000d_<p>Exemplar com falta de 6 gravuras: X XV XXII XXIII XXXV LVI encontrando-se uma folha branca em substituição das mesmas pelo que terá sido encadernado já com estas falhas. Apresenta acastanhamento do papel e manchas de humidade em algumas folhas destacando-se na margem lateral das folhas de anterrosto e rosto. Restauro amador na folha de anterrosto.</p>_x000d_<p>As primeiras páginas não numeradas contêm folha de anterrosto dedicatória a Philipp Karl von Eltz ou Philippe-Charles dEltz Kempenich 1665 Mayence 1743 e índice de capítulos. As últimas folhas têm um índice de assuntos.</p>_x000d_<p>Este livro reúne 60 episódios da mitologia grega cada uma acompanhada da sua gravura desde o <em>Caos</em> até ao submundo passando por Pandora Prometeu Pigmalião Hércules Andrómeda Penélope Sísifo e muitos outros.</p>_x000d_<p><em>Le Temple des Muses </em>é o título de uma obra do Abade de Marolles publicada em Paris em 1655 e dedicada à Rainha da Polónia Marie-Louise de Gonzague. É um dos livros mais importantes publicados no século XVII para o estudo da mitologia na literatura da época. Trata-se de um fólio com mais de 500 páginas ilustrado com 58 gravuras de página inteira.<br />A presente obra toma a de Marolles como ponto de partida embora no prefácio se avise que o «título é quase a única conformidade que existe entre a sua obra e a que agora é dada ao público»; e que a presente obra é detentora de uma mais completa e precisa explicação histórica. Não obstante a estrutura da obra é claramente semelhante sendo o seu conteúdo modificado e resumido relativamente à primeira. No mesmo prefácio se refere ainda que algumas das gravuras se baseiam naquelas que ilustram a obra de Marolles embora «apareçam aqui com tão grandes mudanças que tirando a excepção têm todo o mérito da novidade».</p>_x000d_<p>Bernard Picart Paris 1673 Amsterdam 1733 foi um notável ilustrador que ganhou muita reputação na Holanda e com um estilo semelhante ao de Rembrandt e Guido Reni.</p>_x000d_<p>Antoine de Labarre de Beaumarchais 1698 1750 é autor do texto. Nascido em Paris e antigo cónego parisiense mudou-se para a Républica Holandesa onde se dedicou ao jornalismo e à escrita e de acordo com o próprio encontrou uma verdadeira liberdade de ideias e de expressão.</p>_x000d_<p>EN 44x305 cm. xii 152 iv pp. Very beautiful binding from early 20th century full leather with raised bands and gilt tools on spine with the year 1783 engraved at its foot. The boards are completely covered with beautiful and very elaborate gilt tooling in frames with an outer frame with a double row of plant motifs inside double fillets that form a new simple frame which in turn is separated by double fillets from a third simple frame with plant motifs facing the centre. The centre is decorated with a central <em>fleuron</em> framed by double lozenge fillets. Red edges. Beautiful marbled endpapers.</p>_x000d_<p>Illustrated <em>hors-texte</em> with engraved frontispiece beautiful composition of architectural motifs with the title framed by a portico with two columns with allegorical figures in front of each and allegorical compositions at the top and bottom relating to death time and art; and 54 beautiful etchings on thicker paper most by Bernard Picart. The engravings include captions in German French Dutch and English and are framed by beautiful allegorical and anthropomorphic motifs all by Picart.</p>_x000d_<p>Frontispiece printed in red and black. Text in italics in dedication chapter index and quotations in text and notes arranged in two columns. Includes decorated initials and woodcut finishing <em>fleurons</em>. The dedication features an etching of the dedicatee's coat of arms.</p>_x000d_<p>Copy lacking 6 engravings: X XV XXII XXIII XXXV LVI with a white sheet replacing them so it must have been bound with these flaws. The paper is browning and there are damp stains on some leaves especially on the outer margin of the front and back leaves. Amateur restoration on half title page.</p>_x000d_<p>The first unnumbered pages contain an half title page dedication to Philipp Karl von Eltz or Philippe-Charles d'Eltz Kempenich 1665 - Mayence 1743 and chapter index. The last leaves have a subject index.