108 résultats
175315331Berlin, (Wagner in Ulm für) A. Haude u. J. C. Spener, 1753. Kl.-8°. Mit gest. Titelvignette. 14 Bll., 192 S., Ppbd. d. Zt.
17011229424to. Amsterdam: Typographia Francisci Halmae 1701. 4to engraved general title letterpress red & black title page with allegorical engraved vignette. 18 full-page copper-engraved plates by Jan van Vianen each featuring six circular images and 38 in-text reproductions engraved decorative initials and head- and tailpieces. With the oversize fold-out engraved portrait of Joannes Gulielmus Prince of Nassau. Later polished calf c.1750 headcap repaired upper hinge repaired. § Phaedrus 15 BC - AD 50 Italy was a "Roman fabulist the first writer to Latinize whole books of fables producing free versions in iambic metre of Greek prose fables then circulating under the name of Aesop." Ency. Brit. This de luxe edition was especially created for the Prince of Nassau profusely illustrated with fine engravings. Dibdin spoke highly of it in his Greek and Latin Classics 4th edition: "I have always considered this as a correct and very sumptuous edition. It is ornamented with a great number of small plates or medallions in which the subject of the fable is very ably and spiritedly executed. The type is peculiarly rich and bold and is hardly equalled by any Dutch edition of a classic." p. 285. Landwehr F163. Typographia Francisci Halmae unknown books
1718FF2503Utrecht:: Apud Guilielmum vande Water 1718. 1718. Two parts in one volume. Octavo. 62 398; 258 70 pp. Elaborate engraved frontispiece woodcut title vignette head & tail pieces index. Title printed in red & black. Internally generally clean and tight with offsetting to title. Later full red straight grain morocco single-ruled in gilt with gilt-stamped and lettered spine with solid single gilt roll to edges foot of spine gilt-stamped: TRAJ: AD RHEN publisher: 1718 all edges gilt marbled endsheets; somewhat rubbed. Bookplates of Thomas M. Lowndes and Henry Drury. Very good. With a fore-edge painting depicting a scene of HAWICK ROXBURGHSHIRE SCOTLAND after an engraving by John Greig fl. 1800-1843 from an original study by Luke Clennell 1781-1840. The fore-edge painting is based on an engraving found in Sir Walter Scott's Border Antiquities of England and Scotland Longman & Co. 1814-1817. This well-painted scene is likely of 20th century vintage. / The Dutch scholar Peter Burman was professor of the art of rhetoric and the history of Utrecht and also of Greek philology. In 1715 he succeeded Perizonius receiving the chair of history and the Greek language and the art of rhetoric at the Lyon-Batava Academy. Later he was librarian and director of the Lyon-Batava Academy. This is his commentary on Phaedrus which was originally issued in 1698. PROVENANCE: Thomas M. Lowndes – Henry Drury both pre-fore-edge – Jack Bartfield Fine Books New York – Randall J. Moskovitz MD Memphis Tennessee. Apud Guilielmum vande Water, 1718. unknown
1767ABC_45189Berlin 1767. 12mo. Gottlieb August Langius Contemporary vellum manuscript title on spine. With woodcut vignette on title-page and some woodcut head- and tailpieces. XVI 98 112 pp. "Seventh" edition of Phaedruss Latin verse translation and adaptation of 94 Aesop fables without the commentaries by Gude Rittershausen and others in the redaction by Pieter Burman 1668-1741 professor of eloquence and history at the Utrecht University which he first published in 1698. It includes the 34 fables added in the appendix of J.F. Nilants 1709 edition. Phaedrus wrote in the first century CE and went through dozens of editions but the present edition calls itself the seventh perhaps counting only editions of Burmans redaction of the five books. The first edition of the five books appeared at Troyes in 1596.With several contemporary owner's inscriptions and annotations and drawings throughout; modern stamps on the pastedown. Binding soiled and margins cut close tot the text but with practically no loss. A fair copy.l Schwabe & Barbier 1826 I p. 104. hardcover
