1 642 résultats
17742894Paris: In MS: "M. Navarre résidant à l'ile Bourbon de retour pour la seconde fois des Indes; a receuilly sic ces pièces à Paris en derniere année 1774 pour Mr. Desarnod son amy 1774. Very good. Sammelband containing a MS title-page and 18 printed works foliated 5-138 2-4 see below 139-320. At end: MS contents leaf enumerating the "Ordre des pieces renfermes dans ce Recueil." Contemporary French mottled calf worn spine gilt red morocco lettering piece marbled endpapers edges stained red. Very good condition. Sammelband of "all" the legal tracts concerning the sensational lawsuits between Pierre de Beaumarchais and his nemesis Magistrate Goezman. Our volume features 18 such tracts sic. Unusually the MS title-page gives the name of the compiler one M. Navarre who had lately returned from the West Indies for the second time who created the Sammelband on behalf of his friend M. Desarnod in the same year that all the tracts were published namely 1774.<br/><br/>Beaumarchais the French inventor musician courtier diplomat and playwright is now best remembered as the author of The Barber of Seville and The Marriage of Figaro. He also deserves a place in legal history -- not only because he was a professional litigant but also because he had considerable skill in cross-examination as well. See Robert A. Hendrickson "Beaumarchais as Cross-Examiner" in: American Bar Association Journal Vol. 52 No. 6 June 1966 pp. 559-563.<br/><br/>CONTENTS of the Sammelband and the order that they are to appear are given in a contemporary MS leaf no doubt from Navarre to his binder found at the end of the volume. We have transcribed the titles in full and provided publisher information and paginations: <br/><br/>¶ Mémoire à consulter pour Pierre-Augustin Caron de Beaumarchais signé Malbeste avocat.- Paris imp. de Valleyre 1773.- 42 pp.<br/>¶ Mémoire à consulter pour François-Thomas-Marie d'Arnaud. contre Pierre-Augustin Caron. signé Mille.- Paris imp. Lambert 1773.- 15 pp.<br/>¶ Mémoire à consulter et consultation pour le sieur Marin. Contre le sieur Caron de Beaumarchais signé Delabourey.- Paris imp. Couturier 1773.- 7 pp.<br/>¶ Supplément au mémoire à consulter pour Pierre-Augustin Caron de Beaumarchais.- Paris imp. de Quillau 1773.- 64 pp.<br/>¶ Mémoire pour Madame Goezmann signé Seguin avocat.- Paris imp. Lambert 1773.- 54 pp.<br/>¶ Mémoire à consulter et consultation pour Antoine-Bertrand d'Airoles accusé.- Paris imp. Cellot 1773.- 1 f. 41 pp.<br/>¶ Mémoire à consulter pour le sieur Marin en réponse à ce qui le concerne dans un Mémoire pour le sieur Caron de Beaumarchais.- Paris imp. Couturier 1773.- 36 pp. <br/>¶ Plainte de M. Goezman contre le sieur Caron de Beaumarchais signed Eynard Paris: Imp. de M. Lambert 1774 - pp. 3-7 of 7 lacking first leaf. See: BNF Catalogue des factums et d'autres documents judiciaires anterieurs Vol. 1 p. 136 no. 2102. See also: Cordier Bibliographie des oeuvres de Beaumarchais p. 89 no. 355. <br/>¶ Addition au supplément du mémoire à consulter pour Pierre-Augustin Caron de Beaumarchais. signé Bidault Ader.- Paris imp. Clousier 1773.- 78 pp. petite déchirure angulaire sans manque de texte au dernier feuillet.<br/>¶ Addition au mémoire de Madame de Goezmann pour servir de réponse au supplément du Sieur Caron signé Seguin avocat.- Paris imp. Lambert 1773.- 15 pp.<br/>¶ Mémoire pour le sieur Marin en réponse à ce qui le concerne dans un troisième libelle du sieur Caron de Beaumarchais. signé Picard avocat.- Paris imp. Couturier sans date.- 24 pp. <br/>¶ Supplément au mémoire du Sr. Bertrand d'Airolles signé Donnadieu de Noprat avocat.- Paris imp. Lambert 1773.- 14 pp. <br/>¶ Quatrième mémoire à consulter pour Pierre-Augustin Caron de Beaumarchais. contre M. Goezman. signé Bidault Ader.- Paris imp. Clousier 1774.- 109 pp. restaurations au dernier feuillet sans manque de texte. <br/>¶ Plainte contre la demoiselle Julie Caron de Beaumarchais signé Eynard avocat.- Paris imp. Lambert 1774.- 7 pp.<br/>¶ Observations pour Monsieur de Goezmann conseiller de Grand'Chambre signé Eynard avocat.- Paris imp. Lambert 1774.- 38 pp. mouillures aux premiers feuillets.<br/>¶ Requête d'attenuation pour le Sr. Caron de Beaumarchais signé Bidault.- Paris imp. Knapen 1773.- 28 pp.<br/>¶ Note remise par Monsieur de Goezmann signé Eynard avocat.- Paris imp. Lambert 1773.- 7 pp. <br/>¶ Arrest de la cour du Parlement extrait des registres du Parlement du 26 février 1774 signé Le Jay et Le Breton.- Paris Simon 1774.- 24 pp.<br/><br/>Provenance: Auxerre Encheres Lefranc 30 Oct. 2010 lot 7. --> Sadde 4 Nov. 2016 lot 5. In MS: "M. Navarre résidant à l'ile Bourbon, de retour pour la seconde fois des Indes; a receuilly (sic) ces pièces à Paris unknown books
