7 521 résultats
1926843Moscow: Kinopechat 1926. First edition. Oblong. In publisher’s photo illustrated wrappers printed in orange and black. Folded slightly worn. Paper yellowed. Overall in very good condition. Cover by V. Surian. Black-and-white illustrations throughout. Cover by V. Surian. Black-and-white illustrations throughout. First edition. Oblong. In publisher’s photo illustrated wrappers printed in orange and black. 8 p. <p><br /> Soviet film prospectus with avant-garde photomontage cover. Script by I. Bei-Abai directed by Boris Mikhin starred by Vladimir Bestaev and Alexander Takaishvili.<br /> <p><p><br /> Abrek Zaur is a Soviet-Russian version of the Robin Hood set in the late nineteenth century. Zaur the mountaineer kills a Russian officer an “imperialist†and the authorities burn his house and arrest his father and wife but can not catch him. He becomes and outcast an “abrek†and joins to an anti-Russian gang in the Caucasus. He never steals from the poor people only from the “imperialists†and always outwits the Russians.<br /> <p>. Kinopechat unknown
1953159861New York: Omnifilms 1953. Two vintage reference photographs of Luis Buñuel on the set of the 1953 Mexican film. Mimeo snipes affixed to the versos along with Photofest labels and provenance stamps. <br /> <br /> A woman contends with her husband's increasingly jealous behavior eventually realizing that he has gone completely mad. Although the film was a critical and financial disappointment at the time of release it garnered several prominent fans including Jacques Lacan who purportedly used it in psychoanalysis classes as an example of the paranoid mind. It is now considered among Buñuel's best and in 2009 was included in a list of 100 essential films by "Cahièrs du Cinèma."<br /> <br /> 10 x 8 inches. Very Good plus lightly edgeworn and creased. Omnifilms unknown
195961384Hollywood CA: United Artists Corporation 1959. Oblong folio. 11 x 14 in. 8 leaves. Colour-lithograph lobby cards on thick paper stock some dustsoiling thumbing to fore-edges minor bumping to couple corners still a VG set. First edition of this complete set of movie theatre lobby cards for this 1959 Film Noir Las Vegas heist movie featuring the sultry Mamie Van Doren as the femme fatale gangster’s mole juxtaposed with the resentment and violence between Gerald Mohr and Lee Van Cleef over Van Doren’s affections. No copies in Worldcat. United Artists Corporation, unknown
1930161319N.p.: N.p. 1930. Vintage borderless photograph from the 1930 French silent short documentary film. Mimeo snipe on the verso. <br /> <br /> Although he only made four films before his death from tuberculosis at the age of 29 Jean Vigo would come to have an outsized influence on cinema particularly the French New Wave with François Truffaut in particular paying homage to Vigo's anarchic boarding school students in "Zero for Conduct" during the classroom and recess scenes in his 1959 film "The 400 Blows." <br /> <br /> Vigo's first film a short documentary about people from all walks of life in Nice showing both the ennui of the vacationing bourgeoisie and the struggles of life in the slums. <br /> <br /> 9.25 x 7 inches. Very Good plus moderately age toned. N.p. unknown
196147745La Habana: Imp. del INRA 1961 Año de la Educación.- 494 p.: Profusión de láms. fotográficas en negro; 8º 173 x 128 cm; Rústica Ed.- Trata sobre la Revolución Cubana. HISTORIA POLÃTICA Y DERECHO POLÃTICO-INTERNACIONAL AMERICANOS DESDE LA INDEPENDENCIA Libro en español Imp. del INRA paperback
191955122Frankfurt: Film am Main G.m.b.H. 1919. First edition. Softcover. Good- to very good condition. Large Quarto. 32 plates all in decorative framing. Original brown stiff wraps with dark brown lettering and decorative framing on cover protected by modern mylar. Brown endpapers. Title page with brown lettering and decorative framing in blue brown and yellow. Dramatic adaptation of the utopian idea of socializing love and marriage in five acts. With thirty full page illustrations by W. Dietrich depicting scenes of the movie rendered lithographically with captions. All pages with decorative framing in blue printed to heavy paper. Rare companion of the 1919 silent movie starring Ernst Stahl-Nachbaur Max Kronert Ethel Orff Grete Diercks Hugo Falke and Helmut Krauss.