Teruo Ishii (director); Teruo Yoshida, Masumi Tachibana, Asao Koike, Yumiko Katayama (starring)Biblio.com
10 360 résultats
1969141454Tokyo: Toei 1969. Draft script for the 1969 film. Text in Japanese. With annotations throughout in manuscript pencil. <br /> <br /> High demand for tattooed geishas by foreigners leads to a formidable production line of ladies receiving tattoos in order to please European men. <br /> <br /> White titled perfect-bound wrappers. Title page present. 122 leaves with last page of text numbered 34. Mechanical duplication. Pages Near Fine wrapper Near Fine. Toei unknown
19852090502126900152Gakushu Kenkyusha 1985. Soft Cover. Fine. Size: A5 size Gakushu Kenkyusha paperback
1968135902Paris: Le Spectacle du Monde 1968. Vintage borderless black-and-white double weight press photograph from the set of the film in Rome. Pictured are director Christian Marquand whose faux-grim countenance is in nice contrast to the attractive innocence of the film's lead actress Ewa Aulin. With the stamp of French magazine Le Spectacle du Monde twice on the verso. <br /> <br /> 8 x 10.5 inches. Fine. Le Spectacle du Monde unknown
1986140590Atlanta GA: New World Pictures 1986. Revised Draft script for the 1987 film. With a few annotations in manuscript pencil throughout. <br /> <br /> Gunnery Sergeant Burns Dryer is sent to the Middle East where he acts as a guard at the local US Embassy. However due to the pacific nature of the ambassador the marine corps detachment is severely limited in their ability to protect the base thus allowing terrorists to take over and take everyone hostage except Burns. Now Burns must act as an army of one to defeat the terrorists and save the Americans. <br /> <br /> Set in the Middle East. <br /> <br /> White titled self wrappers noted as Revised Draft on the front wrapper dated February 24 1986 with credits for screenwriter John Gatliff. 117 leaves with last page of text numbered 106. Photographically reprodcued with revision pages dated between February 18 1986 and February 24 1986. Pages Very Good plus wrapper missing bound with two gold brads. New World Pictures unknown
2008121518Sony Pictures Home Entertainment 2008. DVD. New. 7.5 x 5.5 x 1.25. DVD. Condition: New. Sony Pictures Home Entertainment 2008. 1 disc. Excellent condition. Still in shrinkwrap. Size: 7.5 x 5.5 x 1.25. DVD Video DVD26 DVD26 Sony Pictures Home Entertainment unknown
1983166332Studio City CA: Witzend Productions 1983. Second Draft script for the 1983 television film which aired on CBS on October 12 1983. Laid in are three call sheets each with a map and directions to the day's shoot on the verso and a gathering of five Xerographically reproduced revision pages staple-bound to the top left corner.<br /> <br /> John Ritter stars as a fledgling comedian whose girlfriend Susan Dey has had enough and demands that he get a real job. After getting job as a limo driver he becomes embroiled in shifty million dollar stamp heist with one of his clients played by Martin Short.<br /> <br /> Set in and shot on location in Los Angeles and San Diego California. <br /> <br /> Untitled ITC Productions wrappers. Title page present dated April 14 1983 noted as SECOND DRAFT with credits for screenwriters Dick Clement and Ian La Frenais. 109 leaves with last page of text numbered 105. Xerographic duplication rectos only with blue pink and yellow revision pages throughout dated variously between 4/27/83 and 5/3/83. Pages Near Fine wrapper Very Good plus with light soiling and silverfish damage tot he extremities bound internally with three gold brads. Witzend Productions unknown
19722090202120411049Azuma Takara 1972. Soft Cover. Fine. Number of books: 1 Azuma Takara paperback
1985144247Universal City: Universal Pictures 1985. Vintage borderless photograph of director Terry Gilliam on the set of the 1985 film. With manuscript annotations regarding layout on the verso. <br /> <br /> Gilliam's masterpiece about a man trying to escape a bureaucratic authoritarian government in a dystopian future. Nominated for two Academy Awards including Best Screenplay. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection 51. Universal Pictures unknown
