Perrault PierreLivre Rare Book
163 résultats
1898R300156610Armand Colin. 1898. In-12. Cartonnage d'éditeurs. Etat d'usage, Coins frottés, Dos satisfaisant, Quelques rousseurs. 287 pages - nombreuses illustrations en noir et blanc dans et hors texte. Tranches dorées. Cartonnage monochrome. Etiquette de remise de prix collée en page de garde. Petite annotation à l'encre en dernière page.. . . . Classification Dewey : 840.08-XIX ème siècle
1878R240150314Librairie des Bibliophiles. 1878. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Intérieur acceptable. 132 pages. Bandeaux, lettrines, culs-de-lampe.. . . . Classification Dewey : 848-Ecrits divers, citations, journaux intimes, souvenirs, mémoires
1878R200106321Librairie des Bibliophiles. 1878. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 132 pages. Quelques lettrines et bandeaux en noir et blanc. Dos de substitution.. . . . Classification Dewey : 848-Ecrits divers, citations, journaux intimes, souvenirs, mémoires
185611046Paris, A. Petit-Pierre, 1856, E.O. In-12°, 199 pp. (qqs rouss., tables des ouvrages inscrits à la plume sur la garde sup.). Rel. de l'ép. : demi-veau bleu nuit, plats de papier, dos orné de triple filets dorés et titré doré (rel Lég. us., bon état général). # Caillet i-1802 : "Ouvrage peu commun" ; # Guaïta 114 (idem) ; # pas dans Dorbon.
185611046Paris, A. Petit-Pierre, 1856, E.O. In-12°, 199 pp. (qqs rouss., tables des ouvrages inscrits à la plume sur la garde sup.). Rel. de l'ép. : demi-veau bleu nuit, plats de papier, dos orné de triple filets dorés et titré doré (rel Lég. us., bon état général). # Caillet i-1802 : "Ouvrage peu commun" ; # Guaïta 114 (idem) ; # pas dans Dorbon.
180291930Chez Tiger | Paris [1802] | 8.7 x 14.4 cm | Broché
1897184161Hetzel Paris, Collection Hetzel, 1897. Petit In-4 relié plein cartonnage polychrome éditeur, plat et dos très décoré, tranches dorées. Reliure de Engel, décor de Blancheland de (2) + 287 pages. Frotnispice et 22 planches hors-texte. Très légères rousseurs sur le premier et dernier feuillet ainsi, sinon très bon état dans un cartonnage très frais.
1833259141833 La Caricature politique, morale, littéraire et scénique - 1833- Lithographie- Hauteur: 27.3cmx Largeur: 35.8cm- Hauteur: 20.3cmx Largeur: 23.7cm- Planche HT parue dans La Caricature politique, morale, littéraire et scénique, volume 5, 11 avril 1833 (Planche n°263)- Titre en ht au centre : « Barbe bleue, blanche, rouge. » ; légende en bas au centre : « La presse, ma sœur, ne vois-tu rien venir ? – je ne vois que le soleil de Juillet qui poudroie et l’herbe des // tombeaux qui verdoie. – Presse, ma sœur, ne vois-tu rien encore ? – je vois deux cavaliers qui viennent // au galop, portant une bannière. » ; indications : en ht à gche : « La Caricature (Journal) N°127. », en ht à dte : « Pl. 263. »Inscription - Dans la lettre : « L. de Becquet, rue furstemberg N°6. » [imprimeur], « On s’abonne chez Aubert, galerie véro dodat. » [éditeur] ; dans l’image, en bas à gche, signature : « G. = et Jn » [Jean-Jacques Grandville, dessinateur, et Bernard-Romain Julien, lithographe ?]- Inscription - Sur la feuille volante posée à terre à côté de la Constitution : « LOI ,qques taches.