1701ABC_45394Amsterdam 1701. 4to. François Halma Contemporary half calf brown sprinkled paper sides brown spine label with title in gold red sprinkled edges. With an engraved frontispiece by P. Boutats after J. Goeree an engraved printer's device on the title-page a folding portrait of the dedicatee Johan Willem Friso van Nassau-Dietz by P. van Gunst after B. Vaillant and 18 engraved plates with 6 roundels on each plate illustrating the 99 fables and 5 prologues 3 portraits of Aesop and tailpieces and historiated initials all by Jan van Vianen. 32 160 84 pp. Gorgeous edition of the 94 Aesop fables with 5 additional fables found by the German philologist and classical scholar Marquart Gudius together with his extensive and scholarly notes printed in two columns below each fable the whole prepared by David van Hoogstraten 1658-1724 the conrector of the Latin School of Amsterdam 1694-1722. Apart from being a prolific Dutch and Neo-Latin poet he was an esteemed linguist and philologist who edited a number of classical authors. His present splendid Phaedrus edition intended for and dedicated to the young Stadholder of Friesland and Groningen the crown-prince Johan Willem Friso of the Nassau family is magnificently printed in the style of the French in usum Delphini editions made for Le Grande Dauphin. With the bookplate of John Blackburne on the front paste-down. Spine damaged front hinge weak paper sides worn and partly torn off some small marginal tears in the portrait of Johan Willem Friso but otherwise in good condition.l Bodemann 94.1; Fabula docet 42; Landwehr F163; Schwabe/Barbier pp. 69-70. unknown
1742963Q18Parisiis : Coustelier 1742 . Leather. Very Good Indeed. 6" by 3.5". Antoine Coypel . A beautifully bound eighteenth-century Latin edition of this collection of fables inspired by Aesop taken from the writings of early fabulists Phaedrus and Avianus. Beautifully bound in full calf housed in a custom cloth clamshell by Eric Sweet. Pages have been washed during the restoration process.Comprised of 'Phaedri Augusti Liberti Fabularum Aesopiarum' and 'Flavvi Aviani Fabularum Aesopiarum'.Two works bound together although running with a continuous pagination as is expected with this work. A collection of fables inspired by Aesop the first part originating from Roman fabulist Gaius Julius Phaedrus and the second part being compiled from the writings of pagan writer Avianus. Born in the 1st century AD not much was known about Phaedrus until the discovery of a few of his manuscripts during the Renaissance when his popularity soared. He is recognised as being the first versifier of Aesop's fables into Latin. Born around AD 400 Avianus was a pagan writer of fables in Latin inspired by Babrius the author of a collection of Greek fables known today as Aesop's fables. Written in Latin. Illustrated with a frontispiece of Antoine Coypel after Fessard and five vignettes. Collated complete. Pagination error p107-p111 skipped in pagination as is expected of this edition. Restoration carried out and clamshell created by Eric Sweet a keen collector of private press and fables. He studied at the Brighton College of Art before moving to London to work as a lettering artist and typographer for advertising agencies later becoming the head of Birmingham School of Printing.Label of 'Bibliothèque du Boisgeloup'. Bound in full calf housed in a custom cloth clamshell. Externally very smart with light rubbing to joints and extremities and the odd mark. Bookplate to front paste down. Internally firmly bound. Pages have been washed and are bright and clean. Pagination error p107-p111 skipped in pagination as is expected of this edition. Very Good Indeed Coustelier hardcover
1754003T2Typis Josephi Barbou Parisiis: 1754. 1754 pp. xlviij 305 Engraved Frontis. Fine headpieces and tail pieces engraved by Fessard Sornique and others. Foxed. 12mo. Disbound. All edges gold gilt. Brunet V/1788; Cohen 798. Gaius Julius Phadrus 1st century was a Thracian slave who translated Aesop's fables into Latin verse. He was certainly more than a reproducer of Aesop and can be credited with adding many fables of his own. A brief history of the Barbou Classics is given by Schweiger II 1269. In 1742 Lenglet de Fresnoy persuaded Coustelier to start a series which was meant to be a French rival to the Elzeviers - even surpassing them in terms of scholarship and typography. Though this effort soon exhausted itself it was revived by Jean Joseph Barbou in 1753. Seven of these attractive little books appeared in 1753-1755 and though there were more issued in the next decade there was not enough market interest to support a sustained publishing program. They still stand as a monument to French scholarship and typography. This copy is priced low enough to allow for a nice new binding. PRICE JUST REDUCED! SMALL BOX 5 Language: eng. No Binding. Good. Typis Josephi Barbou, Parisiis: 1754. unknown