1985140818Universal City CA: Embassy Pictures / Universal Pictures 1985. Vintage borderless photograph from the 1985 film showing director Gilliam and crew during a quiet moment between takes. With manuscript ink annotations on the verso. <br /> <br /> Gilliam's masterpiece about a man trying to escape a bureaucratic authoritarian government in a dystopian future. Nominated for two Academy Awards including Best Screenplay. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Criterion Collection 51. Embassy Pictures / Universal Pictures unknown
1977139845London: Cinema 5 1977. Revised Final or "Revisedish Sort of Finalish" as it's styled on the title page British script for the 1977 comedy directed by Terry Gilliam based on the poem by Lewis Carroll from "Through the Looking Glass" 1871. <br /> <br /> Terry Gilliam's first solo directorial effort after co-directing "Monty Python and the Holy Grail" with Terry Jones. A comedy in the Python style-and with much of the Python cast-owing much to "The Holy Grail" but with evidence of Gilliam's unique touch which would come into full bloom with "Time Bandits" 1981 and ultimately "Brazil" 1985. <br /> <br /> Red blank wrappers with die cut title window in the British style. Title page present noted as Revised Final with credits for screenwriters Charles Averson and Terry Gilliam. 148 leaves with last page of text numbered 145. Mechanical duplication with pink and white pages throughout undated. Pages Near Fine wrapper lightly faded and Very Good plus bound internally with two silver brads. Cinema 5 unknown
2004167768London: Recorded Picture Company 2004. Revised Shooting script for the 2005 fantasy film. Copy belonging to still photographer François Duhamel with his name in manuscript ink on the title page. <br /> <br /> Based on the 2000 novel by Mitch Cullin the third and final novel in his Texas Trilogy following "Whompyjawed" 1999 and "Branches" 2000. A young girl retreats into a vivid fantasy world during a summer spent at an isolated Texan farmhouse with her brother and their eccentric neighbors.<br /> <br /> Set in Texas shot on location in western Canada. <br /> <br /> Self wrappers. Title page present dated July 15 2004 noted as Shooting Script with credits for Cullin and screenwriters Terry Gilliam and Tony Grisoni. 128 leaves with last page of text numbered 109. Xerographic duplication rectos only with blue and pink revision pages throughout dated variously between September 22 and 28 2004. Pages about Near Fine bound with two gold brads. Recorded Picture Company unknown
1953142336London: Jack Parsons 1953. Draft script for the 1962 film. With a few annotations in manuscript pencil. <br /> <br /> A manager at a razor factory grows a beard after developing a rash due to shaving. His superiors are displeased. The manager then decides to organize a strike in order to get his point across. <br /> <br /> Green titled wrappers dated May 1953 with credits for screenwriters John O'Gorman and George Moore. Title page present dated May 1953 with credits for screenwriters John O'Gorman and George Moore. 101 leaves with last page of text numbered 100. Mimeograph duplication. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Jack Parsons unknown
1953132112London: Associated British-Pathe 1953. Vintage black-and-white reference photograph from the set of the 1953 UK film. Sir Adrian Boult and Doreen Carwithen the film's music arrangers are seen next to director Terry Ashwood and his associate Howard Thomas. Distributor's rubber-stamp on the verso. <br /> <br /> A documentary about the coronation of Queen Elizabeth II. Ashwood Boult and Thomas would collaborate again in the 1954 documentary "Welcome the Queen!" <br /> <br /> 8 x 10 inches. Very Good plus and ink annotations and tape ghosts on the verso. Associated British-Pathe unknown
1971161040N.p.: N.p. 1971. Vintage script for the 1971 play. Copy belonging to director Larry Arrick with his name and address in manuscript ink on the title page. <br /> <br /> A black comedy set in a sanatorium satirizing American dependence on psychotherapy. The play debuted off-Broadway on August 10 1971 at the John Drew Theatre in East Hampton New York later transferring to the Booth Theatre on Broadway in 1974.<br /> <br /> Script housed in a generic black binder. Title page present undated with credit for playwright Terrence McNally. 73 leaves with last page of text numbered 1-70. Spirit duplication rectos only with a single undated revision page laid in at the end of the script. Pages Near Fine wrapper Very Good plus bound internally with a silver prong. N.p. unknown
