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200618052111San Francisco / New York: The Arion Press / Grove Press 2006. Limited Edition. Hardcover. Fine. Wiley William T. Artist book: Number 68 of 300 elephant folio size 67 pp. signed by William T. Wiley with prospectus and invitation to the publication party. Trade book: octavo size 365 pp. Samuel Beckett 1906-1989 is considered one of the last modernist writers and a key figure in what is known as the "Theatre of the Absurd." Winner of the Nobel Prize for Literature 1969 most of us are aware of Beckett and "Godot"; however as the prospectus states "his works still cry out for explanations - explanations that Beckett himself adamantly refused to give". For anyone who has been grappling with this explanation this wonderful artist's book will shed new light: it is not the play it is ABOUT the play. Andrew Hoyem designed the artist's book to illuminate the play itself which is why it was published with the trade bi-lingual edition which we also offer here.<br/><br/>This artist's book was published in honor of the hundredth anniversary of the birth of Beckett the Irish avant-garde novelist playwright poet and translator. American artist William T. Wiley uses wordplay and visual puns to carry the reader deeper still into irreverence with fifty colour plates each with five lines of text beneath which offer a synopsis of the play or with stage directions. The artist book should be read with the play itself; it is a book written out of love and admiration by a loyal aficionado of Beckett's plays.<br/><br/>___DESCRIPTION: Artist book bound with blue cloth backstrip yellow paper spine label with black lettering yellow paper sides imprinted with images by Wiley fifty prints made from photopolymer plates three for each: the black line and the blue and yellow tints two prints in black only frontispiece and tailpiece; Century Expanded type partially handset Hahnemühle linen paper elephant folio size 15.5" by 10 3/8" 1-4 5-65 66 1 colophon pp. limited edition this number 68 of 300 copies signed by William T. Wiley. The slipcase is designed to match the book with the same blue cloth on the edges the same spine label the two sides covered in the same yellow paper; however the lettering is a wordplay on the palindrome "To Dog Godot" which is surrounded by a field of potatoes. Loosely laid in are the prospectus for the book a single sheet folded once for printing folded in half for mailing information about the book on the front and back pages sample pages with illustrations on the two inner pages measuring just under 15" by just under 10"; and a small card invitation to the publication party to be held on December 18 2006. Accompanying the artist book is a trade publication by the Grove Press of "Waiting for Godot" presented in both French and English bound in glossy paper over boards black along the shelfback and grey on both boards black white and blue lettering a notice tipped onto the front pastedown that this copy accompanies the Arion Press artist book black endpapers octavo size 9.25" by 6.25" pagination: i-iv v-viii 1-3 4-357.<br/><br/>___CONDITION: Artist book fine overall internally bright and free of prior owner markings text block is tight and square with solid hinges covers are clean corners are straight and unrubbed; a minute abrasion to the paper of the back board where it meets the cloth overall a fine copy. Slipcase also fine overall strong and sturdy the cloth neither sunned nor rubbed the paper label and sides clean and unrubbed; a single shallow mark to one side else fine. Prospectus fine with only original fold publication party invitation fine. The trade edition of the play near fine clean the binding strong with solid hinges free of prior owner markings; a short very shallow mark to the front else fine. The ensemble presents a lovely homage to Beckett and the "most significant English language play of the 20th century" from Wiki per a poll conducted in Britain in 1990.<br/><br/>___CITATION: Arion Press Catalogue no. 77<br/><br/>___POSTAGE: Please note that due to size additional postage may apply; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Arion Press / Grove Press hardcover books
2007SBS-9780754626367ASHGATE 2007. Hardcover. New. ASHGATE hardcover
2007SBS-9780754626367ASHGATE 2007. Hardcover. New. ASHGATE hardcover