1784ABC_45444Zweibrücken 1784. 8vo. Sprinkled paper over boards red sprinkled edges. With a strange engraving showing a fantastic creature with a roosters head a man in his belly a rams head for an ass stepping on a fish with a rabbit in the background in an oval with the inscription Agostini on the title-page. 2 LII 232 pp. The well printed celebrated "Biponti society" edition of Phaedrus part of a renowned series of Greek and Latin texts published in the German city of Zweibrücken Biponti a town near Sarbrücken starting in 1779. The edition is partly based on the edition of Johann Albert Fabricius 1621-1736 as edited by Johann August Ernesti 1707-1781. Ultimately however the starting point of the edition was the Petrus Burman recension with notes by Gudius and with fables added from the Romulus the Niccolò Perotti 1430-1480 appendix and others as well as the Avianus and Anonymous i.e. "Anonymous Neveleti" fables mentioned. The book also contains the Vita Phaedri by Johannes Scheffer 1621-1679 and the "Notitia literaria de Phaedro ex Jo. Alb. Fabricii Bibliotheca Latina" by the editor Ernesti pp. xiii-lii and "De Anonymus vetere fabularum auctore. latin. ed Ernesti" also by the editor.Top and bottom of spine bumped.l Schwabe/Barbier 111-112. hardcover
1797H5474Paris: Didot; Excudebam Petrus Didot Natu Major Anno Reip. VI In Aedibus Palatinus. 1797. Hardcover. Very Good. Published in An VI 1797-1798 8vo pink boards remains of spine label very good light rubbing along joints minor occasional foxing; handsome mid-19th century bookplate by Dupont for A. Kuhnholtz-Lordat a collector from Montpellier. 3 99 pp. Didot; Excudebam Petrus Didot, Natu Major, Anno Reip. VI, In Aedibus Palatinus.. hardcover
1784963Q22Biponti : Biponti 1784 . Vellum. Very Good. 8" by 5". None. A vellum-bound copy of the celebrated "Biponti" edition of Phaedrus's fables of Aesop along with contributions from other noted fabulists. The Biponti edition part of a celebrated series of Greek and Latin texts published in Biponti Germany.Bound in a contemporary full vellum with a custom cloth clamshell. A Latin collection of Phaedrus's fables of Aesop originating from 1st Century Roman fabulist Gaius Julius Phaedrus known for being the first versifier of Aesop's fables into Latin. Also included in this collection are fables by another well-known writer in the field pagan fabulist Aviani as well as a number of anonymous contributors. Based on the 1727 edition of Pierre Burman or Petrus Burman with contributions from other authors. With an unusual illustration to the title page depicting a mixture of animals in one. Bookplate of Bibliotheque de J. Thompson Bruxelles 1870 and another of Ch. de Toughe. Clamshell by Eric Sweet a keen collector of private press and fables. He studied at the Brighton College of Art before moving to London to work as a lettering artist and typographer for advertising agencies later becoming the head of Birmingham School of Printing. Bound in a contemporary full vellum with a custom cloth clamshell. Externally very good with rubbing to the extremities and marking to the vellum as is common with this binding. Bookplate and inscriptions to front paste down. Internally firmly bound. Pages are bright and clean. Clamshell is also in excellent condition with just a little fading. Very Good Biponti hardcover
17941005771794 Amsterdam, 1794, 340 p., demi-reliure, environ 20x13cm, tome 3 vendu seul, 2 étiquettes sur le dos, manque de cuir le bas du dos, des trous de vers sur les mors, un mors en grande partie fendu, coins et haut du dos restaurés, plats frottés, une étiquette indiquant le règlement de la Bibliothèque de la Société d'Etudes Psychiques et Spirites sur le premier contreplat, mors internes fendus, des rousseurs sur les pages.
