110 résultats
1583255181London: Christopher Barker printer to the Queenes most excellent Maiestie 1583. 6 322 19 leaves; 12136 16 pp. Woodcut initials. Texts in black letter that in the second work in double columns. 1 vols. 4to. Full 19th-century crushed levant raised bands gilt inner dentelles a.e.g. by Jenkins & Cecil. Both titles within elaborate woodcut borders with woodcut map on verso of ¶8 and Royal Arms at conclusion of St. John. The first work wants the two preliminary blanks and the final blank. Joints rubbed clearly washed at the time of binding though with occasional light foxing and minor spotting remaining a handful of small marginal repairs lower margins of U2-3 in second work a bit frayed with a few small chips not affecting text; generally a very good copy if somewhat processed. 6 322 19 leaves; 12136 16 pp. Woodcut initials. Texts in black letter that in the second work in double columns. 1 vols. 4to. The Geneva - Thomson text of the New Testament revised by Thomson from the translation by Whittingham Gilby Sampson and others. First printed in 1576 Thomson's revision eventually became the final and most popular version of the Geneva text. The edition of the Psalms by Sternhold and Hopkins was first published in its complete form in 1562 and was frequently reprinted often to be bound to accompany other editions of the Bible. ESTC S123036 & S102250; STC 2885 & 2466; Herbert 180; Darlow & Moule 137; Luborsky & Ingram 2885 Christopher Barker, printer to the Queenes most excellent Maiestie unknown books
150741458Cambridge: Pr. by John Archdeacon 177576. 4to in 8s 28.8 cm 11.33". Frontis. 639 ff. <br><br>with accompanying volume The book of common prayer and administration of the sacraments and other rites and ceremonies of the Church according to the use of the Church of England: Together with the psalter or psalms of David. Cambridge: Pr. by John Archdeacon 1781. 8vo 20.7 cm 8.15". 376 ff. bound with Vickers William. A companion to the altar: Shewing the nature and necessity of a sacramental preparation in order to our worthy receiving the holy communion. London: Pr. for Thomas Beecroft 1783. Frontis. 2 v55 1 adv. pp. lacking half-title or initial blank and with Bible. Psalms. English. Sternhold and Hopkins. The whole book of psalms collected into English metre. Cambridge: Pr. by John Archdeacon 1785. 8vo. 64 ff.<br>Â Â Â Â This striking 18th-century set owned by a wealthy Englishwoman who spent much of her life in Switzerland for more on which see below pairs a handsome Cambridge Bible and BCP in => masterfully designed and executed deluxe matched bindings. The Bible opens with a frontispiece engraved by Charles Grignion after Francis Hayman; the Apocrypha are present in this copy and the New Testament has a separate title-page dated 1776. The BCP is bound with Companion to the Altar "Note This Book is bound up with the Common-Prayers of several sorts printed by the University of Cambridge" as per the title-page; Sternhold & Hopkins bring up the rear.<br>Â Â Â Â Bindings: Contemporary mottled green morocco covers framed in Greek key roll and dentelles composed of urn and flower motifs surrounding central JHS medallions with red morocco inlays and gilt-tooled flames; spines with gilt-tooled compartment decorations Bible spine with gilt-stamped red leather title-label. While the covers of the two volumes are strongly similar overall and "read" as => identical on first glance the details of the design vary slightly between the Bible and the BCP as the size disparity and possibly the time gap between the publication dates necessitated the use of different tools. The spine designs differ more notably but still most companionably with the Bible's spine decorations being built up with foliate and floral motifs and the BCP's with suns and stars. => To engage in minute comparison of these bindings' detail is an entrancing exercise.<br>Â Â Â Â Provenance: Front free endpaper of Bible used for family record: Francis James Barwell de Sandol Roy born in 1793 and died in 1813 "Quel angoisse!"; Henri Guillaume de Sandol Roy born in 1797; and a list of grandchildren: François Sophie Anna and Alfred. The title-page inscription confirms that this set was owned by Sophie Bridget Barwell de Sandol Roy 17691850 daughter of William Barwell a director of the East India Company; her brother Richard became a famously wealthy and scandalous nabob. Dubbed "la belle Anglaise" following her arrival in Neuchâtel Sophie made a great splash in Swiss society and received a proposal from Colonel François Isaac de Sandol Roy sometimes given as Sandol-Roy a proposal which she at first rejected until he subsequently saved her from the guillotine in revolutionary Paris! For more on their story please see Musée Neuchatelois 1923 ed. pp. 24 which includes a reproduction of a portrait of Sophie de Sandol-Roy done by Sir Joshua Reynolds. <br>Â Â Â Â <br>Â Â Â Â Bible: Darlow & Moule 1247; ESTC T88808. BCP: Griffiths Bibliography of the Book of Common Prayer 1781:1; ESTC T212010. Companion: ESTC T76554. Psalms: ESTC T221010. Bindings as above moderate rubbing to extremities and sides with limited scuffing only; all edges gilt marbled endpapers and original matching dark blue bookmarks present still attached. Bible with small area of waterstaining to lower inner margins of first few leaves including frontispiece; varying faint to moderate foxing; one leaf with small repair to upper outer margin. BCP with a few instances of light foxing pages mostly clean; laid in is a stitched pamphlet which seems to be a record of additional family information involving Albert Victor and Mary although written in a challenging hand. => A gorgeous lavish production altogether with a remarkable arresting provenance. Pr. by John Archdeacon hardcover books
