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B9781020759215Hardback. New. hardcover
B9781022759602Paperback / softback. New. paperback
ria9781020759215_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This anthology of British plays includes works from some of the greatest playwrights in British history including William Shakespeare Christopher Marlowe and Ben Jonson. With works spanning from medieval morality plays to Restoration hardcover
1020759216.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1022759604.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
38808LONDON HURST ROBINSON AND CO. 1824. NEW EDITION 20 VOLUMES. SMALL OCTAVO HALF LEATHER OVER MARBLED BOARDS RAISED BANDS. WITH A FINE ENGRAVING AT THE FRONT OF EACH PLAY FOXED TEXT VERY CLEAN. IN VERY GOOD CONDITION. WITH BIOGRAPHICAL AND CRITICAL REMARKS. A HANDSOME SET. LONDON, HURST, ROBINSON AND CO., 1824 hardcover
1955000636Music International 1955. Book. Original Wraps. The Principal Chorus Vocal Book. The cover reads " Not For Sale. For Professional Use Only" also states that this book is rented and gives instructions on how to handle the book. FIRST PRINTING of this edtition VERY GOOD COPY no markings at all. Obviously a very early printing overall. Also includes songs "Safety In Numbers" "You Don't Want To Play".more. Music International Hardcover
191125353New York: Dodd Mead and Company. Near Fine with No dust jacket as issued. 1911. First Edition. First Printing. Hard Cover. First Edition Thus first printing. This differs from the others in that it contains the latest alterations and additions made by the author in light of the Paris production of the play. In this edition the Forest Scene is retained while it was omitted in the London production. This edition is "complete at all points and is .the fullest version published." It is also the first edition to contain the 25 tipped-in color plates by F. Cayley Robinson. Publisher's full blue cloth boards gilt lettering on spine and cover intricate blue light green lavender and gilt decoration on cover t.e.g. fore-edge deckle. Illustrated with 25 tipped-in full-color plates by F. Cayley Robinson. Translated into English by Alexander Teixeira de Mattos. Former owner's printed bookplate on fep with its shadow on ffep else as new; otherwise unmarked tight square fresh and clean. Hinges strong. Scarce in this excellent condition. A large heavy book four pounds - additional shipping charges may apply. NEAR FINE. . Tipped-in color plates. 4to 11" - 13" tall. xvi 211 pp . Dodd, Mead and Company hardcover
77898Cottingham: The Cottingham Press. First Edition. . Hardcover. Good reading copy/No Jacket. Spine sunned; covers worn; uncut; binding firm; contents sound; 101p bibliog of author's works. Size: 12mo - over 6¾" - 7¾" tall <br/> <br/> The Cottingham Press hardcover
1960032340New York: Roger L. Stevens Circa 1959 Or 1960 / Wm. Morris Agency 1960. 1st Edition . Soft cover. Near Fine. Studio Copy Of The Original Script For The Three Act Version By Gore Vidal With No Other Authors Credited. Black Wraparound Card Covers Lettered In Silver "Hart Stenographic Bureau / 156 West 44Th Street New York 36 Judson 2-1253" Title At Center.Title Page With Wm. Morris Agency Sticker And Roger L Stevens Name And Address At Bottom No Copyright Notice Or Date But Probably Circa 1959/1960. Cast Of Characters Page Act One Scene Page 36 Pp26 Pp 23 Pp Each Act Numbered Separately By Act Scene And Page. Inked Number "44" At Top Of Title Page Which Apparently Is The Tracking Number For A Limited Distribution. Our Researches Indicate Only One Institutional Holding In Arizona. <br/> <br/> Roger L. Stevens Circa 1959 Or 1960 / Wm. Morris Agency paperback