1929518487Paris: Transition 1929. Softcover. Very Good. Number 16-17 double issue. Cover by Powel. Octavo. 328pp. Illustrated with plates reproducing artwork by Picasso Braque B. Abbott Joseph Stella and others. Interior tanned less so than usual lower wrap with a creased corner and top corners just a bit bumped spine with some spotting a tears at the spine ends and some loss at the foot affecting the printed date a very good copy of a relatively delicate magazine produced with cheap materials. Prints "Assumption" Samuel Beckett's first published short story as well as "Dante. Bruno. Vico. Joyce" Federman and Fletcher 2 and 1.01 respectively; they describe "Assumption" as "pregnant with future Beckettian themes". Also prints work by Gertrude Stein Harry Crosby Erskine Caldwell Brancusi G. Braque and Hart Crane "Proclamation" signed in type by Crane Kay Boyle Caresse & Harry Crosby and a number of other authors. Transition unknown
200665447One of 300 Numbered Copies Signed by the Artist ARION PRESS. WILEY William T.artist. Godot. An Imaginary Staging by William T. Wiley of Waiting for Godot by Samuel Beckett San Francisco: The Arion Press 2006. Limited to 300 numbered copies this being number 168. Signed by the artist on the colophon. Folio 15 x 10 inches; 381 x 255 mm. 68 pp. With fifty color illustrations by Wiley in black blue and yellow and two black and while illustrations including a frontispiece portrait and a tailpiece. Publisher's quarter blue cloth over printed pictorial yellow paper boards. Yellow paper spine label lettered in black. Housed in a cloth and paper pictorial slipcase. Mint. With prospectus laid in. "This book is published in 2006 in honor of the hundredth anniversary of the birth of Samuel Beckett. It is not the play Waiting for Godot. It is a book about the play: a critic's appreciation a synopsis of the drama and artist's comments and fifty color prints inspired by the play. There are two other prints in black only: a frontispiece portrait of the playwright and an explosive tailpiece." From the Prospectus. HBS 65447. $850 The Arion Press hardcover books
1979499524London: John Calder 1979. Softcover. Fine. First English edition wrappered issue. Small octavo. 44pp. Glossy printed wrappers. Spine and edge of front cover uniformly sunned else near fine. Inscribed by Beckett: "for Dan Pope from Samuel Beckett John Calder unknown
200665447San Francisco: The Arion Press 2006. ARION PRESS; WILEY William T. One of 300 Numbered Copies Signed by the Artist<br> <br> ARION PRESS. WILEY William T.artist. Godot. An Imaginary Staging by William T. Wiley of Waiting for Godot by Samuel Beckett San Francisco: The Arion Press 2006.<br> <br> Limited to 300 numbered copies this being number 168. Signed by the artist on the colophon. Folio 15 x 10 inches; 381 x 255 mm. 68 pp. With fifty color illustrations by Wiley in black blue and yellow and two black and while illustrations including a frontispiece portrait and a tailpiece.<br> <br> Publisher's quarter blue cloth over printed pictorial yellow paper boards. Yellow paper spine label lettered in black. Housed in a cloth and paper pictorial slipcase. Mint. With prospectus laid in.<br> <br> "This book is published in 2006 in honor of the hundredth anniversary of the birth of Samuel Beckett. It is not the play Waiting for Godot. It is a book about the play: a critic's appreciation a synopsis of the drama and artist's comments and fifty color prints inspired by the play. There are two other prints in black only: a frontispiece portrait of the playwright and an explosive tailpiece." From the Prospectus.<br> <br> HBS 65447.<br> <br> $850. The Arion Press unknown
195685153NY: Grove Press 1956. First US edition. 120 pp. Fine full cloth with black lettering to spine and front panel. Near fine clear acetate dust with shallow chipping to base and crown of spine and tips of flap folds. Printed price of $3.75 on the front flap. One of 500 numbered copies. Federman & Fletcher 375.01. NY: Grove Press hardcover
19563116966New York: Grove Press. Fine with no dust jacket. 1956. First Edition; First Printing. Hardcover. First American hardcover edition. Limited to 500 copies this being #416. Fine in creme-colored cloth with black titles on front cover and spine. 120pp. Previous owner's stamped name on front end-paper. Clear acetate protective jacket supplied. ; 8vo 8" - 9" tall; 120 pages . Grove Press hardcover
196425967London:: Faber and Faber 1964. First edition. publisher's cloth in dust jacket. A fine copy in a bright jacket with some rubbing to the joints. 8vo. Signed and inscribed by Samuel Beckett to Tara MacGowran dauguter of Beckett actor Jack MacGowran on the title page. Faber and Faber, hardcover
