Proust Marcel adaptation by Stanilas BrAAzet et StAAphane Heuet dessins et coleurs StAAphane HeuetABAA
110 résultats
2000257362Paris: Guy Delcourt Prods 2000. Hardcover. 48p. 9x12.5 inches texts in French pictorial endpapers retelling of the novel in comic illustrations lightly-used first edition thus in glossy pictorial yellow boards small chip at bottom edge of front board. Guy Delcourt Prods hardcover books
196726836New York: Random House. Fine in Near Fine dj. c.1967. Book Club Edition. Hardcover. a tight clean copy with no discernible wear to either book or jacket just a touch of tanning to the jacket spine. B&W photographs Musical adaptation of the "Peanuts" comic strip which ran for 1597 performances in its original off-Broadway production and has been re-staged and adapted for other media numerous times since notably as a 1973 TV special and in a 1999 Broadway revival. The original production starred Gary Burghoff as Charlie Brown and Bob Balaban as Linus Van Pelt. . Random House hardcover books
195615567London: Neville Spearman 1956. Cloth. Near Fine/Very Good . INSCRIBED BY EZRA POUND IN YEAR-OF-PUBLICATION TO HIS WIFE DOROTHY POUND "D.P." on the front free endpaper. A very solid copy to boot of the 1956 true 1st edition of Pound's translation. Tight and Near Fine in a crisp price-intact VG to Near Fine dustjacket with just a touch of light chipping at the front upper tip and along the lower-edges. 12mo this volume also contains "an account by Denis Goacher of Mr. Pound's predicament and his strange life in St. Elizabeth's Hospital Washington D.C." <br/><br/> Neville Spearman hardcover books
19621336990New York: Golden Press 1962. Hardcover. Octavo; G; Hardcover; Spine gold and black without print; Boards in illustrated paper slight edgewear tear at bottom of hinge in front and rear light rubbing/shelfwear; Text block has red tinted edges ink mark inside front cover slight age-toning to paper else clean and tight; unpaged illustrated color. 1336990. FP New Rockville Stock. Golden Press hardcover books
19281313474New York: The Viking Press 1928. First Edition Third Printing. Hardcover. 10vo 187 pages; VG/VG-; dust jacket is in a mylar covering has price uncut '$2.00' has minor wear along the top and bottom edges with several small closed tears has mild chipping at the top and bottom of the spine and on the fore edge corners has discoloration and blotching along the spine; binding has minimal wear along the top and bottom edges; pages have dust build up along the top edge; illustrated endpapers; shelved case 0. 1313474. Shelved Dupont Bookstore. The Viking Press hardcover books
19641318964Collegeville MN: The Liturgical Press 1964. Hardcover. Octavo; pp 224; G/G-; black and dark orange spine with cream text; dust jacket has slight shelf wear to exterior; minor chips to edges; minor tape mend to edges; age toned rear toward edges; cloth shows light wear to exterior; strong boards; text block shows light wear to exterior edges; slight pencil as is; illustrated;. 1318964. FP New Rockville Stock. The Liturgical Press hardcover books
1950WRCLIT70799New York: Kal Efron 1950. 20pp. Quarto. Stiff two-color pictorial wrappers cover art by Al Hirschfeld. Numerous black & white photo illustrations and essays about principal actors. Wrappers a bit sunned lightly rubbed very good. Delightfully illustrated with production stills and principal portraits and there is a lengthy article by Ms. Loos describing "The Further Adventures of Lorelei Lee" replete with spelling errors intended as a parody of Ms. Lee's voice."Gentlemen Prefer Blondes" was performed on stage version in 1926 and as a film in 1928 prior to this Broadway production by John C. Wilson. Featuring lyrics by Leo Robin and music by Jule Styne this mid-century revival played 740 performances at the Zeigfeld Theatre followed by road engagements starring Carol Channing Yvonne Adair Rex Evans and Anita Alvarez et al. Enduring songs from this play include "Diamonds are a Girl's Best Friend" and "I'm Just a Little Girl from Little Rock." Kal Efron unknown books
1990WRCLIT50443Allston MA 1990. Whole number one. Small quarto. Pictorial wrappers. Illustrations. Lower wrapper dust spotted else very good. Edited by David Gionfriddo et al. unknown books
