1 776 résultats
1942006990Adyar Madras India: Kalakshetra 1942. Hardcover light green cloth in original non price-clipped beige dust-jacket. 270pp. Portait frontispiece. Contains the verse-plays "The Kings Wife" and "The Hound of Uladh" the former a drama about the life of Rani Mirabai and the latter a tale based on ancient Celtic mythology. No previous ownership marks. A clean square copy with mild wear to tips Beige dust-jacket complete shows moderate age soiling and toning with spine sunned to goledn brown. A very good copy in a near very good dust-jacket of a very scarce title. First Edition. Cloth. Very Good/Near Very Good. 8vo - over 7¾" - 9¾" tall. Kalakshetra Hardcover
9032919. DRAMA - CHINA. SCENES FROM CHINESE PLAYS SERIES I. N.p. n.d. circa 1920. Painted manuscript volume of traditional Chinese plays with 12 illustrations. Chinese and English language title on the cover and English language captions under the illustrations. 12 ff. Traditionally bound: paper wrappers with a blue cloth backstrip sewn with red string. 16 x 16.5 cm. Some of the scenes illustrated include are "A Fisherman Catches a Golden Tortoise" "A Spendthrift Son" "General T'sao Tsao Nearly Being Killed in an Inn" and "A Boy Sweeps Snow." Colorful scenes from dramas in very good condition. unknown
19160005542Oxford: University Press 1916. First edition. Hardcover. Very Good. engravings. Quarto 231pp. three quarter blue crushed morocco marbled endpapers; scuffed with top joint repaired coat of arms in gilt on top cover. <br/><br/>"The nucleus of the Welbeck collection of miniatures consists of portraits of members and connexions of the families of Cavendish and Holles which were inherited by the Lady Henrietta Cavendish Holles wife of Edward Harley second Earl of Oxford and Earl Mortimer. To them were added miniatrues of the Harley family into which she married and those painted for and acquired by her husband he being the son of Robert Harley who was successively Speaker Secretary of State Chancellor of the Exchequer and Lord High Treasurer in the reign of Queen Anne and who was created Earl of Oxford and Earl Morimer in 1711." 29 plates of portraits - most multiple images including British royalty Shakespeare Inigo Jones Abraham Cowley and European royalty. Laid-in is a sheet of stationery from Welbeck Abbey presenting this volume "With the Duke of Portland's Compliments" in holograph. University Press hardcover
19141240<p>Boston: The Gorham Press 1914. First Edition First Printing. <br /><br />Small Octavo 7 1/2 inches / 19 cm 168 pages. Printed paper labels to spine and front board. <br /><br />Eugene O'Neill's first book one of 1000 copies printed and featuring five plays: Thirst The Web Warnings Fog and Recklessness. O'Neill's father financed the $450 printing costs. The books didn't sell well so the publisher Richard G. Badger sold the remaining volumes to Frances Steloff who became the owner of the Gotham Book Mart in New York. <br /><br />Eugene O'Neill 1888-1953 won the Nobel Prize in Literature in 1936.<br /><br />CONDITION: Spine darkened some light wear to spine edges soiling to top edge and fore edge. A Very Good or better copy lacking the rare dust jacket.</p> The Gorham Press hardcover
1985003482Theatre Communications Group 1985 1985. Book. Fine. Trade Paperback. Signed by Authors. Not a First. 8vo - over 7¾" - 9¾" tall. Trade Paperback. No Jacket. Not a First. Signed by Author. 8vo - over 7¾" - 9¾" tall. The book that made the author actor famous.Tragic Sucide. Fine copy.Ink name.Extremely rare signed copy. Signed" Spalding Gray" in red ink. Theatre Communications Group, 1985 Paperback
1960751New York: The Living Theatre 1960. First Edition. Season program for the avant-garde New York theatre group which was founded in 1947 and still exists today. The season's productions included "In the Jungle of Cities" by Bertolt Brecht; "The Connection" by Jack Gelber; "The Marrying Maiden" by Jackson MacLow; and "Women of Trachis" by Sophocles in a version by Ezra Pound and featuring a young Martin Sheen as Hyllos. 8vo. unpaginated. Near Fine in stapled wrappers with mild edge sunning. Laid in is a Cue magazine offprint about Judith Malina and Julian Beck the co-founders of the group. OCLC lists only 5 copies held by libraries. SCARCE. <br/><br/>The Living Theatre has broken new ground and plenty of rules for realistic drama since its founding in 1947. The company has produced some of the most-acclaimed cutting-edge plays to be seen in Off-Broadway theatre including Jack Gelber's "The Connection" included in this season program. The Living Theatre unknown
