1 630 résultats
Druck der Grabhorn Press in 200 nummerierten Exemplaren auf Bütten. Die 7 schönen Orig.-Holzschnitte und die 117 Initialen stammen von Valenti Angelo, und wurden vom Künstler in den Farben Gelb, Grün, Rot und Gold handkoloriert. Tadelloses Exemplar.
181050128Leipzig, Weigel, 1810. 8vo. Contemp. modest hcloth with handwritten papertitle on spine. (2),CCXXXVIII,172,180,164,(2) pp. A small tear at foot of title-page repaired, no loss. Internally fine, printed on good paper. Text in Greek and Latin.
187819519London: Longman's Green & Co 1878. Later printing. Hardcover. Duodecimo 5" x 7.25" green red and gilt-stamped pictorial cloth with gilt spine. All edges gilt. Back cover decorated in blind. 312pp. Profusely illustrated throughout the text "with the original wood engravings by Thomas Bewick". Two former owners' names and an inscription on the verso of the front free-endpaper. Some wear at extremities particularly the head and tail but still a lovely copy. "In Three Parts. I. Fables Extracted from Dodsley's; II. Fables with Reflections in Prose and Verse; III. Fables in Verse. To which are prefixed The Life of Aesop and An Essay Upon Fable by Oliver Goldsmith. Faithfully Reprinted from the Rare Newcastle Edition published by T. Saint in 1784." Longman's, Green & Co hardcover
186119541Worcester: J. Grout Jr. 1861. Softcover wraps. Good . 1861. Twenty-fourmo. 3.75" x 5.75" pale green printed wraps. 24pp. with publisher's ads on the back cover. Illustrated with wood engravings in the text and as title vignette. Moderate foxing and browning with a one-inch split at the bottom of he spine. Scarce chapbook with misspelled title "The Lark and Her Yonug Ones" J. Grout, Jr. paperback
183559414Barcelona: Juan Francisco Piferrer 1835. hardcover. very good. Arregladas a la Ultima Ortografia de la Academia Mejoradas y Anadidas en esta Nueva Edicion. 108 text woodcuts by Jose Vilanova. 285pp. 6pp. index. Small 8vo contemporary vellum title inked by hand on front cover backstrip slightly chipped at tail; small water stain to corner of first 2 leaves. Barcelona: Juan Francisco Piferrer 1835.<br/> <br/> Rare charmingly illustrated Spanish edition of Aesop's fables. This edition not found in NUC or BMC. With the signature of the Massachusetts educator clergyman and bookseller Elias Nason 1811- 1887 and the bookplate of Nelson Osgood Rhoades 1869-1928 an American engineer and consultant to the Mexican government. Palau III 140.<br/> <br/> Juan Francisco Piferrer unknown
76220Philadelphia: H. C. Peck & Theo. Blss. Twelvemo 3 1/2 x 4 1/2 inches. 95 1 pp. With 47 wood engravings at the beginning of each fable. Publisher's decoratively blind stamped and ruled crimson cloth spine lettered and embellished in gilt. Old pencil inscription easily erased. A particularly fresh copy with the binding in wonderful condition. H. C. Peck & Theo. Blss hardcover
18178539Baltimore: J. & T. Vance / J. Robinson Printer 1817. First Edition thus. Hardcover. Good . Octavo 161pp. A good or better copy in contemporary full sheep. Front board partly detached but holding. Printed on cheap paper typical of American printers of the period which is generally age-toned. Bookseller ticket or bookplate lifted inartfully from the front paste-down. A completely unrestored decently preserved example of this early 19th century Baltimore imprint. The text is printed in two columns with the Latin and English presented side-by-side. According to Shaw & Shoemaker there appear to be three printings of this volume executed by Robinson for three different publishers see 39946-8 not in fact specifically noting the one executed for J. & T. Vance. OCLC lists 9 physical holdings for all three of these not differentiating between them. J. & T. Vance / J. Robinson, Printer hardcover