1607D15150London: Robert Barker 1607. Full Calf. Very Good. 2 parts in one volume folio 13 x 8 1/2 in.; 330 x 216 mm. Double column text in roman type 63 lines to the full column engraved general title tinted by hand in rose pink and light blue wash woodcut headpiece and small ornament on New Testament title-page with continuous register but separate foliation full-page woodcut of Adam and Eve in Eden facing Genesis 31 woodcut text illustrations diagrams and maps woodcut initials and head- and tailpieces; foliation errors as typical; scattered staining throughout tape repaired tear on G2 cutting into side-notes and another on Ffff2 repaired with older cellotape. Contemporary calf over beveled wooden boards old sueded calf spine nailed to front and rear covers this done a very long time ago; catches perished but still a most impressive looking object and a quite decent copy overall of the Geneva Bible in Folio format in a contemporary binding. The Geneva version of the Old Testament translated by William Whittingham Anthony Gilby Thomas Sampson and perhaps others with Laurence Tomson's revision of the Geneva version of the New Testament and his translation of Franciscus Junius' translation of Revelation. The correct collation reads as in ESTC not Herbert quires AaaZzz should read: AaaLll6 MmmOoo8 PppZzz6. STC 2199; ESTC S122320; Herbert 289. <br/><br/> Robert Barker unknown books
163226102London: Robert Barker.by the assignes of John Bill 1632. Folio 34 cm 13.4". 15 507 1 ff. lacking 7 prelim. ff. <br><br>preceded by Speed John. The genealogies recorded in the Sacred Scriptures according to euery familie and tribe. London: F. Kingston 1632. Folio. 2 34 pp. with Bible. O.T. Psalms. English. Sternhold & Hopkins. 1632. The whole booke of Psalmes. Collected into English meeter. London: Pr. by R. Badger for the Co. of Stationers 1632. Folio. 2 114 pp. lacking 8 index pp.<br>Â Â Â Â Attractive folio King James Bible set in roman in double columns ruled in red throughout with woodcut headpieces and decorative capitals. Darlow and Moule suggest that this edition was actually printed in early 1633 as a number of copies are recorded as having their title-page dates altered by hand to read 1633 as is the case here.<br>Â Â Â Â The Apocrypha are present with the blank space on the last page of Malachi filled with an early inked "account of the several books in the Apocrypha." => The Psalter following the Bible includes music. The O.T. title-page is engraved and signed very faintly in this example by William here "Guilielmus" Hole and is framed by an elaborate architectural border displaying the coats of arms of the 12 tribes of Israel and portraits of the 12 Apostles. => The recto of the list of books is a full-page engraving of Adam and Eve in the Garden of Eden surrounded by animals. The New Testament has a separate title-page dated 1632 with an ornate wood-engraved border featuring Justice and Truth along with the British lion and unicorn and various architectural motifs.<br>Â Â Â Â The volume opens with two fly-leaves bearing genealogical records in several different early inked hands with dates ranging from 1743 through 1847. A copy of Speed's Genealogies precedes the Old Testament while the "Description of Canaan" with map that should close the Genealogies has been bound in after the O.T. title-page. <br>Â Â Â Â <br>Â Â Â Â ESTC S122379; Darlow & Moule 359; STC 2nd ed. 2298.5. Speed: ESTC S126191; STC 2nd ed. 23039a.4. Psalms: ESTC S122383; STC 2nd ed. 2633. Recent mottled calf covers fillet-framed and panelled in blind with decorative inner blind roll and blind-tooled corner fleurons; spine with gilt-stamped title and gilt-ruled raised bands. Front cover with two slender scrapes; title-page with date altered in ink to 1633 as above. Front fly-leaves with margins repaired; Description of Canaan with inner margin reinforced. Bible seven preliminary leaves lacking calendar dedication preface and list of books all present; Psalms four final index leaves only lacking; foliation slightly erratic. Varying degrees of age-toning occasional light waterstaining some margins with faint smudging; in fact and in sum a nice volume to hold and work with. Robert Barker...by the assignes of John Bill hardcover books
1613D15149London: Robert Barker 1613. First Edition thus. Full Calf. Good. 4to 8 1/2 x 6 1/8 in.; 216 x 156 mm. Black letter text in double columns 71 lines to the full column New Testament title in heart-shaped center within woodcut border woodcut initials head-and tailpieces. The First Quarto Edition of the King James Bible in black letter with "he" in Ruth 3:15. "This and many subsequent issues were produced in close imitation of those black-letter quarto editions of the Geneva Bible which had proved so popular." Herbert As they are often found our copy is imperfect bound with additional bits and pieces also imperfect Our copy is lacking preliminary quire A including general title scattered browning and staining throughout two tears just touching text two holes costing a few words. Bound before the Bible: An