19611607<p>New York: The Living Theatre 1961. First Edition First Printing. <br /><br />Oblong 16mo 6 1/2 x 5 1/8 inches; 165 x 130 mm 4 pages in stapled red white and blue wrappers soft cover. <br /><br />Invitation for a Champagne party and auction at the studio of artist Larry Rivers on May 2 1961 to raise money for the Living Theatre and its forthcoming European tour. The auction included art works and manuscripts most notably the entire manuscript of Allen Ginsberg's "Kaddish" as well as works by John Cage Louise Nevelson Robert Rauschenberg Grace Hartigan Jasper Johns Willem De Kooning Helen Frankenthaler Franz Kline and others.</p><p>Rivers's studio was at 102 West Third Street in the West Village. The invitation requested a contribution of $25 per couple and assured attendees that the evening was "informal." The guests of honor were Eva Gabor Denise Darcel Arlene Francis Shelley Winters and Kim Stanley.</p><p>The evening was a huge success according to The New York Times raising about $20500 equal to around $214000 in 2024. Foundations had promised an additional $5000 while $18000 had already been raised in previous months thus assuring that the Living Theatre's European trip would go ahead.</p><p>The Living Theatre planned to perform in Paris Rome London Turin Milan Amsterdam Glasgow and Florence with plays by Bertolt Brecht In the Jungle of Cities William Carlos Williams Many Loves Jack Gelber The Connection and Luigi Pirandello Tonight We Improvise.</p><p>An interesting snapshot of the New York art literary and entertainment worlds of 1961. And of course a rare piece of Living Theatre ephemera. <strong>RARE</strong>.</p><p>CONDITION: Near Fine with trivial hints of edge wear. Sharp clean and fresh.</p> The Living Theatre paperback
1998018890Paris: Academie Experimentale des Theatres and Le Concours du Centre de Livre 1998. This is a very good softcover copy with almost no wear. Would be fine but for a small black dot on the top page-edge near the spine. Otherwise completely clean. The spine is not creased binding firm. Text in FRENCH. Illustrated in black & white with photographs. Edited by Georges Banu with assistance from Olivier Besson Linda Lewkowicz and Daniele Stern. 12" high X 8" wide 255 pages. Large heavy book foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . Third Edition. Soft Cover. Very Good. Academie Experimentale des Theatres and Le Concours du Centre de Livre Paperback
193113255New York: Horace Liveright 1931. Limited Edition . Hardcover. Very Good-. Limited Edition 68/500 copies SIGNED by O'Neill on limitation page; 4to art vellum boards/leather lettering piece on spine; vg- boards bowed; spine ends bumped; spine head heavily worn with three tears to vellum two of which could become chips; small green smudge to top right hand corner front board; small chip to lettering piece; bookstore sticker on rear pastedown and ghost of sticker on rfep; includes facsimile notes. <br/> <br/> Horace Liveright hardcover
000894London: Simpkin and Marshall Book. Good. Half-Leather. 12mo. Contains a W.Shakespeare Richard the Third a tragedy. 1818. iv ii 68p. Jaggard p372 b T.Otway Venice preserved a tragedy. 1820. iv ii ii ii 56p. c P. Massinger A new way to pay old debts a comedy. 1818. odd pagination to prelims then 7 - 78p d Bickerstaff The hypocrite a comedy. no date. v iii 63p. e A.Cherry The soldier's daughter a comedy. 1819. 3 v 72p. f T.Holcroft Deaf and dumb an historical drama. 1819. iii v 60p. g S.J.Arnold The shipwreck a comic opera 1820. ii ii 27 1p h S.Beazley Is he jealous an operetta. 1818. ii iv 25p. i T. Knight The honest thieves a farce. 1820. iii iii 28p. j The magpie or the maid of palaiseau a melo-drame. 1820. ii ii 36p. k M.G. Lewis Rugantino; or the bravo of Venice a melo-drame. 1820. ii ii 30p. Signs of original stab sewing to each play. Occasional spotting and browning. Some marks small tears and creases. Titles and final pages of each play slightly soiled. Bound in half leather with very worn marbled boards. The leather in excellent condition and attractive - decorative gilt spine and green lettering label - Plays. Some slight wear to spine edges. Stamped with small R in circle to front and rear pastedowns. No frontises present. Simpkin and Marshall hardcover