<br /> <br /> 'Goethe's words in his Faust drama "the way once fathering was fashionable we declare as vain farce" are the guiding theme for the seditious thoughts of the political visionary Dr. Ehrhardt Kraft the émigré who was allowed to return to his homeland wanting to clean up the Vormärz view Epoch of German history between July Revolution 1830 and March Revolution in 1848 about love and marriage. He gains support for his plan to socialize women and establish "forced love" as a law in a new colony called "Free State." Healthy men and women volunteer in flocks to make the "Free State" successful to improve race conditions health of people and lifting moral. There is no marriage anymore. Love for sale illegitimate children the bondage of two people for life infidelity unhappy love. all these byproducts of today's society will disappear at once.'<br /> <br /> A stark and unsettling vision of social engineering the work echoes themes found in early 20th-century debates over eugenics utopian socialism and gender roles. Its richly decorated illustrations and dramatic narrative make it a unique rendering of political literature and visual propaganda. Text in German. Light wear along edges of wraps lightly rubbed and light cracks on back cover near spine. Title plate and plate two lose but present. Page four with some staining in margins. Some light chipping of edges and occasional light smudging in margins. Film am Main G.m.b.H. unknown
1978147119Burbank CA: Edgar J. Scherick and Associates 1978. Second Draft script for the 1978 television film. <br /> <br /> One of director John Carpenter's earliest efforts as a screenwriter released the same year as "Halloween" and the television movie "Someone's Watching Me." Originally aired on NBC on September 27 1978. While written as a vehicle for Suzanne Somers some actors that would soon eclipse her can be found in the supporting cast including Timothy Hutton Rosanna Arquette and Michael Biehn. <br /> <br /> A glamorous aging rock star takes a vacation to Zuma Beach where she unwittingly seduces the teenage beachgoers and gradually becomes involved in their lives. <br /> <br /> Set and shot on location in California.<br /> <br /> Red titled wrappers. Title page present dated May 31 1978 noted as SECOND DRAFT with credits for screenwriter William Schwartz. 116 leaves with last page of text numbered 115. Xerographic duplication rectos only. Pages Near Fine lightly soiled on the first leaf wrapper Very Good plus bound with two gold brads. Edgar J. Scherick and Associates unknown
1969161339N.p.: Arca-Film 1969. Six vintage borderless reference photographs from the 1969 West German film. Five with Arca-Film stamps on the verso. <br /> <br /> A pseudo-documentary sexploitation film about infidelity told through several stories of broken marriages. <br /> <br /> Three photographs 9.5 x 7 inches three photographs 7 x 5 inches. Light soil on the versos else Near Fine. Arca-Film unknown
19642090202120410660Not Available 1964. Soft Cover. Fine. Number of books: 1 Not Available paperback
19650208210120th Century Fox 1965. 1st Edition . No Binding. Fine. First Printing. A vintage original Finnish cinema-foyer POSTER for the first screening in Finland March 1965 of the celebrated film Zorba the Greek starring Anthony Quinn and Alan Bates. A rolled poster i.e. no folding creases in Fine condition approximate size is 23.5 inches by 16 inches standard Finnish A2 format. With minor signs of use: one very short tear to right edge and similar to bottom edge neither immediately noticeable. Minor print-soiling to verso where there is also a small pen inscription of film-title and date. Minor handling creases to the corners and some minor dings along the left edge of the poster suggesting that it may have been mounted with clips - there are neither pin-holes nor tape residue marks. In fantastic clean condition otherwise Fine or better. Artist-signed in the plate. For best appreciation of condition please examine the high-resolution image which accompanies this listing. <br/> <br/> 20th Century Fox unknown
1933144854Los Angeles: Fox Film Corporation 1933. Vintage keybook photograph of Loretta Young and Gene Raymond on the set of the 1933 Pre-Code film. With a printed snipe and studio stamp on the verso and two holes punched into the left edge.<br /> <br /> Zani Gene Raymond a young zoo keeper has spent his life inside the zoo in Budapest where his only true friends are the animals. He meets Eve Loretta Young an orphan on a tour with her caretakers from the orphanage. They fall in love and to stay together they must hideout overnight in the zoo while a search party looks for them. <br /> <br /> 10 x 8 inches. Near Fine. Fox Film Corporation unknown
