1 189 résultats
1956755j1601Mexico City Mexico: Culinary Arts Institute. Very Good with no dust jacket. 1956. Second Edition. Hardcover. Offers authentic recipes from every region of the Mexican Republic. Adapted for use in the United States Central and South America. Author 1899-1968 "was a Mexican cook researcher writer and teacher. She was a pioneer of Mexican gastronomy and an entrepreneur of Mexican cuisine." - Wikipedia. "Before Rick Bayless before Diana Kennedy Josefina Velázquez de León was the sage of the Mexican kitchen Mexico's original celebrity chef." - Lesley Tellez. "Between the 1930s and 1960s she published over 140 cookbooks ran a cooking academy and hosted TV and radio shows. She is the woman responsible for giving a national face to regional Mexican cuisine." - laplazala on Instagram. "Her most important book is her only bilingual work the 'Mexican Cook Book Devoted to American Homes' published in 1947. Decades later it remains a classic. In a clear approachable tone Josefina breaks down iconic recipes such as tomato-infused Mexican rice refried beans chilaquiles and mole poblano. She traveled throughout Mexico and collected home cooks' recipes into books unifying what was then a disparate collection of locally known dishes. No one has matched her output and zeal or done more to shape Mexican food's culinary identity." - Lesley Tellez. Our research suggests this example is a slightly renamed second edition of the 1947 first edition mentioned above. 10-320 pp. Detailed Table of Contents at back. Light wear to original dark cerulean cloth lettered and ruled in gilt. Binding intact. Contents uniformly tanned with age remarkably clean and unmarked. No dust jacket presumably as issued. A rare and wonderfully preserved example of this Mexican epicurean classic. 19.6 x 14.5 cm. Axford p. 269. ; Drawings; 8vo . Culinary Arts Institute hardcover
1927132431Hollywood: Universum Film UFA / Paramount Pictures 1927. Original advertising herald for the US release of the 1927 film a shortened 115 minute version re-cut by American playwright Channing Pollock who is credited on the herald. <br/><br/>Interestingly the herald credits the film as joint production of Paramount and UFA apparently just prior to the formation of the larger umbrella production company Parufamet which included UFA Paramount and MGM. <br/><br/>4.5 x 6 inches folded 8.75 x 6 inches unfolded. Near Fine with some light soil. Universum Film [UFA] / Paramount Pictures unknown books
1950131050Los Angeles: Twentieth Century-Fox 1950. Revised First Draft Continuity script for the 1951 film. Included is an index to the script breakdown detailing various scenes and script page numbers with revisions. Copy belonging to Dane Anderson an uncredited member of the crew with his name on the front wrapper of the script breakdown and annotations throughout in holograph pencil. File copy rubber-stamped on the front wrapper. <br/><br/>Based on Weidman's 1937 novel and Vera Caspary's loose adaptation. Harriet Boyd Hayward is a fashion designer who partners with Teddy Dailey whom she loves and Sam Jaffe and starts a new business dedicated to selling affordable women's dresses. A rival fashion company lead by Noble Sanders momentarily distracts Harriet but at the last minute she realizes her true devotion to Teddy and Sam. <br/><br/>Screenwriter Polonsky was blacklisted shortly after the film's release refusing to answer questions before the House Un-American Activities Committee. <br/><br/>White titled wrappers rubber-stamped as REVISED FIRST DRAFT CONTINUITY on the front wrapper copy No. 3 and production No. 2446.8 dated August 4 1950. Distribution page present with receipt removed. Title page present dated August 4 1950 noted as Revised 1st Draft Continuity with a credit for screenwriter Polonsky. 170 leaves with last page of text numbered 168. Mimeograph on eye-rest green stock. Pages and wrapper Near Fine internally bound with three gold brads. <br/><br/>Script Breakdown: self wrappers as issued. 88 leaves dated 10/2/50 mimeograph on eye-rest green stock. Near Fine bound with three gold brads. Twentieth Century-Fox unknown books
195615567London: Neville Spearman 1956. Cloth. Near Fine/Very Good . INSCRIBED BY EZRA POUND IN YEAR-OF-PUBLICATION TO HIS WIFE DOROTHY POUND "D.P." on the front free endpaper. A very solid copy to boot of the 1956 true 1st edition of Pound's translation. Tight and Near Fine in a crisp price-intact VG to Near Fine dustjacket with just a touch of light chipping at the front upper tip and along the lower-edges. 12mo this volume also contains "an account by Denis Goacher of Mr. Pound's predicament and his strange life in St. Elizabeth's Hospital Washington D.C." <br/><br/> Neville Spearman hardcover books
195032296Amsterdam The Netherlands: Intercontinental Publishing Company. As New. 1950. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text of this mongraph in Dutch. Includes 39 plates some in color of works by Chardin. -- with a bonus offer-- . Intercontinental Publishing Company hardcover
