Aesop.ABAA
77 résultats
166912293312mo. Bruxelles: François Foppens 1669. 12mo engraved general title trimmed with slight loss at foot 8 412 8 indexpp. With 147 engravings in the text by Pieter Van der Borcht. Recent full calf marbled edges gilt backstrip black label. A good clean copy though trimmed a little close to the top edge but not touching text. Ownership signature at front in ink of Joseph Heughan dated 1899 and an earlier note in ink: "Edition très jolie et très rare." and two ink initials on the title-page. § Well represented in libraries but a scarce little edition in commerce. It was translated by Pierre de Boissat who was probably also responsible for the moral reflections attributed to Jean Baudoin. The text and illustrations were reprinted in 1920 as a private press book in Germany. François Foppens unknown books
16948748London. c. 1694. Bound by Richmond in full elaborately blind embossed calfskin. Guilt-tool ornamental devices to front and rear covers. Raised bands and guilt titles to spine. Marbled endsheets. Tall 4to. Early Printing. Illustrated with a frontis Depicting Aesope surrounded by animal characters. Wing A-706: Hodnett-Aesope in England 63. This copy; lacks title page ad leaf @ pg.38 and portrait of L'Estange. Spine heal lacking with lacquered repared. Corners bumped. Covers mildly rubbed. Else a Very Good sound copy. hardcover books
1818405619Newcastle: E. Walker for T. Bewick and Son 1818. A very good copy internally clean and fresh joints restored and with some light wear to binding. 8vo. xxiv 376 pages. 188 fable cuts and 136 tailpieces in text. Contemporary English polished calf the sides and spines decorated in blind and gilt marbled edges by Whitehead and Sons Leeds with their ticket on pastedown. A handsome copy of Bewick's extensively and exquisitely illustrated fables. Roscoe 45. <br/><br/> E. Walker for T. Bewick and Son unknown books
17016410Amsterdam: Ex Typographia Francisci Halmae 1701. Very Good . Lg. 4to. 3016084pp. Indices. Title printed in red & black with an allegorical copper engraved vignette. Added copper engraved title. Illustrated with 18 copper engraved plates each with six large emblematic fable medallions. Plus numerous copper engraved head and tail pieces and large pictorial initials. Early 20th c. full brown morocco hinges & tips rubbed. A.e.g. This copy lacks the folding portrait of the Prince of Nassau. Cohen/de Ricci 797f "tres belle edition bien illustree". Dibdin II 280. Ex Typographia Francisci Halmae unknown books
D16387London: Marcus Ward & Co. First Edition thus. Hardcover. Very Good. ca. 1874. Exceptionally scarce book of Animal Fables. Original dark blue cloth gilt and black lettering and elaborate pictorial decoration on upper cover gray end-papers. Lovely color illustrations. First published in parts Osborne p. 567. <br/><br/> Marcus Ward & Co hardcover books
1954325131954. FRASCONI Antonio. Twelve Fables of Aesop Newly Narrated by Glenway Wescott. 17 pp. Includes 19 linoleum cuts by Frasconi. 4to. original linen-backed boards and slipcase with linoleum cut. New York: The Museum of Modern Art 1954. One of the most delightful illustrated books to have been printed in America. Monroe Wheeler conceived the project and Glenway Wescott produced the text which Frasconi illustrated. The whole was put into the hands of the printer Joseph Blumenthal with exceptional results. One of 975 copies signed by Frasconi Wescott and Blumenthal. The Artist and the Book 111. A Century of Artists Books p.121 hardcover books
1768238735Mannheim: Academicis 1768. hardcover. very good. Edited by Franc. Josephi Desbillons. Illustrated with fine copperplate engravings. 2 volumes bound in 1 very thick small 8vo 3/4 vellum corners a bit tattered 615 pages top edge red rubricated edges. Mannheim: Academicis 1768. a Very good copy.<br/><br/> Academicis unknown books
16051704209Tornaesium 1605. 5th or later Edition. Hardcover. Very Good. A very good early 1605 edition of Aesop's Fables. In protective case. Tornaesium hardcover books
19801308134E Rutherford New Jersey U.S.A.: Putnam Pub Group 1980. 1st Edition. Hardcover. Fine/Fine. A fine first edition in a fine dust jacket inscribed by Carle with an original hand drawing. E Rutherford, New Jersey, U.S.A.: Putnam Pub Group hardcover books