1989170462N.p.: N.p. 1989. A small archive of approximately 75 leaves largely regarding Francis Ford Coppola's Zoetrope Studios belonging to Coppola's long-time producer Fred Roos 1976-1989. <br /> <br /> The majority of the archive dates from the early 1980s with a substantial amount of material dedicated to the acquisition of General Service Studios in Hollywood for the short-lived Zoetrope Studios production facilities in 1980 sold in 1984 as well as copies of letters to Marlon Brando Gary Marshall and Roddy McDowall an autograph letter signed from Roddy McDowall to Coppola various press announcements including one for the 1981 film "One from the Heart" and one for the 1982 film "Hammett" as well as various other business documents and proposals.<br /> <br /> The archive includes:<br /> <br /> An autograph letter signed from Roddy McDowall on McDowall's letterhead dated March 27 1976 genially inquiring about working with Coppola and his newly formed company Coppola Cinema 7 with a Xerographic copy of Roo's agreeable response to McDowall stapled to the top left corner of McDowall's letter on Coppola Cinema Seven letterhead dated April 10 1976 written on behalf of Coppola who was working in the Philippines on "Apocalypse Now" at the time. <br /> <br /> A substantial press kit announcing the formation of Zoetrope Studios in 1980 and the acquisition of General Service Studios in Hollywood. Housed in an illustrated two-color folder the press kit includes over 40 pages of press releases and includes a tour map of the studios and eight accompanying colored pages of the history of each stop on the tour as well as a six page press release for the 1982 Wim Wender's film "Hammett" with two accompanying reference photographs one of Wenders and one of star Frederic Forrest.<br /> <br /> A four-page press release on "Electronic Cinema: The First Stage" the state-of-the-art production and editing system used in "One from the Heart" circa 1981.<br /> <br /> A two-page "Proposal for Rolling Stone Issue Produced by Zoetrope Studios" circa 1981.<br /> <br /> A Xerographic duplication of a typed letter signed from Coppola to Marlon Brando circa 1981 cordially responding to a proposal about a Native American television series "The Other People with the copied post-script annotation of "Come and visit us at the studio some more. Cheer us on."<br /> <br /> Four pages of handwritten notes regarding current projects in Roos' hand and a draft of a letter to Lynda Clark of the Writers Guild of America WGA regarding recent "irregular and confusing" reports to the WGA as a result of the Story and Development Departments being dismantled because of financial difficulties 1981.<br /> <br /> A three page press release "Francis Coppola Starts Directing 'One from the Heart' for Zoetrope / First Film to Utilize Electronic Cinema Technique" dated February 4 1981.<br /> <br /> A typed letter signed from film academic Syd Field to Roos on Field's letterhead dated May 1 1981 inquiring about getting a copy of the script for "Apocalypse Now" for use as a teaching aid with ink and marker annotations from Coppola and Roos in the marginalia declining as Coppola "does not want any half-right script out there with his name on it."<br /> <br /> A copy of a typed letter signed from Coppola to Gary Marshall dated May 5 1981 graciously thanking Marshall for a loan to Zoetrope "that got us through a difficult payroll week on 'One from the Heart'."<br /> <br /> Three large glossy bi-fold flyers for the sale of Zoetrope Studios with a map of the studios in the interior spread circa 1983.<br /> <br /> And various other business documentation including: A "Payroll Change Request" for Casting Director Jennifer Shull 1980. A Sony Corporation invoice for the repair of a video tape player 12/14/81. A tri-fold brochure for "Coppola: A Tribute to Francis Ford Coppola and Zoetrope Studios" at the UCLA Film Archives circa 1983. "Scripts in Development" dated January 4 1989 and a "Zoetrope Development: Agenda for Meeting 9/11" circa 1989.<br /> <br /> Documents 8.5 x 11 inches. Near Fine overall housed in two 14.75 x 9.5 generic folders labeled "Proj. List inc. Old Zoetrope" and "ZS: Sale of the Studio."<br /> <br /> Press Kit folder 9 x 12 inches. Near Fine. N.p. unknown
1970132470Beverly Hills CA: National Screen Service / MGM 1970. Eight vintage full-color British front-of-house cards from the 1970 UK film. <br /> <br /> A dying man frames himself for the murder of an industrialist so that his family can receive the reward money. It seems like a good plan.until he is cured of his ailment. <br /> <br /> 8 x 10 inches. Tiny corner creases light rubbing overall else Near Fine. National Screen Service / MGM unknown
