5 143 résultats
199221226831992. Dublin: The Black Cat Press. 1992. 8vo. Original blue watered silk lettered black to the spine publisher's device in blind to front board in blind black marbled endpapers in green silk slipcase with blue ribbon pull binder's label to lower edge of front pastedown; pp. vii limitation page tipped in between p. i and iii 3 241 3; spine a little faded light rubbing to one corner of slipcase; an excellent near fine copy; inscribed and dated by the editor at the end of his Foreword.First edition; Copy D of 20 lettered copies bound for the publisher 130 numbered copies were also produced; this copy additionally inscribed by the editor on the publication date to Ted O'Brien of The Black Cat Press who with his wife Ursula designed the dustwrapper for the trade edition.Dream of Fair to Middling Women Beckett's first novel was written in Paris in 1932 while the twenty-six-year-old author was living at the Trianon Hotel on the Rue de Vaugirard in Paris. The manuscript rejected by every publisher it was sent to would become the basis of the stories collected in More Pricks than Kicks 1934 both works sharing the central autobiographical character of Belacqua Shua. The novel remained unpublished and Beckett consistently forbade publication of the novel until near the end of his life he relented in conversation with Eoin O'Brien and agreed that it could be published but not ""until he was gone for some little time"". The book was to be published by John Calder in London but following a dispute O'Brien published the book in Dublin before the UK edition emerged. The novel has recently been reissued by Faber and Faber for which O'Brien's Dublin text and preface has been reproduced Calder's edition contained a number of errors. Beckett described the novel as ""the chest into which I threw my wild thoughts"". It is a work of tremendous energy and Joycean exuberance and key to many of the author's later works. unknown
196725911London:: Calder and Boyars 1967. First edition; No. 28 of 100 copies B Series signed by Samuel Beckett. publisher's vellum-backed cloth in acetate and plain flexible slipcase. . Bumped at the bottom of the spine; else a fine copy. The fragile slipcase is intact with some creasing and light use at edges. . 12mo. Calder and Boyars, hardcover
195621207301956. London: Faber and Faber Limited. 1956. 8vo. Publisher's maize-yellow coloured cloth lettered in red to spine in photographic dustwrapper with a scene from the play to upper panel and a photographic portrait of Beckett to lower one; pp. viii 9-94 complete with tipped-in Publisher's Note following the title-page regarding the deletions required by the Lord Chamberlain; externally near fine with extremely faint foxing to foreedge of book block with upper edge toned internally fresh minus offsetting from pastedown rubbbing to spine ends and forecorners and with small nicking to head and heel of dust jacket; otherwise very good copy. First UK edition Waiting for Godot was first published in French as ""En attendant Godot"" by Les Editions De Minuit in Paris in 1952 three months before the play's debut performance. It was published in English translated by the author in the U.S. in 1954 by Grove Press New York. The first production in English directed by Peter Hall was staged at the Arts Theatre Club in London in August 1966. hardcover
1980mon0000011340distributed by Random House 1980. Paperback 62 Pages VERY GOOD. distributed by Random House paperback
DADAX0571138217Faber and Faber 0000-00-00. hardcover. New. 1.00x1.00x1.00. Buy with confidence. Excellent Customer Service & Return policy. Faber and Faber hardcover
19671045471967 Paris, Les Editions de Minuit,1967, 180x95mm, 68p., broché.Edition originale, envoi autographe signé au journaliste Pierre Lepape qui tint des rubriques littéraires à Paris-Normandie, au Monde et Télérama, entre autres.Vignes 518. (104547)
1972WRCLIT76927London: Calder & Boyars 1972. Half cream calf and gilt lettered cloth a.e.g. Some tanning to calf bookseller's prolix pencil annotations to front free endsheet erased otherwise about fine in slipcase a few small spots to one panel. First edition limited issue of this translation by the author of LE DEPEUPLEUR. Copy #43 of one hundred numbered copies specially bound and signed by the author denoted as "printed in advance of the first edition." Calder & Boyars hardcover books
196775618n. l.: s. n. 1967. Fine. s. n. n. l. 17 février 1967 21.50 x 27 cm une page sur un feuillet Handwritten letter signed by Samuel Beckett addressed to Alain Bosquet. Some lines written in black ink on watermarked paper. I do not have the slightest novelty to offer you . I very much regret. s. n. unknown
201444599Paris Oui Editions 2014 In-4, en feuilles, couverture imprime (embotage de l'diteur).5 compositions originales d'Irne Boisaubert reproduites en couleurs pleine page par impression pigmentaire, illustrent des extraits du recueil Pomes, suivi de mirlitonnades. Tirage unique limit 24 exemplaires numrots sur papier Hahnemhle, signs par l'artiste.