122936London : printed for J. Churchill at the Black-Swan in Pater-Noster-Row 1708. 8vo 8 xvi 326 2pp. With the final advertisement leaf. Old speckled calf upper cover rehinged a bit worn but internally very good. § First edition widely held in Institutions but very scarce in commerce -- the last copy sold was in 2004 £160. Foxon English Verse p.31. ESTC T84697. printed for J. Churchill unknown books
1708D4271Amsterdam: Pierre Mortier 1708. Hardcover. Very Good. 2 volumes 152 x 95mm. Vol. I: 297pp. 7 table; Vol. II: 287pp. 4 index. Both volumes with the identical engraved frontispiece depicting the traditional theme of Aesop ruling the animals. The moralizing tales are extensively illustrated with copper- plate engravings by Georg Paul Busch. Volume I contains the life of Aesop by Planudes and the beginning of Aesops Fables and Volume II continues with Aesops Fables and includes the Fables of Philelphe Gabrias and Avienus. Modern binding; frontispiece of vol. II somewhat chipped otherwise clean and good. Rare and richly illustrated edition of Aesops fables with extensive dialogue on the moral of each fable. Jean-Baptiste Morvan de Bellegarde a clergyman put his mark on the Aesopic work by contributing a four-line rhyming verse at the end of each fable in italics. Bellegarde also added 18 fables of the Latin poet Philelphus and 37 fables based on Aesop by Gabrias and Avienus. The larger fables added are the Battle of the Cats and the Rats and the Battle of the Rats and the Frogs. Thereafter follow five Tales of Aesop taken from Platos dialogue Protagoras another six Poetical fables with Olympian Gods as protagonists two more Tales one taken from Herodot and a last fable taken from Gerbellius. The beautiful fable illustrations are by Georg Paul Busch; a Berlin copper-engraver who died in 1756. Rare early edition of Aesopic literature with several other didactic tales and authors additions. <br/><br/> Pierre Mortier hardcover books
1802008944Walpole New Hampshire: Printed for Thomas & Thomas by D. Newhall 1802. "The First Walpole Edition from a Copy of the latest Edition printed in London." No copies in current commerce no auction records at RBH. Bound in contemporary quarter calf over marbled boards 155 pages. Good boards and spine rubbed pages uniformly browned throughout prior owner name small chips at edges of front end page. A complete and solid copy of a RARE Walpole First Edition. Shaw & Shoemaker; Early American Imprints. Second Series ; no. 1728. First Walpole Edition . Quarter Calf. Good. 12mo - over 6¾" - 7¾" tall. Printed for Thomas & Thomas, by D. Newhall, Hardcover books
1912180219011London: William Heinemann 1912. Signed Limited Edition. Hardcover. Good. Deluxe limited edition; copy #540 of 1450 signed by Arthur Rackham on the limitation page. Publisher's buckram cloth stamped in gilt. Very Good. Cloth lightly soiled darkened at spine lightly toned and with light staining to edge of rear cover. Dark stain to gutter at top margin of roughly the first third of pages stain to bottom for edge margin to last several leaves and endsheet. Thirteen full-color plates mounted on brown paper with captioned tissue guards all present. William Heinemann hardcover books
1931215926Paris: Harrison 1931. Limited. hardcover. near fine/near fine. Calder Alexander. Illustrated with fifty drawings by Alexander Calder. 124pp. Tall thin 8vo original boards with blue printed d.w wrappers slightly foxed; uncut edges 2-piece red board slipcase is broken. Paris: Harrison of Paris 1931. A near fine copy in a good slipcase.<br/><br/> From a total edition of 615 copies printed on Auvergne hand-made paper this is one of only 20 marked "not for sale". The fifth publication of Harrison of Paris.<br/><br/> Harrison unknown books
183559414Barcelona: Juan Francisco Piferrer 1835. hardcover. very good. Arregladas a la Ultima Ortografia de la Academia Mejoradas y Anadidas en esta Nueva Edicion. 108 text woodcuts by Jose Vilanova. 285pp. 6pp. index. Small 8vo contemporary vellum title inked by hand on front cover backstrip slightly chipped at tail; small water stain to corner of first 2 leaves. Barcelona: Juan Francisco Piferrer 1835.<br/><br/> Rare charmingly illustrated Spanish edition of Aesop's fables. This edition not found in NUC or BMC. With the signature of the Massachusetts educator clergyman and bookseller Elias Nason 1811- 1887 and the bookplate of Nelson Osgood Rhoades 1869-1928 an American engineer and consultant to the Mexican government. Palau III 140.<br/><br/> Juan Francisco Piferrer unknown books