192953798New York: Cosmopolitan Book Corp. As New. 1929. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 318 pages. -- with a bonus offer-- . Cosmopolitan Book Corp. hardcover
19653848New York: Atheneum. As New. 1965. Book Club BCE/BOMC. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IMPORTANT: Interior text is clean tight and unmarked. Pages are intact and tight to the spine. -- with a bonus offer--; . Atheneum hardcover
197721457Garden City NY: Nelson Doubleday. As New. 1977. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - 229 pages -- Interior text is clean tight & unmarked. Pages are intact and tight to the spine. Some nicking light creasing and light dust-smudging to DJ; a little yellowing to same and to fore-edges. Includes photographs of Burt Lancaster Michael York Nigel Davenport and others on the movie set and from the film. Book Club Edition so stated on the DJ front flap. -- with a bonus offer--; . Nelson Doubleday hardcover
1950131050Los Angeles: Twentieth Century-Fox 1950. Revised First Draft Continuity script for the 1951 film. Included is an index to the script breakdown detailing various scenes and script page numbers with revisions. Copy belonging to Dane Anderson an uncredited member of the crew with his name on the front wrapper of the script breakdown and annotations throughout in manuscript pencil. File copy rubber-stamped on the front wrapper. <br /> <br /> Based on Weidman's 1937 novel and Vera Caspary's loose adaptation. Harriet Boyd Hayward is a fashion designer who partners with Teddy Dailey whom she loves and Sam Jaffe and starts a new business dedicated to selling affordable women's dresses. A rival fashion company lead by Noble Sanders momentarily distracts Harriet but at the last minute she realizes her true devotion to Teddy and Sam. <br /> <br /> Screenwriter Polonsky was blacklisted shortly after the film's release refusing to answer questions before the House Un-American Activities Committee. <br /> <br /> White titled wrappers rubber-stamped as REVISED FIRST DRAFT CONTINUITY on the front wrapper copy No. 3 and production No. 2446.8 dated August 4 1950. Distribution page present with receipt removed. Title page present dated August 4 1950 noted as Revised 1st Draft Continuity with a credit for screenwriter Polonsky. 170 leaves with last page of text numbered 168. Mimeograph on eye-rest green stock. Pages and wrapper Near Fine internally bound with three gold brads. <br /> <br /> Script Breakdown: self wrappers as issued. 88 leaves dated 10/2/50 mimeograph on eye-rest green stock. Near Fine bound with three gold brads. Twentieth Century-Fox unknown
1950145904N.p.: N.p. 1950. Ribbon copy typed manuscript for an unproduced play with essays on the history of the project the production casting and set/costume design written by June Shannon a drama student at the Carnegie Institute of Technology. With extensive holograph annotations in ink and pencil on virtually every page and 15 hand painted watercolor sketches of set and costume designs.<br/><br/>Based on the 1775 play by Richard Sheridan. A comedy of manners set in 18th century Bath where three suitors quarrel over the love of one woman. In this hypothetical casting Tony-winning Broadway actor Jose Ferrer assumed the role of Bob Acres a buffoonish country suitor to young Lydia played by Laura Hope-Crews. The character of Mrs. Malaprop who throughout the play uses words incorrectly helped coin the term malapropism.<br/><br/>Set in France. <br/><br/>Black untitled wrappers. 166 leaves with last page of text numbered 139. Typescript rectos only. Pages Very Good plus wrapper Very Good plus in a spring binder. N.p. unknown books
19182090502130300377Yoshikawa Kobunkan Ikueisha 1918. Soft Cover. Fine. Number of books: 1 Yoshikawa Kobunkan Ikueisha paperback
1950145904N.p.: N.p. 1950. Ribbon copy typed manuscript for an unproduced play with essays on the history of the project the production casting and set/costume design written by June Shannon a drama student at the Carnegie Institute of Technology. With extensive manuscript annotations in ink and pencil on virtually every page and 15 hand painted watercolor sketches of set and costume designs.<br /> <br /> Based on the 1775 play by Richard Sheridan. A comedy of manners set in 18th century Bath where three suitors quarrel over the love of one woman. In this hypothetical casting Tony-winning Broadway actor Jose Ferrer assumed the role of Bob Acres a buffoonish country suitor to young Lydia played by Laura Hope-Crews. The character of Mrs. Malaprop who throughout the play uses words incorrectly helped coin the term malapropism.<br /> <br /> Set in France. <br /> <br /> Black untitled wrappers. 166 leaves with last page of text numbered 139. Typescript rectos only. Pages Very Good plus wrapper Very Good plus in a spring binder. N.p. unknown
19372092902141600518Arikosha 1937. Soft Cover. Fine. Volume: 1 Arikosha paperback
