FLEURY. Le Comte.Livre Rare Book
365 résultats
1897427481897 Paris. Plon. 1897. 1 volume in-8, plein veau orné d'un décor de cuir repoussé, ayant comme décor une scène de noyade surmontée par une envolée d’oiseaux au soleil couchant, aux teintes grises, noires et roses, sous chemise et étui de toile grise.
184539012Rochefort: Honorine Fleury 1845. Two volumes complete. AN EXCELLENT SET OF THE FIRST AND ONLY EDITION aside from several recent reprints OF THIS RARE HISTORY OF ROCHEFORT COMPLETE WITH LITHOGRAPHED PORTRAITS BY GARNIER AND THREE FOLDING MAPS. I: 7 II XXVII 468 XII pp 2 lithographed portraits by A. Garnier and a handcolored folding map; 3 528 XI pp a lithographed portrait and two folding maps. Printed on fine wove paper. 8vo. Attractively bound in contemporary quarter calf and decorated boards. Light wear to bindings internally clean. Rare. <br/><br/> Honorine Fleury hardcover
1854115981854 Paris, Victor Lecou, 1854 ; in -18 de (4) - 362pp. - (1)f. bl.; demi-chagrin rouge de l'époque, double filet doré sur les mors, dos à nerfs orné de caissons petits fers dorés, filet pointillé doré sur les nerfs, titre et auteur dorés, tête dorée. Exemplaire enrichi de 4 gravures de Legros à l'eau-forte qui devait illustréer une édition de Poylet-Malassis des " Souvenirs des funambules ", mais qui n'a pas eu lieu. ( VIcaire II - 189). Edition originale (Cf. Vicaire II -183 /184).
1820aa736Paris: Hubert Libraire Palais-Royal 1820. First. Very Good. This very scarce novel written by a popular comic French actress is in red morocco with gilt titles on spines and the gilt monogram of the Empress Marie-Louise on both covers indicating that the volumes are from her personal library. Other volumes from her library with similar bindings are held at Cambridge University and at Princeton.<br /> <p>The set is in very good condition overall. Vol. 1 does have some old water damage to front edges of covers half title and endpapers but the rest of the covers and the text are unaffected with only slight age toning and uneven page edges as is sometimes typical for books of this period. Vol. 2 shows none of the issues of Vol. 1 and has only minor scuffing at the corners. Modest foxing primarily at half title and title pages Both bindings are tight and sound. An internet search yields no other originals currently available just modern print-to-order copies. So the novel itself is scarce but its association with the Empress makes this set unique.</p> <br /> <p>Marie-Anne-Florence Bernardy-Nones 1766 - 1818 known as Mademoiselle Fleury was a Belgian actress active in France Her father Louis-Joseph Nones known as Fleury and mother Marie-Anne-Denise Bernardy daughter of Charles Bernardy were comic actors in the provinces who often appeared in the Austrian Netherlands. Mademoiselle Fleury debuted at the Comédie-Française in 1786 and became a sociétaire in 1791 retiring in 1807.</p> <br /> <p>Marie Louise 1791–1847 was Napoleon's second wife and as such Empress of the French and Queen of Italy from their marriage in 1810 until his abdication in April 1814. She was the eldest child of Francis II Holy Roman Emperor and Emperor of Austria and his second wife Maria Theresa of Naples and Sicily. Despite Napoleon’s abdication her royal parentage was recognized by the Congress of Vienna and she became the Duchess of Parma from 1814 until her death.</p> . Hubert, Libraire, Palais-Royal unknown
18363385Paris, Ambroise Dupont, 1836. 6 volumes in-8 de 390 + 426 + 397-[2] + 436 + V, 384 + 402 pp. Demi-maroquin rouge, dos à nerfs ornés de filets dorés. Rousseurs, coins très légèrement frottés.
