1 896 résultats
PARIS, Lib. Delagrave - 1938 - In-4 - Cartonnage éditeur rouge et or - Illustrations de A. Ballet - 89 pages
18p., illus. 12 color illus. Printed by De La More Press, London. Hardcover Good condition; edges of green boards faded & worn
P., Lecou & Hetzel et Cie, sans date (1852). Grand in-8 relié demi chagrin rouge, dos à caissons ornés, double encadrement doré sur les plats, toutes tranches dorées ; p. de fx-t.-frontsipice-p. de t.--310 pp.-t. des matières-7 eaux fortes. Les eaux-fortes (8 avec le frontispice) sont tirées sur papier de chine et protégées par des serpentes. Une serpente absente, quelques points de rousseurs, un tampon au bas de la page de titre. Agréable exemplaire. Il s'agit du second tirage, le premier étant de 1846.
P. G. Charpentier et Cie Editeurs, 1887. Petit in-16 (8 x 11.5 cm) relié demi- maroquin bleu foncé, dos à nerfs, tête dorée, date en queue, 369 pp. Avec 2 dessins de A Ferdinandus. Bon état.
E Dentu éditeur, 1894. In-16 broché, couverture illustrée de 224 pages non coupées. Illustrations de G Picard. Petite collection Guillaume. Rousseurs sur les tranches sinon très bel état
Un volume broché de format petit in 8° de 136 pp.; mention de spécimen. Bel état. Voir photo. Très peu fréquent.
In-12, demi-chagrin vert bronze de l'époque, dos à 4 faux-nerfs soulignés de filets à froid, orné de compartiments garnis d'un fer spécial répété, titre doré, tranches mouchetées, (4), 358 p. Très bel exemplaire, très frais, très bien relié.
In-8, 297p. Ornés de vignettes de Tony Johannot et publié avec une introduction d'Edmond Jaloux.
In-4, 310p. Illustré de 8 eaux-fortes et de 2 vignettes gravées sur bois de Tony Johannot. Second tirage des illustrations (la première date de 1846). Exemplaire très frais, dans une reliure plutot modeste, mais néanmoins en bon état . [Vicaire]
In-12, demi-chagrin vert bronze de l'époque, dos à 4 faux-nerfs soulignés de filets à froid, orné de compartiments garnis d'un fer spécial répété, titre doré, tranches mouchetées, (4), 434 p. Très bel exemplaire, très frais, très bien relié.
Price-clipped dust jacket. Tear on dust jacket at top of spine. 184 pages.
Large format book with color plates -- often full size -- of drawings of the 32 legends the book contains. 88 pages with glossary at back. Book shows minor wear only, binding is solid and square, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears.
New English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Laz [Lazuri]. 320 p., b/w ills. A study on Lazuri (Laz) cultural history. Laz kültür tarihi.
Citazione autografa firmata su foglio intestato "Camera dei Deputati" (cm. 21x13). 11 righe in chiara grafia: "La vera sapienza è nel pensare da pessimista, poi che la illusione nasce e la natura delle cose è ingiusta e crudele; ma nell'agire da ottimista, poi che nessuno sforzo di verità, ni'un atto di bontà sono mai interamente perduti.".
146p. 8vo. Original full cloth binding. Dust jacket. Book Club edition. EROS2
EDITIONS BIAS. 1967. In-8 Carré. Relié. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 92 pages augmentées de nombreuses illustrations en couleur dans et hors texte ILLUSTRATIONS DE SIMONE DELEUIL
Mm 145x205 Brossura di pp. 86, illustrazioni in bianco e nero e colore. Collana Working papers of the Ugoccione Ranieri di Sorbello Foundation, n. 12. In condizione di nuovo.
Volume brossurato in cartoncino flessibile, dalla copertina illustrata in entrambi i piatti, leggermente lisa e macchiata. Buonissimo lo stato di conservazione, pagine perfettamente tenute, velate da tonalità seppia, come i tagli, ricche di disegni in nero, nel testo, di Bruno Munari. Numero pagine 154. USATO
Buenos Aires, Librería Hachette, 1950, 32,5 x 24 cm., 8 hojas incluso las cubiertas, todas ellas ilustradas con dibujos a color. (Cubiertas algo rozadas).
PARIS, Montbrun - 1947 - Petit In-8 - Boché - Frontispice - Illustrations de Colette RODDE - 141 pages - Bon exemplaire
Very Good Russian Rare second edition of Nazim Hikmet Ran's 'Cloud in love' in Russian as well as in any Slavic languages, translated by Russian Turcolog and philologist Lely Nikolayeviç Starostov, (1924-1985). It's an allegorical story about an evil desert spirit who tries to destroy an oasis that is tendered by beautiful Aishe. Luckily, a Cloud falls in love with her and protects the oasis, although it costs him a life. This script also was used as it was for Soviet animation with the same title 'Vlyublennoye oblako', which was made in 1959 by Roman Kachanov, one of the pioneers of Soviet stop motion animation. Paperback. Cr. 8vo. (20 x 14 cm). In Russian. 118, [1] p., b/w ills.
Edicion no venal.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English and Turkish. 942 p., ills. Understanding the 21st Century with Nasreddin Hoca. International Symposium Aksehir, 8-9 May 2008, Papers.= 21. Yüzyili Nasreddin Hoca ile anlamak. Uluslararasi Sempozyum Aksehir, 8-9 Mayis 2008 . Bildiriler.
Fine English Paperback. Roy. 8vo. (24 x 17 cm). In English and list of characters in Chinese. 294 p. A type index of Chinese folktales: In the oral tradition and major works of non-religious classical literature (FF Communications No. 223). Nai-Tung Ting's work on the Chinese folktale provides an interesting example in this regard. At a cursory investigation, the work appears to have been done impeccably. It is bearing testimony to the high level of scholarly asceticism that has characterized so many of those who have fallen under the shadow of the Finnish Academy. The indexing system is efficiently laid out and easy to use. It lends itself readily to eventual computerization and will undoubtedly save all the research headaches and frustrations it has been arranged to. For this it merits the highest praise, as also for the actual amount of material that the author has gathered up and sifted through for us. The bibliography runs to well over 700 entries, many of them sizable volumes or collections running to several volumes. It is composed almost entirely of twentieth century editions up until 1973. Given the breadth and depth of the nation with the world's largest population, and probably also the largest active folk tradition, we have reason to be grateful for efforts such as this. (In a nice flourish of conscientious apologetics, the author even informs us that one particular source had to be skimmed through quickly because the poor quality of the copy hurt his eyes!)