Fleury Claude [ Clarke Adam ]Biblio.com
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1820014021London: Printed for W. Baynes & Son 1820. Book measures 22.5x14.5.cm. xvi 3831pp. Bound in half calf calf corners marble boards raised bands. Binding heavily worn. Internally occasional library mark or stamp. Pages in good condition. A good copy. . Half Calf. Good Plus. 8vo. Printed for W. Baynes & Son Hardcover
184752302Paris: Adolphe Delahays 1847. Fine. Adolphe Delahays Paris 1847 11 x 17.50 cm 2 volumes reliés New edition. Half red calf bindings smooth spines slightly faded decorated with gilt romantic arabesques and a stamp in blind gilt fillets at head and foot of spines black calf title labels marbled paper boards marbled endpapers and pastedowns marbled edges contemporary romantic bindings. Provenance: from the library of J.B. Baillière with his labels pasted on the pastedowns. Handsome copy in charming contemporary romantic bindings. Adolphe Delahays hardcover
1864LA - HAY222401864. Paris Librairie de L. Hachette et Cie. relié demi-basane verte éditeur. Très faibles rousseurs éparses sinon très bon état. in-12. avec une carte en couleurs sur page double ; dos à faux nerfs avec filets et titres dorés. unknown
188162979Ham: E. Quentin 1881. Fine. E. Quentin Ham 1881 11 x 18 cm relié First edition printed in 50 copies on Holland paper. Half old rose cloth binding smooth spine slightly faded decorated with blind fillets marbled paper boards modest contemporary binding. Copy slightly trimmed. Work decorated with a folding plan at the beginning of the volume out-of-text engravings and a heraldic plate at the end of the volume. Rare. . E. Quentin hardcover
185090016Paris: Dumoulin 1850. Fine. Dumoulin Paris 1850 12 x 18 cm Relié Second edition.Half black sheep binding smooth spine decorated with broad gilt fillets and dotted tooling marbled paper boards marbled endpapers and pastedowns lightly rubbed corners sprinkled edges contemporary binding.A few minor spots.Scarce. Dumoulin hardcover
184720653Firenze Italy: Presso Celli Usigli E Compagno. Good with no dust jacket. 1847. Hardcover. Good hardcover edition has previous owner's bookplate on inside of front board and also has some small library stamps on the title page and last page. ; 8vo 8" - 9" tall; 726 pages . Presso Celli, Usigli E Compagno hardcover
18831200Morel et Cie Li 1883. First Edition. Hardcover. GOOD. Vol. I: iv 240 8 i-xxiv clxxxix-ccliv plates; Vol. III: 187 6 lxxxix plates. Large quarto navy cloth gilt spine titling vol. 1 frontispiece B/W. plates . Thin muslin cloth is worn around the extremities with much fraying and recession interior hinges remain strong with intact marbled endpapers. Interior contents are very clean and sharp with sound stitching. Bindings labeled as 'I' and 'II' thought they are in fact the first and third of eight total volumes. Comprised of the first and third volumes of the de Fleury father/son tractatus theologico-archaeologicus. Charles the elder de Fleury was an eminent French architect of the mid-1900's noted for his advances in the design of wrought-iron and glass construction. For somewhat obscure reasons he abandoned his firm and turned his immense learning to spiritual ends spending the remaining years of his life compiling what became under his son Georges's editorship 8 volumes of studies on the liturgical theological and archaeological settings of the Mass in Church history with special emphasis on the patristic period. Abundant plates of ecclesial architectural settings in Rohault's impeccable hand. Morel et Cie, Li hardcover
1891044409Lancaster: Eaton & Bulfield 1891. 1st Edition. Hardcover. Very Good. Clean With No Remarks Or Highlights Inside. Hardcover With No Dust Jacket. Original Copy Not A Reprint This Is An 1891 Book. Inscription From 1910 At The Verso Of The Front Cover. Pages Are Yellow From The Age.- Specializing in academic collectible and historically significant providing the utmost quality and customer service satisfaction. For any questions feel free to email us. Eaton & Bulfield hardcover
1857LA - HAY132971857. Paris E. Blanchard Editeur. relié demi-maroquin bleu. Rousseurs assez généralisées mais faibles et sans gravité. in-8. avec des illustrations dans et hors texte par Desbrosses ; dos orné de motifs filets titre et date en caractères dorés ; la couverture de l'exemplaire broché a été conservée. unknown