imperfect and defective copy of the Book of Common Prayer lacks all before quire B; and Speed's Genealogies stained throughout without the map of Canaan. Bound after the Bible: the 1615 edition of Herrey's Concordances last two leaves defective; and Sternhold & Hopkins' metrical psalms lacks title-page quite stained and frayed toward the end. Bound in Eighteenth-century tree calf; worn joints cracked but generally sound. Label to spine states it incorrectly as Geneva Bible. Our copy has an interesting line of provenance as follows: William Albin several signatures dated 1727 1729 and 1732 Theophilus Jones gift inscription to Thomas G. Evans dated 1867 Birth records of the Welsh family Evans 18471874 in one hand on flyleaf Christmas Evans inscription dated 1935; Evans's probable namesake and ancestor was the famous Welsh Noncomformist minister Christmas Evans 17661838 $5500 <br/><br/> Robert Barker unknown books
1612263145London: Imprinted by Robert Barker 1612. 2344double-spread map; 4362 i.e. 366 361-444 2 3- 135 7 leaves; 1114 i.e. 1137pp. 1 vols. Small folio. Old calf rebacked with portions of original backstrip laid down remnants of gilt borders on boards 20th century endsheets and inserted sectional dividing blanks. Maps illustrations engraved general title to Bible. Entirety of all three works ruled in red. Genealogies: map has repairs to edges and is remargined at gutter no loss to image small spot to margin and a bit of soiling. Bible: engraved title and full-page woodcut of the Garden of Eden trimmed close and shaved at fore-margin normal page numbering errors in gathering 3K occasional modest soiling and some generally minor spotting. a few small marginal repairs one a tear in lower edge of 2Z3 across several lines without loss minute worm track in inner gutter of 2M-T; Psalms: repaired tear in upper margin of A3 touching a few letters K1-7 a bit limp and frayed with repairs to two lower blank forecorners; K8 terminal blank wanting; some moderate scattered soiling minute wormhole in black fore-margin of leaves G8 to end some rust satins to gutter/inner margins of gatherings G and H resulting in a few small holds; bookseller's annotations on pastedowns in ink !!! describing it an "exceptionally fine volume" and giving partially erroneous bibliographic citations. Still generally a good volume. 2344double-spread map; 4362 i.e. 366 361-444 2 3- 135 7 leaves; 1114 i.e. 1137pp. 1 vols. Small folio. A characteristic gathering of the three texts the Bible being the Geneva-Tonson-Junius version in an edition that is a very close reprint of Barker's 1607 edition. The general engraved title is undated and the sectional full title-page for the NT is dated 1611 but the printer's colophon at the end is dated 1612. The text of the Apocrypha is included as a part of the contiguous whole. The edition of the Genealogies which is here bound prior to the Bible is one of the several folio printings attributed to Beale that are partially sorted as to minute variants in STC and ESTC; however this example does not conform to the variants in ESTC in regard to the line-breaks in the side note on A1V. The present edition of the Sternhold and Hopkins Psalms includes some music settings. This is among the last folio London printings of the Geneva text the standard text of 16th century Protestantism and the text referenced by Shakespeare Donne Bunyan et al. The first edition of the NT was printed in Geneva in 1557 and was first printed in England in 1575-6. ESTC S1189; S101955; and S122901. Herbert 312. STC 2218; 23039 REF; and 2560 Imprinted by Robert Barker unknown books
1633156London: Robert Barker.by the Assignes of John Bill 1633. Very Early Elizabethan Printing. Tooled leather. Very Good /Custom Case. 12mo original tooled leather 17th century binding engraved frontispiece very closely cut borders all edges gilded original green silk page divider viii blank ~ 524 vi blank pages. THE NEW TES_/ TAMENT / Of our Lord and / S A V I O V R / - Jesus Christ Newly translated out of the / Originall Grrek : and / with the former transla- / tions diligently compared / and revised by his Maie- / sties special commande- / ment. ---------------------------- Imprinted at London / By Robert Barker Printer / to the Kings most Excel- / lent Majesty and by / the Assignes of John Bill 1633. Cum privilegia. A GEM! In an original tooled leather binding no less. Beautiful clear type. Minimal wear. Some pages so closely cropped by the printer that the chapter headings at the top have been partially excised though not the text. In order to ensure its proper long-term preservation we commissioned Scott Kellar distinguished Chicago bookbinder and restorer to make minor professional repairs and to construct a protective box for this already Exceptional and Rare tiny edition of the Authorized King James version of the New Testament. Finely bound in contemporary tan embossed calf over wooden boards richly gilt to spine. four hubs and boards. Marbled pastedowns & endpaper. a.e.g. and gauffered. Spine very slightly rubbed with partial loss of caps at head and foot restored and almost invisible. Edges of engraved title page reinforced; overall a fine copy. Ink inscriptions on two front free endpapers naming "Edmund James Gore" & his London addresses. The continental binding on this small format Authorized version MAY suggest that it might be a pirated edition of the English Bible pirated in Amsterdam. For example the Stam printing family were printing small format Bibles in 1673-- after our publication see Cambridge History of the Book in Britain IV p.467. Herbert 713-14 Wing B2511A. Robert Barker...by the Assignes of John Bill hardcover books