170114633Phaedri, Aug. Liberti Fabularum Aesopiarum Libri V. Notis illustravit in usum Serenissimi principis Nassavii David Hoogstratanus.Amstelaedami (Amsterdam), ex Typographia Francisci Halmae 1701. Ex-libris de la bibliothèque de Ph.-L. de Bordes de fortage.Très belles Illustrations de David van Hoogstraten (1658-1724) :1 grand portrait-frontispice de Nassau gravé par Van Gunst replié.1 titre-frontispice gravé par Boutats.1 vignette de titre.6 vignettes de chapitres.9 lettrines illustrées.32 culs-de-lampe.18 planches de 6 médaillons gravées par Van Vianen.Reliure plein veau granité de l'époque. Dos à nerfs avec pièce de titre maroquin rouge. Tranches jaspées rouge. Dos noirci. Mors fendillés. Pas de rousseur. Déchirure latérale restaurée sur le portrait. Très belle édition, bien illustrée. Bon état. Format in-4°(26x19).
1701aes33Amsterdam: Francisci Halme. VG : in very good condition. Rebacked with new endpapers. Wear to corners and laid-on spine panels. Archival repairs to verso of folding portrait plate. Library stamp to verso of fep. Inner hinges cracked. Browning and occasional marking commensurate with age. 1701. First Edition. Brown hardback leather cover. 270mm x 230mm 11" x 9". 32pp. 160pp. 84pp. index. Engraved folding frontis portrait by P. van Gunst after B. Vaillant; engraved frontispiece by P. Boutats after J. Goeree; 18 engraved plates with 6 roundels on each plate; additional engraved decorations. Beautifully illustrated edition of the 94 Aesop fables with 5 additional fables found by the German philologist and classical scholar Marquart Gudius. Together with a Life of Phædrus by Joanne Scheffero. Heavy item - shipping supplement may apply for overseas. . Francisci Halme hardcover
1796558164 vol. in-8 cartonnage bradel marron de l'époque, de l'Imprimerie de Delance, Paris, 1796, ; 2 ff., XX-371 pp. ; 2 ff., III-280 pp. et 1 f. ; 2 ff., L pp., 1 f., 260 pp. 2 ff., 364 pp. Rappel du titre complet : Les Trois Fabulistes, Esope, Phèdre et La Fontaine, par Chamfort et Gail (4 Tomes -Complet) I : Esope, grec et Latin, traduit en français par J.-B. Gail ; II : Phèdre, traduit en français par J.-B. Gail ; III et IV : Fables de La Fontaine, avec les notes de Chamfort
17731243— Paris : Alex. Le Prieur, 1773. Grand in-8, 223 x 150 : (2 ff). le premier blanc, frontispice, 43 pp., 4 planches. — Maroquin havane du XIXème siècle, trois filets en encadrement sur les plats, dos à nerfs richement orné, dentelle intérieure, tranches dorées (A. Motte).