19285164<p>Octavo 17x13 cm. wrappers 16pp. Superb cover design by Pavel Semenovich Naumov 1884-1942 renowned graphic artist. Hasenclever's play was written in 1916 during the war and staged by Tairov in 1928. A description of the play by Hasenclever with additional notes by Shenshin for the music and a six-page essay by Aleksandr Tairov. Photos of the cast are included with frontispiece portrait of Tairov. OCLC locates one holding worldwide Harvard. A fine copy.</p> Tea-kinopechat' paperback
1928140906Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1928. Archive of material from the 1928 film. From the estate of actor Monte Blue who starred in the film. <br/><br/>Included in the archive are a carbon typescript draft script here under the working title "Southern Skies" four vintage photographs each with a mimeo snipe on the verso one with a press stamp as well and a later 1921 edition of the 1919 travel book by Frederick O'Brien which served as the source material for the film signed and dated by Blue with his bookplate on the front pastedown. <br/><br/>MGM's first film with a fully prerecorded soundtrack comprised of music and sound effects including most notably the first time the company's mascot Leo the Lion roared at the film's start White Shadows in the South Seas doesn't quite classify as a "talkie" as only the single whispered word "hello" appears in the soundtrack. Winner of an Academy Award for Best Cinematography. <br/><br/>Set on a Polynesian Island shot on location in Tahiti at the time an ambitious endeavor to shoot a Hollywood film on location among native islanders using many of them as extras in the film. <br/><br/>Carbon typescript draft:<br/><br/>Cream colored titled wrappers rubber-stamped copy No. 5046 and production No. 338 dated November 29 1927 with credits for screenwriter Jack Cunningham and adaptation writer Ray Doyle. Title page integral with the first page of the text dated November 161927 with credits for Cunningham and Doyle. 146 leaves with last leaf of text numbered 146. Carbon typescript on onionskin stock. Pages Near Fine wrapper Poor bound with two gold brads. <br/><br/>1921 copy of "White Shadows in the South Seas:"<br/><br/>Early The Century edition from 1921 first edition was originally published by The Century in 1919. Very Good lacking jacket. Front hinge split with light rubbing to the cloth at the extremities. Metro-Goldwyn-Mayer [MGM] unknown books
19692090502130300807Hanshichi Yoshikawa Yoshikawa Kobunkan 1969. Soft Cover. Fine. Number of books: 1 Hanshichi Yoshikawa (Yoshikawa Kobunkan) paperback
1935507154Oxford University Press 1935. Leather. VERY GOOD. 1480pp in continuous pagination accross OT Apocrypha and NT. 15x12x4.5' in red goatskin over bevelled boards with blind-ruled rasied bands and 'HOLY BIBLE' title stamped in gilt. Versified dual-column text with bold large font quite legible from a distance of several feet. A colossal lectern / pulpit bible gifted to a Mount Lebanon Pennsylvania Episcopal parish with leatherdedication plate d. 1935; though without publication date it was likely near that year as the 'house' binding of red goatskin matches exactly that of the Bruce Rogers Lectern Bible we recently held published in 1935. With some petina to the leather and light rubbing to extremities endpaper edges a bit chipped tape-repaired tear to 1175 faint dampstain to fore edge only visible in a certain light; we leaved through every page and found only a few lector assignments marked in pencil which we have erased; otherwise an uncommonly clean copy with very sound tight binding bright gilt and crisp pages. Oxford University Press unknown
1989014530Paris Flammarion 1989 In-8 Broché Dédicacé par l'auteur
1931130961Hollywood: Paramount Pictures 1931. Revised Final Script for the 1932 pre-Code film an early starring role for Carole Lombard. Rubber stamped as a Paramount File Copy at the top right corner of the front wrapper. <br/><br/>Penelope Newbold is a wealthy divorcée looking to remarry. She falls for her physician Dr. Karl Bemis but ends up marrying Bill Hanaway. Bill then has an affair with another woman. <br/><br/>Tall peach side stapled self wrappers noted as Third Buff Script on the front wrapper dated October 6 1931 with credits for writers Hughes Heath Buchman and Leahy. 205 leaves on peach stock mimeograph duplication with annotations throughout. Paramount Pictures unknown books
1928140906Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1928. Archive of material from the 1928 film. From the estate of actor Monte Blue who starred in the film. <br /> <br /> Included in the archive are a carbon typescript draft script here under the working title "Southern Skies" four vintage photographs each with a mimeo snipe on the verso one with a press stamp as well and a later 1921 edition of the 1919 travel book by Frederick O'Brien which served as the source material for the film signed and dated by Blue with his bookplate on the front pastedown. <br /> <br /> MGM's first film with a fully prerecorded soundtrack comprised of music and sound effects including most notably the first time the company's mascot Leo the Lion roared at the film's start White Shadows in the South Seas doesn't quite classify as a "talkie" as only the single whispered word "hello" appears in the soundtrack. Winner of an Academy Award for Best Cinematography. <br /> <br /> Set on a Polynesian Island shot on location in Tahiti at the time an ambitious endeavor to shoot a Hollywood film on location among native islanders using many of them as extras in the film. <br /> <br /> Carbon typescript draft:<br /> <br /> Cream colored titled wrappers rubber-stamped copy No. 5046 and production No. 338 dated November 29 1927 with credits for screenwriter Jack Cunningham and adaptation writer Ray Doyle. Title page integral with the first page of the text dated November 161927 with credits for Cunningham and Doyle. 