1 124 résultats
19622090202118205071Kodansha 1962. Soft Cover. Fine. The book is in fine condition. Kodansha paperback
176212Spolok architektov Slovenska 2013. Tall 8vo. Original pictorial card covers softback Fine. Pp. 255 illus with coloured and b&w photos no inscriptions. Parallel Slovak and French text. Spolok architektov Slovenska, 2013 unknown
albd14231bd5de243c0Artists I. Bodrova V. Smirnov V. Korkin. M. Makhaon. 2009. 416 Please contact us for details on condition of available copies of the book.�SKUalbd14231bd5de243c0. unknown
1969104471Eurocromo 1969. hardcover. Bueno. Barcelona 1969. Eurocromo. Alhelí nº1. Cartoné. Sin paginar. 29x21. Ilustrado por F. Gallarda. Adaptación de E. Mascaro. Eurocromo hardcover
8418930780.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19862091202133406572Shakai Shisosha Modern Liberal Arts Library 1986. Soft Cover. Fine. Size: 15cm Number of books: 2 in total Shakai Shisosha Modern Liberal Arts Library paperback
347630Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1662–70. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
347629Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1662–70. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
347628Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1662–70. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
347627Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1662–70. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
19892081402110004448Kawade Shobo Shinsha 1989. Soft Cover. Fine. Number of books: 1 Kawade Shobo Shinsha paperback
19882083002116412686Kawade Shobo Shinsha 1988. Soft Cover. Fine. The book is in fine condition. Kawade Shobo Shinsha paperback
20002083002115902970Kawade Shobo Shinsha 2000. Soft Cover. Fine. Number of pages: 223p Size: 15cm Kawade Shobo Shinsha paperback
19882090202120808667Yamatoshobo 1988. Soft Cover. Fine. Volume: 1 Yamatoshobo paperback
2090502113708544Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1982478263Hachette Jeunesse. Very Good. 1982. French. Stapled Soft Cover. M206 . Hachette Jeunesse paperback
1886ST20745Asnières sur Seine: Boussod Valadon et Cie 1886-87. 390 x 305 mm. 15 1/4 x 12". 34 leaves; 42 leaves. Printed on rectos only. <br/> MAJESTIC DARK BROWN MOROCCO RICHLY GILT BY NOULHAC stamp-signed and dated 1912 on front dentelle covers with elegant frame in the Romantic style with acanthus leaves and myriad blossoms enclosed by multiple plain rules dotted and dogtooth rolls raised bands spine compartments with central rose sprig framed by a spray of leaves erupting from each corner inner dentelles with ornate frame featuring an entwined floral vine and ribbon roll lovely jacquard endleaves of floral baskets woven in pink green and blue marbled flyleaves all edges gilt. WITH 74 ILLUSTRATIONS BY DE BEAUMONT 33 in the first work 41 in the second "reproduced in facsimile and printed in color by the Publishers." Printed on rectos only on thick wove paper. Lonchamp Manuel du Bibliophile Français 1470-1920 II 361; Vicaire Manuel de l'Amateur de Livres du XIXe siècle VI 550. Joints a little worn though nicely refurbished a four-inch superficial scratch on rear board but A VERY FINE COPY--the striking binding with lustrous leather and glittering gilt; the contents entirely clean fresh and bright; and the margins vast.<br/> <br/> This grandly proportioned bibliophile's edition of Perrault's fairy tales is sumptuous to the last detail with lush facsimile watercolor illustrations and a binding by a leading French artisan. Charles Perrault 1628-1703 reworked traditional folklore into sophisticated fairy tales for the denizens of the intellectual salons of Paris ending each story with a usually cynical moral in couplets. He is credited with inventing the fairy tale genre and the Brothers Grimm--not to mention Walt Disney--profited greatly from his oeuvre. These two publications include three of his best-known tales--Cinderella Bluebeard and Sleeping Beauty--alongside the lesser-known "Les Fées.