1965016450John Calder London 1965. Limited Edition. Hardcover. Very Good Condition/No Dust Jacket. Size: 8 1/4" x 5 1/2". Text body is clean and free from previous owner annotation underlining and highlighting. Leather spine with gilt-stamped khaki-colored cloth over boards all text block edges gilt 126 pages. This book is number 72 of a limited edition of 100 numbered copies that have been signed by Samuel Beckett. Originally cream-colored leather of spine has darkened to brown and has some crackling in leather. In original buckram slipcase that has minor staining thinner edges buckled. Quantity Available: 1. Shipped Weight: 1 lb 14 oz. Category: First Edition Thus; Pictures of this item not already displayed here available upon request. Inventory No: 016450. . John Calder hardcover
1972D19858London: John Calder 1972. First Edition. Hardcover. Near Fine. One of 100 copies of the limited edition SIGNED by Samuel Beckett. This copy unnumbered. Spine a bit rubbed otherwise very nice in slipcase. <br/><br/> John Calder hardcover
1976514161Reading: Whiteknights Press 1976. Hardcover. Fine. First edition. Translation of Arthur Rimbaud's poem La Bateau Ivre by Samuel Beckett. Edited and with an introduction by James Knowlson and Felix Leakey. Illustrated reproducing Beckett's typescript in facsimile. Folio. 33pp. Dark brown cloth. Fine issued without printed dust jacket. Nicely printed on Basingwerk Parchment paper with text printed in blue and black. One of 200 numbered copies of a total edition of 300. Whiteknights Press hardcover
195844020Paris: Les Editions de Minuit 1958. Very Good/Very Good. Paris: Les Éditions de Minuit 1958. First Illustrated Edition and Second Edition Overall limited to 2000 copies of which this is no. 539. Small octavo 18.5cm; publisher's white pictorial wrappers in original glassine dust jacket; 220pp.; frontispiece and five leaves of line drawings. Light wear to wrapper and jacket margins spine panels toned and textblock a bit toned else a Very Good unopened example. Signed by Beckett on title page.<br /> <br /> Compilation of thirteen short stories and prose pieces including many of Beckett's earliest forays into writing in French. Beckett began these works as early as 1946 writing to the poet George Reavey "I hope to have a book of short stories ready by the spring in French. I do not think I shall write very much in English in the future" No Symbols p. 81. Nine years passed before the book in question was first published in 1955. <br /> <br /> References: <br /> <br /> No Symbols Where None Intended: A Catalogue of Books Manuscripts and Other Material Relating to Samuel Beckett in the Collections of the Humanities Research Center pp. 81-8<br /> <br /> Federman & Fletcher 263.1. Les Editions de Minuit unknown
7356<p>This is a handsome fine leather-bound set of "THE COMIC ALMANACK" - An Ephemeris in Jest and Earnest Containing Merry Tales Humorous Poetry Quips and Oddities by Thackeray Albert Smith Gilbert A Beckett and the Brothers Mayhew. Circa 1870's there is no date of publication stated; John Camden Hotten; London. Complete set in four volumes as follows: Volume I Part I 1835-1839; Volume I Part II 1840-1843; Volume II Part I 1844-1847; Volume II Part II 1848-1853. This set is beautifully bound by Root & Son in three quarter leather with marbled covers and end papers five raised bands on the spines gilt top page edges ribbon page markers and gilt lettering and decorations on the spines. The volumes are wonderfully illustrated throughout by GEORGE CRUIKSHANK including many illustrations that are fold-out.<br /><br />Condition:<br />The set is in overall Very Good condition. All volumes are tightly bound with no cracks and no loose pages. The vast majority of the pages are clean with only some occasional light foxing. The primary condition issue with this set is that two of the volumes are missing the title label on the spine see photos. Clean covers. Sharp cover corners. Vol I Part II - page 210 and the following illustrated plate each have a tiny tear at the outer edge. Overall a very attractive set.</p> John Camden Hotten hardcover
201154784RM BUCH UND MEDIEN 2011. 1. hardcover. Sirmkovrilo! Der Nr. 1 - Bestseller! RM BUCH UND MEDIEN hardcover