1983138160Los Angeles: Twentieth Century-Fox 1983. Vintage press kit for the 1973 music documentary chronicling David Bowie's final live performance as Ziggy Stardust. Included in the press kit are four vintage black and white film still photographs and 21 pages of production information. <br /> <br /> Shot on location with only four cameras in London's Odeon theater on July 3 1973 the film witnesses Bowie's final performance as Ziggy Stardust. It would remain unreleased save a scant handful of partial screenings for another ten years as the audio recordings from the event were so poor that the filmmakers did not want to use them. Only in the early 1980s did Bowie rerecord a number of post-production tracks when he felt that he had finally put enough distance between himself and his Ziggy Stardust persona. <br /> <br /> 21 pages of production information corner stapled 8.5 x 11 inches. Photographs 8 x 10 inches. Stills and production information have a single soft crease else Fine housed in a Near Fine glossy full-color studio folder. Twentieth Century-Fox unknown
196427052104Finland: Mosfilm 1964. 1st Edition . No Binding. Fine. A remarkable apparently un-used Finnish A2 cinema-foyer poster for the celebrated Soviet-era World War 2 movie Zhivyje i mjortvyje known in English as The Alive and the Dead. Now acknowledged as a masterpiece the film attracted huge audiences on its release. The film was first screened in cinemas in Finland in November 1964 with no subsequent theatrical runs. This poster is not a modern reproduction or reprinting and nor is it Video/DVD-related. This particular poster is a standard size 60cm x 40cm approx and was printed by Rotapaino Oy dated 1964. It is in Very Fine to Mint un-used condition - unfolded free from pinholes or other signs of use. This is a rare poster in any condition but to find such a perfect example is a minor miracle. As usual the Finns have done their own thing with the layout and design but the graphics are effective and beautiful. Exceptionally clean and bright. A very nice example of vintage movie advertising art and design in outstanding condition and a very rare cinema poster. For best appreciation of condition please examine the high-resolution image which accompanies this listing. <br/> <br/> Mosfilm unknown
19952090202120404943Country of Manufacture Canada Stance Company 1995. Soft Cover. Fine. Number of books: 1 Country of Manufacture Canada Stance Company paperback
1933161157Paris: Franfilmdis 1933. Vintage oversize double weight studio still photograph for the landmark 1933 silent film. Provenance stamp on the verso. <br /> <br /> Although he only made four films before his death from tuberculosis at the age of 29 Jean Vigo would come to have an outsized influence on cinema particularly the French New Wave with François Truffaut in particular paying homage to Vigo's anarchic boarding school students in "Zero for Conduct" during the classroom and recess scenes in his 1959 film "The 400 Blows." <br /> <br /> 11.75 x 9.75 inches with wide bottom margins. Very Good plus lightly creased at the edges. <br /> <br /> Criterion Collection 578. Godard Histoires du cinema. Rosenbaum 1000. Franfilmdis unknown
1933146133Paris: Franfilmdis 1933. Collection of 3 vintage borderless double weight studio still photographs from the landmark 1933 silent film by Jean Vigo.<br /> <br /> Although he only made four films before his death from tuberculosis at the age 29 Jean Vigo would come to have an outsized influence on cinema particularly the French New Wave with Truffaut in particular paying homage to the anarchic boarding school students in "Zero for Conduct" during the classroom and recess scenes in "The 400 Blows." <br /> <br /> 9.5 x 7 inches. Very Good plus corner pinholes. <br /> <br /> Criterion Collection 578. Godard Histoires du cinema. Rosenbaum 1000. Franfilmdis unknown
1933139665Paris: Franfilmdis / Argui-Film 1933. Vintage double weight borderless reference photograph for the landmark 1933 silent film by Jean Vigo. With the stamp of photographer Mars Marstrich on the verso. <br /> <br /> Although he only made four films before his death from tuberculosis at the age 29 Jean Vigo would come to have an outsized influence on cinema particularly the French New Wave with Truffaut in particular paying homage to the anarchic boarding school students in "Zero for Conduct" during the classroom and recess scenes in "The 400 Blows." <br /> <br /> 8.75 x 6.5 inches. A few tiny pinholes at the right edge else Near Fine. <br /> <br /> Criterion Collection 578. Godard Histoires du cinema. Rosenbaum 1000. Franfilmdis / Argui-Film unknown