1974147951N.p.: N.p. 1974. Draft script for the 1974 play which premiered at the Booth Theatre on May 5 1974 for 177 performances closing on October 5 1974. Annotations in manuscript pencil on title page and on cast page for "Ravenswood" the first of the two one act plays in "Bad Habits" listing names adjacent to the characters.<br /> <br /> Two one act comedies the first is "Ravenswood" set in a sanitarium catering to rich "unglued" patients in which Dr. Pepper treats his patients by encouraging them to indulge in bad habits. The second is "Dunelawn" also a sanitarium where Dr. Toynbee treats his patients with a magical drug which inhibits any "urges."<br /> <br /> Blue Studio Duplicating Service vinyl titled wrappers with credits for playwright Terrence McNally. Title page present with credits for playwright Terrence McNally. 135 leaves with last page of text numbered 62. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold screw brads. N.p. unknown
1973161326Burbank CA: Warner Brothers 1973. Vintage studio still photograph from the 1973 film showing actor Martin Sheen. Provenance labels on the verso. <br /> <br /> Director Terrence Malick's transcendent and ferocious debut loosely based on the 1958 murder spree of Charles Starkweather and Caril Ann Fugate starring Martin Sheen and Sissy Spacek in early outstanding performances. <br /> <br /> Kit a handsome but disaffected young garbage collector and Korean War veteran succeeds in charming Holly a shy teenage girl despite the objections of her brutish father. The two run away together after Kit murders her father initiating a killing streak that follows in their wake. <br /> <br /> Set in South Dakota shot on location in Colorado. <br /> <br /> 8 x 10 inches. Very Good plus lightly scratched and worn.<br /> <br /> National Film Registry. Criterion Collection 651. Rosenbaum 1000. Ebert IV. Spicer US Neo-Noir. Silver and Ward Neo-Noir. Grant US. Warner Brothers unknown
1968161037N.p.: N.p. 1968. Two Final scripts for the 1968 one act plays "Sweet Eros" and "Witness" bound together and seen here under the joint title "The McNally Plays."<br /> <br /> Two early works by Terrence McNally both dealing with alienation and violence first performed on a double bill off-Broadway at the Gramercy Arts Theatre running from November 21 1968 to January 26 1969. <br /> <br /> Beige titled Studio Duplicating Service wrappers. Title page present noted as FINAL with credit for playwright Terrence McNally. 58 leaves with last page of text numbered 36. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus lightly creased bound with two gold screw brads. N.p. unknown
1970161030New York: N.p. 1970. Draft script for the 1971 off-Broadway play which premiered at the Yale Repertory Theatre in New Haven Connecticut on January 7 1971. <br /> <br /> A comedy about the titular Tommy Flowers a charming freewheeling con man who finds himself homeless in Manhattan eventually finding refuge in the apartment of a young violinist from Tampa. <br /> <br /> Black generic card wrappers. Title page present dated September 1970 with credit for playwright Terrence McNally. 202 leaves with last page of text numbered II-95. Spirit duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with a silver prong. N.p. unknown
1980#309-120118<p>Internally appears as unread unblemished copy in wraps displaying minute surface/edge wear as shown.</p><p>This volume on manual communication represents the culmination of many years of work aimed at bringing the sign language back to rightful place in the sun." -- Frederick Schreiber Executive Secretary National Association of the Deaf.</p><p><strong>Insurance & handling is included free. Extra Charges/Fees apply on Shipments Outside The U.S. and Expedited Shipments. Oversize and/or heavy books may require additional fees. Will advise </strong>Updated 12.29.2022#309-120118 <strong>Updated 5.8.2025</strong> </p> National Association Of The Deaf paperback