1330174372.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1986035687Los Angeles: Various 1986. 1st Edition . No Binding. Near Fine. Binder 1" Thick Actress Marie Windsor's Own Personal File With Her Annotated Script Original Related Letters Press Releases Publicity Flyers Etc. The Play A Series Of Episodes Had A Successful Run With Windsor's Role Usually Singled Out In Reviews For Special Praise: Self-Awareness Usually Not Seen In Public Performances Before. Windsor 1919-2000 Is Best Known For Her Western And Film Noir Roles Particularly In The Late 1940'S-1950'S And Frequently Appeared On Television Thereafter.Windsor Has A Star At 1549 N. Vine Street In The Motion Pictures Section Of The Hollywood Walk Of Fame. It Was Dedicated January 19 1983. She Was Among The 500 Stars Nominated For Selection As One Of The 50 Greatest American Screen Legends As Part Of The American Film Institute's 100 Years. In 1987 Windsor Received The Los Angeles Drama Critics Circle Award For Best Actress For Her Work In The Bar Off Melrose. She Also Received The Ralph Morgan Award From The Screen Actors Guild For Her Service On The Organization's Board Of Directors. <br/> <br/> Various unknown
19804456St.Louis MO : Sunrise 1980. First edition. Hardcover. Fine/very good. 8vo 270 pages brown cloth; dj edgeworn <br/><br/>Presentation Copy to the Coney's in Watseka Illinois in 1990 "With love -". Laid in is a photocopy of a 1991 newspaper clipping about Dakin with his inked presentation to Mary Alice Coney. The Foreword is by Tennessee Williams and reproduces his holographic facsimile of it. Dakin Williams "tells of the fascinating lives of the memebers of the Williams family including Tennessee his sister Rose and their mother and father as he describes memories and events never before spoken of even by Tennessee." Edited by crime journalist Lucy Freeman. [ Sunrise ] hardcover
1915022545Akron / New York: Saalfield Publishing 1915. First American Edition . Green Cloth / Gilt. Very Good /No DJ. Drawings. 174 Pp. First American Edition Using English Sheets. Undated But 1915 Per Worldcat. Light Wear No Fraying Cover Gilt Brilliant Top Edge Dusty With A Little Foxing. Litho Or Woodblock Bookplate Of Horace Okey Son Of Hollywood Art Director Jack Okey With Southeast Asian Dance Theme. <br/> <br/> Saalfield Publishing hardcover
1928059693New York: Theatre Arts / Helen Hackett / J. J. Little 1928. 1st Edition . Hardcover. Good/No DJ. 147 Pp. Beige Cloth Over Boards. One Of A Limited Edition Total Printing Not Stated. Wear At Corners Cloth Frayed At Ends Of Spine Paper Spine Label Chipped With Loss Of Word "Art" Paper Covered Boards Frayed At Tips. Cryptic Word "Arnold / 1928" On Front Endpaper With Some Symbols. Bookplate Of A Dancer By Franz Geritz For Patricia Lee Morrison Whose Mother Lillian Edited "Doll Dreams". With . Printer's Proof Of The "Limited Edition" From J J Little With Heavy Paper Wrappers Enclosing The Unbound Signatures Stitched Together. Cover Transmittal Sheet 'For Approval Please Return Promptly Publisher: Theatre Arts Pencil Date: 11/8/28 Pencil Title: The Art Of The Dance Pencil This Volume Is Submitted So You May See Whether It Is Correctly Arranged And Complete For Binding . J. J. Little ." Facsimile Signatures Of Isadora Duncan On Front And Rear Endpapers. Covers Worn But Complete Contents Clean. <br/> <br/> Theatre Arts / Helen Hackett / J. J. Little hardcover
19281379New York: Samuel French 1928. First Edition Thus. <br /><br />16mo 6 1/4 x 3 1/2 inches; 160 x 90 mm 14 2 pages in original stapled blue wrappers printed in green and black. <br /><br />Shaw's letter to an Irish friend who sought advice on stage techniques for the theatre. The letter had been published in Collier's Weekly in 1922 with the title Make Them Do Well. The publisher of this volume Samuel French reprinted the letter in 1928 but with a different title: The Art of Rehearsal. Laid in is an old bookmark of New York antiquarian booksellers James F. Drake. <br /><br />First edition points present. Subsequent editions contained advertisements for later works by Shaw including The Apple Cart in the 2nd edition and Too True to Be Good in the 3rd edition Dan H. Laurence Bernard Shaw A Bibliography Clarendon Press Oxford 1983. A188. The first printing of this pamphlet is scarce to the market.<br /><br />CONDITION: Fore edge of front wrapper with deckled edge other edges trimmed. Some light handling wear. A Near Fine copy. Samuel French