179631848Philadelphia: Pr. by Jacob R. Berriman for Berriman & Co. 1796. Folio 42.2 cm 16.7". 748 pp. 2 final ff. of back matter lacking; 18 plts. <br><br>Bible collector's treasure: the first edition of the Berriman Bible. Noted for its excellent illustrations by several contemporary American engravers including Alexander Anderson Cornelius Tiebout Francis Shallus and William Rollinson this large and handsomely produced lectern-sized folio Bible is printed in two columns with sidenotes including scriptural cross-references and a chronology. The plates include scenes of Adam and Eve in paradise frontispiece the Egyptian midwives drowning the Hebrews' infant sons Judas Maccabaeus slaying Apolloninus and Judas betraying Christ with a kiss; the maps show the presumed historical setting of the Garden of Eden and the Holy Land. One plate in this copy "The Parting of Lot and Abraham" is bound in upside-down.<br>Â Â Â Â Provenance: Title-page with inked inscription in upper margin: "Benjamin Morris to Samuel White Sept. 17th 1826" and with tipped-in typed slip noting presentation to a seminary by the Rev. John Cyrus Madden class of 1893 who had received the book from Charles Reifschneider a descendant of White. Spine with gilt-stamped leather label reading "Deborah Morris to" only! <br>Â Â Â Â <br>Â Â Â Â Herbert 1402; Hills 53; O'Callaghan 51; Rumball-Petre 175; Wright Early Bibles of America 325; Evans 30065; ESTC W004506. Early 19th-century mottled sheep covers framed in blind roll spine with gilt-stamped title label and compartment decorations; scuffed and rubbed gilt now mostly lost front cover with inkstain front joint cracked but holding and back one holed back free endpaper lacking. Spine head chipped with one label partly cut yes cut away and foot with inked shelving number; other library markings including bookplate pressure- and rubber-stamps and a few typical annotations. Pages age-toned to browned with offsetting and foxing ranging from mild to moderate occasional spotting and smudging some dog-eared corners;some leaves with margins chipped or short edge tears a few with tears extending into text some with loss of a few letters. Two leaves in Jeremiah torn with upper portions lacking one leaf crudely repaired some time ago last leaf tattered; two final leaves last portion of tables section and the subscribers list lacking with scraps of the "Table of Kindred & Affinity" laid in. => Marked by time and use still an agreeable and interesting example of a noteworthy edition. Pr. by Jacob R. Berriman for Berriman & Co. hardcover books
179141520United States of America i.e. Worcester Mass.: Pr. at the press in Worcester Massachusetts by Isaiah Thomas 1791. Folio extra 400 mm; 16". New Testament ONLY. 1 f. pp. 7891012; 19 plts. <br><br>Present here is the extracted New Testament from => the first folio Bible printed in America from the press of the printer whom Ben Franklin called the "Baskerville of America." Being also only the fourth complete Protestant Bible in English printed in the former British colonies its text is the standard King James version printed in double-column format in roman type; and Thomas's production is famous for its typography its achievement in size the pages are 15.5" tall and especially its illustrations. The plates 19 of them were engraved by four of America's greatest artisans: J. Norman Alexander Doolittle Joseph H. Seymour and Samuel Hill.<br>Â Â Â Â "An alphabetical table of proper names" was planned but not printed as indicated by the catchword on the final page; the table does appear in the quarto edition Thomas printed the same year. This volume does contain at its end the whole Bible's "Index to the Holy Bible" and its several "tables" of Weights Measures and Coins; Time; Offices and Conditions of Men; and Kindred and Affinity. <br>Â Â Â Â <br>Â Â Â Â Hills 29; O'Callaghan 38; Herbert 1353; Rumball-Petre Rare Bibles 171; Evans 23186 Wright Early Bibles of America pp. 7488. 18th-century mottled calf nicely rebacked with edges of boards renewed and text block resewn. Old waterstaining from light to severe throughout extending across text and image areas of plates with very variable impact; age-toning occasional staining and off-setting from plates in only the usual degrees. Lower margins display some notable chips and purposeful paper tear-aways and a good many closed tears; only the latter reach sometimes into text without loss. Several plates have had closed tears neatly repaired from the rear; the plate of Mary Magdalen and the final leaf of the last Table show OLD replacement of paper where original paper was torn away from blank areas; the copy retains the old dog-earings and page-creasings of long use and bears pencillings on its final leaf. => A copy that has seen much happen to it over its more than 200 years of existence; still a sturdy interesting and imposing copy of this impressive early American New Testament. Pr. at the press in Worcester, Massachusetts, by Isaiah Thomas hardcover books