1538338977Basilae: In officina Heruagiana 1538. Collection first published by Froben 1518. A1-Z8: 393 5 pp. 8vo. Late 17th-century stamped-calf binding loss to head and foot of spine title page with borders drawn on it some loss to title page not affecting text annotated throughout some worming needs to be resewn and binding reattached title page should be repaired. Provenance: Johannis Miller. Collection first published by Froben 1518. A1-Z8: 393 5 pp. 8vo. With ownership signaure to the title page: "Ex Libris Johannis Miller pret. 1s. 0d Anno Dm 1693" a further ownership signature to the recto of the last leaf "Ex Libris Johannis Miller A D 1688" and annotations throughout the text. Rev. John Miller 1666-1724 was commissioned fort chaplain of the New York companies in 1692 spending 1692-1695 in New York: "Miller was the sole officiating Episcopal clergyman in the entire province of New York during the three years of his residence; his activities as evinced by contemporary records and his familiarity with all inhabited parts extended beyond the confines of the city." During this time he wrote extensive notes about New York and drew a map of the fort. When his returning vessel was overtaken by French Privateers he threw his documents overboard to destroy the intelligence contained therein. He later rewrote many of his observations and redrew the map from memory it's retained in his manuscripts at the British Museum from George Chalmers in 1842 and was later published in Valentine's 1842-3 Manual. He returned to England where he was given the post of vicar of Effingham gaining a reputation as a "worthy and respectable vicar" and "a man of research." His library was still "preserved with great care" by his successor in the beginning of the nineteenth century then consigned and sold in New York by Bangs and Company in 1894. A number of his books have found their way into prominent libraries and collections Stokes' Iconography; Paltsits Victor Hugo intr. "New Yorke Considered and Improved A.D. 1695 by John Miller" Electronic Texts in American Studies 17. <br /> <br /> The present work seems to have gone from him to another owner Richard Norton and then to Thomas Norton; the second page has the ownership signature and note: "Thomas Norton pretium / Thomae Dicitur Fr Richard". Thomas Norton could be Thomas Norton 1684-1748 Whig Member of Parliament of Ixworth Abbey Bury St. Edmunds Suffolk; the grandson of Col. Richard Norton M.P. 1615-1691 intimate friend of Cromwell; and nephew of Maj. Richard Norton.<br /> <br /> Contents include: Aesopi Fabulatoris vita Aesopi Fabulae Gabriae Graeci Tetrasticha Ex Aphthonij Sophistae exercitamentis Ex Philostrati imaginibus fabulae Ex Hermogenis exercitamentis / Prisciano interprete Ex Auli Gellij libro secundo capite undetrigesimo Apologus Aesopi Phrygis memoratunon inutilis Homeri Ranarum et murium pugna heavily annotated Musaeus De Ero et Leandro annotated Expositio capitvm admonitoriorum aedita ex tempora ab Agapeto Hippocratis Iusiurandum GaleÅmyomachia hoc est Felium & murium pugna annotated with translations from the Greek. USTC 608058 In officina Heruagiana unknown
18648464Boston. T.O.H.P. Burnham. 1864. Bound in blind embossed gilt titled cloth. Thick 12mo 5.5" x 7". Illustrated with 198 woodcuts en texte. Spine well sunned covers mildly sunned and rubbed. Headpiece chipped. Ink inscription to ffep. Light water staining to bottom corners throughout very seldom reaching text block. Volume presents slight lean. Several signatures slightly shaken but very firm. A Good crisp bright copy. T.O.H.P. Burnham. hardcover
199889496London:: Folio Society. Near Fine. 1998. Hardcover. First edition thus. Near fine in a near fine slipcase.; 152 pages . Folio Society, hardcover
1692049<b>Folio 8-1/2 by 13 inches contemporary full brown calf Skillfully rebacked with blind-stamped spine raised bands red morocco spine label. First edition of former censor Roger L Estrange s classic version of Aesop s Fables with copper-engraved frontispiece portrait of L Estrange and fine copperplate frontispiece of Aesop. In 1690 John Locke was the first to suggest Aesop as a beginning book for children. Shortly thereafter Tory pamphleteer and onetime Surveyor of the Press Roger L Estrange was commissioned to produce this edition of fables likely the first compiled expressly for children. He included many other fabulists besides Aesop notably a selection from La Fontaine within 20 years of the first appearance of any of his fables in French. It is highly probable that this was their earliest appearance in English Muir 24. Simple and somewhat racy in style L Estrange s edition was continuously reprinted helping to popularize both Aesop and the genre of fables among children. The most extensive collection of fables in existence this compilation also includes a biography of Aesop an alphabetical table of the fables and fables by Barlandus Anianus Abstemius Poggius and La Fontaine DNB. Wing A706. Hodnett Aesop in England 63. A very attractive copy. </b> R. Sare, et al. hardcover
