3 708 résultats
47257Paris, Librairie Delagrave, 1919. "10 x 16, 535 pp., broché, bon état (couverture défraîchie; cachets du Collège jésuite Saint Stanislas à Mons)"
198215845Le seuil / Fiction et compagnie 1982 256 pages collection Fiction & Cie. in8. 1982. Broché. 256 pages. Dans cet essai Jacqueline Risset spécialiste reconnue de Dante propose une interprétation de l'œuvre de Dante Alighieri en mettant l'accent sur la notion d'Intelletto d'amore qui conjugue intelligence et amour. L'ouvrage explore la dimension d'écrivain de Dante au-delà de l'image traditionnelle liée à l'au-delà en abordant la philosophie la politique et la linguistique
81422Bruxelles, Editions De Visscher, 1945. 12 x 18, 143 pp., broché, très bon état.
in-12°, 218 pages, broche, couv. Tres bel exemplaire, non coupé [CA31-2]
1892gu1517Jouaust, librairie E. Flammarion Broché 1892 In-12 (10.5x18 cm), broché, couverture rempliée, (XII)-62 pages, un des 25 exemplaires sur papier Whatman, avec double épreuve de gravure, n°67, grandes marges, avec une notice et des notes par Georges Monval, dessin de L. Leloir en frontispice, gravé à l'eau-forte par Champollion, bandeaux et culs-de-lampe ; pliures et une fissure au dos, petits manques aux coiffes frottées, intérieur frais, bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1894qg1296Jouaust, Librairie E. Flammarion Broché 1894 In-12 (11x18 cm), broché, couverture rempliée, 108 pages, tirage à petit nombre, comédie en trois actes avec une notice et des notes par Georges Monval, dessin de L. Leloir en frontispice gravé à l'Eau-forte par Champollion, bandeaux ; coiffes un peu frottées, bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
199073631Oxford: Clarendon Press 1990. X, 221, (9) Seiten. Gr. 8° (22,5 -25 cm). Orig.-Leinenband mit silbergeprägtem Rückentitel und Orig.-Schutzumschlag. [Hardcover / fest gebunden].
First US edition. No marks or inscriptions. A very clean crisp very tight copy with bright unmarked boards and no bumping to corners. Dust jacket not price clipped or marked with small tears to upper and lower edges of front. 224pp. With over 800 frame Blow-ups and dialogue from the short films of W C Fields.
1934254284München ; Berlin : Oldenbourg, 1934. 601-714 Seiten mit Abbildungen ; 8 Originalbroschur. 19 cm
1970147807Couverture rigide. 2 volumes, reliures skivertex. 565 + 648 pages + cahiers d'illustrations.
Sm. 8vo., First Edition thus, lengthy inscription on half-title; original pictorial wrappers, backstrip very lightly browned else a very good, bright, clean copy. PC L80. The cover roundel is by Diana Bloomfield.
Sm. 8vo., First Edition thus, small personal book-label on half-title; original pictorial wrappers, backstrip lightly dust-soiled else a very good, bright, clean copy.
Sm. 8vo., First Edition thus; original pictorial wrappers, backstrip lightly age-soiled else a very good, bright, clean copy.
5161Guinness publishing 1994
1888pl2010Libraire des Bibliophiles Broché 1888 In-12 (11x18 cm), broché, couverture rempliée, (XV)-132 pages, tirage à petit nombre, avec une notice et des notes par Auguste Vitu, dessin de L. Leloir gravé à l'eau-forte par Champollion en frontispice, vignettes, lettrines et culs-de-lampe ; pliures au dos jauni, manques papier aux coiffes et au dos, mors fendus recollés, pliures sur les plats, intérieur frais, état correct. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
A clean, unmarked book with a tight binding. 308 pages.
A clean, unmarked book with a tight binding. 402 pages.
A clean, unmarked book with at tight binding. Full red cloth boards. 306 pages.
A clean, unmarked book with at tight binding. Full red cloth boards. 306 pages. Missing rear endpaper.
Book is very clean with a little shelf wear to covers only: one crease at back Very slight corner wear. Binding is solid and square, text/interior is clean and free of marking of any kind. 142 pages, about 32 pages in full color on glossy paper, many in large format, the remaineder of this heavily illustrated book in b&w. Blakes pictures are presented on the same page together with the poetry and Biblical passages that inspired them.
Looks like new, but is printed on age-toned paper. 158 pages.
Minor creasing to spine. Scholar's bookplate to inner cover (Robert Brown). Light pencilling to a few pages. Rear wrap creased. ; Parallel text in French and Greek. ; Collection Des Universités De France. Association Guillaume Budé; Vol. 3; 177 pages
Light edgewear. Minor shelfwear. Scholar's bookplate to inner cover (Robert Brown). ; Parallel text in French and Greek. ; Collection Des Universités De France. Association Guillaume Budé; Vol. 5; 147 pages
Spine slightly sunned. Very minor shelfwear. ; 280 pages; Professor Dover's book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language. The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B. C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous "dramatic illusion" or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
Scholar's name to titlepage (R. E. Fantham). Pencil underlining and marginalia on some pages. Very light shelfwear to book. DJ has light chipping and small tears to DJ ends. DJ spine a little sunned. ; 0.75 x 9 x 6 Inches; 184 pages; Explores the social institutions, the prevailing social values, and the ideology of the ancient city-state as revealed in Roman comedy. Looks closely at eight plays: Plautus's Aulularia, Asinaria, Captivi, Rudens, Cistellaria, and Truculentus, and Terence's Phormio and Hecyra.