1927132431Hollywood: Universum Film UFA / Paramount Pictures 1927. Original advertising herald for the US release of the 1927 film a shortened 115 minute version re-cut by American playwright Channing Pollock who is credited on the herald. <br/><br/>Interestingly the herald credits the film as joint production of Paramount and UFA apparently just prior to the formation of the larger umbrella production company Parufamet which included UFA Paramount and MGM. <br/><br/>4.5 x 6 inches folded 8.75 x 6 inches unfolded. Near Fine with some light soil. Universum Film [UFA] / Paramount Pictures unknown books
163324066London: Pr. by Augustine Mathewes one of the assignes of Hester Ogden 1633. Folio 33.3 cm 13.25". Frontis. engr. t.-p. 58 912 18 25 1 206 2 17 1 blank pp. <br><br>When the Jesuit scholars at Rheims succeeded in printing their Catholic translation of the New Testament into English first edition 1582 the event affected various English Protestant scholars in different ways: Some were offended or outraged others intrigued and yet others spurred to action. William Fulke of Pembroke College Cambridge was among those offended outraged and spurred: In 1589 he produced the first edition of his work attempting to refute the Rheims New Testament. His approach however which was to print the Rheims NT in parallel columns with the Bishops' NT the then accepted version of the Church of England supplying accompanying notes and explanations had unforeseen consequences.<br>Â Â Â Â As Darlow and Moule comment "by printing the Rheims Testament in full side by side with the Bishops' version Fulke secured for the former a publicity which it would not otherwise have obtained and was indirectly responsible for the marked influence which Rheims exerted on the Bible of 1611." Alan Thomas elaborates by observing that "many a dignified or felicitous phrase was silently lifted by the editors of King James's Version and thus passed into the language" Great Books and Book Collectors p. 108.<br>Â Â Â Â This is the fourth edition "wherein are many grosse absurdities corrected." A portrait of William Fulke precedes the engraved title-page both done by William Marshall. The Biblical text is followed as issued by Fulke's Defense of the Sincere and True Translation of the Holy Scriptures into the English Tongue against the Manifold Cavils Frivolous Quarrels and Impudent Slanders of Gregorie Martin. <br>Â Â Â Â <br>Â Â Â Â STC 2nd ed. 2947; Darlow & Moule 371; ESTC S121246; Herbert 480. Contemporary mottled calf covers framed and panelled in gilt double fillets with gilt-stamped corner fleurons spine with gilt-stamped leather title-label all edges gilt; binding rubbed leather moderately acid-pitted joints cracked rectangle of leather lost at upper inner corner of front cover. Lower edges of closed book rubber-stamped; free endpapers excised; lower outer corners lightly waterstained at rear; pages otherwise slightly age-toned but notably clean. A sound good copy. Pr. by Augustine Mathewes on[e] of the assignes of Hester Ogden hardcover books
1950131050Los Angeles: Twentieth Century-Fox 1950. Revised First Draft Continuity script for the 1951 film. Included is an index to the script breakdown detailing various scenes and script page numbers with revisions. Copy belonging to Dane Anderson an uncredited member of the crew with his name on the front wrapper of the script breakdown and annotations throughout in holograph pencil. File copy rubber-stamped on the front wrapper. <br/><br/>Based on Weidman's 1937 novel and Vera Caspary's loose adaptation. Harriet Boyd Hayward is a fashion designer who partners with Teddy Dailey whom she loves and Sam Jaffe and starts a new business dedicated to selling affordable women's dresses. A rival fashion company lead by Noble Sanders momentarily distracts Harriet but at the last minute she realizes her true devotion to Teddy and Sam. <br/><br/>Screenwriter Polonsky was blacklisted shortly after the film's release refusing to answer questions before the House Un-American Activities Committee. <br/><br/>White titled wrappers rubber-stamped as REVISED FIRST DRAFT CONTINUITY on the front wrapper copy No. 3 and production No. 2446.8 dated August 4 1950. Distribution page present with receipt removed. Title page present dated August 4 1950 noted as Revised 1st Draft Continuity with a credit for screenwriter Polonsky. 170 leaves with last page of text numbered 168. Mimeograph on eye-rest green stock. Pages and wrapper Near Fine internally bound with three gold brads. <br/><br/>Script Breakdown: self wrappers as issued. 88 leaves dated 10/2/50 mimeograph on eye-rest green stock. Near Fine bound with three gold brads. Twentieth Century-Fox unknown books
1603D15151London: Robert Barker 1603. Full Leather. Good. 4to 8 3/8 x 6 in.; 213 x 152 mm. Black letter text in double columns 71 lines to the full column general title and New Testament title within the same woodcut border woodcut initials and tailpieces; title-page cut round and remargined headlines cropped chiefly at the beginning some side-notes shaved first two quires guarded moderate browning occasional staining and soiling several marginal repairs a few affecting or costing some text bottom of Iii2 remargined with last 2 lines of text in pen facsimile and tailpiece cut round and mounted lower right corner of NT title-page renewed in facsimile upper corner of Sss2 supplied in manuscript. Bound with: Robert. F. Herrey. Two Right Profitable and Fruitfull Concordances . London: Robert Barker 1603. 4to. Black letter double and triple columns 2 woodcut tailpieces; lower right corner of title-page renewed headlines cropped small tear to top margin of K8 touching text. Nineteenth-century diced Russia; worn rebacked and rehinged upper inner hinge peeling but holding fine. Walter Cullenson signature on Iii2v Warner-Yates-Cullenson families birth records dated 1679-1709 on verso of NT title-page and repeated on verso of Concordances title-page Bible: STC 2189; ESTC S101940; Herbert 273. Concordances: STC 13228b.18 incorrect collation of all signatures in 8s; ESTC S92949 with correct collation of AK8 L2. <br/><br/> Robert Barker hardcover books