1930306689San Francisco: Grabhorn Press 1930. Number 160 of 200 copies 175 for sale. Initials and hand-colored decorations by Valenti Angelo. 1 vols. 8vo. Full brick-red morocco. Bookplate of Julia Wightman. Fine. Angelo Valenti. Number 160 of 200 copies 175 for sale. Initials and hand-colored decorations by Valenti Angelo. 1 vols. 8vo. Grabhorn Bibliography 142 Grabhorn Press unknown books
16671229198vo. Amsterdam: Johannem Janssonium & Viduam Elizei Wyerstraet 1667. 8vo engraved title trimmed at foot touching the imprint 62 1-462 blank leaf index 204pp. With 103 engraved plates in the text most 1/4 or 1/3 page. 18th-century polished calf panelled covers red morocco label and shelf mark on backstrip subtly rebacked. Large armorial bookplate of Washington Sewallis Earl Ferrers probably bound for him. § First illustrated edition of Phaedrus to be published in the Netherlands and the first edition edited by Laurentius. It contains the text of 92 Phaedrus fables with extensive annotations the first edition of 1596 had only 64 fables. In this copy the plates to pages 133 194 and 205 are not the cancellanda i.e. have not been cancelled. Also Landwehr records that the 'brothel scene' on page 276 has often been defaced or removed but is untouched in this copy. Landwehr F143. Phaedrus 15 BC - AD 50 Italy was a "Roman fabulist the first writer to Latinize whole books of fables producing free versions in iambic metre of Greek prose fables then circulating under the name of Aesop." Ency. Brit. Johannem Janssonium & Viduam Elizei Wyerstraet unknown books
17011229424to. Amsterdam: Typographia Francisci Halmae 1701. 4to engraved general title letterpress red & black title page with allegorical engraved vignette. 18 full-page copper-engraved plates by Jan van Vianen each featuring six circular images and 38 in-text reproductions engraved decorative initials and head- and tailpieces. With the oversize fold-out engraved portrait of Joannes Gulielmus Prince of Nassau. Later polished calf c.1750 headcap repaired upper hinge repaired. § Phaedrus 15 BC - AD 50 Italy was a "Roman fabulist the first writer to Latinize whole books of fables producing free versions in iambic metre of Greek prose fables then circulating under the name of Aesop." Ency. Brit. This de luxe edition was especially created for the Prince of Nassau profusely illustrated with fine engravings. Dibdin spoke highly of it in his Greek and Latin Classics 4th edition: "I have always considered this as a correct and very sumptuous edition. It is ornamented with a great number of small plates or medallions in which the subject of the fable is very ably and spiritedly executed. The type is peculiarly rich and bold and is hardly equalled by any Dutch edition of a classic." p. 285. Landwehr F163. Typographia Francisci Halmae unknown books
1976122907Folio. London: The Scolar Press 1976. Folio 8 cxlii pp. With illustrations in woodcut throughout. Full brown morocco ruled in black backstrip lettered in black and four raised bands slipcase as new. § De luxe edition # XLIII of 50 printed on paper specially made by hand by Barcham Green of Hayle Mill. This is the first facsimile edition of Caxton's "Fables of Esope" 1484 STC 175. It reproduces original size the unique perfect copy of the work in the Royal Library at Windsor Castle which contains a life of Aesop and is illustrated with woodcuts. Caxton translated the fables from Julien Macho's 1482 French version and it proved so popular the version was still being printed in 1658. The Scolar Press hardcover books
191267929Deluxe Edition Signed by Arthur Rackham RACKHAM Arthur illustrator. AESOP. CHESTERTON G.K. contributor. VERNON JONES V.S. translator. ∆sop's Fables. A new translation by V.S. Vernon Jones. With an introduction by G.K. Chesterton and illustrations by Arthur Rackham. London: William Heinemann 1912. Limited to 1450 numbered copies signed by the artist. This being number 591. Large quarto. xxix 1 blank 223 1 pp. Thirteen color plates including frontispiece mounted on heavy brown paper with descriptive tissue guards and fifty-three drawings in black and white nineteen full-page. Original white buckram pictorially stamped and lettered in gilt on front cover and spine. Top edge gilt others uncut. Occasional browning from plate mounts as usual. Spine sunned front board with slight soiling. Very good. Latimore and Haskell pp. 38-39. Riall p. 111. HBS 67929. $1750 William Heinemann hardcover books
