1 776 résultats
23784Undated but written in 1883. Addressed in autograph at head: ‘Dutton Cook / 69 Gloucester Crescent. N.W’. For information on Cook see his biography in the Oxford DNB which points out that the subtlety of his later fiction was lost on his contemporaries being written in a style that ‘was not sufficiently sensational’ for the period. The present item is the complete text of the last thing Cook ever wrote: a story which appeared in the weeks following his death in Hood’s Comic Annual for 1884 London 1883. On 3 November 1883 the ‘Bookseller’ quoted the review of the volume in the magazine ‘Fun’: ‘a melancholy interest attaches to the article “Columbines all of a Row†from the fact that it was the last production of the late Mr. Dutton Cook having been completed only a few days before his death’. The Graphic praised the story’s ‘charming intermingling of pathos and humour’. 12pp landscape 12mo. The holograph is written in a close stylized hand in purple ink on twelve 11.5 x 18 cm leaves attached with a brass stud. In good condition lightly aged. Addressed in autograph at top-right of first page: ‘Dutton Cook / 69 Gloucester Crescent. N.W’ and signed at end ‘Dutton Cook’. With autograph emendations throughout but evidently a final draft: the tenth and eleventh leaves have both been divided into two parts with neat vertical cutting and reunited on the reverse with paper labels with the section created by this division indicated by numbering in another hand in pencil in the margins. The story is divided by Cook into nine parts with roman numerals. Undated, but written in 1883. Addressed in autograph at head: ‘Dutton Cook / 69 Gloucester Crescent. N.W’. unknown
21071All four undated one circa 1953 and the others earlier. One item from 5 Belsize Crescent Hampstead NW3 London and two others from 17 Welbeck Mansions Inglewood Rd NW6. Sequeira was born in Aldgate. In the years following his service in the London Regiment during the First World War he acted in Shakespeare at the Old Vic and he would continue as an actor into the age of film and television. In addition to acting Sequeira taught including a youthful Peter Cushing at Guildhall School of Music and Drama painted and in 1953 published a book on stage make-up. The present four items all undated are in good condition lightly aged. ONE: Autograph duologue titled 'Seeing the Coronation'. 5pp. foolscap 8vo. With revised conclusion 1p. 12mo. The six leaves pinned together. The five foolscap leaves carry duplicated pages of another dialogue on their other sides. A humorous interchange between 'Alice' and an increasingly-hysterical 'Maud' in the London crowd to see Queen Elizabeth II's 1953 coronation procession. TWO: Duplicated typed dialogue titled 'A Quiet Day's Sketching in Sussex'. 4pp. 4to. On four leaves. Sewn into makeshift brown paper wraps with the following on the cover: 'A Quiet Day's Sketching in Sussex Horace Sequeira 5 Belsize Crescent Hampstead N.W 3 Miss G. Russell'. At head of first page: 'The Characters are two artists Miss Vandyke Brown and Miss Rose Madder Both very arty.' THREE: Printed price-list of 'Original Monologues Duologues and Sketches by Horace Sequeira May be obtained from 17 Welbeck Mansions Inglewood Road N.W.6 Phone: HAMpstead 0968'. 4pp. 4to. Bifolium. With addendum slip. Prices are given for numerous monologues and duologues as well as sketches 'Farcical Sketches' and 'A Costume Thriller'. With notes and details relating to arrangements for performance. Presumably produced for students of acting there is a reference to 'Elocution Teachers'. Some of the sketches require pianos and telephones as props 'Telephones are made to order price 10/6 this does not include bell.' FOUR: Printed price list headed 'Ready Now New Monologues Duologues & Sketches by Horace Sequeira.' 1p. 8vo. With addendum slip. At foot: 'Please Apply to: - 17 Welbeck Mansions Inglewood Rd N.W.6'. All four undated (one circa 1953 and the others earlier). One item from 5 Belsize Crescent, Hampstead, NW3 [London], and two oth paperback
34730LONDON ENITHARMON PRESS 1995. FINE COPY IN CREAM HESSIAN BOARDS. LIMITED TO 150 COPIES THIS BEING NUMBER 95. SIGNED BY TED HUGHES. LONDON, ENITHARMON PRESS, 1995 hardcover