1888288681888. Paris Boussod / Valadon et Cie 1888 1887 au colophon. Un vol. au format in-folio 407 x 305 mm non paginÂŽ en feuilles sous chemise ˆ rabats et lacets dos de demi-soie vieux-rose titre imprimÂŽ au premier plat. Soigneuse rÂŽalisation imprimÂŽe sur papier fort. Elle s'agrÂŽmente - ici en premier tirage - de dÂŽlicieuses compositions d'aprÂs les aquarelles d'Edouard de Beaumont. ''Edouard de Beaumont fut un virtuose de la pierre et un artiste fÂŽcond. Il crÂŽa un type de ''petite femme'' o la verve et la frivolitÂŽ tiennent lieu d'application de rigueur et de pondÂŽration.'' in Bailly-Herzberg. ''Ce charmant artiste Beaumont fut l'ÂŽlÂve de Boisselier. Il se voua d'abord ˆ la peinture de genre et ce bien avant la vogue dont jouirent les oeuvres des peintres du XVIIIÂme siÂcle. Beaumont s'inspirant de leur esprit tout en demeurant trÂs personnel. Mais ce fut surtout comme aquarelliste comme lithographe comme illustrateur que Beaumont acquit toute sa notoriÂŽtÂŽ. Comme lithographe il eut sa place dans la brillante phalange dont l'ÂŽditeur Aubert publiait les oeuvres. Comme aquarelliste Beaumont est bien personnel et ce fut lui qui traÂa la route ˆ bon nombre d'artistes gracieux. Avec Vibert il fut en outre le fondateur de la SociÂŽtÂŽ des Aquarellistes''. in BÂŽnÂŽzit. Vicaire VI Manuel de l'amateur de livres du XIXÂme 550 - BÂŽnÂŽzit I Dictionnaire des peintres p. 550 - Osterwalder I Dictionnaire des illustrateurs p. 103 - Bailly-Herzberg Dictionnaire de l'estampe en France p. 24 - Grand-Carteret I Les Moeurs et la caricature en France 1930. Plats prÂŽsentant un ÂŽclat lÂŽgÂrement altÂŽrÂŽ. Quelques rousseurs en page de titre. Du reste trÂs belle condition. b42961 unknown
1888465753Paris : Boussod Valadon et Cie 1888. First Edition. Hardcover. Very good copy in the original gilt-decorated red cloth boards now slightly rubbed at the corners and endbands. Spine cover and endpaper margins sun-toned; front free endpaper and flyleaf show minor tears to the fore-edge. Prelims faintly foxed; loose title page repaired with masking tape. Text block remains otherwise tight bright and clean. A well-preserved example overall particularly the front board. Physical description; 72 pages : illustrations ; 33 cm. Subjects; Fairy tales. Children's literature. French literature. 17th century. 19th century. Illustrated. Paris : Boussod, Valadon et Cie hardcover
188828868Paris, Boussod / Valadon et Cie, 1888 [1887 au colophon]. Un vol. au format in-folio (407 x 305 mm) non paginé, en feuilles, sous chemise à rabats et lacets, dos de demi-soie vieux-rose, titre imprimé au premier plat.
1887130411Boussod Valadon et Cie Paris, Boussod, Valadon et Cie éditeurs 1887. In-Folio en feuillets sous chemise de l'éditeur illustrée à rabats. 38 aquarelles de Edouard de Beaumont et 7 illustrations en noir. Quelques défauts à la chemise, sinon bon exemplaire.