146 leaves with last leaf of text numbered 146. Carbon typescript on onionskin stock. Pages Near Fine wrapper Poor bound with two gold brads. <br /> <br /> 1921 copy of "White Shadows in the South Seas:"<br /> <br /> Early The Century edition from 1921 first edition was originally published by The Century in 1919. Very Good lacking jacket. Front hinge split with light rubbing to the cloth at the extremities. Metro-Goldwyn-Mayer [MGM] unknown
1909032889London and New York : William Heinemann and Doubleday Page & Co 1909 A good to very good copy of the 1st limited edition signed by Arthur Rackham in the original full vellum binding with tipped in frontispiece and 14 further tipped in colour plates. No 116 of a 1000 printed. Top page edges gilted remainder untrimmed. The untrimmed edges are slightly spotted. Plates on brown stock paper with captioned tissue-guards. Numerous black and white designs and illustrations. The binding has bright gilt decoration and titles but the vellum is pitted throughout. There is light wear to corners. The remains of the original ties are present. Internally the book is complete and in near fine clean condition. There is the odd spot mainly to tissue guards and light toning to pages adjacent to the brown stock paper that supports the plates. The final page and the half title which are adjacent to the brown endpapers are also lightly toned. Please enquire if you would like to see additional images. William Heinemann and Doubleday Page & Co hardcover
1957447978Cambridge Massachusetts: Harvard University Press 1957. Hardcover. Fine/Near Fine. First edition. A free adaptation for the theater by Mary Manning. Ownership signature of actor Michael Clarke-Laurence. Fine in a very good or better dustwrapper with faint toning on the spine. Letter laid in from director and screenwriter Mary Bute on the stationary of Expanding Cinema to Michael Clarke-Laurence offering him a part in the adaptation. Bute eventually directed the film in 1966; it was awarded as Best Debut at the Cannes Film Festival; Clarke-Laurence did not appear in it. Harvard University Press hardcover
192320518Boston: R. H. Hinkley 1923. 8vo. 14 vols. 70 plts. <br><br>This handsome and much-sought edition of the King James Bible was printed at the Merrymount Press and limited to 2574 sets: 1000 on wove paper 1000 on laid paper 488 on handmade paper and 86 on Japan paper. This set is #233 printed on handmade paper and contains 70 fine plates usually 5 per volume and mostly photogravures after paintings. The edition was designed for smooth reading and the text is set in ordinary paragraphs without chapter and verse numbers.<br>Â Â Â Â This work has a complicated and as yet not fully explained printing history. It was probably first printed in 1904 with sheets reissued or reprinted at various times in the subsequent two decades. Even the name of the publisher on the title-page varies; "The Grolier Society" sometimes appears in place of Hinkley.<br>Â Â Â Â Binding: Publisher's quarter tan pigskin spine leather over deeply grained polished bare wooden boards with bevelled edges on the three outer sides in the style of incunable and 16th-century books. Raised bands on spines; spine panels tooled and lettered in blind. Unusual and attractive. <br>Â Â Â Â <br>Â Â Â Â Smith 209; Hills 2155 for the 1904 edition and explanation of reissues. Bound as above with top edge gilt other edges uncut. Spines darkened and some chipped. One cover detached and present. Much enjoyment. R. H. Hinkley hardcover books
19992092902140400880enterprise 1999. Soft Cover. Fine. The book is in fine condition. enterprise paperback
1931130961Hollywood: Paramount Pictures 1931. Revised Final Script for the 1932 pre-Code film an early starring role for Carole Lombard. Rubber stamped as a Paramount File Copy at the top right corner of the front wrapper. <br /> <br /> Penelope Newbold is a wealthy divorcee looking to remarry. She falls for her physician Dr. Karl Bemis but ends up marrying Bill Hanaway. Bill then has an affair with another woman. <br /> <br /> Tall peach side stapled self wrappers noted as Third Buff Script on the front wrapper dated October 6 1931 with credits for writers Hughes Heath Buchman and Leahy. 205 leaves on peach stock mimeograph duplication with annotations throughout. Paramount Pictures unknown