1934058209Arlinjgton Heights IL: Arlington Seating Company 1934. First Edition . Illustrated Wrappers. Near Fine. Color & B/W Illustrations Throughout. 16 pp. Catalogue of theatrical seating including deluxe versions used in 1930's movie houses. <br/> <br/> Arlington Seating Company unknown
1917047570New York / London: John Lane Company 1917. 1st Edition 1st Printing. Hardcover. Very Good. 104 Pp. Red Cloth. Gilt First Printing With 1917 Date On Title Page. Lightly Used Cover Gilt Brilliant But Fading To Spine Cloth And Gilt Although Lettring Clear. No Marks. A Hundred Years After This Was Written It Is A Curiosity Of Social Landscape. This Hardcobver First Issue Is Scarce. <br/> <br/> John Lane Company hardcover
1930806London: Constable and Company 1930. First Edition First Printing. A comedy about royalists and democrats and featuring a lengthy preface by Shaw explaining the background to the play. He then veers off into a discussion of the current political scene in Britain. 12mo. xxix 78 pages. A Very Good copy with numerous pages unopened in a Very Good dust jacket that has a darkened spine a light pencil note to the front flap one small tape repair to the verso and one minuscule tear to top edge of front panel. <br/><br/> Constable and Company unknown
19780009384New York: Clarkson Potter 1978 . First American Trade edition. Hardcover. Fine/fine. 4200 prints of sets costume. 4tos 752 800 912 pages maroon cloth in fine publisher's box. N.B. Requires additional shipping fees. <br/><br/>The text of the plays is reproduced from the 1904 Globe edition. Authoritatively done by a notable Elizabethan scholar. "The 4200 illustrations make this also an incomparable visual edition of Shakespeare. They show actual scenes of the plays in photographs as well as in paintings by Delacroix Gainsborough Blake and others and pictures of historic figures and famous Shakespearean performers. Additonally these include set and costume designs prints facsimiles of title pages of first editions and other reproductions. Orignally published at $55. Clarkson Potter hardcover
1978DEMO014609INew York: Clarkson Potter 1978. First American Trade edition. Hardcover. Fine/fine. 4200 prints of sets costume. 4tos 752 800 912 pages maroon cloth in fine publisher's box. N.B. Requires additional shipping fees. <br/><br/>The text of the plays is reproduced from the 1904 Globe edition. Authoritatively done by a notable Elizabethan scholar. "The 4200 illustrations make this also an incomparable visual edition of Shakespeare. They show actual scenes of the plays in photographs as well as in paintings by Delacroix Gainsborough Blake and others and pictures of historic figures and famous Shakespearean performers. Additonally these include set and costume designs prints facsimiles of title pages of first editions and other reproductions. Orignally published at $55. Clarkson Potter hardcover
1355772478.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1956100912Norwich: Roberts Printers 1956. Book. Good. Original Wraps. First Edition. 8vo - over 7¾" - 9¾" tall. 45 p. Designed by Tom Lee Ltd. Minor soiling to covers. Catalogue of the Sixth Biennial Exhibition on the Theatre sponsored by Norfolk County Drama Committee. Roberts Printers Paperback