19341331253New York and London: G. Schirmer Inc 1934. Hardcover. Large Octavo; pp 301; Good; green spine with gilt text; cloth has slightly sunned edges; sturdy boards; mylar wrap; text block shows light tone to exterior edges; illustrated endpapers; illustrated; good binding. 1331253. FP New Rockville Stock. G. Schirmer, Inc hardcover books
19501310923Kingswood: William Heinemann Ltd 1950. Hardcover. Octavo; VG/VG-Hardcover; Beige spine with red text; Heavy shelf wear and age to covers rubbing along surfaces spotting and marks to corners discoloration along sides and edges of dust jacket age toning to inside of dj jacket now protected in plastic type cover; Moderate age and wear to bright red cloth boards faded gilt text and design on front cover cover slightly loose at spine binding slightly cocked toned pages; Age toning and foxing to text block exterior text block clean; 145 pp. 1310923. FP New Rockville Stock. William Heinemann Ltd hardcover books
195773699Paris: Fémina Théåtre Robert Anderson et Roger-Ferdinand 1957. Magazine. 40p. 7x11 inches illustrated with production stills lightly-worn stapled magazine with the full text of the play in French orange pictorial wraps creased and rubbed. This production starred Ingrid Bergman as "Laura Reynolds" and there are five production stills that show her also a full-page studio portrait verso of cover. Fémina Théåtre Robert Anderson et Roger-Ferdinand unknown books
1963WRCLIT70673New York: The Theatre Guild 1963. 16pp. Quarto. Color pictorial self-wrappers. Black & white photographs. Fine. First edition of the souvenir program produced for the run of the play a new comedy written by Leonard Spigelgass based on a story by Gertrude Berg and James Yaffe and presented at the Music Box Theatre. Herman Shumlin directed Gertrude Berg Howard Da Silva Jill Kraft and Ron Leibman in his first Broadway role. The program features an essay by the author Spigelgass many production scenes a feature on the Theatre Guild and biographies of each of the principal players. The play had a run of 145 performances. The Theatre Guild unknown books
163324066London: Pr. by Augustine Mathewes one of the assignes of Hester Ogden 1633. Folio 33.3 cm 13.25". Frontis. engr. t.-p. 58 912 18 25 1 206 2 17 1 blank pp. <br><br>When the Jesuit scholars at Rheims succeeded in printing their Catholic translation of the New Testament into English first edition 1582 the event affected various English Protestant scholars in different ways: Some were offended or outraged others intrigued and yet others spurred to action. William Fulke of Pembroke College Cambridge was among those offended outraged and spurred: In 1589 he produced the first edition of his work attempting to refute the Rheims New Testament. His approach however which was to print the Rheims NT in parallel columns with the Bishops' NT the then accepted version of the Church of England supplying accompanying notes and explanations had unforeseen consequences.<br>Â Â Â Â As Darlow and Moule comment "by printing the Rheims Testament in full side by side with the Bishops' version Fulke secured for the former a publicity which it would not otherwise have obtained and was indirectly responsible for the marked influence which Rheims exerted on the Bible of 1611." Alan Thomas elaborates by observing that "many a dignified or felicitous phrase was silently lifted by the editors of King James's Version and thus passed into the language" Great Books and Book Collectors p. 108.<br>Â Â Â Â This is the fourth edition "wherein are many grosse absurdities corrected." A portrait of William Fulke precedes the engraved title-page both done by William Marshall. The Biblical text is followed as issued by Fulke's Defense of the Sincere and True Translation of the Holy Scriptures into the English Tongue against the Manifold Cavils Frivolous Quarrels and Impudent Slanders of Gregorie Martin. <br>Â Â Â Â <br>Â Â Â Â STC 2nd ed. 2947; Darlow & Moule 371; ESTC S121246; Herbert 480. Contemporary mottled calf covers framed and panelled in gilt double fillets with gilt-stamped corner fleurons spine with gilt-stamped leather title-label all edges gilt; binding rubbed leather moderately acid-pitted joints cracked rectangle of leather lost at upper inner corner of front cover. Lower edges of closed book rubber-stamped; free endpapers excised; lower outer corners lightly waterstained at rear; pages otherwise slightly age-toned but notably clean. A sound good copy. Pr. by Augustine Mathewes on[e] of the assignes of Hester Ogden hardcover books