65345London: Printed by H. Hills jun. for Francis Barlow. 1687. FIRST EDITION THUS. Folio. 30 x 19 cm. Engraved title title engraved arms of the dedicatee Earl of Devonshire dedication pp.40 Life plus 40 Vie pp.17 Vita pp.2-2212 Index. Later eighteenth century calf sides with blind-stamped roll-tooled border spine matching with raised bands and gilt lettering gilt decoration to board edges brown endpapers all edges gilt. Comnplete with engraved title dedication plate 31 full page illustrations of the Life and 110 half page illustrations of the Fables. Armorial bookplate of Joseph Tusker Middleton hall Essex. Joints expertly repaired plates to the the Life slightly foxed most noticeably to the versos small hole to plate 25 otherwise contents fresh and clean. An attractive copy. Second edition of Barlowe's illustrations but expanded to include the life and its 31 plates. Frst thus. Many most copies of the first edition were burnt in the Great Fire. The English verses are here for the first time by Aphra Behn. Includes uncensored the often absent or mutilated plate 17 to the Life. The first edition did not include the Life. "One of the very few English productions worthy to stand beside its best foreign contemporaries." Bland See Hodnett "Francis Barlow" and "Aesop in England" for a full discussion of this book. London: Printed by H. Hills jun. for Francis Barlow... 1687. hardcover
1912ST19901London & New York: William Heinemann & Doubleday Page 1912. No. 863 of 1450 SIGNED by Rackham. With an Introduction by G. K. Chesterton. 290 x 227 mm. 11 1/2 x 9". xxix 1 223 1 pp. <br/> SUPERB HONEY-BROWN CRUSHED MOROCCO GILT AND INLAID BY SANGORSKI & SUTCLIFFE stamp-signed on front turn-in covers with Arts & Crafts-style frame of gilt rules punctuated with inlaid green morocco dots inlaid green morocco Tudor roses at corners with four leafy branches upper cover with gilt titling at head of central panel central gilt-ruled medallion contain the letters "E B" in inlaid blue and green morocco with a collar lettered "XMAS 1912" this surrounded by a wreath of gilt vines and eight inlaid green morocco roses raised bands spine compartments with French fillet frames two panels with gilt lettering turn-ins with multiple gilt rules top edge gilt other edges untrimmed. Housed in a felt-lined buckram clamshell box. With 20 full-page black and white illustrations numerous illustrations in the text and 13 COLOR PLATES as called for each mounted on heavy brown stock and protected by lettered tissue guard. Printed on Large Paper. WITH HAND-ILLUMINATED PRESENTATION LEAF BOUND IN: "TO EDMUND" written in burnished gold surrounded by curling leafy vines in blue orange and green "WITH BEST WISHES FOR A MERRY CHRISTMAS AND A HAPPY NEW YEAR" written in black ink an ornament below it in colors and gold and "FROM THE BINDERY / XMAS. 1912." in black and red ink at foot. Front pastedown with engraved bookplate of "EMB" and "EWB"; front free endpaper with ex-libris of L. W. Jordan Jr. and with pencilled inscription "To Roxy from Edmund." Hudson p. 169; Latimore and Haskell pp. 38-39. The typical offsetting on free endpapers from binder's glue used for turn-ins very small very faint areas of transfer from acidic mounts used for color plates wherever tissue guard doesn't fully cover a facing leaf other trivial imperfections but still QUITE A LOVELY COPY clean and fresh internally and in an unworn handsome binding.<br/> <br/> In a fine binding by an eminent English workshop this is Rackham's take on the famous fables populated with charming animals anthropomorphized to just the right degree along with wistful maidens ancient crones and some seriously sinister trees. Arthur Rackham 1867-1939 studied art at Lambeth School where the work of his fellow student Charles Ricketts influenced his development. As Houfe says soon after Rackham joined the staff of "The Westminster Budget" in 1892 he began concentrating "on the illustration of books and particularly those of a mystical magic or legendary background. He very soon established himself as one of the foremost Edwardian illustrators and was triumphant in the early 1900s when color printing first enabled him to use subtle tints