</p>_x000d_<p>This work brings together 60 episodes from Greek mythology each accompanied by its own engraving from <em>Caos</em> to the underworld including Pandora Prometheus Pygmalion Hercules Andromeda Penelope Sisyphus and many others.</p>_x000d_<p><em>Le Temple des Muses </em> is the title of a work by the Abbé de Marolles published in Paris in 1655 and dedicated to the Queen of Poland Marie-Louise de Gonzague. It is one of the most important books published in the 17th century for the study of mythology in the contemporary literature. It is a folio of over 500 pages illustrated with 58 full-page engravings.</p>_x000d_<p>The present work takes Marolles' as its starting point although the preface warns that the "title is almost the only conformity that exists between his work and that now given to the public"; and that the present work has a fuller and more accurate historical explanation. Nevertheless the structure of the work is clearly similar its contents being modified and summarised in comparison with the first. The same preface also mentions that some of the engravings are based on those illustrating the work of Marolles although "they appear here with such great changes that apart from the exception they have all the merit of novelty".</p>_x000d_<p>Bernard Picart Paris 1673 - Amsterdam 1733 was a noted illustrator who gained much reputation in the Netherlands and with a style similar to that of Rembrandt and Guido Reni.</p>_x000d_<p>Antoine de Labarre de Beaumarchais 1698 - 1750 is the author of the text. Born in Paris and a former Parisian canon he moved to the Dutch Republic where he devoted himself to journalism and writing and where according to himself he found a real freedom of ideas and speech.</p>_x000d_<p>Referencias/References:</p>_x000d_<p>BNF ark:/12148/cb30701498g</p>_x000d_<p>Worldcat E39PBJk4B98MGfTqg6VGQhYtrq.</p> M-8-A-37 hardcover
1773130861773 A Londres, s. n.,: , 1773 tome 1 en un volume in-8, 212 pp., plein veau blond glacé d'époque, Outre les dix chants du poëme qui n' occupent que 196 pp., le premier tome contient : des notes sur chaque chant , des variantes choisies,relié avec: DESFORGES;La femme jalouse,comedie PRAULT 1785,xv 155p.+ CARON-BEAUMARCHAIS:l'autre tartuffe ou la mere coupable,drame en 5 actes en prose,RONDONNEAU 1797,imprimé EDITION ORIGINALE,preface 13p EDITION ORIGINALE -128p., manques importants au dos et coin émoussé, mais bel exemplaire.
1880864F30Paris: Lamplace Sanchez et Cie; Garnier Freres 1880-1885 . Leather. Very Good. 7.5" by 5". Not Stated. Two delightful volumes of French poetry from famous French writers illustrated with hand coloured plates. In the original French.The first work present is an 1880 edition of the poetry of Nicolas Boileau-Despreaux a seventeenth century French poet credited with doing much to reform French poetry. Illustrated with four delightful hand-coloured plates. Collated complete.The second volume is an 1885 edition of the poetical works of French polymath Pierre Beaumarchais. At various times in his life Beaumarchais was a watchmaker inventor playwright musician diplomat spy publisher horticulturist arms dealer satirist financier and revolutionary.This volume is likewise illustrated with four hand coloured plates. Collated complete. In quarter morocco bindings with cloth covered boards. Gilt detailing to spines. Slight discolouration to back strips with boards exceptionally bright. Internally firmly bound. Instances of spotting to page perimeters with pages otherwise generally clean and bright. Very Good Lamplace, Sanchez et Cie; Garnier Freres hardcover
4982Prault Père, Paris, 1774; François Grasset et Cie, 1772; Les Libraires associés, Londres, 1775; La compagnie des libraires, Paris, 1755; Delalin Paris, 1776; Didot l'aîné, Paris, 1772; N.B. Duschene, Paris, 1776; Delalain, Paris, 1776; Louis Chambeau, Avignon, 1754; in-8, 496 pp, rel. basane marron décorée d'ornementation dorées.
Features: The Invention of and Improved Compensation Balance - The Mechanical Genius of Charles Vander Woerd; The Tiffany 'Neverwind' Clock Description - Repairs and Adjustments; A Handmade Banjo Clock; A Gustav Becker Footnote; Beaumarchais; An Early D. Gruen & Son Minute Repeater or Fishing in High Seas; Description of an Electric Desk Clock; An Examination of Pendulum Mechanics; and more. Clean and unmarked with light wear. Nice copy. Book