180291930Paris: Chez Tiger 1802. Fine. Chez Tiger Paris 1802 8.7 x 14.4 cm Broché A Bibliothèque bleue edition offering a selection of tales by three major storytellers of the seventeenth and eighteenth centuries: Charles Perrault Marie-Catherine Le Jumel de Barneville Baronne d'Aulnoy and Jeanne-Marie Leprince de Beaumont. Several of these tales have been rewritten and abridged almost certainly to suit the tastes of the chapbook-reading public. The Baronne d'Aulnoy's L'Île de la Félicité the first French fairy tale included in this 1802 edition was originally an untitled story embedded within another work by the same author the novel Histoire d'Hypolite comte de Duglas. The title it bears here was given to it only fifteen years earlier when it was published as a standalone piece for the first time in the collection entitled Voyages Imaginaires. Eight headpieces decorate this edition; in the present copy most have been heightened in watercolour as has the vignette on the title-page. The copy is further enhanced by an engraved and watercoloured frontispiece illustrating Le Chat botté partially tipped onto the front pastedown. Title in brown ink on a paper label on the spine untrimmed edges. Front board slightly warped small nicks at head and tail of the spine. First gathering held by a single thread only the gathering pp. 8188 is loose a few minor stains and ink offsets scattered throughout a 1.5 cm tear in the black-and-white headpiece on p. 65. On the title-page. blind stamp of a library with the initials ""HB"". Tales by author: Charles Perrault: Cendrillon Riquet à la houpe La Barbe bleue Le Chat botté Le Petit Poucet La Belle au Bois dormant Le Petit Chaperon rouge Les Fées Jeanne-Marie Leprince de Beaumont: Le Prince Charmant Les Revenants Les trois Souhaits Marie-Catherine Le Jumel de Barneville Baronne d'Aulnoy: L'Île de la Félicité Anonymous: Le Somnambule In this edition the tale Les Fées appears twice. Chez Tiger unknown
1891575871891 P., Calmann-Levy, 1891, in 12 relié pleine percaline rouge de l'éditeur, 339 pages ; 1er plat orné des armes du Collège Municipal Chaptal à Paris.
1886ST20745Asnières sur Seine: Boussod Valadon et Cie 1886-87. 390 x 305 mm. 15 1/4 x 12". 34 leaves; 42 leaves. Printed on rectos only. <br/> MAJESTIC DARK BROWN MOROCCO RICHLY GILT BY NOULHAC stamp-signed and dated 1912 on front dentelle covers with elegant frame in the Romantic style with acanthus leaves and myriad blossoms enclosed by multiple plain rules dotted and dogtooth rolls raised bands spine compartments with central rose sprig framed by a spray of leaves erupting from each corner inner dentelles with ornate frame featuring an entwined floral vine and ribbon roll lovely jacquard endleaves of floral baskets woven in pink green and blue marbled flyleaves all edges gilt. WITH 74 ILLUSTRATIONS BY DE BEAUMONT 33 in the first work 41 in the second "reproduced in facsimile and printed in color by the Publishers." Printed on rectos only on thick wove paper. Lonchamp Manuel du Bibliophile Français 1470-1920 II 361; Vicaire Manuel de l'Amateur de Livres du XIXe siècle VI 550. Joints a little worn though nicely refurbished a four-inch superficial scratch on rear board but A VERY FINE COPY--the striking binding with lustrous leather and glittering gilt; the contents entirely clean fresh and bright; and the margins vast.<br/> <br/> This grandly proportioned bibliophile's edition of Perrault's fairy tales is sumptuous to the last detail with lush facsimile watercolor illustrations and a binding by a leading French artisan. Charles Perrault 1628-1703 reworked traditional folklore into sophisticated fairy tales for the denizens of the intellectual salons of Paris ending each story with a usually cynical moral in couplets. He is credited with inventing the fairy tale genre and the Brothers Grimm--not to mention Walt Disney--profited greatly from his oeuvre. These two publications include three of his best-known tales--Cinderella Bluebeard and Sleeping Beauty--alongside the lesser-known "Les Fées.†Literally translated as “The Fairies†but generally called "Diamonds and Toads" in English this fourth tale features a pair of sisters who meet a fairy in disguise and are rewarded or punished based on their behavior toward her. The son of a sculptor our illustrator Charles-Édouard de Beaumont 1812-88 had initially trained to follow in his father's footsteps but instead became a painter illustrator and lithographer working across genres and media through his career. He is best known for his watercolors and for his work to encourage the popularity of the medium; in 1879 he co-founded the Society of French Watercolorists with Jehan Georges Vibert. Benezit tells us that "as a watercolourist . . . his style is highly individual and personal and it may be claimed that his work broke new ground." This is evident in the present artworks where the characters--charming