133 résultats
281241510X.Gpocket_book. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
100-50630Classiques Larousse. Paperback. Good. Good with light wear. Classiques Larousse paperback
1927biblio2880<p>Oxford University Press; 1st Edition 1927. Hardcover Burgundy cloth Gilt title on the spine no dj. The Book looks As New. 7.2"x5.0". be23958.</p> Oxford University Press hardcover
2743303026.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1907021940London: Arthur L. Humphreys 1907. New Edition. Hardcover. Near Fine. Small 5" x 6-1/2" volume bound by Sangorski & Sutcliffe in full brown morocco leather with gilt rules lettering and decorations on the front cover 5 raised bands and gilt lettering and decoration on the spine top edge gilt; ii 209 pages. Text in French with English on the facing page. Pithy reflections on the conduct and motives of mankind by this accomplished 17th century French moralist. <br/><br/> Arthur L. Humphreys hardcover
1107486998.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1967474257Editions Garnier. Very Good. 1967. French. Soft Cover. Q38 . Editions Garnier paperback
1972feb11338Minerva 1972. Used. 1972; Romanian Edition of Maxime si Reflectii BPT 714; For more details please contact me Minerva unknown
feb98546Used. For more details please contact me unknown
1851498370.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2016125746Acc Publishing Group Ltd. New. 2016. Hardcover. 1851498370 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened. -- with a bonus offer-- . Acc Publishing Group Ltd hardcover
1777366766Paris : Chez Nyon l'aine librarie 1777. First Edition. Softcover. Poor copy in the original stiff-card wrappers; wear and tear as with age. Front wrapper missing with parts of the spine band missing. Text remains in fine condition and without blemish. Physical description; lxx 447 pages. Subjects; Maxims. Paris : Chez Nyon l'aine, librarie paperback
1017129525.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1892ST17001Paris: Imprimé par D. Jouaust Librairie Des Bibliophiles E. Flammarion Successeur 1892. 188 x 104 pp. 6 3/4 x 4 1/4". XL 290 pp. 1 leaf.Preface and notes by J.-F. Thénard. With the autobiographical essay "Self-Portrait by Himself" from the 1665 first edition the introductions to the 1665 and the 1678 fifth editions maxims removed from earlier editions and the posthumously published essays "Reflections." <br/> EXQUISITE DARK BROWN MOROCCO EXUBERANTLY GILT IN THE FANFARE STYLE BY ZAEHNSDORF stamp-signed in gilt on front turn-in blind Exhibition stamp on rear doublure covers with fillet border enclosing a panel with central oval strapwork medallion surrounded by rows of geometric ornaments with sprays of leafy fronds connecting them and filling the space between raised bands spine compartments with central geometric ornament with leafy cornerpieces gilt lettering turn-ins with gilt fillets accented with leaf sprigs crimson silk doublures and free endleaves all edges gilt. Printer's device on title page. Front flyleaf with quote in French from the text "It is more necessary to study men than to study books" and "Christmas 1895" written in ink; recto of rear free endleaf with Taplow Court library label of William Grenfell Baron Desborough. ◆Minor soiling to flyleaves very faint browning to edges of leaves otherwise very fine the text clean and fresh and in a virtually unworn binding bright with gilt.<br/> <br/> This comprehensive edition of the French moralist's famed collection of epigrams is offered here in a binding done in the fanfare style popular when this work was first printed. After a turbulent youth of court intrigue and aristocratic rebellions against King Louis XIII François Duc de La Rochefoucauld 1613-80 settled into a quiet life in the Parisian salons of Madame de Sablé Madame de Sévigné and Madame de La Fayette. It was among this intellectual witty society that he honed the pithy epigrams that would have such an influence on French literature and culture. As the Oxford Companion notes "The high degree of polish in the phrasing of the 'Maximes' which excel in conciseness precision and appropriateness of expression is to some extent due to discussions among his friends . . . . The work is a collection of some 500 gnomic sentences in which the author analyses the motives of human conduct with merciless penetration. While he recognizes in rare cases the existence of pure virtue and disinterested sentiments he finds them tainted almost universally with some element of self-love or interested motive." Voltaire drew on La Rochefoucauld's views when writing "Candide" and the "Maximes" impacted the works of French writers from Stendhal to André Gide as well as philosopher Friedrich Nietzsche and English novelist Thomas Hardy. The duke's worldview would have resonated with former owner William Grenfell Baron Desborough 1855-1945 a sportsman and indefatigable public servant who was one of the founding members of The Souls fl. 1886-1900 an elite group of friends whose social gatherings for intellectual discussions were perhaps Victorian London's closest approximation of a Parisian salon. Although other members included prominent and accomplished men and women it was the parties given by Grenfell's wife and fellow Soul Ettie that attracted guests like Vita Sackville-West H. G. Wells Edith Wharton Oscar Wilde Edward VII when Prince of Wales and Winston Churchill. One can easily imagine one of the Souls presenting this volume to the Grenfells for Christmas in 1895.