1966422641966 Paris. Editions de Minuit. 1966. 1 volume in-12, demi-maroquin bleu nuit à petits coins, dos lisse orné d’un décor géométrique de filets dorés serti de 4 strass bleu, tête dorée, couvertures et dos conservés, étui. Reliure signée P. - L. Martin.
118648London Faber and Faber 1958. . First English edition; 8vo; ownership signature to front free endpaper else unmarked internally; publisher's terracotta cloth light blue lettering to spine with the unclipped photo-pictorial dust-jacket a little rubbing to spine tips; near-fine.<br /> Wide-margined issue. A few copies are thought to have been printed with wider margins in order to incorporate actors' annotations blocking and explains the white strip at the front fold of the dust-jacket where it doesn't quite fit.<br /> London, Faber and Faber, 1958. hardcover
1958BECKETTS029480Les Editions de Minuit Paris. 1958. First illustrated edition: six plates from drawings by Avigdor Arikha. Wrappers. Octavo. 220 pages. Number 987 of 2000 copies.Presentation copy from the artist inscribed on the first blank: ''� Jean-Marie - toute mon amiti�. Avigdor Paris Juillet 1958''. The recipient is fellow artist Jean-Marie Queneau son of the writer Raymond Queneau.Very near fine. Les Editions de Minuit, Paris. unknown
27732London: Faber and Faber. 1964. Three volumes. 1. First edition first printing of 'Play' inscribed by George Devine director of the first English production to John Osborne. 2. First edition first printing of 'Breath and Other Shorts' the paperback variant simultaneous with the cloth edition John Osborne's copy. 3. First paperback edition of 'Waiting for Godot' Helen Dawson John Osborne's fifth wife's copy. 1. Original red cloth lettered in gilt to the spine in the dustwrapper showing Jack Nisberg's photograph of the first production in German at the Ulmer Theater Ulm-Donau. A very good copy the binding square and firm the contents clean throughout. The rear endpaper has been removed. In the dustwrapper variously rubbed nicked and torn to edges and folds. Not price-clipped 9s 6d to the front flap. 2. Review copy with typed Faber insert a very near fine copy the integral dustwrapper a little dusty but remaining bright and sharp the contents clean and bright throughout. 3. A very good copy the binding firm the contents with Helen Dawson's ownership inscription and date "Aug. 1959" to the half title. Moderate wear to wrappers with a couple of tape repairs to the upper edge of the front panel. An association copy uniting Devine with the two playwrights he was professionally and personally closest to along with two Beckett volumes from the Osborne household. 'Play and Two Short Pieces for Radio' is inscribed in blue ink to the front free endpaper by George Devine who directed the first London production 'Play' to the playwright John Osborne "To J. O. / with love / G. D. / Aug '64." Devine 1910-66 as an actor director theatrical manager and teacher was at the heart of all that was most innovative in post-war British theatre. In 1954 with Ronald Duncan Greville Poke and Oscar Lewenstein he founded the English Stage Company with a mission to present cutting edge theatre by young and experimental dramatists. In 1956 The ESC bought the Royal Court Theatre in Sloane Square as a base with Devine serving as Artistic Director. The new theatre opened in April 1956 with a play by Angus Wilson. The second and third productions were Arthur Miller's 'The Crucible' directed by Devine who also played the character of Governor Danforth and John Osborne's 'Look