178566809With the Suppressed Plates by Naudet BEAUMARCHAIS Pierre Augustin Caron de. La Folle JournÈe ou le Mariage de Figaro ComÈdie en Cinq Actes en Prose. Paris: de lÃImprimerie de la SociÈtÈ LittÈraireñTypographique chez Ruault 1785. First edition second printing. Royal octavo. li 199 pp. plus the errata leaf and five engravings by SaintñQuentin. Together with the excessively rare suppressed suite of engravings by Naudet laid in at end. Full 19th century red morocco decoratively stamped in gilt; gilt board edges and dentelles; all edges gilt; marbled endpapers. Faint foxing primarily to preliminary and terminal leaves. An extremely attractive copy. Housed in a custom quarter red morocco clamshell case. The suite of five engravings by Naudet was executed for an edition which was never printed and the plates were subsequently suppressed. They are especially rare when seen with their full margins as here. Le Mariage de Figaro Beaumarchaisà masterpiece influenced French literature by reviving the ìcomedy of intrigueî which had declined since MoliËre. In addition Le Mariage de Figaro was one of the first plays which fully incorporated DiderotÃs theories of acting and stageñcraft. ìIn 1784 the year of its first performance it was repeated sixtyñsix times. ìPublic interest was whetted by its satirical references to the aristocracy and it was this that first won it fame. Although greeted with enthusiasm by French society it in fact contributed largely to its destruction. It is however the music of Mozart which has immortalized it as the perfect type of comedy.î Cohen-Ricci pp. 125/6. Printing and the Mind of Man 230. HBS 66809. $5000 De l'Imprimerie de la SociÈtÈ LittÈraire-Typographique unknown books
178548621Paris: au Palais Royal chez Ruault 1785. First edition 8vo pp. 4 lvi 237; later full speckled calf red morocco label on gilt decorated spine; slight wear at the top of the spine else generally a fine copy. Contemporary ownership inscription of Alfred Vaux. Beaumarchais 1732-1799 aided the American cause by purchasing supplies for the American army in the Revolution. This play is his famous sequel to his earlier Le Barbier de Seville. It was first performed in 1784 and because of its immediate success there are many editions printed in 1785 this being the first. It was the later inspiration for the operas of Rossini and Mozart. Tchemerzine II p. 14-15: "The first edition was published without illustrations. Very soon after 5 illustrations by St Quentin were added." Printing and the Mind of Man 230: "Public interest was whetted by its satirical references to the aristocracy and it was this that first won it fame. Although greeted with enthusiasm by French society it in fact contributed largely to its destruction. It is however the music of Mozart which has immortalized it as the perfect type of comedy.no one can doubt its immortality." <br/><br/> au Palais Royal, chez Ruault unknown books
1929040427Paris: Librairie Historique A. Margraff; Baltimore Johns HOpkins Press 1929. Publiées d'après les originaux de la "Clements Library" par Gilbert Chinard. 139 2p. original stiff printed wrappers deckle edges blue pencilling on three pages. No. 335 of 800 copies "sur velin pur fils Lafuma Librairie Historique A. Margraff; Baltimore, Johns HOpkins Press unknown books
1885592Paris: Laplace Sanchez et Cie. 1885. First Edition Thus. Small Octavo bound in half morocco pp. 4 viii 500 2. With four hand-colored plates. Original morocco spine gilt over marbled boards. Top edge gilt. Some creasing to preliminary pages. Otherwise Fine. <br/><br/>The front free end paper carries a printed notation: "Bound expressly for Raphael Weill Co. Inc. San-Francisco." There's a sticker at the back for the book department of Raphael Weill which was a San Francisco department store. Laplace, Sanchez et Cie. hardcover books
1882015835Paris: Librarie Des Bibliophiles 1882. Limited Edition. Small Octavo. 1/170 copies on Hollande. In two volumes printed from the original 1775 edition. Vol. I. frontispiece lxxiv half-title 168pp. Vol. II. frontispiece 48pp. preface 51-272pp. illustrated with drawings by S. Arcos etched by MonziesLouis edited by Auguste Vitu bound in original printed wraps uncut in original glassine wrapper with title hand printed on spine. A fine set internally fresh glassine has very minor tears and wear to spine ends. Librarie Des Bibliophiles unknown books
1999500126372Hatier 1999 127 pages 17 8x10x1 2cm. 1999. Poche. 127 pages.