comical and terrifying--are depicted with graceful linework and gentle washes of color. Beaumont's artwork interacts physically with the text which is sometimes obscured behind a painted curl of smoke or pushed out of the way by the feet of the optimistic suitors of Cinderella's prince. Beaumont had a love for historical weaponry his collection was donated to the Museum of Cluny after his death and he depicted the knives and swords in the famous tale of the murderer Bluebeard with an almost gleeful accuracy of detail that clearly demonstrates his interest. The imposing binding with lacy detail calling to mind the decorations of the era in which Perrault first published these stories is the work of Henri Noulhac. Described as "a superlative craftsman" by Duncan & De Bartha who reproduce four of his bindings in their "Art Nouveau and Art Deco Bookbinding" Noulhac 1866-1931 was born in Chateauroux where he served his apprenticeship. He afterwards moved in 1894 to Paris where he established his atelier at 10 rue de Buci and gained a reputation as one of the foremost binders and gilders of his generation. In addition to the binding and the illustrations here the condition of this volume needs to be highlighted--the book seems to be fresh from the binder's atelier untouched by any reader. Boussod Valadon et Cie unknown
1886994F45Asnières-sur-Seine: Boussod Valadon & Cie 1886 . First edition. Leather. Good. 15.5" by 12.5". Edward de Beaumont. Beautifully bound in decorative full morocco this is the first edition of Perrault's 'Cinderella and the Fairies' to feature the charming illustrations of Beaumont. In the original French.The first edition of these two tales from Charles Perrault to feature these striking watercolour illustrations from Edouard de Beaumont a French painter watercolourist draughtsman illustrator and lithographer.Consisting of thirty-four leaves many of which bear vibrant reproductions of Beaumont's watercolours with further illustrated in monochrome. Collated complete.A wonderful edition of these classic fairy tales beautifully bound in a full contemporary morocco with extravagant gilt detailing. In a full morocco binding with extensive decorative gilt detailing. Light rubbing to back strip head and tail with tide marks to boards. Tide marks to perimeters of pastedowns and endpapers. Internally firmly bound. Pages bright but significantly age toned to perimeters with tide marks to fore edge of first ten leaves and final few leaves. Good Boussod Valadon & Cie hardcover
1888288691888. Paris Boussod / Valadon et Cie 1887 1886 au colophon. Un vol. au format in-folio 407 x 305 mm non paginÂŽ en feuilles sous chemise ˆ rabats et lacets dos de demi-soie ÂŽcrue titre imprimÂŽ au premier plat. Soigneuse rÂŽalisation imprimÂŽe sur papier fort. Elle s'agrÂŽmente - ici en premier tirage - de dÂŽlicieuses compositions d'aprÂs les aquarelles d'Edouard de Beaumont. ''Edouard de Beaumont fut un virtuose de la pierre et un artiste fÂŽcond. Il crÂŽa un type de ''petite femme'' o la verve et la frivolitÂŽ tiennent lieu d'application de rigueur et de pondÂŽration.'' in Bailly-Herzberg. ''Ce charmant artiste Beaumont fut l'ÂŽlÂve de Boisselier. Il se voua d'abord ˆ la peinture de genre et ce bien avant la vogue dont jouirent les oeuvres des peintres du XVIIIÂme siÂcle. Beaumont s'inspirant de leur esprit tout en demeurant trÂs personnel. Mais ce fut surtout comme aquarelliste comme lithographe comme illustrateur que Beaumont acquit toute sa notoriÂŽtÂŽ. Comme lithographe il eut sa place dans la brillante phalange dont l'ÂŽditeur Aubert publiait les oeuvres. Comme aquarelliste Beaumont est bien personnel et ce fut lui qui traÂa la route ˆ bon nombre d'artistes gracieux. Avec Vibert il fut en outre le fondateur de la SociÂŽtÂŽ des Aquarellistes''. in BÂŽnÂŽzit. Vicaire VI Manuel de l'amateur de livres du XIXÂme 549 - BÂŽnÂŽzit I Dictionnaire des peintres p. 550 - Osterwalder I Dictionnaire des illustrateurs p. 103 - Bailly-Herzberg Dictionnaire de l'estampe en France p. 24 - Grand-Carteret I Les Moeurs et la caricature en France 1930. Marge des plats insolÂŽ. Rabats de la chemise dÂŽsolidarisÂŽs. Petite t‰che claire en marge supÂŽrieure des derniers feuillets. Du reste belle condition. b42961 unknown
1899119351899 album rose souple (hard-back editor - limp cover) grand in-octavo carré, première de couverture illustrée et quatrième de couverture imprimée (front cover illustrated and back cover printed), tranches lisses (smooth edges), illustrations hors-texte en chromotypographie (illustrations in colours full page engraving), 8 pages, sans date (no date) (fin dix-neuvième Siècle) à Paris Librairie Hachette et Compagnie,
188828869Paris, Boussod / Valadon et Cie, 1887 [1886 au colophon]. Un vol. au format in-folio (407 x 305 mm) non paginé, en feuilles, sous chemise à rabats et lacets, dos de demi-soie écrue, titre imprimé au premier plat.