1881032552Boston: Roberts Brothers 1881. First American Edition 1st Printing. Hardcover. Very Good/No Jacket. 63 Pp 2 Pp Ads At Rear. Red Cloth Printed In Black Green And White Endpapers. First American Printing 1981 Date On Title Page. Light Wear Lettering Strong Three Tiny Frays At Ends Of Spine Covers With Tiny Flecks To Color. Ownership Signature Of Andy Francisco 1866-1947; From Estate Of Artist J Bond Francisco's Nephew Jack Okey So Probably A Relative. Per Wikipedia Benoît-Constant Coquelin 1841 - 1909 Known As Coquelin Aîné "Coquelin The Elder" Was A French Actor "One Of The Greatest Theatrical Figures Of The Age." Coquelin Was Born In Boulogne-Sur-Mer Pas-De-Calais. He Was Originally Intended To Follow His Father's Trade Of Baker He Was Once Called "Un Boulanger Manqué" - "A Failed Baker" - By A Hostile Critic But His Love Of Acting Led Him To The Conservatoire Where He Entered Régnier's Class In 1859. He Won The First Prize For Comedy Within A Year And Made His Début On 7 December 1860 At The Comédie-Française As The Comic Valet Gros-René In Molière's Le Dépit Amoureux But His First Great Success Was As Figaro In The Barber Of Seville In The Following Year. It Was An Honour For Coquelin To Be A Part Of The Comédie-Française At Such A Young Age. This Company Had Already Been In Existence For Around 150 Years. He Was Made Sociétaire In 1864. There Were 21 34 Shares And They Were Divided Among The Lead Actors Known As Sociétaires. The Sociétaires Co-Manage Choose Plays And Share Profits. When There Was An Opening Caused By Retirement Resignation Or Death It Was Filled By A Member Of The Pensionnaires. And Just Four Years After Joining The Comédie-Française Coquelin Became One Of The Elite Sociétaires. During The Next Twenty-Two Years He Created The Leading Roles In Forty-Four New Plays At The Comédie Française Including Théodore De Banville's Gringoire 1867 Paul Ferrier's Tabarin 1871 Émile Augier's Paul Forestier 1871 L'étrangère 1876 By The Younger Dumas Charles Lomon's Jean Dacier 1877 Édouard Pailleron's Le Monde Où L'on S'ennuie 1881 Erckmann's And Chatrian's Les Rantzau 1884. In Consequence Of A Dispute With The Authorities Over The Question Of His Right To Make Provincial Tours In France He Resigned In 1886. Three Years Later However The Breach Was Healed; And After A Successful Series Of Tours In Europe And The United States He Rejoined The Comédie-Française As Pensionnaire In 1890. During His Time Away From The Comédie He Wrote His Book Art And The Actor. It Was During This Period That He Took The Part Of Labussière In The Production Of Victorien Sardou's Thermidor Which Was Banned By The Government After Three Performances. In 1892 He Broke Definitively With The Comédie-Française And Toured For Some Time Through The Capitals Of Europe With A Company Of His Own; In New York For Instance He Performed At Abbey's Theatre In 1894 Playing The Lead In Tartuffe His Son Jean Played Orgon And Mascarille In Les Précieuses Ridicules.3 In 1895 He Joined The Renaissance Theatre In Paris And Played There Until He Became Director Of The Théâtre De La Porte Saint-Martin In 1897. Here He Won Successes In Edmond Rostand's Cyrano De Bergerac 1897 Which He Repeated In The Summer Of 1898 At The Lyceum Theatre London Émile Bergerat's Plus Que Reine 1899 Catulle Mendès's Scarron 1905 And Alfred Capus And Lucien Descaves' L'attentat 1906. In 1900 Coquelin Toured In America With Sarah Bernhardt Appeared At Broadway's Garden Theatre In A Production Of Cyrano De Bergerac Bernhardt Played Roxane. He Made His Only Film The Duel Scene From Cyrano De Bergerac With Sound Recording On Phonograph Cylinder. The Film Is Thought To Be The First Ever Made With Both Color And Sound. On Their Return To France He Continued With His Old Colleague To Appear In L'aiglon At The Théâtre Sarah Bernhardt. He Was Rehearsing For The Creation Of The Title Role In Rostand's Chantecler Which He Was To Produce When He Died Suddenly In Paris In 1909. <br/> <br/> Roberts Brothers hardcover