184218414<p>1st edition. All text in French/langue francaise. Very Good HCs no DJs. Full dark green morocco leather over boards; covers blindstamped with strapwork and floral centerpiece within gilt roll frames; gilt roll twist along all cover edges; spine gilt stamped with titles and arabesques; gilt stamped at spine tails: 'College Royal de Charlemagne Prix'; marbeled textblock edges; dark brown tigre marbled end papers; intact blue silk ribbon markers. Bright clean covers and spines; lightly scuffed; slight rubbing wear at cover fore corners boards just exposed at upper corners; tightly bound; clean interiors with occasional very light foxing. 12mo 1187 total pp paged 558 629. See OCLC #16111713.</p> Paris: Chez Lefevre, Editeur; Chez Garnier Freres hardcover
200015474<p>Easton CT: Easton Press 2000. <i><b>Signed by Harold Pinter on the colophon.</b></i> Certificate signed by Harold Pinter Angela Cheyne and Publisher Roy S. Pfeil. First <b>Limited edition</b> / First printing. Gray leather. Very fine. Certificate of Authenticity and A Note About the Homecoming laid in.</p> Easton Press, hardcover
1962006892New York / Toronto / Los Angeles 1962 / 1985/ 1989: Dore Schary / Mike Zimring Agency 1962. Typescript . Loose Sheets. Very Good . A group of original typescript and mimeo versions of one of Ted Allan's best plays. 1 about 75 pp of original and some carbon typescript of one of Allan's approximately 45 versions of the play his son says he was never satisifed with the ending in particular but these versions differ in stage directions and text throughout. Such typescript from Allan is scarce as the stored box of his various versions of this play was intentionally destroyed after his death. This version differs textually from each of the other versions offerred here. 2 A complete version of the play with title indicating it was directed by Sean Connery and produced by Dore Schary with an address of 850 Seventh Avenue NY telephoine CO 5-2290 probably the original 1962 version. 3 Complete text of the "Revised Version 1985 itself with considerable additonal pencil changes and massive deletions and three pages of pencil notes by writer/director/producer Louis Brandt. Brandt was a once-blacklisted Hollywood writer. 4 The Sport of Gods screenplay in glossy wraps August 1989. "This play is a drastic rewrite of "The Secret of the World" produced in 1962 at the Theatre Royale East Stratford London by Oscar Lewenstein and Michael White. Although the theme of disillusionment and the fall of kings remains the same the plot has been altered as to make it a new play. Hence the new title" from title page. <br/> <br/> Dore Schary / Mike Zimring Agency unknown
1960032340New York: Roger L. Stevens Circa 1959 Or 1960 / Wm. Morris Agency 1960. 1st Edition . Soft cover. Near Fine. Studio Copy Of The Original Script For The Three Act Version By Gore Vidal With No Other Authors Credited. Black Wraparound Card Covers Lettered In Silver "Hart Stenographic Bureau / 156 West 44Th Street New York 36 Judson 2-1253" Title At Center.Title Page With Wm. Morris Agency Sticker And Roger L Stevens Name And Address At Bottom No Copyright Notice Or Date But Probably Circa 1959/1960. Cast Of Characters Page Act One Scene Page 36 Pp26 Pp 23 Pp Each Act Numbered Separately By Act Scene And Page. Inked Number "44" At Top Of Title Page Which Apparently Is The Tracking Number For A Limited Distribution. Our Researches Indicate Only One Institutional Holding In Arizona. <br/> <br/> Roger L. Stevens Circa 1959 Or 1960 / Wm. Morris Agency paperback
25203LONDON HENRY HERRINGTON 1669. VERY NICELY REBOUND IN HALF CALF OVER BROWN CLOTH NEW ENDPAPERS GILT TITLES. FROM THE LIBRARY OF DOUGLAS GRANT CHAIR OF AMERICAN LITERATURE UNIVERSITY OF LEEDS WITH HIS SIGNATURE IN PENCIL. TITLE PAGE PREFACE vi 68pp. A VERY GOOD AND HANDSOME COPY. LONDON, HENRY HERRINGTON, 1669 hardcover
25204LONDON HENRY HERRINGTON 1686. VERY NICELY REBOUND IN HALF CALF OVER BROWN CLOTH NEW ENDPAPERS GILT TITLES. FROM THE LIBRARY OF DOUGLAS GRANT CHAIR OF AMERICAN LITERATURE UNIVERSITY OF LEEDS WITH HIS SIGNATURE IN PENCIL. TITLE PAGE DEDICATION ivi PROLOGUE i 62pp. ADVERTS ii. A VERY GOOD AND HANDSOME COPY. LONDON, HENRY HERRINGTON, 1686 hardcover