188911445Brest: A. Dumont 1889. Fine. A. Dumont Brest 1889 14 x 22.50 cm broché First edition published in a small number of copies of this offprint. Two manuscript corrections in the text work illustrated with a plan of the Marais in the 17th century. Small lacks to spine and boards. A. Dumont hardcover
184019484Philadelphia New York and Boston: Fisher & Brother 1840. 8 handcolored wood engravings. 1 vols. 8vo. Disbound remains of upper wrapper some short tears along edges staining from stitching some light soiling and browning but a very good copy of this classic of children's literature. 8 handcolored wood engravings. 1 vols. 8vo. <br/><br/> Fisher & Brother unknown
180823443London: J. Harris successor to E. Newberry 1808. Wraps. 12mo. Printed wrappers. 16pp. Eight hand-colored original plates including the frontispiece. Some edge-fraying to plates contemporary ms. ownership name on reverse of frontispiece original printed blue wrappers rubbed and faded edge-frayed in places old ms. price at head of upper cover Housed in a custom clamshell case. A presentable copy in spite of the wear.<br /> <p><br /> Moon 618. The rare first edition of the first versification of the story of Cinderella. Marjorie Moon locates only two copies of this edition. Not in Osborne.<br /> <p>. J. Harris, successor to E. Newberry unknown
18752157New York: McLoughlin Bro's 1875. JUVENILE ILLUSTRATED. 24mo 5 3/4" x 3 3 /4"; 8pp including wrapper; chromolithographed front wrapper rear wrapper last page of story with b&w illustration and text; publisher's string binding; line drawings and text every page; faint ownership in margin above title on front wrapper; fine. The "Little Dot" series was one of McLoughlin's most inexpensive publications reusing illustrations from the "Aunt Lulu" series and retailing at just one cent. Radiant with Color & Art Hewes Schiller Wasowicz 135. This copy features a bright front wrapper and lovely clear illustrations with the text. McLoughlin Bro's unknown
18902225New York: McLoughlin Bros 1890. JUVENILE ILLUSTRATED FAIRY TALE. 4to 9 ¾ x 6 3/8"; 8pp; stiff pictorial wrapper red and green decorate a pink background illustration of Cinderella being fitted with the slipper on the front rear wrapper publisher's ads for Aunt Louisa's Big Picture Series Gilt Cover Picture Books Uncle Ned's Picture Books and Ancient Nursery Rhymes Mediaeval Style on rear; publisher's string binding; 8 half-page chromolithograph illustrations with text; pages printed one side only; tape repair to bottom 2 ½" of wrapper on inside light hand soiling; very good plus. One version of the Cinderella story illustrated with bright chromolithograph pictorials. This story ends with the bad step-mother and stepsisters begging for Cinderella's forgiveness after she is crowned queen. McLoughlin Bros unknown
189327717New York: McLoughlin Bros 1893. Near fine. McLoughlin Brothers printing of the French fairy tale from their Sunshine Series. Original pictorial wrappers. Iillustrated with 4 full page chromolithographs including covers and one double-page chromolithograph. 12 pages. One small margin mend near rear wrapper. McLoughlin Bros unknown