1883RO40255847A. M. Georges Rohault de Fleury, Paris. 1883. In-Folio. En feuillets. A relier, Plats abîmés, Dos abîmé, Mouillures. Ensemble de feuillets (env. 250-300 pl.): planches illustrées de nombreuses gravures en noir et blanc, et feuillets du texte sur 2 colonnes. Plats des ouvrages brochés conservés (déchirés). Annotations sur ces mêmes plats, avec des envois manuscrits de l'un des auteurs. Quelques rousseurs.. . . . Classification Dewey : 97.2-Dédicace, envoi
1836099928Paris: Au Bureau Du Moniteur Des Villes et Des Campagnes 1836. Books measure 26x18cm. 740pp921pp668pp816pp740pp648pp. Bound in period quarter calf marble boards flat gilt bands gilt title lettering. Bindings lightly rubbed occasional minor nick or abrasion mark tail of one spine chipped with loss one hinge joint split but board firmly attached. Generally all bindings in good clean firm condition. Internally a couple of pages working loose light tanning or foxing. Pages in good clean condition. A nice set in attrcative period bindings. . Quarter Calf. Very Good. Large 8 Vo. Au Bureau Du Moniteur Des Villes et Des Campagnes Hardcover
1821680899 vol. in-8 reliure de l'époque demi-veau brun, dos lisse orné, Chez Alexandre Corréard, Paris, 1820-1822 : Tome 1 : 2 ff., 443 pp. avec deux planches hors texte (portrait en couleurs de Napoléon et Plan de Longwood) ; Tome 2 : 2 ff., 496 pp. avec deux planches hors texte (portraits de Las Cases avec son fils et de Gourgaud) ; Tome 3 : 2 ff., 459 pp. avec une planche hors texte, une carte dépliante et deux tableaux dépliants ; Tome 4 : 2 ff., 432 pp. avec 2 planches hors texte (portrait de Bertrand et Montholon) ; Tome 5 : 2 ff., 522 pp. ; Tomes 6 et 7 : Les Cent Jours. Mémoires pour servir à l'histoire de la Vie Privée du retour et du Règne de Napoléon en 1815, De l'Imprimerie de C. Roworth, A Londres, 1820, 2 ff., XVI-416 pp. ; 2 ff., 400 pp. ; Tomes 8 et 9 : 2 ff., 467 ; 2 ff., 432 pp. Rappel du titre complet : Titre complet : Recueil de pièces authentiques sur le Captif de Sainte-Hélène ; de Mémoires et Documens écrits ou dictés par l'empereur Napoléon ; suivis de Lettres de MM. le Grand-Maréchal comte Bertrand, le comte Las Cases, le général baron Gourgaud, le général comte Montholon, les docteurs Warden, O'Meara et Autommarchi, et plusieurs personnages de haute distinction.
187020455Paris: J. Rothschild 1870. Fourth edition. Hardcover. Green cloth with beveled edges leather spine label printed in gilt. Very good. 332 pages. 18 x 12 cm. Inscribed and signed by Chamfleury on half title. Extra illustrated with 28 additional engravings etchings and woodcuts: some in color. Original wrappers bound-in. Interior contents fresh and clean small book label The author was an art critic and novelist a prominent supporter of the Realist movement in painting and fiction. CARTERET III 142. VICAIRE II 200. J. Rothschild hardcover books
1891044409Lancaster: Eaton & Bulfield 1891. 1st Edition. Hardcover. Very Good. Clean With No Remarks Or Highlights Inside. Hardcover With No Dust Jacket. Original Copy Not A Reprint This Is An 1891 Book. Inscription From 1910 At The Verso Of The Front Cover. Pages Are Yellow From The Age.- Specializing in academic collectible and historically significant providing the utmost quality and customer service satisfaction. For any questions feel free to email us. Eaton & Bulfield hardcover
1876003094Paris, Alphonse Lemerre, 1876