19719006855New York: Boosey & Hawkes 1971. paperback. Fine Condition. Bound in the publisher's original wrappers. <br/><br/> Boosey & Hawkes paperback books
1958132326N.p.: N.p. 1958. Draft script for a play based on the classic 1957 film directed by Ingmar Bergman. Actress Mary Henry's copy profusely annotated throughout. Ms. Henry played one of three "phantoms" in the play who do not speak but who are generally present. Nothing is known about the production of this play the playwright or the actors involved but the nature of the mimeograph would place the production in the late 1950s or early 1960s. <br/><br/>Tan side-stapled wrappers with credits for screenwriter Bergman and playwright Vinciguerra in typescript at the upper center of the front wrapper. 27 leaves mimeograph duplication. Pages Near Fine wrapper Very Good lacking rear wrapper side stapled. N.p. unknown books
1950145904N.p.: N.p. 1950. Ribbon copy typed manuscript for an unproduced play with essays on the history of the project the production casting and set/costume design written by June Shannon a drama student at the Carnegie Institute of Technology. With extensive holograph annotations in ink and pencil on virtually every page and 15 hand painted watercolor sketches of set and costume designs.<br/><br/>Based on the 1775 play by Richard Sheridan. A comedy of manners set in 18th century Bath where three suitors quarrel over the love of one woman. In this hypothetical casting Tony-winning Broadway actor Jose Ferrer assumed the role of Bob Acres a buffoonish country suitor to young Lydia played by Laura Hope-Crews. The character of Mrs. Malaprop who throughout the play uses words incorrectly helped coin the term malapropism.<br/><br/>Set in France. <br/><br/>Black untitled wrappers. 166 leaves with last page of text numbered 139. Typescript rectos only. Pages Very Good plus wrapper Very Good plus in a spring binder. N.p. unknown books
1854WRCLIT80673New York: Stringer & Townsend 1854. vi196pp. plus 53 of 55 plates most double-spread including one folding plate and two colored plates. Quarto. Contemporary three quarter calf and cloth. Illustrations. Binding extremities rather worn but sound foldout 'example plate c' torn up one fold without loss closed tear and small spot in lower margin of plate 18 some tanning and scattered occasional foxing some cross-plate offsetting otherwise a good sound copy. An early American printing of a great many through the remainder of the 19th century based on the London edition of 1853. An extensive treatment of basic mechanical drawing is followed by directions for the more refined skills of shading perspective etc. The plates detail all manner of geometric mechanical and architectural renderings to assist the draughtsman in his work. A sequence of 'example' plates at the end include renderings of an express locomotive a wood planing machine a washing machine a power loom steam boilers direct- acting marine engines etc. Stringer & Townsend hardcover books
195622339New York: Random House 1956. First Edition. First printing. Octavo 20.5cm.; simulated cloth photographic plate mounted to upper cover red topstain; in cream pictorial dust jacket; 10180pp.; photographic frontispiece 2 plates. Jacket spine a hint toned else Fine. Illustrated with photographs from the original stage production. Random House unknown books
2004Embry 161128Atheneum 2004. First edition first printing. Fine in fine dust jacket in mylar cover. Color illus. by Wendy Anderson Halperin. Atheneum, 2004. First edition, first printing. unknown books