25205LONDON HENRY HERRINGTON 1686. VERY NICELY REBOUND IN HALF CALF OVER BROWN CLOTH NEW ENDPAPERS GILT TITLES. FROM THE LIBRARY OF DOUGLAS GRANT CHAIR OF AMERICAN LITERATURE UNIVERSITY OF LEEDS WITH HIS SIGNATURE IN PENCIL. TITLE PAGE DEDICATION ii PREFACE iv PROLOGUE ii 60pp. adverts ii. A VERY GOOD AND HANDSOME COPY. LONDON, HENRY HERRINGTON, 1686 hardcover
1934058127Leningrad: Les Editions De L'etat Pour Les Belles Lettres / Gosidarstvennoy Izdatelistvo "Chudozhestvennaya Literatura 1934. 1st Edition 1st Printing. Hardcover. Very Good . Illustrated By Photographs And Drawings; Woodcut Initials. 9 5/8" Tall. 240 Pp. Yellow Cloth. Errata Slip And Publisher's Price Slip. Light Wear. Title Pages In French And Riussian But Alll Text In Russian. "The Russian Kamerny Theater Was A Small Intimate Theatre Founded In Moscow In 1914 By The Russian Director Aleksandr Tairov To Support His Experimental Synthetic Theatre That Incorporated All Theatrical Arts - Ballet Opera Music Mime And Drama - As An Alternative To The Naturalistic Presentations Of Konstantin Stanislavsky's Realism At The Moscow Art Theatre. In His Memoirs Lee Strasberg Described Seeing Performances By The Moscow Art Theater In New York In The 1920S As "The Decisive Step In My Search For A Solution To The Actor's Problem." Encyclopedia Brittanica. Fine History Of The Theater With Dozens Of Full Page Photographic Plates And Reproductions Of Drawings Of Stage Sets Productions And Actors In Costume Many Depicting Russian Avant-Garde Stage And Costume Design Including Goncharova Exter And Others. Small Inscription Dated 1935 On Ffep. Rare. <br/> <br/> Les Editions De L'etat Pour Les Belles Lettres / Gosidarstvennoy Izdatelistvo "Chudozhestvennaya Literatura hardcover
1985310138Literatur Agentur Axel Poldner München 1985. Softcover Taschenbuch Zustand: Mit Signatur von Hardy Krüger und Mario Adorf. Die Bindung hält nicht mehr. Die Seiten sind sauber. Rücken Ecken Kanten sind sehr gut. Literatur Agentur Axel Poldner, München, paperback
1931219064Val. Höfling Verlag München 1931. Softcover 1931-1934. Zustand: mit Kennungen einer Privatbibliothek. Rücken Ecken Kanten gut. Val. Höfling Verlag, München, paperback
1896219296Val. Höfling Verlag München 1896. Hardcover mit Leinenrücken und -ecken Die Jahresangabe ist ungefähr. Hier: der erste Jahrgang. Zustand: mit Kennungen einer Privatbibliothek. Rücken Ecken Kanten gut. Val. Höfling Verlag, München, hardcover
180528473London: John Cawthorn 1805. Group of 30 Portraits of Actors and Actresses. All mezzotint by several hands. 1 vols. 12mo. 1/2 red morrocco on marbled boards. A very good copy. Group of 30 Portraits of Actors and Actresses. All mezzotint by several hands. 1 vols. 12mo. Unusual. WH/2/20/3 John Cawthorn unknown
19512157New York: The Living Theatre 1951. First Edition. <br /><br />Small Quarto 9 1/4 x 6 1/4 inches; 235 x 160 mm 16 pages in stapled printed wrappers soft cover. <br /><br />Program for Kenneth Rexroth's four short plays in verse on classical Greek themes. "Beyond the Mountains" opened at the Living Theatre on December 30 1951 with Living Theatre co-director Judith Malina playing several roles. Julian Beck directed with music by Richard Stryker sets and costumes by Garrick Maxwell choreography by Tei Ko and lighting designed by Marjorie Spitz. <br /><br />This production was part of the first season at the Living Theatre's first permanent performance space at the Cherry Lane Theatre in Greenwich Village. The program includes an essay on "The Poetic Theatre" by Harold Norse a poem "The Last Supper" by Oscar Williams and an article on "Vanguard and Theatre" by Paul Goodman who wrote "Faustina" which was performed at the Living Theatre following "Beyond the Mountains."<br /><br />There are also advertisements from local businesses especially bookstores and cafes as well as an advert for drawings by Kenneth Rexroth each priced at $35. A list of Living Theatre sponsors includes John Cage Merce Cunningham Anaïs Nin Betty Parsons William Carlos Williams and other luminaries of the art and literary worlds. <b>SCARCE</b>. <br /><br />This program should not be confused with a New Directions hardback issued in 1951.<br /><br />CONDITION: Edge wear and a couple of tiny nicks to wrappers light toning to pages. Near Fine. The Living Theatre paperback