1977146559Munich: Terrafilm 1977. Draft script for an unproduced film original ribbon copy typescript. Laid in with the script is a two-page typed letter addressed to casting agent Paul Kohner from Terra Film producer Lothar H. Krischer and director Karoly Makk with manuscript ink annotations to the first page. Also included is a telegraph from Krischer to Kohner introducing the script. Text in German. <br /> <br /> A young woman arrives at a dilapidated hospital searching for answers to her past. Academy Award-winning Hungarian director Karoly Makk garnered accolades for his incisive political films during Hungarian cinema's renaissance in the postwar period most notably "Love" 1971 "Cats' Play" 1972 and "Another Way" 1982.<br /> <br /> Red untitled card wrappers. Title page present with credits for director Karoly Makk and screenwriter Gunther Heller. 171 leaves with last page of text numbered 169. Ribbon copy typescript rectos only. Pages Near Fine wrapper Very Good plus with yapping and light soil bound with a gold prong. Terrafilm unknown
1987141451Tokyo: Imamura Productions 1987. Draft script for the 1987 film. Text in Japanese. <br /> <br /> The greatest pimp in all of Japanese history Iheji Muraoka also known as Zegen or the "Boss of the South Seas" grew in power as Japan grew. Not only were his achievements contributing to his mantle of success but he believed they advanced the global ambitions of his nation promoting patriotic interests. <br /> <br /> Blue titled perfect-bound wrappers. Title page present. 149 leaves with last page of text numbered 139. Mechanical duplication. Pages Near Fine wrapper Near Fine. Imamura Productions unknown
1974310209NP: TWENTIETH CENTURY-FOX. Near Fine with no dust jacket. 1974. Poster. One-Sheet Film POSTER. 30" X 40" Near fine on a single printed sheet. Hint of soiling at bottom lefthand white margin. Not affecting image Stunning full-color graphic design featuring actor Sean Connery in thigh-high black boots & red speedos & matching bandolero costume standing beside the grimacing stone head of Zardoz while being offered-up on a gigantic outstretched open hand. Directed by John Boorman. . TWENTIETH CENTURY-FOX. unknown
1974170745N.p.: John Boorman Productions 1974. Vintage color reference photograph of Sean Connery and Sara Kestlman from the 1974 film. <br /> <br /> After the critical and commercial success of 1972's "Deliverance" director John Boorman was given almost total creative freedom for his next film. He responded by costuming Sean Connery in red briefs and suspenders thigh-high boots a handlebar mustache and a long braid and setting him loose in a utopian city of nearly catatonically bored immortals as a ruthless killer doing the violent bidding of a giant floating talking stone head. In his spare time he woos and has a child with Charlotte Rampling. Somewhat obviously the film has since become a cult classic. <br /> <br /> Shot on location in Ireland. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Arrow 1147. John Boorman Productions unknown
1957150605Culver City CA: Columbia Pictures 1957. Collection of 13 vintage photographs from the 1957 US-UK co-production. Seven photographs with mimeo snipes on the verso crediting photographer Bert Cann. <br /> <br /> Very loosely based on the 1950 nonfiction book "The Story of Zarak Khan" by A.J. Bevans about an outlaw fighting against British occupation in 19th century Afghanistan pursued by a British officer with whom he develops a mutual respect. <br /> <br /> Set on the border between Afghanistan and India shot on location in England Morocco India and Burma. <br /> <br /> 8 x 10 inches. About Near Fine. Columbia Pictures unknown
1973149156Burbank CA: Warner Brothers 1973. Final Draft script for the 1974 film. Laid in are six blue revision pages dated 2/26/73.<br /> <br /> Based on the 1942 novel "The Stranger" by Lillian Bos Ross. Later re-released under the title "For Better For Worse." Gene Hackman stars as a rural rancher who sends away for a mail-order bride looking for an extra ranch hand. His headstrong bride played by Liv Ullman is a tough bargain and the two eventually fall in love through shared hardship and growing respect. An early effort of screenwriter Marc Norman twenty-five years before he would receive an Oscar for his work on "Shakespeare in Love."<br /> <br /> Set in a remote region of the American West shot on location in Big Sur California. <br /> <br /> Orange titled wrappers noted as FINAL on the front wrapper dated February 26 1973. Distribution page present with receipt intact. Title page present dated 2/26/73 noted as FINAL with credits for screenwriter Marc Norman. 113 leaves with last page of text numbered 111. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Warner Brothers unknown