1667WRCLIT79851Amsterdam: Johannem Janssonium à Waesberge & viduam Elizei Weyerstraet 1667. 62462204pp. Octavo 18.5 x 12 cm. Contemporary vellum short-title in manuscript on spine. Engraved frontis by Christopher Ganes and 103 engraved half-page illustrations in text. Vellum somewhat handsoiled and darkened bookplate frontis trimmed close along fore- edge short marginal tear in H2 without loss otherwise very good. First and only printing of this well- illustrated edition of the adaptations by the Latin fabulist Phaedrus of the Greek fables of Aesop as edited by Johannes Laurentius. Two engravings at pages 133 and 194 have been supplanted by other tipped in engravings. The Fables are followed by an "index vocabularum" and an "index rerum & verborum." BRUNET IV:588. Landwehr EMBLEM BOOKS Low Countries F143. Johannem Janssonium à Waesberge & viduam Elizei Weyerstraet hardcover books
18292499London: J. M'Gowan and Son 1829. Two volumes in One 140x108mm half black cloth marbled sides worn to foot of spine vii-xxi 263pp and Vol. II iii-vii 311pp.Aquatint plates 100 unusually the plates are bound 51 49 at the end of each volume. Title pages to both volumes in facsimile. Volume I starts with Preface thus seems to lack the contents list. Volume II lacks only the title as contents pages are complete. Name stamp to margin of Preface edge browned and some fingering & soiling a few leaves with edge wear with 3 leaves with 3mm tears to blank margins only. A well loved and well used Aesop with charming AQUATINT PLATES. Very scarce with Oxford the only copy of this printing noted in British libraries - McGowan was printer as well as publisher and his Windmill Street address is given at the foot of the last page of each volume. <br/><br/> J. M'Gowan and Son hardcover books
122913London: for R. Sare B. Took M. Gillyflower A. & J. Churchil G. Sawbridge and J. Hindmarsh 1699. 2 vols. in one folio 10 28 8 476; 16 238 2 ads. pp. Engraved frontispiece portrait of L’Estrange by Roger White after Geoffrey Kneller and full page engraving of Aesop and animals both in vol. 1. Contemporary calf neatly rebacked and tips restored a clean very well-margined copy. Inscribed twice by John Bailward dated 1730 and a few pencil notes and sketches in the text. § One of the first collections of fables prepared specifically for children. Third edition corrected and amended from the 1692 edition. With the second part in first edition the two seldom found together. Roger L'Estrange 1616-1704 was Tory journalist and pamphleteer notorious for his censorship of “seditious†Whig publications in his role as Surveyor of the Press. His edition of Aesop was commissioned by a group of booksellers and appeared two years after Locke first recommended Aesop as a first reading book for children. Muir writes it was “the best and largest collection of fables in English and he had children especially in mind when making his compilation… He included many other fabulists besides Aesop notably a selection from La Fontaine within 20 years of the first appearance of any of his fables in French. It is highly probable that this was their earliest appearance in English.†The DNB notes of L’Estrange’s Aesop that it was “an assemblage of fables and facetiae from a variety of sources ancient and modern the second volume being wholly unAesopian. The trenchant reflections added to the individual fables possess a strong political animus and were to draw severe criticism from the later whig fabulist Samuel Croxall; but all L'Estrange's translations have some degree of political colouring… This compilation also includes a biography of Aesop an alphabetical table of the fables and fables by Barlandus Anianus Abstemius Poggius and La Fontaine.†DNB. Wing A-709 and A-1247. Muir English Children’s Books p.24. for R. Sare unknown books