1708D4271Amsterdam: Pierre Mortier 1708. Hardcover. Very Good. 2 volumes 152 x 95mm. Vol. I: 297pp. 7 table; Vol. II: 287pp. 4 index. Both volumes with the identical engraved frontispiece depicting the traditional theme of Aesop ruling the animals. The moralizing tales are extensively illustrated with copper- plate engravings by Georg Paul Busch. Volume I contains the life of Aesop by Planudes and the beginning of Aesops Fables and Volume II continues with Aesops Fables and includes the Fables of Philelphe Gabrias and Avienus. Modern binding; frontispiece of vol. II somewhat chipped otherwise clean and good. Rare and richly illustrated edition of Aesops fables with extensive dialogue on the moral of each fable. Jean-Baptiste Morvan de Bellegarde a clergyman put his mark on the Aesopic work by contributing a four-line rhyming verse at the end of each fable in italics. Bellegarde also added 18 fables of the Latin poet Philelphus and 37 fables based on Aesop by Gabrias and Avienus. The larger fables added are the Battle of the Cats and the Rats and the Battle of the Rats and the Frogs. Thereafter follow five Tales of Aesop taken from Platos dialogue Protagoras another six Poetical fables with Olympian Gods as protagonists two more Tales one taken from Herodot and a last fable taken from Gerbellius. The beautiful fable illustrations are by Georg Paul Busch; a Berlin copper-engraver who died in 1756. Rare early edition of Aesopic literature with several other didactic tales and authors additions. <br/><br/> Pierre Mortier hardcover books
1773ALDR0510A Coppenhague (Kopenhagen), Chez les Heritiers De Rothe Et Proft 1773. 8°. Gest. Frontisp. S. 3-478, mit 1 gest. Taf. u. 58 (v. 59) gez., gest. Taf. (Taf. 30 fehlt), 5 nn. Bll., Titelblatt in Rot- u. Schwarzdruck, mit gestochener Vignette, sowie Kopfstücken, Initialen, Schlussvignetten u. kleinen Ziervignetten. Halblederband aus neuerer Zeit, Rückenschildchen schwarzgeprägt, Zierlinien am Rücken goldgeprägt, Einbanddeckel marmoriert, Vorsatz erneuert. Frontispiz u. Titelblatt fleckig, Seiten gebräunt bzw. braunfleckig. Mit einigen Zahlen von alter Hand am vorderen Schmutzumschlag avers. Hoffmann 1,88,1757. Vgl. VD18 13076795 (Ausg. Berlin 1751). NBG 5,239f. - von Jean Baptist Morvan de Bellegarde (1648-1734) übersetzte, erstmals 1708 in Amsterdam herausgegebene Fabelsammlung mit Fabeln von Aesop (ca. 6 Jh. v. Chr.), F. Philelphus (1398-1481) u. a. Es können Ausgaben mit der gleichen Titelblattvignette und den gleichen Illustrationstafeln aber verschiedenen Druckjahren und Druckorten nachgewiesen werden (vgl. u. a. Ausg. Berlin 1751). Das Frontispiz soll von Johann Michael Stock (1737-1773), Kupferstecher und Zeichner, der Goethe in Holzschnitt und Kupferstich unterrichtete, stammen, die Illustrationstafeln wurden von Georg Paul Busch (gest. 1756) gearbeitet (Vgl. Thieme-B. 5,281 u. 32,72). Die fehlende Tafel liegt in Kopie bei. [3 Warenabbildungen]
179712471Paris, Dugour, An VI. [1797]. 1 vol. in-12. Basane d'époque, dos à faux-nerfs orné de fleurons et fleurs-de-lys dorés, pièce de titre manquante.
175923606Amsterdam Zacharie Chatelain & fils 1759 -in-8 plein-veau un volume, reliure plein veau marbré havane in-douze (binding full calfskin in-12)(16,8 x 10,4 cm), Reliure de l'époque, dos long (spine without raised bands), titre frappé "or", quadruple filets "or" en place des nerfs et en tête et en pied, entre-nerfs à fleuron palmettes "or" au fer évidé (floweret with hollowed out blocking stamp), léger manque de cuir à la coiffe supérieure, mors du premier plat épidermé, coins écornés, dos avec deux légers trous de ver avec léger manque de cuir en pied sur 1 cm2 (à restaurer), plats légèrement épidermés avec manque de cuir au mors du 4ème plat sur 12 cm2, plats légèrement épidermés,toutes tranches lisses, Jolie édition des fables d'Esope pour la jeunesse. Elle est illustrée d'un frontispice gravé en noir représentant Esope et de 28 figures gravées sur bois en noir pour la Vie d'Esope + 168 figures gravées sur bois en noir pour la partie Fables d'Esope (gravures de facture populaire, inspirées des illustrations des éditions du XVIème siècle), (104 p. pour la Vie d'Esope + 328 + 4 p. de catalogue editeur) pages, 1807 à Paris chez Delalain Editeur,