1878SAV158Rouen: E. Augé 1878. Hardcover. Very Good. 8vo 245 x 160mm. xvi preface 418pp. with tables. Pictorial printed wrappers and title printed in red and black. Double etched frontispiece by Jules Adeline. Preface by Champfleury the pseudonym of writer Jean Fleury 1821-1889. Édition de luxe numbered 2 of 220 and initialed by Jules Adeline JA; issued as the first 20 on papier de Chine with a double suite of etchings in black and white and sepia. 127 vignettes forming the 100 pages of vignettes stated on the title depicting monumental sculpture capitals vaults reliefs gargoyles in-text. Bound by E. Quinet in 1883 in full medieval-style cuir-ciselé binding depicting two reliefs on the Cathedral of Rouen: a gothic grotesque hooded man holding staff front cover and hybrid dog-like centaur playing fiddle back cover spine blind-lettered SCULPTURES GROTESQUES marbled endpapers green gold and purple silk endbands gilt edges; A fine deluxe printing in impeccable form the binding is a treasure and was made especially for the text nothing else is quite like it. Ex-libris and oval gilt morocco bookplate of Estelle Doheny on front pastedown. <br/><br/>This is a deluxe issue of the famous monograph written and illustrated by Jules Adeline on the grotesque Gothic sculptures and gargoyles in the region of Rouen. Amply illustrated on fine papier de Chine it is numbered 2 in the first set of 20 and is initialed by Jules Adeline on the edition leaf. The deluxe edition of this monograph printing is quite rare. This was the tirage tout spécial destined for distribution between the author and printers circle. By Adelines initials we conclude this copy enjoyed that privileged circulation. Adeline was a fixture in his hometown of Rouen. His career began in architectural sketching where he developed a keen eye for depicting the monumental sculpture in his native French medieval city. Adeline also worked as a caricaturist and artistic columnist for several newspapers including the "Journal de Rouen" "Rouen Nouvelliste" and "Le Progrès de Rouen." In particular this publication dealt with the satirical and symbolic sculptures that he encountered on the winding avenues of Rouen. With contributions from Champfleury a trailblazer of Realism in painting and literature this work was celebrated for its conclusions in medieval art iconography mainly that hybrid characters embodied complex nuanced and understated ideas that often resist exact interpretation. The custom presentation binding of cuir-ciselé cut-leatherwork is most exceptional. Not only is it unusual in treatment but also it incorporates two relief panels from the Cathedral of Rouen in the form of characteristic medieval grotesques. Not much is known about the Parisian binder Quinet but he can be linked to other bindings of the late-nineteenth century many described as magnificently gilt. This artisanal binding is unparalleled in its distinctive medieval-revival leather craftsmanship; it is period to five years of the printing and would have circulated through Jules Adeline himself perhaps even by his commission. E. Augé hardcover books
1850322242A Paris: chez P.G. Le Mercier rue S. Jacques au Livre d'or et al. 1850. First Edition. Hardcover. Worn set bound in the original leather binding. Gilt decoration to the spines. Wear and tear as with age with some boards loosely attached. Remains well preserved overall; bright clean and sharp-cornered. Physical description 36 volumes. Contents; Tome Premier ; Tome Second ; Tome Troisieme ; Tome Quatrieme ; Tome Cinquieme ; Tome Sixieme ; Tome Septieme ; Tome Huitieme ; Tome Neuvieme ; Tome Dixieme ; Tome Onzieme ; Tome Douzieme ; Tome Treizieme ; Tome Quatorzieme ; Tome Quinzieme ; Tome Seizieme ; Tome Dix-Septieme ; Tome Dix-Huitieme ; Tome Dix-Neuvieme ; Tome Vingtieme ; Tome Vingt-Unieme ; Tome Vingt-Deuxieme ; Tome Vingt-Troisieme ; Tome Vingt-Quatrieme ; Tome Vingt-Cinquieme ; Tome Vingt-Sixieme ; Tome Vingt-Septieme ; Tome Vingt-Huitieme ; Tome Vingt-Neuvieme ; Tome Trentieme ; Tome Trente-Unieme ; Tome Trente-Deuxieme ; Tome Trente-Troisieme ; Tome Trente-Quatrieme ; Tome Trente-Cinquieme ; Tome Trente-Sixieme ; Table Genérale des Matieres. Subjects; Catholic Church History. Church history. A Paris: chez P.G. Le Mercier, rue S. Jacques, au Livre d'or [et al.] hardcover