1812002514James Ballantyne 1812. New edition. Hardcover. Good. 8vos law buckram with leather labels. Ex libris Henry George Impey Siddons a descendant of actress Sarah Siddons and Arthur Lanyon Blair. <br/><br/>These fine Elizabethan playwrights were overshadowed by Will Shakespeare - but who wasn't Still these felllow were outstanding in their field. James Ballantyne hardcover
1845DEMO016703ILondon: Theatre Royal Drury Lane Nov. 8 1845. First edition. 20x10in 47cm. Very Good. Central horizontal fold minor marginal chipping. <br/><br/>Announces two ballets starring Adele Dumilatre and Lucien Petipa. Adele Dumilatre became a premier danseuse after she was the "woman who first danced Myrtha Queen of the Wilis the icy counterpart to the forgiving warm and full-blooded Giselle". Dumilatre was "known for her chaste elegance onstage". As a successful French-born ballerina of the second tier she was a rarity. She performed at Drury Lane in 1844-45 and at La Scala in 1946. After her professional retirement in 1848 she became the Countess Drake del Castillo. Provenance: From the Vernon Schwartz collection. His note on the verso says it was a gift from Kay Ballard. Ballard played Lola in "Sheba" the first musical adaptation of William Inge's play "Come Back Little Sheba" which was in 1974 at Chicago's Drury Lane Theater where Schwartz was the Resident Director. Finally J. P. Harley was the Stage Manager in 1845 at Drury Lane. Probably he is the same Harley who was "the popular comic actor who had the best roles in Dickens's first three plays" and for whom he wrote the lead role of Tom Grig in his play "The Lamplighter". Theatre Royal Drury Lane unknown
176111516London: T. Davies. Fair. 1761. Hardcover. Rear board detached volume one; volume 2 joints show repair; other joints seem a little tender; general rubbing to spines & extremities of covers; foxing to title pages most in volume one. Text pages overall clean. ; Full calf spines lettered and decorated in gilt; black leather spine labels. Small bookplate of Albert Hooper above larger bookplate of Stephen George Kemble on front pastedown of first three volumes only Hooper's in last volume. From the library of actor poet and theater manager Stephen George Kemble with his ownership signature on title page of volume one. ; 8vo 8" - 9" tall . T. Davies hardcover
195629071New Haven: Yale University Press. Near Fine with no dust jacket. 1956. Stated First Edition. Second Printing. Soft Cover. Quarter bound in publisher's gray cloth over black boards gilt lettering on black panel on spine. Spine very lightly sunned else fine; unmarked tight square and clean seemingly unread. NEAR FINE. . Small 4to 9" - 11" tall. 176 1 pp . Yale University Press paperback
17920007882London: John Stockdale 1792. First edition. Hardcover. Very Good. 4to; xvi 564 Index inked name on title-page quarter calf marbled boards red morocco spine label original spine repaired. Scarce. <br/><br/>Pye became England's Poet Laureate in 1790 in the same year he became Police Magistrate for Westminister. "The chief intent of my Commentary . is an illustration of the rules and the examples confirming those rules which are found in Aristotle's remarks on dramatic and epic poetry from similar passages in the modern and more especially in the English poets - Preface." John Stockdale hardcover
1855DEMO016617ILondon & New York: London Printing and Publishing Co. ca. 1855. New edition. Hardcover. Very Good. steel engravings. Royal octavos contemporary 3/4 morocco edges and endpapers marbled extremities scuffed <br/><br/>Issued to commemorate the 300th Anniversary of the bard's birth. Jaggard p.537 . London Printing and Publishing Co. hardcover