1881032553Boston: Roberts Brothers 1881. First American Edition 1st Printing. Hardcover. Good/No Jacket. 63 Pp 2 Pp Ads At Rear. Light Brown Cloth Printed In Black Green And White Endpapers. Wear Lettering Strong Fraying On Top Of Spine And At Tips. Signature Of Hollywood Art Director Jack Okey It's A Wonderful Life Etc. Small Private Price Label On Rear Pastedown. Per Wikipedia Benoît-Constant Coquelin 1841 - 1909 Known As Coquelin Aîné "Coquelin The Elder" Was A French Actor "One Of The Greatest Theatrical Figures Of The Age." Coquelin Was Born In Boulogne-Sur-Mer Pas-De-Calais. He Was Originally Intended To Follow His Father's Trade Of Baker He Was Once Called "Un Boulanger Manqué" - "A Failed Baker" - By A Hostile Critic But His Love Of Acting Led Him To The Conservatoire Where He Entered Régnier's Class In 1859. He Won The First Prize For Comedy Within A Year And Made His Début On 7 December 1860 At The Comédie-Française As The Comic Valet Gros-René In Molière's Le Dépit Amoureux But His First Great Success Was As Figaro In The Barber Of Seville In The Following Year. It Was An Honour For Coquelin To Be A Part Of The Comédie-Française At Such A Young Age. This Company Had Already Been In Existence For Around 150 Years. He Was Made Sociétaire In 1864. There Were 21 34 Shares And They Were Divided Among The Lead Actors Known As Sociétaires. The Sociétaires Co-Manage Choose Plays And Share Profits. When There Was An Opening Caused By Retirement Resignation Or Death It Was Filled By A Member Of The Pensionnaires. And Just Four Years After Joining The Comédie-Française Coquelin Became One Of The Elite Sociétaires. During The Next Twenty-Two Years He Created The Leading Roles In Forty-Four New Plays At The Comédie Française Including Théodore De Banville's Gringoire 1867 Paul Ferrier's Tabarin 1871 Émile Augier's Paul Forestier 1871 L'étrangère 1876 By The Younger Dumas Charles Lomon's Jean Dacier 1877 Édouard Pailleron's Le Monde Où L'on S'ennuie 1881 Erckmann's And Chatrian's Les Rantzau 1884. In Consequence Of A Dispute With The Authorities Over The Question Of His Right To Make Provincial Tours In France He Resigned In 1886. Three Years Later However The Breach Was Healed; And After A Successful Series Of Tours In Europe And The United States He Rejoined The Comédie-Française As Pensionnaire In 1890. During His Time Away From The Comédie He Wrote His Book Art And The Actor. It Was During This Period That He Took The Part Of Labussière In The Production Of Victorien Sardou's Thermidor Which Was Banned By The Government After Three Performances. In 1892 He Broke Definitively With The Comédie-Française And Toured For Some Time Through The Capitals Of Europe With A Company Of His Own; In New York For Instance He Performed At Abbey's Theatre In 1894 Playing The Lead In Tartuffe His Son Jean Played Orgon And Mascarille In Les Précieuses Ridicules.3 In 1895 He Joined The Renaissance Theatre In Paris And Played There Until He Became Director Of The Théâtre De La Porte Saint-Martin In 1897. Here He Won Successes In Edmond Rostand's Cyrano De Bergerac 1897 Which He Repeated In The Summer Of 1898 At The Lyceum Theatre London Émile Bergerat's Plus Que Reine 1899 Catulle Mendès's Scarron 1905 And Alfred Capus And Lucien Descaves' L'attentat 1906. In 1900 Coquelin Toured In America With Sarah Bernhardt Appeared At Broadway's Garden Theatre In A Production Of Cyrano De Bergerac Bernhardt Played Roxane. He Made His Only Film The Duel Scene From Cyrano De Bergerac With Sound Recording On Phonograph Cylinder. The Film Is Thought To Be The First Ever Made With Both Color And Sound. On Their Return To France He Continued With His Old Colleague To Appear In L'aiglon At The Théâtre Sarah Bernhardt. He Was Rehearsing For The Creation Of The Title Role In Rostand's Chantecler Which He Was To Produce When He Died Suddenly In Paris In 1909. <br/> <br/> Roberts Brothers hardcover