•CONTE CHINOIS•Livre Rare Book
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555Paris, A. Lahure, 1884., XXX, 102 pp, In-8, demi-chagrin vert, tranche supérieure dorée, monogrammé en queue. Reliure légèrement frottée
1577Librairie Alcan, Paris, 1902
500335854Hachette Jeunesse Sans date.
500306566Éditions Gautier-Languereau Sans date.
189358158E. Dentu | Paris 1893 | 11.50 x 17 cm | broché
M., 1938, 20 x 14 cm., tela original, 115 págs. - 2 h.
Texto en gallego, segunda edición.
1984011141<p>Saxonville MA: Picture Book Studio 1984 1984. Wraparound pictorial boards; matching dust jacket is very slightly age-toned original price intact $11.95. Gorgeously illustrated edition of this popular Andersen fairy tale. This copy is signed by Zwerger on the title page. Signed by Illustrator. First American Edition. Pictorial Boards. Fine/Near Fine. Illus. by Lisbeth Zwerger. Oblong 4to.</p> Picture Book Studio
1982011147New York: William Morrow & Co 1982 Boards pictorially stamped in gilt with cloth spine color pictorial dust jacket with original price intact $9.50. A prince disguises himself as a swineherd to learn the true nature of the princess he wishes to marry. Lovely color artwork by Lisbeth Zwerger throughout. . First American Edition. Pictorial Boards. Fine/Fine. Illus. by Lisbeth Zwerger. Small Square 4to. William Morrow & Co unknown
1980009277New York: William Morrow & Co 1980 Blind stamped hard cover corner crease to endpaper else fine; dust jacket price clipped else fine. Library binding but NOT ex-library. Andersen's famous fairy tale beautifully illustrated in color by Austrian illustrator Lisbeth Zwerger. . First American Edition. Hard Cover. Near Fine/Near Fine. Illus. by Lisbeth Zwerger. Small Oblong 4to. William Morrow & Co hardcover
Barcelona, Editorial Roma, sin fecha, 33 x 23,5 cm., cartoné ditorial algo rozado, 4 hojas con ilustraciones a color y texto al pie de página.
27527Paris Charpentier, Libraire 1845 in 12 (18x11) 1 volume reliure demi basane verte de l'époque, dos lisse orné de filets et fleurons à froid, XXVIII et 502 pages. Traduits par Loeve-Veimars. Avec une esqisse biographique de Zschokke, écrite par lui-même, et traduite par Henri Lecornet. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
49334Maestricht, Veuve Lefebvre-Renard, 1829, 2 volumes petit in 12 reliés demi-basane fauve, dos lisses ornés, 275 et 294 pages ; 4 gravures hors-texte dont 2 frontispices ; des rousseurs ; mouillure au toms 2 ; frottis, mors entièrement fendus (dos recollés).
1970119870Couverture rigide. Reliure rouge de l'éditeur. 615 pages.
1883R320078950CHARPENTIER G. 1883. In-24. Broché. Etat d'usage, Couv. convenable, Coiffe en pied abîmée, Intérieur frais. 440 Pages - Frontispice sous Serpente Gravé en fac simile par DUJARDIN AVEC DEUX DESSINS DE JEANNIOT. . . . Classification Dewey : 398.2-Conte populaire
1928lr794François Bernouard Broché 1928 Deux tomes in-8 (15,2 x 21,5 cm), brochés, paginés de 18 à 317 et de 334 à 675 ; pliures au dos, quelques taches et rousseurs sur les plats et le dos, rousseurs aux tranches et à l'intérieur, état moyen. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1878R320049834CHARPENTIER G.. 1878. In-12. Relié demi-cuir. Etat d'usage, Coins frottés, Dos frotté, Mouillures. 506 pages - traces de mouillure e ncoin de l'ensmeble de l'ouvrage, sans altérer la lecture - coins et tranches émoussés -Coiffes en tete et pied légèrement frottées - auteur, titre et filets dorés au dos - Dos en cuir marron et a 4 nerfs - plats et cotnre-palts jaspés.. . . . Classification Dewey : 398.2-Conte populaire
1914RO80173952EUGENE FASQUELLE EDITEUR. 1914. In-8. Relié. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur frais. 506 Pages. Trace de mouillure à l'intérieur.. . . . Classification Dewey : 398.2-Conte populaire
18318Flammarion, "Sélect-Collection", 1938, 1 broché, couverture illustrée. in-4 de 79 pages, texte sur 2 colonnes, dernière page manquante ;
2013124811Paris Gallimard, coll. "Bibliothèque de la Pléiade" 2013 1 vol. relié Tirage de 2013. in-12, cuir souple de l'éditeur, rhodoïd, étui illustré. Edition Roger Ripoll. Très bon état.