1825025230Cambridge: W. P. Grant 1825. First Edition . Quarter Calf Gilt. Very Good. 8 5/8" Tall. Viii 237. Half Title Present.First Edition. Quarter Calf Over Boards Five Bands With Red Morocco Label Attractive And Elaborate Gilt Tooling In All Compartments Over Marbled Paper Covered Boards Calf Tips. Wear To Binding Fraying At Tips Hinges Solid And Tight. Previous Owner Name In Pencil And Heraldic Bookplate Of Albert Francis Jackson. <br/> <br/> W. P. Grant unknown
1984040589Los Angeles: Korean Cultural Service 1984 1985 1986 1987 1990 1984. 1st Edition . Soft cover. Near Fine. Fourteen Issues Of This High Quality Magazine Mostly Focusing On Arts Published By The Korean Consulate For English Language Distribution. <br/> <br/> Korean Cultural Service 1984 1985 1986 1987 1990 paperback
1932021854Cambridge: Cambridge University Press 1932. First Edition . Printed Wrappers. Very Good. 36 Pp. Grey Wrappers Printed In Black. A Fantasy Written As A Play Describing A Fantastic Future In 1981 Where Life Insurance Has Been Rationalized As A Nationalized Benefit And A Retirement System Costs Depending Upon Risks With Favoritism For Families To Correct A Declining Birth Rate. Very Scarce Just Two Copies In Oclc; This Example From The Comprehensive Sf Collection Of Forrest Ackerman. <br/> <br/> Cambridge University Press unknown
2021x-1350135968Methuen Drama 2021. Hardcover. New. 259 pages. 8.50x5.50x0.75 inches. Methuen Drama hardcover
1972058611Chicago Il: Cowles Book Company / Henry Regnery 1972. 1st Edition 1st Printing. Hardcover. Very Good/Near Fine. 283 Pp. Brown Clotjh. First Printing. Light Wear Gilt Brihgt Dust Jacket Flaps Pasted To Front Endpapers An D Rear Panel Pasted To Rear Free Endpaper. Dist Jacket From Another Copy Price Clipped Near Fine. <br/> <br/> Cowles Book Company / Henry Regnery hardcover
1881032552Boston: Roberts Brothers 1881. First American Edition 1st Printing. Hardcover. Very Good/No Jacket. 63 Pp 2 Pp Ads At Rear. Red Cloth Printed In Black Green And White Endpapers. First American Printing 1981 Date On Title Page. Light Wear Lettering Strong Three Tiny Frays At Ends Of Spine Covers With Tiny Flecks To Color. Ownership Signature Of Andy Francisco 1866-1947; From Estate Of Artist J Bond Francisco's Nephew Jack Okey So Probably A Relative. Per Wikipedia Benoît-Constant Coquelin 1841 - 1909 Known As Coquelin Aîné "Coquelin The Elder" Was A French Actor "One Of The Greatest Theatrical Figures Of The Age." Coquelin Was Born In Boulogne-Sur-Mer Pas-De-Calais. He Was Originally Intended To Follow His Father's Trade Of Baker He Was Once Called "Un Boulanger Manqué" - "A Failed Baker" - By A Hostile Critic But His Love Of Acting Led Him To The Conservatoire Where He Entered Régnier's Class In 1859. He Won The First Prize For Comedy Within A Year And Made His Début On 7 December 1860 At The Comédie-Française As The Comic Valet Gros-René In Molière's Le Dépit Amoureux But His First Great Success Was As Figaro In The Barber Of Seville In The Following Year. It Was An Honour For Coquelin To Be A Part Of The Comédie-Française At Such A Young Age. This Company Had Already Been In Existence For Around 150 Years. He Was Made Sociétaire In 1864. There Were 21 34 Shares And They Were Divided Among The Lead Actors Known As Sociétaires. The Sociétaires Co-Manage Choose Plays And Share Profits. When There Was An Opening Caused By Retirement Resignation Or Death It Was Filled By A Member Of The Pensionnaires. And Just Four Years After Joining The Comédie-Française Coquelin Became One Of The Elite Sociétaires. During The Next Twenty-Two Years He Created The Leading Roles In Forty-Four New Plays At The Comédie Française Including Théodore De Banville's Gringoire 1867 Paul Ferrier's Tabarin 1871 Émile Augier's Paul Forestier 1871 L'étrangère 1876 By The Younger