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1989035067New York: New Amsterdam Books 1989. 1st Edition 1st Printing. Hardcover. Fine/Fine. 370 Pp. Black Cloth Printed In Silver; First American Printing 1989 Hardcover Issue With British Sheets. Fine In Fine Dj The Dj Is A Little Taller Than The Book Hence Lightly Bumped Along Top Edges. Inscribed At Length In 2004 To American Actress Doris Roberts; The Writer States He Was A Friend Of Helen Hayes And She Had First Obtained This Copy For A Project They Were Working On Together. <br/> <br/> New Amsterdam Books hardcover
461p. illus. Hardcover Very good condition good
1929011552Paris A L'Enseigne des Trois Magots, Robert Denoël 1929 In-8 Broché
1929014898Paris A L'Enseigne des Trois Magots, Robert Denoël 1929 In-8 Broché
1947T112718Baltimore, The Johns Hopkins Press 1947 137pp., 26cm., Doctoral Dissertation (A Dissertation submitted to the Board of University Studies of the Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy 1935), original softcover, most pages are still uncut, stamp at verso of title page, text is clean and bright, T112718
137pp., 26cm., Doctoral Dissertation (A Dissertation submitted to the Board of University Studies of the Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy 1935), original softcover, most pages are still uncut, stamp at verso of title page, text is clean and bright, T112718
In 8° leg. coeva t/tela pp. 128, ben tenuto
Gutes Ex. - Englisch; Latein. - Matthew Gwinne or Gwynne (ca. 1558-1627) was born in London. It is known that before teaching Physics at Gresham College in London he began his career as a fellow of St. John's College, Txford, where, besides his profession of medicine, he distinguished himself as a playwright. In the dedicatory letter to the 1607 edition of Vertumnus he states that he had been professing medicine for twenty and teaching it for fourteen years. The comedy Vertumnus is his second play, his tragedy Nero having ceen printed in 1603. Vertumnus was performed in 1605, on the occasion of the first ceremonial visit to Oxford of King James I, accompanied by Henry, Prince of Wales, the Queen, and the court. The performance took place on the Christ Church stage on the 23th August, the third night of the visit. Though well acted cy a company consisting chiefly of St. John's men, the play met with as little success as the two plays which had preceded it on the previous nights (the pastoral Alba and the tragedy Ajax Flagellifer). The King fell asleep in the middle of the performance although the author in courteous anticipation of his presence had given the actors the opportunity of extolling him in a eulogy at three different moments in the play: in the prologue, in the fourth act, and in the epilogue. By contrast, the King had been delighted to see the open-air informal interlude Tres Sibyllae, also written by Gwinne, which was acted in front of St. John's College on the day of the King's entry into Oxford. ... (Vorwort) ISBN 9783487072050
1807DLIT0597Wien, Rehm'sche Buchhandlung 1807. Kl.-8°. XVI (Vorw., Inh.), gest. Titelbl., 246 S. mit Kupferstichfrontisp. (Adamek, del.; Joh. Ronard, sc.)., 1 nn. Bl. ("Verzeichnis der Subscribenten"). Pappband mit Kleisterpapierbezug u. mont. Rückenschildchen. Rücken aufgehellt, innen altersbedingt leicht gebräunt u. stellenweise leicht stockfleckig, sonst gut erhalten. Spiegel mit altem priv. handschriftl. Bibliotheksvermerk. Erste Ausgabe. Kosch XVI, 490; Goedeke VII,578,20,3; Wurzbach XXXII,134; Mayer 6845; fehlt bei Gugitz, Czeike, Kaldewey. - Mayer: Schütz war Briefträger und sogen. Naturdichter"; Wurzbach: "Johann Baptist Schütz, ein Wiener Naturdichter, von dem nichts weiter bekannt ist, als seine in Wien im Jahre 1807 und in neuer (Titel-) Auflage 1817 erschienenen ?Versuche eines Wiener Naturdichters?, dessen Karl Goedeke in seinem ?Grundriß zur Geschichte der deutschen Dichtung" gedenkt. Selbst die so reichhaltigen Blumenlesen unserer heimatlichen Poeten kennen weder den Dichter noch seine poetischen Versuche." Enthält u.a.: Stoßgebet an die Musen; Der Scheintodte; An den Garten eines Tugendhaften Mannes; Orpheus. Ein Singspiel; Leonidas. Ein Trauerspiel; Kurze, jedoch sehr langweilige Selbstbiographie.
1930133689Baden-Baden, Merlin-Verlag 1930. XI, (1), 246, (2) Seiten. Blauer, titelvergoldeter Original-Leinwand-Einband. (Vorsatz teils fleckig). 25x17 cm
0365017159.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
500321633Opening 13 76x1 48x18 03cm. Sans date. blu_ray.
500322633Opening 13 76x1 48x18 03cm. Sans date. blu_ray.
500323697Opening 13 76x1 48x18 03cm. Sans date. blu_ray.
500345687Opening 13 76x1 48x18 03cm. Sans date. blu_ray.
1935B65267Diksmuide, Comité der "Bedevaart naar de Graven van den Ijzer" 1935 64pp.geïll., 21cm.
1992015938Milan Italy: FMR Franco Maria Ricci 1992. This is a very good hardcover copy with almost no wear with a very good clamshell box with light wear. Completely clean inside and out. Text in English and Italian. Illustrated throughout in color with many tipped-in plates and drawings in color and black & white. Limited edition of 4000 numbered copies. This is copy no. 3841. Stated first edition. 14" high X 9" wide 272 pages. . First Edition. Hard Cover. Very Good. FMR Franco Maria Ricci Hardcover
2004500144613Seuil 2004 231 pages poche. 2004. broche. 231 pages.
309534Leipzig, Amelang, ohne Jahr. 3 Bll., 327; 2 Bll. 328 Seiten. Dunkelblauer Original-Leinenband mit farbiger Deckelillustration . 19 cm
1870304080Leipzig, Amelang, 1870. 3 Bll., 327; 2 Bll. 328 Seiten. Goldgeprägte blaue Original-Leinenbände. 19 cm
293881Leipzig, Amelang, ohne Jahr. 3 Bll., 327; 2 Bll. 328 Seiten. Goldgeprägte dunkelbraune Original-Leinenbände. 19 cm
236322Leipzig, Amelang, ohne Jahr. 3 Bll., 327; 2 Bll. 328 Seiten. Goldgeprägte Original-Leinenbände. 19 cm
1390347400.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
100143843L'Avant Scène in8. Sans date. Broché. Ce livre de la collection L'Avant-Scène Opéra (n°249) est consacré à l'opéra 'Macbeth' de Giuseppe Verdi adaptation de la pièce de Shakespeare. Il présente le livret en français des analyses et explore la vision théâtrale de Verdi qui privilégiait le drame sur le pur art du chant faisant de cet opéra un manifeste de son style