1878SAV158Rouen: E. Augé 1878. Hardcover. Very Good. 8vo 245 x 160mm. xvi preface 418pp. with tables. Pictorial printed wrappers and title printed in red and black. Double etched frontispiece by Jules Adeline. Preface by Champfleury the pseudonym of writer Jean Fleury 1821-1889. Édition de luxe numbered 2 of 220 and initialed by Jules Adeline JA; issued as the first 20 on papier de Chine with a double suite of etchings in black and white and sepia. 127 vignettes forming the 100 pages of vignettes stated on the title depicting monumental sculpture capitals vaults reliefs gargoyles in-text. Bound by E. Quinet in 1883 in full medieval-style cuir-ciselé binding depicting two reliefs on the Cathedral of Rouen: a gothic grotesque hooded man holding staff front cover and hybrid dog-like centaur playing fiddle back cover spine blind-lettered SCULPTURES GROTESQUES marbled endpapers green gold and purple silk endbands gilt edges; A fine deluxe printing in impeccable form the binding is a treasure and was made especially for the text nothing else is quite like it. Ex-libris and oval gilt morocco bookplate of Estelle Doheny on front pastedown. <br/><br/>This is a deluxe issue of the famous monograph written and illustrated by Jules Adeline on the grotesque Gothic sculptures and gargoyles in the region of Rouen. Amply illustrated on fine papier de Chine it is numbered 2 in the first set of 20 and is initialed by Jules Adeline on the edition leaf. The deluxe edition of this monograph printing is quite rare. This was the tirage tout spécial destined for distribution between the author and printers circle. By Adelines initials we conclude this copy enjoyed that privileged circulation. Adeline was a fixture in his hometown of Rouen. His career began in architectural sketching where he developed a keen eye for depicting the monumental sculpture in his native French medieval city. Adeline also worked as a caricaturist and artistic columnist for several newspapers including the "Journal de Rouen" "Rouen Nouvelliste" and "Le Progrès de Rouen." In particular this publication dealt with the satirical and symbolic sculptures that he encountered on the winding avenues of Rouen. With contributions from Champfleury a trailblazer of Realism in painting and literature this work was celebrated for its conclusions in medieval art iconography mainly that hybrid characters embodied complex nuanced and understated ideas that often resist exact interpretation. The custom presentation binding of cuir-ciselé cut-leatherwork is most exceptional. Not only is it unusual in treatment but also it incorporates two relief panels from the Cathedral of Rouen in the form of characteristic medieval grotesques. Not much is known about the Parisian binder Quinet but he can be linked to other bindings of the late-nineteenth century many described as magnificently gilt. This artisanal binding is unparalleled in its distinctive medieval-revival leather craftsmanship; it is period to five years of the printing and would have circulated through Jules Adeline himself perhaps even by his commission. E. Augé hardcover
1867017623Paris France: No publisher 1867. Book. Very good condition. Hardcover. Signed by Authors. First Edition. Octavo 8vo. A bound volume containing over 120 manuscript leaves used by art critic and Realist novelist Jules François Felix Fleury-Husson to write the original manuscript for his work "l'avocat trouble-menage" under the pseudonym Champfleury. The paper is a wide variety of shapes sizes color etc. and was collected from many sources including Parisian exhibition catalogues. On the back of one sheet is a drawing of a cat. Bound in blue cloth with a leather spine label. Engraved armorial bookplate on the inside front cover "Vaillant et Veillant" and the bookplate of Jacques Dalyphard on the front endpaper. The inner front hinge is detached. No publisher Hardcover books