Back in Anger' directed by Tony Richardson. A new era of British Theatre had begun. Two years later in October 1958 the theatre staged the first UK production of Samuel Beckett's 'Endgame' paired with 'Krapp's Last Tape'. Devine who became involved with the dispute with the Lord Chamberlain's office over alleged blasphemous content in the play again directed and acted as Hamm with the great Jack MacGowran was Clov. Recalling his first meeting with Beckett at the author's Paris flat during preparations for the production Devine wrote "We talked drank whiskey and decided nothing. In that half hour I felt I was in touch with all the great streams of European thought and literature from Dante onwards. This man seemed to have lived and suffered so that I could see and he was generous enough to pass it on to me." It was the beginning of both a long working relationship and personal friendship. In his autobiography 'Almost a Gentleman' John Osborne writes that "Beckett's temperament inspired Devine with almost apostolic awe." Beckett and Osborne were of course poles apart as writers but were united by their mutual love and respect for Devine. The trio are materially and touchingly united by this copy Beckett's 'Play' inscribed by Devine "with love" to Osborne. The volume also includes two short pieces for radio 'Words and Music' and 'Cascando'. Devine directed the 1964 first UK production of 'Play' at the Old Vic for the National Theatre in April 1964. A chamber work for three figures seated in urns: "characters is not the right word" Gontarski and Ackerley observe "they are voices instruments or spirits part of the urns that appear to be swallowing them only their heads remaining." The following year Devine died of a heart attack while appearing in Osborne's play 'A Patriot for Me'. The author's diary for 9 August 1965 reads "Royal Court: Patriot. Sloane Square stifling. Theatre sweltering after matinee. George collapses with heart attack in full gear. Oh God. Taken to St George's Hospital." A stroke followed and he died on 20 January 1966 aged 55. In a letter to Jacoba van Velde Beckett wrote "Giacometti dead. George Devine dead take me off to the Pere Lachaise jumping all the red lights." Accompanying the copy of 'Play' is John Osborne's copy of Beckett's 'Breath and Other Shorts' a review copy and a well-read copy of the first paperback edition of 'Waiting for Godot' with the ownership inscription of the journalist and Osborne's fifth wife Helen Lewis. Provenance: The Estate of John Osborne. From the author's library at The Hurst the house he shared with Helen for the final seven years of his life; 'The Faber Companion to Samuel Beckett' edited by C. J. Ackerley and Stanley Gontarski London: 2006; Federman and Fletcher 42 Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. London: Faber and Faber. 1964 paperback
196475881University Park PA: Pennsylvania State University 1964. Inscribed to Samuel Beckett Offprint from the journal of Comparative Literature Studies. Inscribed by the author above the title "For Sam Beckett with warm regards David". Hayman is a literary critic and professor at the University of Wisconsin-Madison who participated in the publication of Joyce's complete manuscripts and has also written a number of essays on Beckett's works. Ten-page pamphlet staple-bound. Horizontal crease from folding. Excellent condition. unknown
21618P., Editions de Minuit, 1955, in-12, broché, 220 p. Edition originale. 1/50 ex. hors commerce num. sur vélin. Envoi autographe daté et signé à Gaëtan Picon.