15181331015Basileæ: In Officina Heruagiana Johann Herwagen; Johannes Froben 1538/1518. Hardcover. Octavo a-x8 y7 A8 B4; VG; bound in 17th century calf plain paneled spine; some rubbing and wear to binding minor worming to binding; mild soiling to interior;<br /> <br><br /> <br><br /> Lacking y8-z8; The wanting leaves of the 1538 edition substituted after 350 with new pagination of 106-126 with the Galeomyomachia in Greek only from the 1518 Froben edition of Aesopi Phrygis vita et fabellæ cum latina interpretatione. Early substitution i.e. 17th century or earlier as the textblock is integral and the binding unrestored;<br /> <br><br /> <br><br /> Printer's device on title page and on verso of last leaf.; Wide margins; Second title page trimmed at top; small holes in upper and lower gutters of the entire first part from previous binding;<br /> <br><br /> <br><br /> Text in Greek and Latin on facing pages for the Aesop Greek only for the Galeomyomachia<br /> <br><br /> <br><br /> Provenance to the recto and verso of the ffep Fitzwilliam family provenance in several early hands the largest stating playfully: "William Fitzwilliam not his Book but John Fitzwilliam his booke";<br /> <br><br /> <br><br /> Scattered marginalia and underlining including extensive minute annotations in an early faded 16th century hand around the rear printer's mark other minor annotations throughout notably in English on Midas on page 315.;<br /> <br><br /> <br><br /> Scarce; PD consignment; shelved case 3. USTC: 608058;<br /> <br><br /> USTC lists 15 copies 14 in Europe and 1 at the University of Toronto.;<br /> <br><br /> <br><br /> A 1538 edition of Aesop's Fables printed by Johann Herwagen with an appended 1518 edition of the Galeomyomachia Battle of Cats and Mice printed by Johann Froben. Galeomyomachia usually found bound with five other printings by Froben 1518.;. 1331015. Shelved Dupont Bookstore. In Officina Heruagiana [Johann Herwagen]; [Johannes Froben] hardcover books
05078London: Printed by H. Hills jun. for Francis Barlow and are to be sold by Chr. Wilkinson Tho. Fox and Henry Faithorne 1687. The First Edition To Contain The Thirty-One Magnificent Full-Page Engravings<br/>Including The Rare Suppressed Plate Number Seventeen<br/>A Lovely Copy in Late Nineteenth Century Straight-Grain Roan<br/><br/>AESOP. Æsop's Fables with His Life: in English French and Latin. Newly Translated. Illustrated with One hundred and twelve Sculptures. To this Edition are likewise added Thirty one New Figures representing his Life. By Francis Barlow. London: Printed by H. Hills jun. for Francis Barlow and are to be sold by Chr. Wilkinson Tho. Fox and Henry Faithorne 1687. <br/><br/>Second edition first published in 1666. Virtually all copies of the first edition were destroyed in the Great Fire of London of 1666. This is the first edition to contain the additional thirty-one full-page engraved plates.<br/><br/>Folio 11 3/4 x 7 9/16 inches; 300 x 195 mm. 2 blank verso engraved pictorial title 2 title verso blank 2 To the Reader verso blank 2 dedication 2 blank verso full-page engraving of Aesop surrounded by animals and birds 40 40 17 2-221 2 Table verso blank pp. Full page engraved plate of the arms of the Earl of Devonshire and thirty-one including the suppressed plate No. 17 "Oft for a jest we expose our modesty" which is often suppressed excised or defaced full page engraved plates by Thomas Dudley after Francis Barlow illustrating the life of Aesop and 110 half page engravings in the text. The thirty-one additional plates are bound within the forty pages of English text. These plates were engraved in 1678 - this second edition is the first to contain these superb engravings. <br/><br/>Bound ca. 1876 in full maroon straight-grain roan covers decoratively ruled and paneled in gilt spine with six raised bands elaborately decorated and lettered in gilt in compartments gilt-ruled board edges and decorative gilt turn-ins all edges gilt. <br/><br/>A sophisticated copy an example of the fashion towards the end of the 19th century of improving copies with a pencil note on the verso of the initial binder's blank "The best impressions were picked from two copies to make this a very choice copy of the book. Robert Roberts. Boston Oct 9/1876". The 17th plate "Oft for a jest we expose our modesty." which was often suppressed excised or defaced is here present and unmutilated. Neat pencilled presentation inscription dated 1925 to front free endpaper 1735 ink ownership signature at top margin of title-page. Small expert and almost invisible paper repairs to blank margins of engraved title page small hole 1/2 x 3/16 inch neatly repaired hardly affecting image on plate 14. Small neat marginal repairs to O2 pp. 35/36 V2 pp. 59/60 small hole repaired on BB2 pp. 79/80 - just touching image on recto and two letters on verso and top corner of EE2 pp. 91/92 expertly renewed with loss of page number on p.92. Occasional minimal light soiling and or foxing but overall a clean and crisp example of this magnificent and beautiful edition.