<br /> <br /> By one of the great London workshops the binding here is a modified example of the fanfare style of decoration popular in France from the late 16th to mid-17th century. The main features of this style in Glaister's words "are interlacing ribbons" that form "compartments of various shapes with emphasis given to a central compartment." Ornaments made with small hand tools "fill all the compartments except the central one and almost completely cover the sides." The fanfare style is perhaps most frequently associated with the work of Nicolas and Clovis Eve court binders and booksellers to successive kings of France from about 1578 to 1634. It is generally believed that the term "fanfare" actually took its name from an early 17th century music book the title of which begins with the word "fanfare" acquired by the bibliophile Charles Nodier in 1829. The book was bound for Nodier by the famous Parisian binder Joseph Thouvenin using an appropriately retrospective design in imitation of the Eves' style which from that point forward came to be known as "fanfare." The Zaehnsdorf bindery produced a number of bindings in this genre with their usual expertise. Hungarian-born Joseph Zaehnsdorf 1816-86 served his apprenticeship in Stuttgart worked at a number of European locations as a journeyman and then settled in London where he was hired first by Westley and then by Mackenzie before opening his own workshop in 1842. His son and namesake took over the business at 33 when the senior Joseph died and the firm flourished under the son's leadership becoming a leading West End bindery. Over the years Zaehnsdorf employed a considerable number of distinguished binders including the Frenchman Louis Genth who was chief finisher from 1859-84 and trained a number of others including Roger de Coverly and Sarah Prideaux. A family-run business until 1947 the Zaehnsdorf bindery continued to produce consistently attractive tasteful and innovative designs executed with unfailing skill. It is generally understood that the Zaehnsdorf firm reserved the use of its oval stamp showing a binder at work for their finest bindings including those entered in exhibitions. [Imprimé par D. Jouaust] Librairie Des Bibliophiles, E. Flammarion, Successeur unknown
1881357552Paris: Librairie des bibliophiles 1881. New Edition. Hardcover. Very good copy in gilt-blocked leather. Top edge gilt. Spine bands and panel edges rubbed and dust-dulled as with age. Some damage to back board. Internally bright and clean. Remains quite-well preserved over-all. Date is suggested. Physical description: xl 290 pages; 18 cm. Notes: Text is in French. Subjects: Maxims French. French literature 17th century. La Rochefoucauld François. Paris: Librairie des bibliophiles hardcover
1016483147.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1922101606Paris : La Renaissance du Livre 1922. 210x140mm. broch. Exemplaire sur papier pur fil Lafuma numrot n.¡ 30 tir 20 exemplaires. Grande marge non rogn. Bel exemplaire hormis pliures sur le bas du dos. 352 La Renaissance du Livre unknown
1869105809Paris : chez Jouaust imprimeur - D. Jouaust 1869. 175x110mm. XII- broch. couverture remplie. Tirage 333 exemplaires 1 des 300 exemplaires numrots sur papier verg n¡ 214. Bel exemplaire. 173 chez Jouaust imprimeur - D. Jouaust unknown
1017654859.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2006Q-0486451453Dover Publications 2006-10-06. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
2019131773.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2012683835.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1927101664Paris : Socit des crivains ami sdes livres 1927. 190x130mm. XV - XV - 3 ff. 201 pages 4ff. broch. couverture remplie. Nom du possesseur sur le haut de la page de garde suprieure autrement bel exemplaire intrieur propre. en partie non coup. Exemplaire sur papier vlin de pur fil Lafuma numrot n.¡ 142 / 300. Bel exemplaire. 475 Socit des crivains ami sdes livres unknown
EDzz6973Berlin Verlag Die Schmiede 1923. 12°. 275 S. Illustr. OPappband m. Einbandzeichnung u. -entwurf von Georg Salter sowie Rundumrotschnitt. Rücken erneuert Einband fleckig im Text leicht gebräunt aber sauber u. kaum abgegriffen. WG² 54. EA. Berlin, Verlag Die Schmiede 1923. unknown
184447196Bruxelles: Société TypographiqueBelge Ad. Wahlens et Comoagnie 1844. 6 tomes in 2 volumes. Small 8vo 145x95 cm. Contemporary half leather with cornerpieces corners very sl. dam. or bumped spines with ribbons gilt title on spines; covers with marbled paper; marbled endpapers. Vol. 1: resp. 154 margin of p.111-112 restored; 160 and 164 pp. Vol. 2: 152 126 134 pp. A few light brown spots in places. - Famous galery of portraits of his contemporaries some described anonymously i.a. le Duc de Caze le Comte de Courcelles Louis XVIII de Lamartine l'abbé de La Mennais le duc de Richelieu le prince de Talleyrand Nicolas empereur de la Russie Guizot Thiers un courtisan un curé un républicain un royaliste but most of the descriptons concern important women almost all described anonymously such as Duchesse de Comtesse de une femme politique Mme Amélie Mlle Hyacinthe Louise mademoiselle de C etc. - A good set of the "contrefaçon Belge" of the first edition published in the same year. With owner-stamp on first endpaper of the late librarian A. Van Loock. - Rare Société TypographiqueBelge, Ad. Wahlens et Comoagnie hardcover