1820121834London UK: John Murray 1820. First Edition. 1st Printing. Leather Bound. Good-. 8vo 7.75 - 9.75'' tall. Leather Bound. Condition: Good-. John Murray London UK 1820. First Edition. 1st Printing. 445 431 pages. Heavily worn. Brown leather spine and board tips marbled paper boards. All boards disbound. Spines missing all boards disbound. All pages intact. Size: 8vo 7.75 - 9.75'' tall. Biography Military History::European Wars 6427 6427 John Murray hardcover
1820292261London: John Murray 1820. Hardcover. Very Good. First edition. Two volumes. Contemporary half calf and marbled paper covered boards red spine label gilt. Spine rubbed and nicked else very good. John Murray hardcover
1878SAV158Rouen: E. Augé 1878. Hardcover. Very Good. 8vo 245 x 160mm. xvi preface 418pp. with tables. Pictorial printed wrappers and title printed in red and black. Double etched frontispiece by Jules Adeline. Preface by Champfleury the pseudonym of writer Jean Fleury 1821-1889. Édition de luxe numbered 2 of 220 and initialed by Jules Adeline JA; issued as the first 20 on papier de Chine with a double suite of etchings in black and white and sepia. 127 vignettes forming the 100 pages of vignettes stated on the title depicting monumental sculpture capitals vaults reliefs gargoyles in-text. Bound by E. Quinet in 1883 in full medieval-style cuir-ciselé binding depicting two reliefs on the Cathedral of Rouen: a gothic grotesque hooded man holding staff front cover and hybrid dog-like centaur playing fiddle back cover spine blind-lettered SCULPTURES GROTESQUES marbled endpapers green gold and purple silk endbands gilt edges; A fine deluxe printing in impeccable form the binding is a treasure and was made especially for the text nothing else is quite like it. Ex-libris and oval gilt morocco bookplate of Estelle Doheny on front pastedown. <br/><br/>This is a deluxe issue of the famous monograph written and illustrated by Jules Adeline on the grotesque Gothic sculptures and gargoyles in the region of Rouen. Amply illustrated on fine papier de Chine it is numbered 2 in the first set of 20 and is initialed by Jules Adeline on the edition leaf. The deluxe edition of this monograph printing is quite rare. This was the tirage tout spécial destined for distribution between the author and printers circle. By Adelines initials we conclude this copy enjoyed that privileged circulation. Adeline was a fixture in his hometown of Rouen. His career began in architectural sketching where he developed a keen eye for depicting the monumental sculpture in his native French medieval city. Adeline also worked as a caricaturist and artistic columnist for several newspapers including the "Journal de Rouen" "Rouen Nouvelliste" and "Le Progrès de Rouen." In particular this publication dealt with the satirical and symbolic sculptures that he encountered on the winding avenues of Rouen. With contributions from Champfleury a trailblazer of Realism in painting and literature this work was celebrated for its conclusions in medieval art iconography mainly that hybrid characters embodied complex nuanced and understated ideas that often resist exact interpretation. The custom presentation binding of cuir-ciselé cut-leatherwork is most exceptional. Not only is it unusual in treatment but also it incorporates two relief panels from the Cathedral of Rouen in the form of characteristic medieval grotesques. Not much is known about the Parisian binder Quinet but he can be linked to other bindings of the late-nineteenth century many described as magnificently gilt. This artisanal binding is unparalleled in its distinctive medieval-revival leather craftsmanship; it is period to five years of the printing and would have circulated through Jules Adeline himself perhaps even by his commission. E. Augé hardcover
1861006382Geneve: Jacquemot 1861. Due volumi in 8vo 21 cm di XV-406 e 550 pagine. Ritratto inciso di Vuarin all'antiporta. Due bolli alle pagg. bianche e di titolo. Mezza pelle coeva dorso liscio con titolo dorato usure alle cuffie. Belle condizioni per questo resoconto di parte cattolica dell'opera del Vuarin in particolare per il proselitismo cattolico nella calvinista Ginevra soprattutto negli anni della Restaurazione e gli scontri col potere civile. Jacquemot unknown