1976CNJL505Hamburg: Raamin-Presse 1976. Limited Edition. Hardcover. Fine. Quadflieg Roswtha. No. 91 of 170 copies quarto size 37 pp. signed by Roswtha Quadflieg. Roswtha Quadfleig b. 1949 founded the Raamin-press in 1973 publishing works of literature printed with original graphics in limited editions; she was both the designer of this volume and the artist for the eleven woodcut illustrations. <br/><br/>This story by Samuel Beckett 1906-1989 "The Expelled" deals with rejection following the narrator as he tries to find a new place for himself while presenting his bitterness and anger towards many things in the world; Beckettt was renowned for his writing which often had a bleak tragicomic outlook on human existence; he was awarded the Nobel Prize for Literature in 1969. <br/><br/>___DESCRIPTION: Brown laid paper boards with a blind-embossed decoration and the author's name on the front blind-embossed lettering on the spine ivory endpapers sepia woodcuts scattered throughout the text 170 numbered and signed copies per the colophon page this no. 91 signed by Roswtha Quadflieg illustrator and book designer text in German; quarto in size approximately 11.5" tall pagination: 1-35 blank 36 colophon 37. <br/><br/>___CONDITION: Fine with a strong square text block solid hinges perfectly straight corners with no rubbing the interior is clean and bright and it is entirely free of prior owner markings - it is clean crisp as new. <br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please contact us for details. <br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Raamin-Presse hardcover books
1978DADAX0394840127Example Product Manufacturer 1978-01-01. First Edition. paperback. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Example Product Manufacturer paperback
25107Alien Office Whitehall. Between 1824 and 1829. All but the last at the London police offices at Bow Street Great Marlborough Street Hatton Garden Queen Square. An interesting collection of eleven items from the reign of George IV giving a view of administration of immigration in London and one item from Manchester Number Six below. The Alien Office was created as a department of the Home Office to implement the Aliens Act 1793 which attempted to control the influx of foreign visitors and refugees caused by the turmoil in France. It ceased to exist following the Registration of Aliens Act 1836. created to control the influx of French refugees and suspected revolutionaries. The present collection of eleven affidavits all signed and witnessed dates from between 1824 and 1829. The material is in good condition lightly aged and worn with one item creased along one edge. Nine of the items are each 1p 4to; the other two Items One and Three are each 1p landscape 8vo. The final item is sworn before two army officers see Eleven. The other ten are signed before the following magistrates at the named police offices: William Beckett Bow Street Three; Sir George Farrant Great Marlborough Street Two; David William Gregorie Queen Square Six Eight and Ten; Edward Markland Queen Square One and Seven; William Lorance Rogers Hatton Garden Nine; William Archibald Armstrong White Queen Square Four and Five. ONE: 24 August 1824. Signed by ‘Charles Anthony Krederer of No. 11 great Cambridge Street Hackney Road. Certifying that ‘he arrived in England from Malta in the year Eighteen Hundred and Eleven and that he hath never since left it’. TWO: 18 October 1824. Signed by ‘Joseph Pozzinakosky of No. 27 South Street Manchester Square’. Certifying that ‘he hath continually resided in this Country for the space of Fifteen years and upwards now last past’. THREE: 23 October 1824. Signed by ‘Francis Jaunay of No. 25 Leicester Square Hotel Keeper’. Certifying that ‘he has resided in this Country since the year 1801 and has been 10 years in the above mentioned Hotel’. Note at foot in Jaunay’s hand with second signature: ‘I have continually reside sic in England the previos sic of the year 1801 to 1815’. FOUR: 25 October 1824. Signed by ‘Bernard Mége of 19 Grafton Street Fitzroy Square’. Certifying ‘that he first came to reside in England in the year 1809 and that he from that time continued to reside in England for upwards of seven years and that since the end of the first seven years he has quitted England only occasionally for short periods of time’. FIVE: 4 November 1824. Signed by ‘Alexandre Vincent Benard of Saint James’s Palace Westminster in the County of Middlesex Sergeant Porter to His Majesty’. Certifying that Benard ‘hath resided in England upwards of Seven years and that for and during thattime he hath not left it even for a single day’. SIX: 22 November 1824. Signed by ‘Martin Schunck of Charlton Row Manchester in the County of Lancaster Merchant’. Certifying that ‘he hath resided in England upwards of Seven Years without