177677475Rouen:: Chez Richard Lallemant 1776. Nouvelle Edition revue corigee & augmentee de la Vie d'Esope avec Figures & les Quatrains de Benserade. old full calf; gilt-decorated spine but gilt-lettered spine label absent. Inoffensive light staining to a few pages; text quite attractive. Shallow chipping to the extremities of the spine and corners; tight and sound. 12mo. Illustrated throughout from half-page woodcut text illustrations; frontispiece portrait d'Esope. Title page in red and black. Chez Richard Lallemant, unknown
1708ABC_47441A Amsterdam: Chez Pierre Mortier 1708. Marbled half-morocco binding with gold tooling to spine five raised bands with title in gold second compartment. 12mo. With an engraved frontispiece showing Aesop standing on a gallery holding an armillary sphere hunting horn and spear surrounded by a mixed crowd including children with a group of wild and domestic animals standing and lying below 117 half-page engravings 65 x 8 cm for the 117 numbered Aesop fables initials endpieces. Two parts in one volume Rare and beautifully illustrated edition of 117 Aesop's fables in French each with an extensive discussion of the moral followed by a four-line verse by Jean Baptiste Morvan de Bellegarde. He adds French prose translations of further fables without illustrations: 18 numbered fables by the Renaissance Italian humanist poet and scholar Francesco Filelfo or Philelphus 1398-1481 translated from the Latin verse; 37 fables based on Aesop by Gabrias and Avienus translated from the Latin verse; two longer fables: the "Battle of the cats and the rats" and the "Battle of the rats and the frogs"; five Aesop "tales" taken from Plato's dialogue Protagoras; six numbered "poetical fables" with Olympian Gods as protagonists; and finally three more "tales" the first from Herodotus and the last from Gerbellius.Light wear to binding some pencil notes to endpaper and throughout repairs to title page not affecting the text. With en exlibris of Georges Jal.l STCN 334560683 1 copy Bodemann 97.1 Landwehr Emblem & fable books F062 WorldCat 42461403 3 copies. Chez Pierre Mortier, hardcover
179726353<p><strong>1797 Aesop Fables Illustrated 99 Francis Barlow ART Mythology Cuts ANIMALS RARE</strong></p><p><em>"A doubtful friend is worse than a certain enemy. Let a man be one thing or the other and we then know how to meet him." </em></p><p>― Aesop<em> Aesop's Fables</em></p><p>Aesop's fables have been printed for centuries and include some of the most famous fables and tales of all time. Aesop's Fables have been printed for centuries and this early 19th-century French edition by Francis Barlow is a highly desirable printing. Published in 1797 this volume from Barlow's edition features over 100 full-page illustrated engravings of animals and mythical creatures by Barlow. Barlow a 17th-century artist first designed his Aesop woodcuts for John Ogilby's 1665 edition. </p><p>Item number: #26353</p><p>Price: $750</p><p>AESOP</p><p><strong><em>Les fables d'EÌsope avec figures d'apreÌ€s Barlow</em></strong></p><p>A Paris : De l'imprimerie de Didot le jeune 1797</p><p><u>Details</u>: </p><p><!-- if !supportLists-->· <!--endif-->Collation: </p><p><!-- if !supportLists-->o <!--endif-->4 xii 97 1</p><p><!-- if !supportLists-->o <!--endif--><strong>99 woodcuts</strong></p><p><!-- if !supportLists-->· <!--endif-->Language: English</p><p><!-- if !supportLists-->· <!--endif-->Binding: Hardcover; tight and secure</p><p><!-- if !supportLists-->· <!--endif-->Size: ~7.5in X 8.75in 19cm x 22.5cm</p><p>Our Guarantee:</p><p>Very Fast. Very Safe. Free Shipping Worldwide.</p><p>Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation!</p><p>26353</p><p>Photos available upon request. </p> De l'imprimerie de Didot le jeune hardcover