1785WRCLIT65397Au Palais-Royal Paris: Chez Ruault Libraire 1785. 4xlii2178pp. Octavo. Contemporary mottled calf spine gilt extra gilt red morocco label. Minor foxing front free endsheet neatly excised otherwise a very good copy. One of several printings of this celebrated comedy from Paris and elsewhere dated within the year of first authorized publication and like the proper first impression published without the plates. It is however possible that this printing is a "contrefacon" as the collation and ornaments differ from Ruault's editions reproduced in Tchemerzine or noted in Cordier. However the extended preface and approbations that were often omitted from the pirated editions are here present as are the imprint of Ph.-D. Pierres and the assertion "Achevé d'imprimer pour la premiere fois le 28 Fevrier 1785" and it is not among those piracies recorded by either Cordier or Tchemerzine. One of the most influential of 18th century French plays both at home and abroad -- after its first performance in April 1784 it was promptly translated and/or produced in Stockholm Nuremberg Lisbon Madrid London Copenhagen St. Petersburg and Budapest. An attractive copy. CORDIER pp. 31ff. TCHEMERZINE II:14-23. PRINTING & THE MIND OF MAN 230. Chez Ruault, Libraire unknown books
10640précédées d’une notice sur sa vie ses ouvrages par LA HARPE. Ses mémoires dont le texte avait été fort altéré, ont été collationnés sur les pièces originales que l’auteur publiait pendant ses procès. 6 tomes en 6volumes in 8 demi-cuir blond d’époque. Titre, tomaison, fers, roulette, filets, palmettes dorés. Filets à froid. Tranches marbrées. Tome 1 : faux-titre, portrait de BEAUMARCHAIS d’après DESENNE, gravé par ETHIOU, sous serpente, titre XLVIII, 415 pages, 1 page de table. Une charnière renforcée. Tome 2 : faux-titre, titre, 480 pages, 1page de table, 4pages de catalogue, petit manque coiffe supérieure. Tome 3 : Mémoires, faux-titre, titre, 463 pages, 1 page de table. Mors supérieur restauré. Tome 4 : Mémoires, faux-titre, titre, 554 pages, 1 page de table. Tome 6 : faux-titre, titre, 504 pages, 1 page de table Paris Furne Libraire éditeur 1826 Rousseurs plus ou moins importantes, plus concentrées en début et fin de chaque volume
37901Bordas. 1984. 3 très forts volumes in-8. Pleine toile avec jaquette. Nombreuses ills. dans les 3 volumes. Bon état. Ecritures en pages de gardes.
2013RO80259484Hatier. 2013. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 281 pages.. . . . Classification Dewey : 372.4-Livre scolaire : lecture
2019RO20244703Editions J'ai Lu. 2019. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 222 pages. . . . Classification Dewey : 792-Théâtre
1946RO30345153Gründ. 1946. In-18. Broché. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 111 pages. Rousseurs. Quelques illustrations en couleur, hors texte. Frontispice en couleur.. . . . Classification Dewey : 840.05-XVIII ème siècle
R300272824Nilsson. Non daté. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 187 pages - quelques illustrations en couleurs contrecollées dans le texte. 1er plat illustré en couleurs. Annotation au crayon de papier en page de garde.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
RO80261807Librairie Gründ. Non daté. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos fané, Papier jauni. 253 pages.. . . . Classification Dewey : 792-Théâtre
2001RO30350031Larousse. 2001. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 271 pages. Nombreuses illustrations en noir et blanc dans et hors texte.. . . . Classification Dewey : 840.05-XVIII ème siècle
101.758Paris, Librairie Gründ, 1935. 12 x 19, 253 pp., broché, bon état.
2010RO80247736Gallimard. 2010. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 258 pages.. . . . Classification Dewey : 792-Théâtre
1953R300295197Seuil. 1953. In-12. Broché. Etat d'usage, Couv. convenable, Dos plié, Papier jauni. 301 pages.. . . . Classification Dewey : 792-Théâtre
RO30343128Gründ. . In-18. Relié. Etat d'usage, Tâchée, Dos fané, Papier jauni. 189 pages. Rousseurs.. . . . Classification Dewey : 840.05-XVIII ème siècle
1938R300273117Larousse. 1938. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Papier jauni. 102 + 83 pages - une illustration en noir et blanc en frontispice de chaque volume.. . . . Classification Dewey : 372.6-Livre scolaire : français
1931R320095722LIBRAIRIE GALLIMARD. 1931. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 315 pages - Pages non coupées.. . . . Classification Dewey : 792-Théâtre
1931R320081981HILSUM RENE. 1931. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 315 pages .1 signature en page de faux-titre.. . . . Classification Dewey : 792-Théâtre
12869Club Français du Livre "Coll. Les Portiques" Paris, 1956 - Fort in-8 reliure d'Editeur plein cuir maroquiné violet, dos lisse, 730 pp. Bon exemplaire en bon état.