and muted tones to represent age and timelessness. Rackham's imaginative eye saw all forms with the eyes of childhood and created a world that was half reassuring and half frightening. His sources were primarily Victorian and among them are evidently the works of Cruikshank Doyle Houghton and Beardsley but also the prints of Dürer and Altdorfer." After studying under and then working for Douglas Cockerell Francis Sangorski and George Sutcliffe founded their own bindery in 1901 and continued in a successful partnership until 1912. During that year the firm suffered three major blows: their famously splendid jewelled binding dubbed the "Great Omar" was lost on the Titanic; a few weeks after this accident Francis himself drowned; and Francis' brother Alberto who had been a central figure in producing the firm's vellum illuminated manuscripts went over to Riviere. Despite these losses the firm grew and prospered employing a staff of 80 by the mid-1920s and becoming perhaps the most successful English bindery of the 20th century. This special binding was created as a Christmas present and includes a hand-illuminated leaf from the bindery possibly done by Alberto before he moved to Riviere. Such a grand presentation could only have been reserved for a special patron and in this case the "Edmund" would have been Edmund DeWitt Brooks 1866-1919 the substantial bookseller and bibliophile from Minneapolis. The present volume stands as a monument to a very close friendship between Brooks as well as his wife and namesake son on one side of the Atlantic and Sangorski & Sutcliffe on the other. With a special interest in literary works particularly in fine bindings Brooks came to know his supplier through annual book-buying trips abroad see Lee Edmonds Grove's 1945 memoir "Of Brooks & Books" for an account of that relationship. Grove says that the nature of the friendship was so strong that the binders invited Brooks to stay in a specially outfitted room at their premises rather than in a hotel during his London visits. Although our Aesop was inscribed to the father his son Edmund William Brooks 1900-85 so 12 at the time the present volume was signed continued the family connection with Sangorski & Sutcliffe for many years. The "EMB" and "EWB" bookplates belonged to Edmund's wife Edith M. Brooks 1862-1957 and son Edmund who apparently lived together in the family home after the elder Edmund died. Although we don't know the identity of "Roxy" we do know that the "To Roxy from Edmund" inscription is in the same hand as an identical one made--surely by our younger Edmund as printer/publisher--at the front of a copy of "The Book of Ruth" issued in 1934 by the Reed Pale Press that copy being offered for sale in 2022 by Under the Hill Books. William Heinemann & Doubleday, Page unknown
52746<p>London George Routledge & Sons 1875. Dated circa 1875 from British Library accession date no copies are dated 4to 270 x 230 mm 10½ x 9 inches green cloth gilt and black illustration of Crusoe and Friday to upper cover gilt lettering to upper cover and spine. 24 pages of colour plates including frontispiece printed by Kronheim 6 to each story some with several images per plate. General title page and list of illustrations 6 pages of text to each story the third item in verse 6 animals dressed as humans: dobbin blacksmith tabby cat piper donkey schoolkeeper artful fox Towser's trial naughty monkeys. Text and plates printed 1 side only all plates with blank guard each story with half-title. Head and tail of spine and corners slightly worn hinges rubbed a tiny split on each small pale stain on upper cover a few minor marks to both covers inner paper hinges cracked but binding sound no inscriptions very small bookplate on front pastedown occasional pale margin spot small closed tear to 5 blank guards and top margin of 1 text page neatly repaired. A very good copy. MORE IMAGES ATTACHED TO THIS LISTING ALL ZOOMABLE FURTHER IMAGES ON REQUEST. POSTAGE AT COST.</p> London, George Routledge & Sons, (1875). hardcover
Incisione (mm. 90 x 145: rifilata al margine sup.) Tratta dalle "Favole esopiane" (Tomo 4°, Fav. VII) dell'abate Giancarlo Passeroni nell'edizione di Milano, Batelli e Fanfani, 1823, in 7 voll. Il poeta nizzardo Passeroni (1713-1803) fu istitutore del giovane figlio dei marchesi Lucini, Cesare Alberico, a Milano.