195615567London: Neville Spearman 1956. Cloth. Near Fine/Very Good . INSCRIBED BY EZRA POUND IN YEAR-OF-PUBLICATION TO HIS WIFE DOROTHY POUND "D.P." on the front free endpaper. A very solid copy to boot of the 1956 true 1st edition of Pound's translation. Tight and Near Fine in a crisp price-intact VG to Near Fine dustjacket with just a touch of light chipping at the front upper tip and along the lower-edges. 12mo this volume also contains "an account by Denis Goacher of Mr. Pound's predicament and his strange life in St. Elizabeth's Hospital Washington D.C." <br/><br/> Neville Spearman hardcover books
200835166Litchfield Park AZ: Bible Museum 2008. Folio. Unpaginated. <br><br>A 400th anniversary edition of the King James Bible being an accurate complete full-size facsimile of the "Great He" Bible. This copy is one of 1000 designated "The Subscriber's" version with => two original leaves from the 1611 printing one from the Old Testament leaf Fff2 Psalms 88:6 through 90:5 and one from the New leaf K3 John 8:39 through 9:41. Both leaves are in excellent condition.<br>Â Â Â Â This book is very large and extremely heavy and will require considerable extra shipping charges. Bound in full brown leather and in an open-back slipcase. As new. Bible Museum hardcover books
1950145904N.p.: N.p. 1950. Ribbon copy typed manuscript for an unproduced play with essays on the history of the project the production casting and set/costume design written by June Shannon a drama student at the Carnegie Institute of Technology. With extensive holograph annotations in ink and pencil on virtually every page and 15 hand painted watercolor sketches of set and costume designs.<br/><br/>Based on the 1775 play by Richard Sheridan. A comedy of manners set in 18th century Bath where three suitors quarrel over the love of one woman. In this hypothetical casting Tony-winning Broadway actor Jose Ferrer assumed the role of Bob Acres a buffoonish country suitor to young Lydia played by Laura Hope-Crews. The character of Mrs. Malaprop who throughout the play uses words incorrectly helped coin the term malapropism.<br/><br/>Set in France. <br/><br/>Black untitled wrappers. 166 leaves with last page of text numbered 139. Typescript rectos only. Pages Very Good plus wrapper Very Good plus in a spring binder. N.p. unknown books
1928140906Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1928. Archive of material from the 1928 film. From the estate of actor Monte Blue who starred in the film. <br/><br/>Included in the archive are a carbon typescript draft script here under the working title "Southern Skies" four vintage photographs each with a mimeo snipe on the verso one with a press stamp as well and a later 1921 edition of the 1919 travel book by Frederick O'Brien which served as the source material for the film signed and dated by Blue with his bookplate on the front pastedown. <br/><br/>MGM's first film with a fully prerecorded soundtrack comprised of music and sound effects including most notably the first time the company's mascot Leo the Lion roared at the film's start White Shadows in the South Seas doesn't quite classify as a "talkie" as only the single whispered word "hello" appears in the soundtrack. Winner of an Academy Award for Best Cinematography. <br/><br/>Set on a Polynesian Island shot on location in Tahiti at the time an ambitious endeavor to shoot a Hollywood film on location among native islanders using many of them as extras in the film. <br/><br/>Carbon typescript draft:<br/><br/>Cream colored titled wrappers rubber-stamped copy No. 5046 and production No. 338 dated November 29 1927 with credits for screenwriter Jack Cunningham and adaptation writer Ray Doyle. Title page integral with the first page of the text dated November 161927 with credits for Cunningham and Doyle. 146 leaves with last leaf of text numbered 146. Carbon typescript on onionskin stock. Pages Near Fine wrapper Poor bound with two gold brads. <br/><br/>1921 copy of "White Shadows in the South Seas:"<br/><br/>Early The Century edition from 1921 first edition was originally published by The Century in 1919. Very Good lacking jacket. Front hinge split with light rubbing to the cloth at the extremities. Metro-Goldwyn-Mayer [MGM] unknown books