during that leaving it even for a single day’. SEVEN: 26 November 1824. Signed by ‘Nicholas Hector Clément of Durham House Chelsea in the County of Middlesex Schoolmaster’. Certifying that ‘he hath resided in England for space of Ten Years and upwards without during that time leaving it for a single day. EIGHT: 6 June 1825. Signed by ‘Claude Marie de Couffon of the Sablonierre Hotel Leicester Square in the County of Middlesex Teacher of Languages’. Certifying that ‘he hath resided in England upwards of Seven Years without during that time leaving it for a single day’. NINE: 17 June 1825. Signed by ‘Peter Caprani of No. 5 Leopards Court Baldwins Gardens in the Parish of Saint Andrew Holborn in the County of Middlesex Merchant’. Certifying that ‘he was born in Como in Italy in the yer one thousand eight hundred and four’ and that he came to live in Holborn in 1816. TEN: 20 June 1826. Signed by ‘Joseph Tresselle of No. 26. Great Pulteney Street Golden Square’. Certifying that ‘he hath resided in England upwards of Ten Years without during that time leaving it for a single day.’ ELEVEN: 5 October 1829. Signed by Lieut-Gen. C. Callander 41 Bryanston Strreet and James Ogilvie Deputy Commissary General 23 Portland Place. Certifying that ‘Mr. Lazarus Joseph is a Native of Germany and has Resided in London above Fifty Years’. [Alien Office, Whitehall.] Between 1824 and 1829. All but the last at the London police offices at Bow Street, Great Marlborough unknown
19688600<p>Grove Press Inc. New York. 1968. LIMITED EDITION. FIRST FRENCH LANGUAGE EDITION. 8vo. 7.6 x 5.6. Copy number 61 of just 92 copies reserved for La Librairie des Éditions out of 189 copies in the total edition. A fine copy with the page edges still uncut. Publishers white paper wraps printed in blue and black. Original glassine around the wraps. A lovely copy and scarce in such nice condition of the first printing of Beckett's translation. Although written during 1944 Watt wasn't published until 1953 and it was another 15 years before he completed this much anticipated French translation.</p> Grove Press, Inc. New York. 1968 paperback
195532138AB1955. First Edition. New York Grove Press 1955. Octavo. 60 pages. Original Hardcover with original dustjacket in protective collector's mylar. Dustjacket stained. Small coffee-stain on pages 5/6. An excellent extremely rare book being Letter "Y" of only 26 lettered copies. Very good overall-condition with only minor signs of wear. Irene Rice Pereira August 5 1902 January 11 1971 was an American abstract artist poet and philosopher who played a major role in the development of modernism in the United States. She is known for her work in the genres of geometric abstraction abstract expressionism and lyrical abstraction as well as her use of the principles of the Bauhaus school. Her paintings and writings were significantly influenced by the complex intellectual currents of the 20th century. Irene Rice Pereira's first husband was the commercial artist Humberto Pereira a painter whom she married in 1929. They divorced in 1938 and in 1941 she married George Wellington Brown a naval architect who shared her interest in applying new materials to art. When this marriage ended in divorce she married the Irish poet George Reavey in 1950; that marriage too ended in divorce in 1959.Wikipedia ____________________________________________________ George Reavey 1 May 1907 11 August 1976 was a Russian-born Irish surrealist poet publisher translator and art collector. He was also Samuel Beckett's first literary agent. In addition to his own poetry Reavey's translations and critical prose helped introduce 20th century Russian poetry to an English-speaking audience. He was also the first publisher to bring out a collection of English translations of the French surrealist poet Paul Éluard. Perhaps one of the most controversial aspects of Reavey's literary career was his claim made to the New York press and to British editor and publisher Alan Clodd that he had written "The Painted Bird" for Jerzy Kosinski. Reavey's father Daniel Reavey was a flax engineer from Belfast and his mother Sophia Turchenko was Russian. He was born in Vitebsk and the family moved to Nizhni Novgorod in 1909 where the young poet was educated and became a fluent Russian speaker. When Daniel was arrested in 1919 during the Russian Civil War mother and son fled to Belfast. Reavey attended the Royal Belfast Academical Institution until 1921 at which point the family moved to Fulham London. Here he attended the Sloan School. He