1J9314Biermann Steinbach 1978. 37 Blatt mit 6 ganzseitigen Tafeln und 1 losen Original-Radierung kartoniert Einband mit unwesentlicher Knickspur. - sonst gutes Exemplar / Edition ZWO / Eines von 120 numerierten und vom Künstler signierten Exemplaren / Mit einer Original-Radierung Blatt 28/45 von Benno Geisler unten rechts signiert und datiert 1978 / Benno Geisler 1946 Frankfurt am Main erhielt zahlreiche teils internationale Kunstpreise u.a. den Kunstpreis der Heussenstamm-Stiftung Frankfurt am Main; Kunstpreis Acryl; Maintower Open Air 35. Etage Frankfurt; Silbermedaille Internationale Art Kalender Ausstellung Stuttgart; 2. Preis 1st. Kochi International Trienal Art Competition In-Cho Museum Japan - unknown
1856346386Boston: J. Buffum 1856. 96pp. 12mo 3 1/2 x 2 3/4 inches 9 x 7 cm. Publisher's brown cloth gilt. Very Good. 96pp. 12mo 3 1/2 x 2 3/4 inches 9 x 7 cm. inscribed on the front free endpaper by John Hay "Ellie Hay/from her Brother/John/1857" and on the following page the signature of "Miss Helen J.ulia Hay 1857 June 1." Helen Hay Whitney was named after her.<br /> <br /> Likely first edition thus . Publisher's brown cloth gilt. ; 96 pp. woodcut illustrations. Binding a hair worn the stamping dull internally some toning. <br /> <br /> A presentation copy of this delightful little juvenile inscribed by the young age 18 or 19 depending on the date of gift John Hay. At this time Hay had graduated from Brown and was working for his father Milton Hay. Lincoln had offices next door and after 1860 Hay became an ardent supporter. He would go on to become Lincoln's secretary and later one of his most eminent biographers and in time Secretary of State under McKinley and Roosevelt one of the most powerful figures on the American political scene. J. Buffum unknown
ST14304Verona: Officina Bodoni 1973. No. 131 OF 160 COPIES. 255 x 182 mm. 10 x 6 3/8". Two volumes. With an epilogue by Giovanni Mardersteig. <br/> Publisher's stiff vellum backed with green morocco top edges gilt. WITH 68 FINE HAND-COLORED WOODCUTS by Ann Bramanti 66 of these full-page colored via pochoir by Daniel Jacomet to recreate the illuminated miniature effect of the British Library colored copy of the Veronese Aesop of 1479 upon which the present edition is based. Printed on Magnani mouldmade paper with goose watermark. Volume I: the Latin text of the 1479 edition with Italian translation; volume II: the English text based on Caxton's 1482 translation. Prospectus laid in. Mardersteig/Schmoller 182. ◆Vellum grain showing variation as always otherwise in mint condition.<br/> <br/> This beautiful limited edition of Aesop is generally considered to be the finest book from Officina Bodoni and is thought by many to be among the half dozen greatest private press books ever printed. Probably the most important certainly the longest-lived 20th century Continental private press Officina Bodoni was founded in 1922 by Hans Mardersteig who later changed his first name to Giovanni. Like Sweynheym and Pannartz the first printers in Italy Mardersteig was born in Germany but moved to Italy as an adult and set up his hand press in a small village there. Will Carter has called Mardersteig "probably the finest pressman the world has ever seen or is ever likely to see" and it is difficult to overstate the pleasure derived from the precision of the Officina Bodoni books. Based on a beautiful hand-colored copy of the Aesop of Giovanni Alvise the third printer in Verona the Officina Bodoni Aesop celebrates the golden anniversary of Mardersteig's founding of his press. Officina Bodoni unknown