Dumas Charles Lomon's Jean Dacier 1877 Édouard Pailleron's Le Monde Où L'on S'ennuie 1881 Erckmann's And Chatrian's Les Rantzau 1884. In Consequence Of A Dispute With The Authorities Over The Question Of His Right To Make Provincial Tours In France He Resigned In 1886. Three Years Later However The Breach Was Healed; And After A Successful Series Of Tours In Europe And The United States He Rejoined The Comédie-Française As Pensionnaire In 1890. During His Time Away From The Comédie He Wrote His Book Art And The Actor. It Was During This Period That He Took The Part Of Labussière In The Production Of Victorien Sardou's Thermidor Which Was Banned By The Government After Three Performances. In 1892 He Broke Definitively With The Comédie-Française And Toured For Some Time Through The Capitals Of Europe With A Company Of His Own; In New York For Instance He Performed At Abbey's Theatre In 1894 Playing The Lead In Tartuffe His Son Jean Played Orgon And Mascarille In Les Précieuses Ridicules.3 In 1895 He Joined The Renaissance Theatre In Paris And Played There Until He Became Director Of The Théâtre De La Porte Saint-Martin In 1897. Here He Won Successes In Edmond Rostand's Cyrano De Bergerac 1897 Which He Repeated In The Summer Of 1898 At The Lyceum Theatre London Émile Bergerat's Plus Que Reine 1899 Catulle Mendès's Scarron 1905 And Alfred Capus And Lucien Descaves' L'attentat 1906. In 1900 Coquelin Toured In America With Sarah Bernhardt Appeared At Broadway's Garden Theatre In A Production Of Cyrano De Bergerac Bernhardt Played Roxane. He Made His Only Film The Duel Scene From Cyrano De Bergerac With Sound Recording On Phonograph Cylinder. The Film Is Thought To Be The First Ever Made With Both Color And Sound. On Their Return To France He Continued With His Old Colleague To Appear In L'aiglon At The Théâtre Sarah Bernhardt. He Was Rehearsing For The Creation Of The Title Role In Rostand's Chantecler Which He Was To Produce When He Died Suddenly In Paris In 1909. <br/> <br/> Roberts Brothers hardcover
1881032553Boston: Roberts Brothers 1881. First American Edition 1st Printing. Hardcover. Good/No Jacket. 63 Pp 2 Pp Ads At Rear. Light Brown Cloth Printed In Black Green And White Endpapers. Wear Lettering Strong Fraying On Top Of Spine And At Tips. Signature Of Hollywood Art Director Jack Okey It's A Wonderful Life Etc. Small Private Price Label On Rear Pastedown. Per Wikipedia Benoît-Constant Coquelin 1841 - 1909 Known As Coquelin Aîné "Coquelin The Elder" Was A French Actor "One Of The Greatest Theatrical Figures Of The Age." Coquelin Was Born In Boulogne-Sur-Mer Pas-De-Calais. He Was Originally Intended To Follow His Father's Trade Of Baker He Was Once Called "Un Boulanger Manqué" - "A Failed Baker" - By A Hostile Critic But His Love Of Acting Led Him To The Conservatoire Where He Entered Régnier's Class In 1859. He Won The First Prize For Comedy Within A Year And Made His Début On 7 December 1860 At The Comédie-Française As The Comic Valet Gros-René In Molière's Le Dépit Amoureux But His First Great Success Was As Figaro In The Barber Of Seville In The Following Year. It Was An Honour For Coquelin To Be A Part Of The Comédie-Française At Such A Young Age. This Company Had Already Been In Existence For Around 150 Years. He Was Made Sociétaire In 1864. There Were 21 34 Shares And They Were Divided Among The Lead Actors Known As Sociétaires. The Sociétaires Co-Manage Choose Plays And Share Profits. When There Was An Opening Caused By Retirement Resignation Or Death It Was Filled By A Member Of The Pensionnaires. And Just Four Years After Joining The Comédie-Française Coquelin Became One Of The Elite Sociétaires. During The Next Twenty-Two Years He Created The Leading Roles In Forty-Four New Plays At The Comédie Française Including Théodore De Banville's Gringoire 1867 Paul Ferrier's Tabarin 1871 Émile Augier's Paul Forestier 1871 L'étrangère 1876 By The Younger Dumas Charles Lomon's Jean Dacier 1877 Édouard Pailleron's Le Monde Où L'on S'ennuie 1881 Erckmann's And Chatrian's Les Rantzau 1884. In Consequence Of A Dispute With The Authorities Over The Question Of His Right To Make Provincial Tours In France He Resigned In 1886. Three Years Later However The Breach Was