spent the summer holidays in Belfast where he recorded folk ballads and Gaelic poetry in a series of notebooks. In 1926 he entered Gonville and Caius College Cambridge where he studied history and literature. Then he became associated with the group of Cambridge writers associated with the magazine Experiment including William Empson Jacob Bronowski Charles Madge Kathleen Raine and Julian Trevelyan. He contributed prose and poetry to Experiment along with translations from Boris Pasternak. In 1929 Reavey moved to Paris with his friend Trevelyan. Ostensibly this was so that he could improve his French for the entry examinations for the Indian Civil Service but in fact he was in search of an entry into the avant garde artistic circles based in that city. He met Thomas MacGreevy who introduced him to Beckett James Joyce Brian Coffey and Denis Devlin and to many of the writers who published in transition. He also became a regular contributor to Samuel Putnam's The New Review. Putnam published Reavey's first book Faust's Metamorphoses in 1932 a series of twenty vers libre monologues based on Christopher Marlowe's Faust with illustrations by S. W. Hayter who worked with Trevelyan at Atelier 17. Around this time Reavey started his literary agency the Bureau Littéraire Européen later the European Literary Bureau and his Europa Press imprint. The first three books from the press were Reavey's own Nostradam 1932 and Signes d'Adieu and Beckett's Echo's Bones and Other Precipitates both 1935. Just after publishing Echo's Bones Reavey moved this agency and press to London. This move can be placed in a context of a general surrealist exodus from the French capital. Between 1934 and 1936 Trevelyan David Gascoyne Herbert Read Roland Penrose and E. L. T. Mesens made similar moves. As a result London became a hub of surrealist-related exhibitions and publishing. Reavey found himself extremely active in this scene collecting paintings contributing to Read's Surrealism 1936 and representing authors via the Bureau. His most notable client was Beckett whose novel Murphy Reavey unsuccessfully attempted to place with a publisher. Apart from occasional trips to Paris London Dublin and Belfast Reavey lived out his life in the United States where he published a number of important translations including Alexander Esenin-Volpin's A Leaf of Spring 1961 Fyodor Abramov's New Life: A Day on a Collective Farm 1963 the bilingual anthology The New Russian Poets 1953 1968 1968 and contributions to Yevgeny Yevtushenko's Stolen Apples 1972. As a poet Reavey fell more or less out of the public eye after moving to the States. However he continued to publish collections including Colours of Memory 1955 and Seven Seas 1971. This latter was issued by Coffey from his Advent Press imprint. A group of seven Reavey poems were printed in the 1971 1930s special issue of The Lace Curtain and he was represented in John Montague's Faber Book of Irish Verse 1974. hardcover
1961D11049Paris: Les Editions de Minuit 1961. First Edition. Paperback. Very Good. Original wraps in glassine dust jacket. Number 13 of 100 copies on Alfa Mouse Navarre paper reserved "au Club de L'Edition." Inscribed by Beckett on the title-p. and dated 1981. Spine lightly creased; faint tape stains half-title page and tissue-guard and recto and verso of p. 177 final page of text preceding colophon. <br/><br/> Les Editions de Minuit paperback books
1980D11054Paris: Les Editions de Minuit 1980. First Edition. Paperback. Fine/Near Fine. Wraps in glassine dust jacket. Number 62 from a limited edition of 99 copies. Inscribed by Beckett on the title-page. Book is fine in NF dust jacket with some very light chipping along the edges. <br/><br/> Les Editions de Minuit paperback books
19701908311Les Editions De Minuit 1970. 1st Edition. Soft cover. Near Fine. First edition. Special paper issued in advance of the trade printing. 8 vo. Original white wrappers all edges uncut. One of 99 numbered copies this being #45 in French. Signed and inscribed by Beckett on the half-title page. Les Editions De Minuit unknown books
1961D11049Paris: Les Editions de Minuit 1961. First Edition. Paperback. Very Good. Original wraps in glassine dust jacket. Number 13 of 100 copies on Alfa Mouse Navarre paper reserved "au Club de L'Edition." Inscribed by Beckett on the title-p. and dated 1981. Spine lightly creased; faint tape stains half-title page and tissue-guard and recto and verso of p. 177 final page of text preceding colophon. <br/><br/> Les Editions de Minuit paperback