54210Parisiis Paris: typis J. Barbou via Mathurinensium 1778. Sixth edition. 12mo. pp. xxxvi 504 engraved frontispiece. Printer's device to title-page woodcut ornaments very wide lower margins very clean. Later dark green straight-grain morocco top edge gilt marbled endpapers. Spine and corners a bit rubbed but still very good indeed. Printed label 'From the collection of Charles Butler of Warren Wood Hatfield' to front paste-down. Two invoices from Sotheby Wilkinson and Hodges dated May 29th and 30th 1911 one made out to W. Cairns and one to W. Strong both from the sale of Captain Butler's library. Elegantly bound Latin edition of Aesop's "Fables" by the Jesuit poet François-Joseph Desbillons 1711-89 author of several other collections of ancient and modern fables. Parisiis [Paris]: typis J. Barbou, via Mathurinensium, 1778. unknown
197452755London: William Heinemann 1974. 8vo xxix i 223 1 pp. 13 coloured plates marbled endpapers. Handsomely bound by Bayntun in maroon calf a.e.g. gilt spine with grey and green morocco labels a lovely copy. London: William Heinemann unknown
18292499London: J. M'Gowan and Son 1829. Two volumes in One 140x108mm half black cloth marbled sides worn to foot of spine vii-xxi 263pp and Vol. II iii-vii 311pp.Aquatint plates 100 unusually the plates are bound 51 49 at the end of each volume. Title-pages to both volumes in facsimile. Volume I starts with Preface and thus seems to lack the contents list. Volume II lacks only the title as contents pages are complete. Name stamp to margin of Preface edge browned and some fingering & soiling a few leaves with edge wear with 3 leaves with 3mm tears to blank margins only. A well-loved and well-used Aesop with charming AQUATINT PLATES. Very scarce with Oxford the only copy of this printing noted in British libraries - McGowan was printer as well as publisher and his Windmill Street address is given at the foot of the last page of each volume. J. M'Gowan and Son unknown
180423583Rouen:: A. Lelalain 1804. Nouvelle edition revue corigee & augmentee de la Vie d'Esope. contemporary full sheep. A few old notes on endsheets; some minor staining to text; boards quite scuffed but tight and sound. 16mo. Illustrated with woodcuts throughout. A. Lelalain, hardcover
76753Boston:: G. W. Cottrell no date 19th c. publisher's gilt cloth; gilt spine; a.e.g. Light rubbing to the cloth; clean tight and sound. Approx. 3-7/8 x 3 inches. Engraved frontispiece; engraved vignette on title page and numerous engraved plates. G. W. Cottrell, hardcover
185172786Philadelphia:: Hogan & Thompson 1851. Added illustrated title page;. Hogan & Thompson, unknown
177677475Rouen:: Chez Richard Lallemant 1776. Nouvelle Edition revue corigee & augmentee de la Vie d'Esope avec Figures & les Quatrains de Benserade. old full calf; gilt-decorated spine but gilt-lettered spine label absent. Inoffensive light staining to a few pages; text quite attractive. Shallow chipping to the extremities of the spine and corners; tight and sound. 12mo. Illustrated throughout from half-page woodcut text illustrations; frontispiece portrait d'Esope. Title page in red and black. Chez Richard Lallemant, unknown