1714015977Amsterdam Etienne Roger: Amsterdam Etienne Roger 1714. First edition in French of Sir Roger L'Estrange's translation with Francis Barlow's engravings. Book measures 25x20.cm. lxxxiv2222pp engraved frontis 27 full-page illustrations of Aesop and 108 illustrations of Fables by Thomas Dudley and Francis Barlow. Bound in modern full vellum title to upper cover within Greek key border in pen & ink full coloured edges marble endpapers. Outer page edges slightly uneven. Binding in very good clean firm condition. Internally previous owners bookplate period signature on title pages very occasional minor stain tear repair. Pages in very good clean condition throughout. A very good clean copy in a very nice full vellum binding. Housed in a modern cloth drop-back box. First edition in French of Sir Roger L'Estrange's translation with Francis Barlow's engravings.F. Vellum. Very Good Plus. Quarto. Amsterdam, Etienne Roger Hardcover
1708D4271Amsterdam: Pierre Mortier 1708. Hardcover. Very Good. 2 volumes 152 x 95mm. Vol. I: 297pp. 7 table; Vol. II: 287pp. 4 index. Both volumes with the identical engraved frontispiece depicting the traditional theme of Aesop ruling the animals. The moralizing tales are extensively illustrated with copper- plate engravings by Georg Paul Busch. Volume I contains the life of Aesop by Planudes and the beginning of Aesops Fables and Volume II continues with Aesops Fables and includes the Fables of Philelphe Gabrias and Avienus. Modern binding; frontispiece of vol. II somewhat chipped otherwise clean and good. Rare and richly illustrated edition of Aesops fables with extensive dialogue on the moral of each fable. Jean-Baptiste Morvan de Bellegarde a clergyman put his mark on the Aesopic work by contributing a four-line rhyming verse at the end of each fable in italics. Bellegarde also added 18 fables of the Latin poet Philelphus and 37 fables based on Aesop by Gabrias and Avienus. The larger fables added are the Battle of the Cats and the Rats and the Battle of the Rats and the Frogs. Thereafter follow five Tales of Aesop taken from Platos dialogue Protagoras another six Poetical fables with Olympian Gods as protagonists two more Tales one taken from Herodot and a last fable taken from Gerbellius. The beautiful fable illustrations are by Georg Paul Busch; a Berlin copper-engraver who died in 1756. Rare early edition of Aesopic literature with several other didactic tales and authors additions. <br/><br/> Pierre Mortier hardcover
174319742Paris: Claude-Charles Thiboust 1743. Contemporary mottled sheepskin sewn on 5 cords gold-tooled spine with label in 2nd of 6 compartments gold fillets on board edges red edges green ribbon marker. 4to 25.5 x 20.5 cm. With an etched and engraved frontispiece showing Aesop surrounded by his students and a couple children above and a peaceful group of animals below including a lion elephant monkey mink eagle fox ox and mountain goat; and 139 half-page etched fable illustrations in the text 9 x 11 cm one for each of the 139 numbered fables all 140 copperplates etched and engraved by Aegidius Sadeler the frontispiece signed for Theatrum morum Prague 1608: 124 close copies in mirror image of those by Marcus Gheeraerts 15 added by Sadeler plus the title-plate with title removed. Further with numerous woodcut headpieces tailpieces and decorated initials. The third French Aesop adaptation to use the 140 plates originally etched by Aegidius or Gilles Sadeler ca. 1568/70-1629 for his Theatrum morum Prague 1608 here reordered and with a new prose text probably written by Henri-François d'Aguesseau 1668-1751 Chancellor of France three times between 1717 and 1750. The etching for fable 117 shows an American buffalo bizon the earliest image that really looks like the animal familiar to us today. "These added designs by Sadeler are highlights in the history of book illustration" Hodnett p. 39.With a 20th-century bookplate and ink stamps. The copper plate for fable 90 had lost much of its detail and some others show slight degradation but in general they remained in good condition and are also well printed. The corner of 1 leaf has been torn off and there is an occasional small marginal tear or faint stain but the book remains in good condition and has large margins. The binding is chipped and cracked at top of the spine and shows a few smaller defects but is also in good condition. A late showing of 140 of the best illustrations in the Aesop tradition etched and engraved in 1608.l Hodnett Marcus Gheeraerts pp. 38-41; Hollstein XXI p. 80; Smith Het schouwtoneel der dieren pp. 39-41. Claude-Charles Thiboust, unknown