186413347London: Longman Green Longman Roberts & Green 1864. 4to 29.5 cm 11.75". Frontis. iiixvi 540 pp.; illus. <br><br>First edition and one of 250 large paper copies printed of this lavishly illustrated quintessentially Victorian Bible. The decorations and initials were drawn and engraved by Henry Shaw who also supervised the engravings of the illustrations after Leonardo da Vinci Titian Raphael and other Italian masters; engravers involved with the project included F. Anderson James Cooper Messrs. Dalziel W.T. Green William Linton and many others all of whom labored mightily in this attempt to reproduce the feel of a 16th-century production.<br>Â Â Â Â Binding: Signed reddish-brown morocco binding by Root & Son with covers and spine gilt extra; extremely wide and handsome turn-ins elaborately gilt tooled.<br>Â Â Â Â Provenance: Front fly-leaf with attractively inked gift inscription to the Rev. John Francis O'Hern the third Bishop of Rochester NY dated 1929. <br>Â Â Â Â <br>Â Â Â Â Not in Darlow & Moule. Leather with light restoration; front pastedown with traces of a now-absent bookplate. Small area of front joint outside expertly resealed/repaired; the weight of this substantial volume dictates storage on the volume's back not its lower edge. => A lavishly produced Victorian New Testament in an impressive binding. Longman, Green, Longman, Roberts, & Green hardcover books
183122266Oxford: Pr. at the University Press by Samuel Collingwood & Co. 1831. 24mo. 528 ff. <br><br>A lovely gift Bible presented in the 19th century to one James Henry Newman by five members of his immediate family.<br>Â Â Â Â Binding: Contemporary embossed rich cordovan-colored morocco cathedral binding featuring inter alii the Holy Ghost in Pentacostal doveform the Agnus Dei and stained/leaded glass "windows" both pointed and rosette. Spine additionally with gilt-stamped title; turn-ins with blind-roll design. All edges brightly gilt. <br>Â Â Â Â <br>Â Â Â Â Not in Herbert. Binding as above in beautiful condition. First front fly-leaf with early inked familial gift inscription including an explanation of one brother's having opted out of the group present!; second front fly-leaf with inked dedicatory poem. Pr. at the University Press by Samuel Collingwood & Co. unknown books
1931130961Hollywood: Paramount Pictures 1931. Revised Final Script for the 1932 pre-Code film an early starring role for Carole Lombard. Rubber stamped as a Paramount File Copy at the top right corner of the front wrapper. <br/><br/>Penelope Newbold is a wealthy divorcée looking to remarry. She falls for her physician Dr. Karl Bemis but ends up marrying Bill Hanaway. Bill then has an affair with another woman. <br/><br/>Tall peach side stapled self wrappers noted as Third Buff Script on the front wrapper dated October 6 1931 with credits for writers Hughes Heath Buchman and Leahy. 205 leaves on peach stock mimeograph duplication with annotations throughout. Paramount Pictures unknown books
192320518Boston: R. H. Hinkley 1923. 8vo. 14 vols. 70 plts. <br><br>This handsome and much-sought edition of the King James Bible was printed at the Merrymount Press and limited to 2574 sets: 1000 on wove paper 1000 on laid paper 488 on handmade paper and 86 on Japan paper. This set is #233 printed on handmade paper and contains 70 fine plates usually 5 per volume and mostly photogravures after paintings. The edition was designed for smooth reading and the text is set in ordinary paragraphs without chapter and verse numbers.<br>Â Â Â Â This work has a complicated and as yet not fully explained printing history. It was probably first printed in 1904 with sheets reissued or reprinted at various times in the subsequent two decades. Even the name of the publisher on the title-page varies; "The Grolier Society" sometimes appears in place of Hinkley.<br>Â Â Â Â Binding: Publisher's quarter tan pigskin spine leather over deeply grained polished bare wooden boards with bevelled edges on the three outer sides in the style of incunable and 16th-century books. Raised bands on spines; spine panels tooled and lettered in blind. Unusual and attractive. <br>Â Â Â Â <br>Â Â Â Â Smith 209; Hills 2155 for the 1904 edition and explanation of reissues. Bound as above with top edge gilt other edges uncut. Spines darkened and some chipped. One cover detached and present. Much enjoyment. R. H. Hinkley hardcover books
18318254Boston: Pr. by Stephen Forster at the Boston Press Francis Jenks proprietor for Gray & Bowen 1831. 4to 27.7 cm 10.875". In 2 vols. I: lacking frontis. 2 ff. 915 1 blank pp. II: lacking frontis. 2 ff. 804 1 blank pp. 1 blank f. <br><br>Handsomely and plainly printed in two columns of large type without notes this two-volume Bible is as remarkable for the becoming simplicity of its layout as it is for its handsome binding of red leather gilt.<br>Â Â Â Â Binding: Boston binding Straight-grained red morocco amply gilt in the Regency style: Front corners with a wide gilt-stamped foliate frame enclosing a narrow blind-ruled frame. Spine with raised bands a broad foliate gilt roll on each band second and fourth compartments gilt-lettered within rest with gilt frames. Gilt inner dentelles and board edges. Red and white silk head bands. Marbled endpapers in a stone pattern. All edges gilt.<br>Â Â Â Â Provenance: Presentation inscription on front fly-leaves: Preston S. and Francis M. Lincoln to their grandmother Hannah Shepard 1835. Small booklabel of Michael Zinman on front pastedown. <br>Â Â Â Â <br>Â Â Â Â Hills 733; O'Callaghan 208. Binding as above edges and joints with minor rubbing front joint of vol. II opening from foot bindings showing a few light or small abrasions; overall clean and attractive. Lacking frontispiece for vol. I and possibly a frontispiece for vol. II: O'Callaghan gives this edition as having a frontispiece for each volume while Hills cites two copies one this size with a frontispiece for vol. I only and a large paper copy with a frontispiece for each volume. A few closed tears into text without loss; some pages especially towards the end of vol. I shallowly chipped without loss of impression; light foxing throughout with occasional darker browning or staining. Inked ownership inscription on the recto of the first fly-leaf of each volume. [Pr. by Stephen Forster at the Boston Press, Francis Jenks, proprietor, for] Gray & Bowen hardcover books
