Santana da Silva, Elis RejaneBiblio.com
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3639610075.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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62414055Yale University Press pp. 480 . Papeback. New. Yale University Press unknown
2011SKU0483531Yale University Press 2011-09-06. Paperback. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLYNO ACCESS CODE NO CD Ships with Emailed Tracking Yale University Press paperback
2021H-245-914BOOKS ON DEMAND 2021. Paperback. Good. Former library book. Volume 1. Ammareal gives back up to 15% of this item's net price to charity organizations. BOOKS ON DEMAND paperback
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1977Alibris.0021112London: Jonathan Cape Ltd. 1977. Hard cover. Fair. No dust jacket as issued. cover faded yellow bump & small tear at bottom of spine owner's name on 1st blank page FFEP large piece torn out and missing from FFEP/copyright page small glue stain at bottom of page 5 small smudges on some page. Text in English French. 32 p. Audience: Children/juvenile. Jonathan Cape Ltd hardcover
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20161-3841724043Novas Edições Acadêmicas 2016. Paperback. New. 192 pages. Portuguese language. 8.66x5.91x0.44 inches. Novas Edições Acadêmicas paperback
20192-6139749891Novas Edições Acadêmicas 2019. Paperback. New. 132 pages. 8.66x5.91x0.30 inches. Novas Edições Acadêmicas paperback
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1999Q-0963879030Braminas 1999-08-01. Paperback. New. In shrink wrap. Looks like an interesting title! Braminas paperback
16-5533Paris: Arts deÌcoratifs : BibliotheÌ€que nationale de France 2010. Hardbound. 22 x 28.5cm. 366pp. Fine. Ca. 1500 color images.Du Second Empire aux années 1930 Jules Chéret 1836-1932 a réalisé des affiches qui ont accompagné l’entrée de la France dans la vie moderne. À la tête d’une imprimerie il répond à la forte demande publicitaire liée à l’apparition de nouveaux produits à l’évolution des modes de vente et au développement intense de l’industrie du spectacle. Il a ainsi joué un rôle décisif dans l’avènement de la publicité commerciale et culturelle.Surnommé par ses contemporains « le roi de l’affiche » Jules Chéret a su créer un style très efficace de Parisienne aux allures euphoriques et aux couleurs attrayantes.Parallèlement à sa carrière d’affichiste ce livre étudie un autre aspect de son Å“uvre : celle du décorateur qui passa la seconde partie de sa vie à égayer les intérieurs de ses mécènes mais aussi de l’hôtel de ville de Paris du musée Grévin ou encore de la préfecture de Nice.Catalogue de l’exposition consacrée à Jules Chéret au musée de la Publicité cet ouvrage est également le premier catalogue raisonné de son Å“uvre qui reproduise en couleurs l’ensemble de ses affiches – plus de 1 400 – conservées pour la plupart au musée de la Publicité et à la Bibliothèque nationale de France. Sa préparation a permis de découvrir de nombreux aspects de son travail jusque-là ignorés en particulier ses débuts avant 1880. Autant d’éléments qui en font le livre de référence sur Jules Chéret. OCLC Number / Unique Identifier:611406698. Paris: Arts deÌcoratifs : BibliotheÌ€que nationale de France, 2010 hardcover
6741GABRIELLE REJANE 1856-1920. Gabrielle Rejane born Gabrielle Charlotte Reju was a French actress known especially for her roles in comedies. She spent eight seasons at the Thtre du Vaudeville followed by becoming the leading lady at the Thtre des Varits. Her most famous roles are Nora in A Dolls House in 1894 and Catherine a role she created in 1893 in the historical comedy-drama Madame Sans-Gne by Sardou and Moreau.ALS. 4 pg. July 12 1878. N.p. An autograph letter signed G. Rejane in French to a critic about her portrayal of Ida. The English translation reads: My dear Master You have such a gracious way of telling me that I was mistaken in the role of Ida that I am wondering if your reproaches are not even more pleasant to me than your praise. If I were not afraid of abusing this kindness you are good enough to show me I would ask you to listen to my justification. A great artist can be much more in error than a pupil. I agree with you completely. For the play as for the role the personality of Ida should I believe stay on a note of gayness and fantasy. But then I had to fashion a gay scene. In a light manner with sentences such as this one Yes again I had to sink into oblivion and solitude passed me by I would be too unhappy I would die of it. I know very well that it is up to the artist to find the exact word and since your account I have sought to do what you pointed out so graciously and with so much forbearance and I see that calmness and theatrical tone underline instead of passing over sentences which are very little in the character of personality. Besides I had such a fear at the first performance that I was not master of myself. I beg your pardon my dear Master for this long chatter; but my observations are always so precise that for nothing in the world would I let you suppose that for the pleasure of producing an effect I would want to sacrifice a role that I studied very conscientiously and that I wished to make as sympathetic as possible. Again thank you my dear Master. To you if you permit it Very affectionately G. Rejane. This letter is most likely in response to Joseph Emile Dauphin Meuniers essay entitled Madame Rejane. This essay depicts Rejane as the epitome and symbol of Parisian intelligence and emotional complexity explaining Madame Rjane - the Parisienne: they are interchangeable terms. Whatever role she plays absorbs the attention of all Paris. In his essay he explains he sees her portrayal of Ida as reimagined as she did not play it according to established norms or prior interpretations. This letter is in very good condition. unknown