Healed; And After A Successful Series Of Tours In Europe And The United States He Rejoined The Comédie-Française As Pensionnaire In 1890. During His Time Away From The Comédie He Wrote His Book Art And The Actor. It Was During This Period That He Took The Part Of Labussière In The Production Of Victorien Sardou's Thermidor Which Was Banned By The Government After Three Performances. In 1892 He Broke Definitively With The Comédie-Française And Toured For Some Time Through The Capitals Of Europe With A Company Of His Own; In New York For Instance He Performed At Abbey's Theatre In 1894 Playing The Lead In Tartuffe His Son Jean Played Orgon And Mascarille In Les Précieuses Ridicules.3 In 1895 He Joined The Renaissance Theatre In Paris And Played There Until He Became Director Of The Théâtre De La Porte Saint-Martin In 1897. Here He Won Successes In Edmond Rostand's Cyrano De Bergerac 1897 Which He Repeated In The Summer Of 1898 At The Lyceum Theatre London Émile Bergerat's Plus Que Reine 1899 Catulle Mendès's Scarron 1905 And Alfred Capus And Lucien Descaves' L'attentat 1906. In 1900 Coquelin Toured In America With Sarah Bernhardt Appeared At Broadway's Garden Theatre In A Production Of Cyrano De Bergerac Bernhardt Played Roxane. He Made His Only Film The Duel Scene From Cyrano De Bergerac With Sound Recording On Phonograph Cylinder. The Film Is Thought To Be The First Ever Made With Both Color And Sound. On Their Return To France He Continued With His Old Colleague To Appear In L'aiglon At The Théâtre Sarah Bernhardt. He Was Rehearsing For The Creation Of The Title Role In Rostand's Chantecler Which He Was To Produce When He Died Suddenly In Paris In 1909. <br/> <br/> Roberts Brothers hardcover
1928056259New York Ny: Covici Friede 1928. 1st Edition 3rd Printing. Hardcover. Near Fine/Good. Xiii 189 Iii. Gray Cloth Stamped In Blue. Third Printing 1928. Near Fine Slight Usage No Fraying Hinges Tight Spine Leaned Topstain Faded. Dust Jacket Priced $2.00 "Third Printing:" Stated Four Reviews On Front Panel Worn Chipped Small Holes Around Spine And Fore Edges. <br/> <br/> Covici Friede hardcover
1698025240London: Isaac Cleave 1698. First Edition 1st Printing. Modern Morocco Over Boards. Very Good . 8 3/8 " Tall. 10 43 2 Ad At Rear. Rebound In Early Twentieth Century In Green Quarter Morocco Gilt Lettering On Spine Over Green Cloth Boards. Contents Complete Quite Browned But No Other Damage. Quite Scarce Only Two Copies In Worldcat Both In The Uk. <br/> <br/> Isaac Cleave hardcover
1975027883New York: Norton 1975. 1st Edition 1st Printing. Soft cover. Near Fine. 77 Pp. Near Fine Example Of The Paperback Issue Of The American First Edition. Signed For Me By Soyinka During His Visit To The Los Angeles Asylum Office In The Late 1990'S. <br/> <br/> Norton paperback
1965787<p>Paris: La Table Ronde 1965. Later printing.</p><p><br />A collection of plays INSCRIBED on the half title by Jean Anouilh: "Pour le Docteur Paul Robert Jean Anouilh Nov. '69." <br /><br />The plays are: L'Invitation au Chateau; Colombe; La Répetition ou l'amour puni; and Cécile ou l'école des pères. Text entirely in French. <br /><br />Inscribed copies are scarce to the market. <br /><br />PHYSICAL DETAILS: Octavo 8 x 5.25 inches; 205 x 135 mm 535 7 pages in cream-colored cloth spine with four raised bands front cover illustrated with a vignette drawn by Jean Denis Malclès hard cover. <br /><br />CONDITION: Top edge a bit dusty but otherwise a nice copy. Near Fine. <br /><br /><br /><br /></p> La Table Ronde hardcover
19683087<p>New York: Radical Theatre Repertory Inc. 1968-69. First Edition.