1972147482Los Angeles: Dan Curtis Productions 1972. Two Revised Draft scripts "Frankenstein - Part 1" and "Frankenstein - Part 2" for the two part television film "Frankenstein" which aired two two hour episodes on January 16 and 17 1973 on ABC's "Wide World of Mystery." Name of uncredited crew member David Dyer and "filming 12-18-72" on top right of each script in holograph ink. With holograph ink annotations to the credits of "Part 1."<br/><br/>Dan Curtis creator of the popular ABC vampire soap opera "Dark Shadows" 1967-1971 adapted and produced this version of the classic Mary Shelley 1818 novel with "Dark Shadows" screenwriter Sam Hall penning "Part 1" and screenwriter Richard Landau penning "Part 2."<br/><br/>Curtis' "Frankenstein" is a fairly faithful adaptation shot with television broadcasts cameras in Curtis' gothic soap opera style with a memorable performance from Bo Svenson as the monster.<br/><br/>Though well received when aired it was overshadowed by the Universal Television production "Frankenstein: The True Story" which aired in late 1973 on NBC. <br/><br/>"Frankenstein - Part 1"<br/>Red titled wrappers. Title page present noted as Revised with credits for screenwriter Sam Hall and novelist Mary Shelley. 82 leaves with last page of text numbered 77. Xerographic duplication rectos only. Pages Near FIne wrapper Near Fine bound with two gold brads.<br/><br/>"Frankenstein - Part 2"<br/>Blue titled wrappers. Title page present noted as REVISED with credits for screenwriter Richard Landau. 60 leaves with last page of text numbered 58. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with vertical crease near spine bound with two gold brads. Dan Curtis Productions unknown books
1961144012Paris: Cinedis 1961. Archive of 14 original single weight black-and-white photographs and various ephemera from the 1961 film here under the original French title. The photographs numbered on the versos in holograph pencil detail costumes for starring actors Marina Vlady and Jean Marais an exhibit of film stills and costume designs at a bookshop called "Lavocat" costumes displayed at tge shop "Delvaux" and the ephemera consists of a press packet detailing film credits and biographies an invitation for two to the premiere on March 26 at the Marivaux cinema a small slip with annotations in holograph ink and a carbon typescript from Maryse Martres to "Madame Armon" at Delvaux regarding the costumes. Housed in a large manila folder. <br/><br/>Based de La Fayette's 1678 anonymously published novel France's first historical novel widely regarded as an early psychological novel. The Princess marries a much older prince Marais but yearns for a handsome duke Poron. Her fidelity eventually coming into question. Marais also starred in Delannoy's and Cocteau's other collaboration "Love Eternal" 1943. Delannoy directed over 50 films at first well-regarded dissipating at the end of his career with several B-grade films. Costuming for the film was produced by Pierre Cardin and Marcel Escoffier both also worked together on "Beauty and the Beast" 1946 and "Fernandel the Dressmaker" 1956. <br/><br/>Martres Martin was a prolific French actress since 1948 notably "Girl on the Third Floor" 1955 and "The Happy Road" 1957 and she was later involved in press relations at Cinedis a notable film agency in operation since the Silent Film era. Kishi was born in 1932 and became a Japanese actress and writer. She married director Ciampi in 1957. Since 1996 she has been a Goodwill Ambassador for the United Nations Population Fund UNFPA. The Delvaux shop has been producing leather goods mostly handbags since the 19th century with central locations in Belgium. <br/><br/>Photos range from 6.75 x 9 inches to 7.25 x 10.5 inches. Ephemera ranges from 3.5 x 4.75 inches to 8 x 10.5 inches. Very Good plus overall with scattered creases and toning. <br/><br/>Complete collation details available upon request. Cinedis unknown books
18197970New York: American Bible Society stereotyped by E. & J. White; pr. by D. Fanshaw 1819. 8vo 24.2 cm 9.5". 705 1 215 lacking 1/2 1 blank pp. <br><br>Early American Bible Society Bible following its first which appeared in 1816. This stereotyped New York Bible was done from the same plates as Fanshaw's 1818 Long Primer Octavo and this 1819 example is seen institutionally far more often in microform copies than in genuine holdings.<br>Â Â Â Â Provenance: Front cover with blind-stamped logo of the American Bible Society; title-page with inked inscription reading "Mary Ann Lanings word obscured August 24 1823." . <br>Â Â Â Â <br>Â Â Â Â Shaw & Shoemaker 47213; Hills 375. Contemporary sheep double-panelled in blind spine with gilt-ruled raised bands and gilt-stamped leather title label; binding rubbed and unevenly faded leather cracking over spine. Foxing ranging from mild to severe; last few leaves waterstained; some dog-earing. One worm track to upper outer margin of a few leaves. New Testament lacking title.<br>Â Â Â Â Well used but not abused; an evocative copy. American Bible Society (stereotyped by E. & J. White; pr. by D. Fanshaw) hardcover books