196840559New York Paul Hamlyn 1968 First Edition. hardcover. First editon first printing of this facsimile prepared by Charlton Hinman. -- Hinman compared 80 variant copies from the Folger Library using a machine he invented to produce "THE" "corrected" Folio in facsimile. -- Hardcover 10x14.5x2.3 inches 928 pages. Condition: near fine fore-edge has couple small bumps; cover corner bump with near fine dust jacket. ISBN 0393098435 PLEASE NOTE this book is very heavy and will incur extra shipping charges; not available for expedited or international shipping. Paul Hamlyn hardcover
22906TRANSMISSION: BBC HOME SERVICE SCHOOLS Bush House London Monday 29th June 1953: 9.40 - 10.00 a.m. Contemporary duplicated typescript from the Christopher Fry papers. 14pp 8vo. Each page on a separate leaf. In fair condition lightly aged. Fry's introductory talk is present in its entirety on pp.1-5 this is followed by an unpaginated page then pp.8-15 with p.10 also unpaginated. Hence p.6 or p.7 beginning the extracts from the play would appear to be absent. On the front page between the heading and transmission details is: 'Rehearsal: Thursday 4th June 1953: 10.00 onwards Recording: Thursday 4th June 1953: 12.15 - 1.00 p.m. 3A Recording of Insert: BLANK'. Fry's talk - apparently unpublished astute and all the more revealing because addressed to a younger audience - is preceded by 'ANNOUNCER: This is the BBC Home Service for Schools. Religion and Philosophy. Today Christopher Fry speaks about his play "A Sleep of Prisoners". Mr. Fry.' Fry begins his talk: 'It's interesting - at least it's interesting to me - what apparently accidental things go to the making of a play. I always begin by feeling it's very improbable that I shall ever write anything. My mind is a vacuum: and then nature abhorring they tell me a vacuum starts to fill it up: very slowly usually; one little thing at a time; memories I had forgotten I possessed: a chance remark from somebody: all sorts of quite trivial things in my life gather together fal into line as though they had always meant to and gradually something which might be said to resemble a play shapes itself in my head. Which shows perhaps that nothing that ever happens to you is unimportant.' He proceeds to describe the 'things' that happened to allow him to publish 'A Sleep of Prisoners' with reference to: the 1951 Festival of Britain; Michael MacOwan; Oliver Cromwell; Fry's move during the war to a cottage in Oxfordshire. He describes his sudden suggestion to 'Mr. MacOwen': 'I should like the action of the play to be the dreams of the prisoners. Each man would dream in turn and would dream of himself and the other men. Naturally each man's opinion of himself and of the others would be different: no two people have exactly the same opinion of you or of me; and so in this way if we had four prisoners each actor would have four versions of himself to act each character would be seen from four different points of view. Tea-time came to an end Mr. MacOwen had to leave and that was as far as we had got.' He describes how a few weeks later on a single day he developed 'the whole story of the play'. He gives his assessments of the four characters and describes the a section of the plot before announcing in the final paragraph: 'The actors are going to play part of this dream for you. The character of Absolom remember is David's dream picture of Peter Peter with all his infuriating qualities uppermost.' He continues his explanation at one point stating: 'I have tried in this dream to mix the waking and sleeping world together. . So to us the audience Meadows is awake and to David he is a figure in a dream. Now let us go into the dream. Absalom has been mocking his father from down in the shadows and now David begins to speak.' The nine-page reading from 'the dream' follows and by reference to Fry's introduction together with the text of the whole poem it should be possible to establish what if any part is lacking. TRANSMISSION: BBC HOME SERVICE (SCHOOLS) [Bush House, London] | Monday 29th June 1953: 9.40 - 10.00 a.m. unknown
133031892 DAVID NUTT THE STRAND LONDON. VERY GOOD COPY. ON JAPANESE VELLUM PAPER. LIMITED EDITION OF ONLY 30 COPIES: THIS BEING NO.8. CREAM BOARDS A LITTLE WORN AND STAINED. DEACON BRODIE BEAU AUSTIN ADMIRAL GUINEA. 1892 DAVID NUTT, THE STRAND, LONDON hardcover