</p><p><br />Scarce booklet introducing the short-lived Radical Theatre Repertory a New York-based cooperative booking agency for experimental theatre troupes. <br /><br />The group championed radical experimental theatre as an alternative to commercial theatre. It assisted theatre groups in finding outlets for their performances and also organized some tours especially the Living Theatre tour of 1968-69. <br /><br />Despite its important work on behalf of experimental theatre the Radical Theatre Repertory ran only until 1970. The Universal Movement Theatre Repertory took over many of its functions. <br /><br />The booklet features profiles and black-and-white photographs of the various groups: Living Theatre; Firehouse Theatre Open Theatre The Performance Group Daytop Theatre Company Om Theatre Workshop of Boston Pageant Players Gut Theatre Concept East: New York Drama Group of Mobilization for Youth Theatre Black Black Troupe Playhouse of the Ridiculous Caravan Theatre Bread and Puppet Theatre El Teatro Campesino and the San Francisco Mime Group. <br /><br />This booklet is scarce. OCLC shows only a few institutional holdings: NYU Northwestern and the Université de Versailles Saint-Quentin-en-Yvelines France. A separate search turns up a copy at Harvard. <br /><br />Further reading: See the interview with the main organizers of the Radical Theatre Repertory Oda Jurges and Saul Gottlieb in The Drama Review: TDR Vol. 13 No. 4 Politics and Performance Summer 1969 pp. 80-88. <br /><br />PHYSICAL DETAILS: Oblong Small Quarto 10.125 x 7 inches; 256 x 177 mm 28 pages in stapled photo-illustrated <br />wrappers soft cover. <br /><br />CONDITION: A few small creases to the wrappers light toning to page edges old address on contents page marked out and replaced with a stamped new address. Easily Very Good or better. <br /><br /><br /><br /></p> Radical Theatre Repertory, Inc. paperback
181238150London Printed for F. C. and J. Rivington; T. Payne; Wilkie and Robinson etc. 1812 hardcover. This is the fourth collected edition of Otway's 1652-1685 works in two volumes DNB. Frontispiece portrait of the author. -- Hardcover beautiful 3/4 tan leather over marbled boards raised spine bands with elaborate gilt decoration with top-edge-gilt and marbled endsheets heavy rag paper. Condition: near fine small scuff spots light corner wear showing boards--pages bright and binding tight. Printed for F. C. and J. Rivington; T. Payne; Wilkie [a]nd Robinson [etc.] hardcover
199624398NY and London: W. W. Norton & Company. As New with No dust jacket as issued. 1996. Second Edition. First Printing. Hard Cover. 034545281X . Publisher's full red cloth spine in five compartments separated by raised bands and gilt borders gilt lettering in three compartments gilt tooling in remainder. Red silk marked bound in. Folio 376 x 251 mm. This is a full-size photographic facsimile of the First Folio edition of Shakespeare's plays which was printed over a period of two years and released in 1623. As printing of the First Filios proceeded proofs were read and corrections were made. The uncorrected sheets were not thrown out but were mixed in with the corrected ones with the result that no two First Folios of which there are 240 in existence are identical. This edition reproduces pages from 29 of the most satisfactory copies out of the 82 now in the Folger Shakespeare Library originally selected by Prof. Charlton Hinman in 1968. In his Introduction Peter W. M. Blayney reconsiders Professor Hinman's findings in the light of new Elizabethan scholarship. The volume includes all of the line numbering established in the 1968 edition as well as the traditional Globe act-scene-line numbers. Professor Blayney's Introduction includes a table identifying the order the pages of each play were set and the compositors believed to have set each page. This is a unique and invaluable tool for any serious Shakespeare scholar. The volume is in perfect pristine condition unmarked tight square and clean. The slipcase is also in perfect condition. A large heavy book 11 pounds - additional shipping charges may apply. AS NEW. . Facsimiles. Folio 13" - 23" tall. 928 pp . W. W. Norton & Company hardcover
19781596<p>New York: Farrar Straus and Giroux 1978. First Edition First Printing. <br /><br />Octavo 8 1/2 x 5 3/4 inches; 215 x 144 mm 275 1 pages green cloth in an unclipped printed dust jacket.<br /><br />INSCRIBED by Derek Walcott on the front free end paper: "To Dave / Derek / FSG /Oct 86." Two plays by the Nobel Prize winner. <br /><br />CONDITION: Light sunning to edges of boards light soiling to top edge rubbing and slight bump to rear board. Very Good or better in a Very Good unclipped dust jacket that has light soiling to the front panel a crease in the rear flap and rear panel and light toning to the flaps</p> Farrar, Straus and Giroux hardcover