<br/><br/>For this second edition of his magnificent production Barlow commissioned Aphra Behn then at the height of her popularity as a playwright poet and translator to write a quatrain summarizing the fable and to be engraved on the 110 plates illustrating the fables. In order to substitute Behn's verses for those of Thomas Philipot d. 1682 the lower area of the plate needed to be burnished down and the new verses engraved onto the plate in place of the earlier ones. "The workman doing the burnishing feared damaging the bottom border of the design above the verse: in many places traces of the tops of the letters in Philipot's top lines remain. In a few instances a small new plate for the new verse had to be inserted."Hodnett.<br/><br/>"I Conceive it necessary to say concerning the Present Edition of this Work; That it exceeds the Former by a careful Correction of the Latin Copy and by a more Exact Translation from the Latest and Best French Edition. The Life of Aesop likewise is illustrated with Thirty one new Copper Plates.<br/><br/>The Ingenious Mrs. A. Behn has been so obliging as to perform the English Poetry which in short comprehends the Sense of the Fable and Moral: Whereof to say much were needless since it may sufficiently recommend it self to all Persons of Understanding." To the Reader leaf. <br/><br/>"The fables and plates are printed here in the same manner as in the first edition the French version on the verso of each leaf facing the plate and Latin version on the recto of the following leaf. The thirty-one additional plates illustrating the life of Æsop are placed at the end of the volume. They are preceded by the plate representing Æsop surrounded by animals and birds which formed the first plate to the first edition. Plate No. 17 is usually wanting being generally removed as too free a character. Nearly all of them are signed "Tho: Dudley fecit". Grolier Wither to Prior. <br/><br/>Francis Barlow 1626-1704 was the first English-born book illustrator. He was also the first English etcher modern animal and bird artist recorder of sporting scenes political cartoonist and possibly modern landscape artist. The lifelikeness of his animal and bird drawings prints and paintings attracted the admiration of the founders of the Royal Society and allied him with the scientific spirit of the seventeenth century. Barlow was moreover an interesting illustrator of great freshness and vigor." Edward Hodnett. Five Centuries of English Book Illustration p. 54.<br/><br/>"This seventeenth-century polyglot English-French-Latin Aesop is handsomely illustrated with engravings after designs by Francis Barlow 1626-1702 an English painter renowned for his pictures of country life and field sports. He was perhaps the finest English draughtsman of animal scenes in the seventeenth century. Barlow who published the book at his own expense explains in his preface that he intends the work to contribute to the education of young people. This is the first edition; the relatively few copies known are all survivors of the Great Fire of London which swept over the printer's premises in 1666" Morgan Library Early Children's Books - citing the 1666 first edition.<br/><br/>Felix Thornley Cobbold 1841-1909 was a British barrister and Liberal Party politician. Cobbold was the son of John Cobbold Member of Parliament for Ipswich and his wife Lucy daughter of Henry Patteson sometime Rector of Drinkstone and of Wortham Suffolk. John Cobbold Thomas Cobbold and Nathaniel Cobbold grandfather of Cameron Cobbold 1st Baron Cobbold were his elder brothers. He was educated at King's College Cambridge and later became a senior fellow of this college. Cobbold also sat as Member of Parliament for Stowmarket in Suffolk between 1885 and 1886 and for Ipswich between 1906 and his death. In 1895 he presented Christchurch Mansion to the town of Ipswich as part of an arrangement to preserve the mansion and surrounding Christchurch Park from development. He also bequeathed Gippeswyk Park to Ipswich. Cobbold died in December 1909 aged 68.<br/><br/>Grolier Wither to Prior 666; Hodnett Aesop in England pp. 56-59 and 72; Morgan Library Early Children's Books 9 describing the 1666 first edition; Wing A703; ESTC R22992. London: Printed by H. Hills jun. for Francis Barlow, and are to be sold by Chr. Wilkinson, Tho. Fox, and Henry Faithorne, 1687 unknown books