19391697Paris: Verve / Skira 1939. First Edition. Near fine. Large 4to 13 3/4 x 10 1/4 inches 348 x 261 mm; the first four issues bound into one volume and with each front cover of the journal bound in. Bound at the bookshop Bindery Chicago Ill. in printed cloth resembling a quilt fabric toned and showing some stains and wear at edges but binding is tight and contents clean and unmarked. <br /> <br /> No. 1 December 1937: Cover specially designed by Henri Matisse; title page 2-page index 4 color lithographs by Léger Miró Rattner and Bores the Four Elements; 112 pages with copious black & white and color illustrations and photographs plus 4 large plates in color and gilt full-size heliogravure reproductions of paintings from manuscripts in the Bibliothèque Nationale Paris. Texts in English. This first issue features artwork specially designed by Henri Matisse for the cover as well as a series of drawings and an essay by Matisse titled "Divagations" some early letters and sketches from Cézanne to Émile Zola and the first photo of Picasso's Guernica by Dora Maar. Texts by Gide Bataille Caillois Dos Passos Malraux Michaux etc. reproductions of works by Picasso Matisse Derain Bonnard Maillol etc. and of photographs by Man Ray Brassaï Blumenfeld etc.<br /> <br /> No. 2: Spring 1938: Cover specially designed by Georges Braque; title page 2-page index 128 pages; copious photographs color images color & gilt heliogravures; 8 4 full-page color lithographs all with tissue guards; in English with Excerpts of French texts. The content features color lithographs by Wassily Kandinsky "Stars" and "Comets" and André Masson "The Sun" and "The Moon". Color heliogravures and color process reproductions include paintings by Ingres Uccello Renoir Braques a 14th century Giotto painting with gilt and many others. Photography includes works by Brassaï Maywald Blumenfeld Maywald Cartier Brandt and others. Text includes works by Valery Reverdy Sartre and others. <br /> <br /> No. 3 October - December 1938: Cover specially designed by Pierre Bonnard; title page 2-page index 132 pages; copious photographs color images color & gilt heliogravures; 12 full-page color lithographs of the Indian Pantheon and the seasons by Chagall Miro Rattner and Klee; in English with a reproduction of a manuscript written by Paul Claudel translation provided at the end of the journal texts by Tagore Reverdy Maldaux Claudel and others.<br /> <br /> No. 4 January - March 1939: Cover specially designed by Rouault; title page 2-page index 140 pages with copious black & white and color illustrations and photographs color & gold heliogravures; double-page color lithograph "La Danse by Henri MATISSE as well as two linocuts "Patineurs" four lithographs titled "Au Jardin D'Allah" by André DERAIN all printed by Mourlot. Heliogravures include reproductions of works by Miro Masson Rouault Lautrec Rembrandt and others as well as works from the 15th and 16th centuries with gold ink detailing. Photography includes works by Brassaï Barna Maywald Devaux-Bretienbach and others. Text includes works by Valéry Reverdy Sartre and others. The inaugural year of the magazine VERVE published by Teriade Stratis Eleftheriades between 1937 and 1960 for a total of 38 issues. Each issue was published at the same time in French and ENGLISH and each issue included lithographs by the most prominent artists of the Parisian art scene of the first half of the 20th century and texts by influential writers including Gide Malraux Dos Passos Joyce Hemingway.<br /> <br /> VERVE was "the magazine to look for" . "noble format luxurious presentation. flair for the grand gesture" John Russell "Flair for the Grand Gesture: Celebrating a Magazine." The New York Times 10/9/1988 page H35.<br /> "When it comes to quality in the magazine process possibly no other magazine can match the work of publisher Efstratios Teriade born in Greece as Efstratios Eleftheriades and his seminal publication 'VERVE' -- once called 'the most beautiful magazine in the world' by one of its backers - which first burst onto the streets of Paris in December of 1937." Gagliano Rick "Magazine of the Week" in Downtown Magazine 10/12/2006. Verve / Skira unknown
19391751Paris: Verve 1939. First Edition. Near Fine. Large 4to 14 x 10 1/2 inches 355 x 264 mm; front and back cover specially designed by Rouault; title page 2-page index 140 pages with copious black & white and color illustrations and photographs color & gold heliogravures; double-page color lithograph "La Danse by Henri MATISSE as well as two linocuts "Patineurs" four lithographs titled "Au Jardin D'Allah" by André DERAIN all printed by Mourlot. Limp paper cover has a 3/4 inch tear at the head of the spine to front cover and index page but the magazine is firmly stitched and clean with page edges very lightly toned and light offset on a couple of pages. Verve's January-March 1939 issue featured a cover by Georges