1583255181London: Christopher Barker printer to the Queenes most excellent Maiestie 1583. 6 322 19 leaves; 12136 16 pp. Woodcut initials. Texts in black letter that in the second work in double columns. 1 vols. 4to. Full 19th-century crushed levant raised bands gilt inner dentelles a.e.g. by Jenkins & Cecil. Both titles within elaborate woodcut borders with woodcut map on verso of ¶8 and Royal Arms at conclusion of St. John. The first work wants the two preliminary blanks and the final blank. Joints rubbed clearly washed at the time of binding though with occasional light foxing and minor spotting remaining a handful of small marginal repairs lower margins of U2-3 in second work a bit frayed with a few small chips not affecting text; generally a very good copy if somewhat processed. 6 322 19 leaves; 12136 16 pp. Woodcut initials. Texts in black letter that in the second work in double columns. 1 vols. 4to. The Geneva - Thomson text of the New Testament revised by Thomson from the translation by Whittingham Gilby Sampson and others. First printed in 1576 Thomson's revision eventually became the final and most popular version of the Geneva text. The edition of the Psalms by Sternhold and Hopkins was first published in its complete form in 1562 and was frequently reprinted often to be bound to accompany other editions of the Bible. ESTC S123036 & S102250; STC 2885 & 2466; Herbert 180; Darlow & Moule 137; Luborsky & Ingram 2885 Christopher Barker, printer to the Queenes most excellent Maiestie unknown books
179141520United States of America i.e. Worcester Mass.: Pr. at the press in Worcester Massachusetts by Isaiah Thomas 1791. Folio extra 400 mm; 16". New Testament ONLY. 1 f. pp. 7891012; 19 plts. <br><br>Present here is the extracted New Testament from => the first folio Bible printed in America from the press of the printer whom Ben Franklin called the "Baskerville of America." Being also only the fourth complete Protestant Bible in English printed in the former British colonies its text is the standard King James version printed in double-column format in roman type; and Thomas's production is famous for its typography its achievement in size the pages are 15.5" tall and especially its illustrations. The plates 19 of them were engraved by four of America's greatest artisans: J. Norman Alexander Doolittle Joseph H. Seymour and Samuel Hill.<br>Â Â Â Â "An alphabetical table of proper names" was planned but not printed as indicated by the catchword on the final page; the table does appear in the quarto edition Thomas printed the same year. This volume does contain at its end the whole Bible's "Index to the Holy Bible" and its several "tables" of Weights Measures and Coins; Time; Offices and Conditions of Men; and Kindred and Affinity. <br>Â Â Â Â <br>Â Â Â Â Hills 29; O'Callaghan 38; Herbert 1353; Rumball-Petre Rare Bibles 171; Evans 23186 Wright Early Bibles of America pp. 7488. 18th-century mottled calf nicely rebacked with edges of boards renewed and text block resewn. Old waterstaining from light to severe throughout extending across text and image areas of plates with very variable impact; age-toning occasional staining and off-setting from plates in only the usual degrees. Lower margins display some notable chips and purposeful paper tear-aways and a good many closed tears; only the latter reach sometimes into text without loss. Several plates have had closed tears neatly repaired from the rear; the plate of Mary Magdalen and the final leaf of the last Table show OLD replacement of paper where original paper was torn away from blank areas; the copy retains the old dog-earings and page-creasings of long use and bears pencillings on its final leaf. => A copy that has seen much happen to it over its more than 200 years of existence; still a sturdy interesting and imposing copy of this impressive early American New Testament. Pr. at the press in Worcester, Massachusetts, by Isaiah Thomas hardcover books
18317513Exeter N.H.: James Derby 1831. 32mo 11.1 cm 4.375". 259 1 blank pp. lacks the frontis. <br><br>Stereotyped by the publisher" this 32mo pocket New Testament is printed in two columns in small type set 16 lines to the inch.<br>Â Â Â Â Binding: Straight-grained roan covers gilt-ruled and spine gilt extra. <br>Â Â Â Â <br>Â Â Â Â O'Callaghan 213; Hills 765 not calling for a frontis. ; not in Herbert. Binding rubbed with corners bumped and spine-gilt faded but still softly pretty; lacking the frontispiece which Hills does not call for and title-page partially detached at gutter. Pp. 56 and 22930 chipped on lower outer corner with loss of part of page number from the former; free endpapers chipped; some old dog-ears; light foxing and occasional spots and occasional light waterstaining. => An attractive solid small American Testament. James Derby unknown books