20185London: Calder and Boyars 1967. First English edition signed issue. #82 of 100 copies signed by Beckett. Hardcover. Fine. 20.5 cm x 13.5 cm grey buckram with upper board blocked in gilt pp. ii 10; four illustrations; Fine in publisher's original card slipcase lacking the original plain glassine wrapper. <br/> <br/> London: Calder and Boyars, 1967. First English edition, signed issue. #82 of 100 copies signed by Beckett. hardcover
1864135699London: Bradbury Agney & Co. Spine dated 1864. Hardcover. Very good. xii 308 p. 22 cm. Frontispiece in partial colour engraved title page with red lettering 9 other partial-colour plates. 98 b&w line drawings in text. Full leather with gold trim to edges and spine. Burgundy spine labels. 5 raised bands. All edges gilt. Marbled endpapers. Binding signed by Riviere & Son. Hinges and spine head repaired. A little scuffing to boards. Dent in rear fore-edge. Edges of free endpapers darkened. Small tear in half title inner margin and opposite. Plates darkened. <br/><br/>A mid-Victorian comic look at Rome which might be more appealing to some readers than drier more serious works on the Eternal City. John Leech was a staff artist for "Punch" from its beginnings in 1841 while the author was one of the comic magazine's original staff writers. If Leech's illustrations appear more Victorian than Roman the effect is purposeful since the goal of the two men was to critique Victorian society itself. À Beckett displays both a gentle sense of humor and a deep familiarity with the content of the ancient sources. In his Preface he states this work has been prompted by a very serious desire to instruct those who though willing to acquire information seek in doing so as much amusement as possible. Bradbury, Agney & Co. hardcover
196120580Paris: Les Editions de Minuit 1961. First edition originally published in French in this form and subsequently translated by the author into English and published by Grove Press in 1964. Copy number C 6 of 110 numbered copies printed on Alfa Mousse Navarre paper reserved "au Club de L'Edition" and signed by Beckett. On the Club copies the back wrapper is blank except for the words "Edition Originale" which appear in the lower right-hand corner. Federman & Fletcher 259. Fine copy. Small 8vo original printed wrappers glassine outer wrapper. Fine copy. Les Editions de Minuit unknown books
1976D11055Paris: Les Editions de Minuit 1976. First Edition. Paperback. Near Fine/Near Fine. Wraps in glassine dust jacket. Number 45 from a limited edition of 100 copies. Inscribed by Beckett on the title-p. "pour Andre." and dated 1986. Corners lightly rubbed otherwise book is fine in NF dust jacket lightly rubbed and with a few tiny chips along the edges. <br/><br/> Les Editions de Minuit paperback books
195430135New York: Grove Press 1954. First American edition. Black cloth a fine copy in dust jacket price-clipped and slightly darkened. First edition of Beckett's own translation into English. <br/><br/> Grove Press hardcover books
1971WRCLIT71535London: Turret Books 1971. Large octavo. Cloth. Photographs and facsimiles. Fine in limp plastic wrapper as issued. First edition limited issue. Foreword by A.J. Leventhal. One of 100 numbered copies specially bound and signed by the Beckett. Turret Books hardcover books
1983371138Northridge CA: The Lord John Press 1983. Number 98 of 100 copies signed by Beckett and Mugnaini. Designed and printed by Patrick Reagh illustrated by Joseph Mugnaini. 22-1/2 x 15 inches matted to 20 x 14 inches. Fine matted and framed. Number 98 of 100 copies signed by Beckett and Mugnaini. Designed and printed by Patrick Reagh illustrated by Joseph Mugnaini. 22-1/2 x 15 inches matted to 20 x 14 inches. The Lord John Press unknown
19619368Paris: Les Editions de Minuit 1961. Second printing. Softcover. Near fine. 12mo 177pp. A crisp clean copy in the publisher's printed wraps. Near fine with a hint of darkening to spine. Presumed second printing conforming exactly to the first but without "1-61" on the rear wrap. A wonderful example SIGNED and INSCRIBED by Becket to one of his translators on the title page: "pour - Török Gábor Samuel Beckett. Janvier 1988." Based on his name alone Gábor was probably Beckett's Hungarian translator. "Comment C'est" was published in English in 1964 as "How it Is" though this translation loses the pun in the French original Comment C'est is pronounced identically as "commencer" the French verb meaning "to begin.". Les Editions de Minuit unknown
312296PARIS: LES EDITIONS DE MINUIT. 1961. First Edition. 0785905936 . First trade edition. 3000 copies printed. SIGNED by Samuel Beckett on the title page. Near fine in printed wrappers. Slight hint of shelfwear to covers Though issued in a limited signed edition trade copies signed are likely less common. B . LES EDITIONS DE MINUIT. unknown
365924Paris: Librairie Compagnie. First Edition 89 copies plus 35 h.c. Bifolium. Folio. Almost fine. First Edition 89 copies plus 35 h.c. Bifolium. Folio. Last published item by Beckett in his lifetime. Librairie Compagnie unknown