Rouault and color lithographs by Henri Matisse and André Derain. Heliogravures include reproductions of works by Miro Masson Rouault Lautrec Rembrandt and others as well as works from the 15th and 16th centuries with gold ink detailing. Photography includes works by Brassaï Barna Maywald Devaux-Bretienbach and others. Text includes works by Valéry Reverdy Sartre and others. <br /> <br /> "When it comes to quality in the magazine process possibly no other magazine can match the work of publisher Efstratios Teriade born in Greece as Efstratios Eleftheriades and his seminal publication 'Verve' -- once called 'the most beautiful magazine in the world' by one of its backers - which first burst onto the streets of Paris in December of 1937." Gagliano Rick "Magazine of the Week" in Downtown Magazine 10/12/2006<br /> VERVE was "the magazine to look for" . "noble format luxurious presentation. flair for the grand gesture" John Russell "Flair for the Grand Gesture: Celebrating a Magazine." The New York Times 10/9/1988 page H35. Verve unknown
19392446Paris: Verve 1939. First Edition. Good. Large 4to 14 x 10 1/2 inches 355 x 264 mm; front and back cover specially designed by Rouault; title page 2-page index 140 pages with copious black & white and color illustrations and photographs color & gold heliogravures; double-page color lithograph "La Danse by Henri MATISSE as well as two linocuts "Patineurs" four lithographs titled "Au Jardin D'Allah" by André DERAIN all printed by Mourlot. Limp paper cover is missing most of its spine and has several small chips to the front cover and a small brown stain on the bottom right corner which continues onto the first 8 pages; pages toned but clean. Verve's January-March 1939 issue featured a cover by Georges Rouault and color lithographs by Henri Matisse and André Derain. Heliogravures include reproductions of works by Miro Masson Rouault Lautrec Rembrandt and others as well as works from the 15th and 16th centuries with gold ink detailing. Photography includes works by Brassaï Barna Maywald Devaux-Bretienbach and others. Text includes works by Valéry Reverdy Sartre and others. <br /> <br /> "When it comes to quality in the magazine process possibly no other magazine can match the work of publisher Efstratios Teriade born in Greece as Efstratios Eleftheriades and his seminal publication 'Verve' -- once called 'the most beautiful magazine in the world' by one of its backers - which first burst onto the streets of Paris in December of 1937." Gagliano Rick "Magazine of the Week" in Downtown Magazine 10/12/2006<br /> VERVE was "the magazine to look for" . "noble format luxurious presentation. flair for the grand gesture" John Russell "Flair for the Grand Gesture: Celebrating a Magazine." The New York Times 10/9/1988 page H35. Verve unknown
01-0570Paris: Tériade 1938. Volume 1 Number 2. cover by Braque. Lacking the 4 lithographs. Spine defective. Paris: Tériade, 1938. unknown
217491Paris: Editions Verve 1939. Large 4to.140pp. Original Wrappers. Colour and monochrome plates and illustrations. Red buckram binding with original wrappers bound in. A complete and excellent copy. Number 4 January-March 1939: with covers by Georges Rouault and lithographs by Matisse and Derain including a double-page litho of Matisse's La Dance Paris: Editions Verve, 1939. hardcover
1974165709Hollywood: Paramount Pictures 1974. Final script for the 1974 film. Final script dated February 5 1974.<br /> <br /> An intense violent film exploring racial tension in the Deep South Alabama with enough shock and awe to evenly divides its fans and detractors. Written by Samuel Fuller who recalls "I put everything he had into that one!" a script John Cassavetes said was one of the best he'd read. <br /> <br /> But after heavy rewrites by a studio hand the story was perceived as being outdated and consequently exploitative. Fuller finally remarked that they Paramount "turned my original work into a disastrous piece of bullshit" and left his name on it against his objections.<br /> <br /> Final Script has blue titled wrappers rubber stamped copy No 81. Title page present dated February 5 1974 noted as FINAL SCRIPT with credits for screenwriter Kaufman and novelist Huie. 131 leaves lacking pages 69 and 70 as used lithograph duplication. Pages Near Fine wrapper Very Good plus bound with two gold brads. <br /> <br /> Fuller A Third Face 2002 p. 472. Paramount Pictures unknown