184216088Philadelphia: Thomas Sutton 1842. 8vo. 240 pp. <br><br><br>Â Â Â Â <br>Â Â Â Â Hills 1153. Later 19th century quarter sheep over paper boards; worn paper over boards with water damage some bubbling chipping on board edges and chipping at head and foot of spine. A few dog-ears and tears without loss of text four pages shaved at outer edge with loss of last few letters of most lines. Moderate staining. Extensive pencil and ink notations and scribbles on endpapers some ink and pencil marks elsewhere. Front fly-leaf and rear fly-leaf and endpaper lacking. Thomas Sutton hardcover books
186413347London: Longman Green Longman Roberts & Green 1864. 4to 29.5 cm 11.75". Frontis. iiixvi 540 pp.; illus. <br><br>First edition and one of 250 large paper copies printed of this lavishly illustrated quintessentially Victorian Bible. The decorations and initials were drawn and engraved by Henry Shaw who also supervised the engravings of the illustrations after Leonardo da Vinci Titian Raphael and other Italian masters; engravers involved with the project included F. Anderson James Cooper Messrs. Dalziel W.T. Green William Linton and many others all of whom labored mightily in this attempt to reproduce the feel of a 16th-century production.<br>Â Â Â Â Binding: Signed reddish-brown morocco binding by Root & Son with covers and spine gilt extra; extremely wide and handsome turn-ins elaborately gilt tooled.<br>Â Â Â Â Provenance: Front fly-leaf with attractively inked gift inscription to the Rev. John Francis O'Hern the third Bishop of Rochester NY dated 1929. <br>Â Â Â Â <br>Â Â Â Â Not in Darlow & Moule. Leather with light restoration; front pastedown with traces of a now-absent bookplate. Small area of front joint outside expertly resealed/repaired; the weight of this substantial volume dictates storage on the volume's back not its lower edge. => A lavishly produced Victorian New Testament in an impressive binding. Longman, Green, Longman, Roberts, & Green hardcover books
1633156London: Robert Barker.by the Assignes of John Bill 1633. Very Early Elizabethan Printing. Tooled leather. Very Good /Custom Case. 12mo original tooled leather 17th century binding engraved frontispiece very closely cut borders all edges gilded original green silk page divider viii blank ~ 524 vi blank pages. THE NEW TES_/ TAMENT / Of our Lord and / S A V I O V R / - Jesus Christ Newly translated out of the / Originall Grrek : and / with the former transla- / tions diligently compared / and revised by his Maie- / sties special commande- / ment. ---------------------------- Imprinted at London / By Robert Barker Printer / to the Kings most Excel- / lent Majesty and by / the Assignes of John Bill 1633. Cum privilegia. A GEM! In an original tooled leather binding no less. Beautiful clear type. Minimal wear. Some pages so closely cropped by the printer that the chapter headings at the top have been partially excised though not the text. In order to ensure its proper long-term preservation we commissioned Scott Kellar distinguished Chicago bookbinder and restorer to make minor professional repairs and to construct a protective box for this already Exceptional and Rare tiny edition of the Authorized King James version of the New Testament. Finely bound in contemporary tan embossed calf over wooden boards richly gilt to spine. four hubs and boards. Marbled pastedowns & endpaper. a.e.g. and gauffered. Spine very slightly rubbed with partial loss of caps at head and foot restored and almost invisible. Edges of engraved title page reinforced; overall a fine copy. Ink inscriptions on two front free endpapers naming "Edmund James Gore" & his London addresses. The continental binding on this small format Authorized version MAY suggest that it might be a pirated edition of the English Bible pirated in Amsterdam. For example the Stam printing family were printing small format Bibles in 1673-- after our publication see Cambridge History of the Book in Britain IV p.467. Herbert 713-14 Wing B2511A. Robert Barker...by the Assignes of John Bill hardcover books