2013124811Paris Gallimard, coll. "Bibliothèque de la Pléiade" 2013 1 vol. relié Tirage de 2013. in-12, cuir souple de l'éditeur, rhodoïd, étui illustré. Edition Roger Ripoll. Très bon état.
47715Pléiade.1976.In-12 vert avec jaquette ill.et rhodoid. TBE.Tète bleue.
4°, pp.39-1 b. + 1 tav. f.t. inc. in rame da Carlo Faucci, su disegno di Giuliano Traballesi, con riprod. di un bassorilievo dei conti della Gherardesca di Michelangelo Buonarroti, cop. muta coeva. Contiene: Il conte Ugolino imprigionato e messo a morte unitamente ai figli e nipoti, non per volontà della Repubblica di Pisa, ma per tradimento dell'arciv. Ruggero; Diverse imputazioni al conte Ugolino non sussistono in fatto e non reggono all'esame della critica... pregiudicabile alla patria non essere stato il suo governo e come l'arciv. Ubaldini istigato da ambizione... lo condannasse a crudel supplizio; Bassorilievo attribuito a Michelangelo; Quadro a olio dal comm. P. Benvenuti.
Very Good Turkish, Ottoman (1500-1928) In modern very aesthetic full leather bdg. Demy 8vo. (22 x 14 cm). In Ottoman script. 197, [2], [1] p. Altin isik. Ziya Gökalp, whose real name is Mehmet Ziya was born on March 23,1876 in Diyarbair. Ziya Gökalp started his education in Diyarbakir, and moved to Istanbul in 1895 to attend the school for veterinary medicine. During this stage of his life, he met important political figures of the era such as Ibrahim Temo and Ishak Sukûti. He was much influenced by the Young Turks movement and joined the political reform movement Ittihat ve Terakki (Committee of Union and Progress). He was arrested in 1898 because of his dissident activities and spent a year in prison. After his release, he was sent to exile to Diyarbakir where he worked on a minor governmental assignments. After the declaration of the second constitutional monarchy, he established a branch of Ittihat ve Terakki in Diyarbakir, and became its representative. He published the Peyman newspaper. In 1909, he attended the Ittihat ve Terakki Congress held in Thessalonica as the Diyarbakir delegate. The next year, he was elected member to the central administrative council of this organization in Thessalonica. He taught sociology courses in Ittihat Terakki's school, which he had helped establish in 1910. In the mean time, he also published the Genç Kalemler periodical. In 1912, he was elected as a representative of Ergani Maden to the Meclis-i Mebusan (Parliament), and he moved to Istanbul. He was also one of the founders of the association Türk Ocagi (The Turkish Hearth). He wrote about nationalism and Turkish nationalism in the publication of this association Turk Yurdu, and in many other publications such as Halka Dogru, Islam Mecmuasi, Milli Tetebbular Mecmuasi, Iktisadiyat Mecmuasi, Içtimaiyat Mecmuasi and Yeni Mecmua. In the mean time, he taught sociology at the Darülfünun-u Osmani (Istanbul University). During the collapse of the Ottoman Empire, Ziya Gökalp sought to fashion a new national identity. In essence, his philosophy consisted of the effort of synthesizing the ethical and cultural values native to Turkish society, and certain values borrowed from the west. He summarized this approach as 'becoming Turkish, Muslim, and modern', and he took the cultural component from Turkish nationalism, and the ethical component from Islam. Gokalp defended that the constructive element of international culture were national cultures and he gave priority to folk literature over court literature. He believed in the importance of positive sciences, which had made the technological and scientific development of the West possible and considered religion as an auxiliary element on the way to reach religious and social unity. His social model was influenced by Emile Durkheim's theoretical concept of 'solidarism'. He opted for this model because unlike liberalism, which was based on the individual, and Marxism, which was based on class struggle, solidarism considered vocational organizations as the essential social unit. He wrote countless articles explaining his social and political views, and he systematized the concept of Turkish nationalism. He played an important role in the establishment and the development of Turkish national literature. In spite of the verse works and the poetry that he wrote in defense of Turkish nationalism, recent history Turkish cultural tends to acknowledge him more as a figure of political struggle. Ziya Gökalp earned great respect on the basis of his life of political activism. Leaving an indelible mark on the development of Turkish national identity, Gokalp died on October 25, 1924 as a citizen of the newly founded Republic of Turkey. Hegira: 1342 = Roumi: 1339 = Gregorian: 1923. First and Only Edition. Extremely rare. Özege 550.; Just five copies in OCLC: 880485512 (x3).; 163023661 (x2). Altin isik (The Golden light) includes the collection of Turkish tales in verse and prosaical which reflected Ziya Gökalp's thoughts. When he was a small child, Z
20003125070Oxford: University Press 2000. XXXII, 601 Seiten. Mit zahlreichen Illustrationen. Gr. 8° (22,5-25 cm). Orig.-Pappband mit illustriertem Orig.-Schutzumschlag. [Hardcover / fest gebunden].