†Literally translated as “The Fairies†but generally called "Diamonds and Toads" in English this fourth tale features a pair of sisters who meet a fairy in disguise and are rewarded or punished based on their behavior toward her. The son of a sculptor our illustrator Charles-Édouard de Beaumont 1812-88 had initially trained to follow in his father's footsteps but instead became a painter illustrator and lithographer working across genres and media through his career. He is best known for his watercolors and for his work to encourage the popularity of the medium; in 1879 he co-founded the Society of French Watercolorists with Jehan Georges Vibert. Benezit tells us that "as a watercolourist . . . his style is highly individual and personal and it may be claimed that his work broke new ground." This is evident in the present artworks where the characters--charming comical and terrifying--are depicted with graceful linework and gentle washes of color. Beaumont's artwork interacts physically with the text which is sometimes obscured behind a painted curl of smoke or pushed out of the way by the feet of the optimistic suitors of Cinderella's prince. Beaumont had a love for historical weaponry his collection was donated to the Museum of Cluny after his death and he depicted the knives and swords in the famous tale of the murderer Bluebeard with an almost gleeful accuracy of detail that clearly demonstrates his interest. The imposing binding with lacy detail calling to mind the decorations of the era in which Perrault first published these stories is the work of Henri Noulhac. Described as "a superlative craftsman" by Duncan & De Bartha who reproduce four of his bindings in their "Art Nouveau and Art Deco Bookbinding" Noulhac 1866-1931 was born in Chateauroux where he served his apprenticeship. He afterwards moved in 1894 to Paris where he established his atelier at 10 rue de Buci and gained a reputation as one of the foremost binders and gilders of his generation. In addition to the binding and the illustrations here the condition of this volume needs to be highlighted--the book seems to be fresh from the binder's atelier untouched by any reader. Boussod Valadon et Cie unknown
1919115093Librairie Hachette 1919. Hardcover. Very good/No jacket. Arthur Rackham. #112/500cc signed by illustrator Arthur Rackham. In French. The first of Rackham's two silhouette books. Covers shelfworn. Mild water damage along bottom edge. The silhouette images have lightly transferred to the facing pages. Librairie Hachette hardcover
1886994F45Asnières-sur-Seine: Boussod Valadon & Cie 1886 . First edition. Leather. Good. 15.5" by 12.5". Edward de Beaumont. Beautifully bound in decorative full morocco this is the first edition of Perrault's 'Cinderella and the Fairies' to feature the charming illustrations of Beaumont. In the original French.The first edition of these two tales from Charles Perrault to feature these striking watercolour illustrations from Edouard de Beaumont a French painter watercolourist draughtsman illustrator and lithographer.Consisting of thirty-four leaves many of which bear vibrant reproductions of Beaumont's watercolours with further illustrated in monochrome. Collated complete.A wonderful edition of these classic fairy tales beautifully bound in a full contemporary morocco with extravagant gilt detailing. In a full morocco binding with extensive decorative gilt detailing. Light rubbing to back strip head and tail with tide marks to boards. Tide marks to perimeters of pastedowns and endpapers. Internally firmly bound. Pages bright but significantly age toned to perimeters with tide marks to fore edge of first ten leaves and final few leaves. Good Boussod Valadon & Cie hardcover
114303Asnières-sur-Seine Boussod Valadon et Cie 1886. 2 volumes. 1 35 feuillets. 2 42 feuillets. 39x30 Cm. Chagrin. Plats richement dorés. Dos à nerfs orné. Coins et coiffes émoussés. Jolie édition de quatre contes de Charles Perrault : "Cendrillon" et "Les Fées " puis "Barbe-bleue" et "La Belle au bois dormant" illustrée respectivement de 33 et 41 aquarelles d'Édouard de Beaumont reproduites en fac-similé. Beaumont débute comme paysagiste au Salon de 1838. Il doit sa notoriété à ses talents d'illustrateur d'aquarelliste et de lithographe. Bel exemplaire. Asnières-sur-Seine, Boussod, Valadon et Cie, 1886. unknown
1888288691888. Paris Boussod / Valadon et Cie 1887 1886 au colophon. Un vol. au format in-folio 407 x 305 mm non paginÂŽ en feuilles sous chemise ˆ rabats et lacets dos de demi-soie ÂŽcrue titre imprimÂŽ au premier plat. Soigneuse rÂŽalisation imprimÂŽe sur papier fort. Elle s'agrÂŽmente - ici en premier tirage - de dÂŽlicieuses compositions d'aprÂs les aquarelles d'Edouard de Beaumont. ''Edouard de Beaumont fut un virtuose de la pierre et un artiste fÂŽcond. Il crÂŽa un type de ''petite femme'' o la verve et la frivolitÂŽ tiennent lieu d'application de rigueur et de pondÂŽration.'' in Bailly-Herzberg. ''Ce charmant artiste Beaumont fut l'ÂŽlÂve de Boisselier. Il se voua d'abord ˆ la peinture de genre et ce bien avant la vogue dont jouirent les oeuvres des peintres du XVIIIÂme siÂcle. Beaumont s'inspirant de leur esprit tout en demeurant trÂs personnel. Mais ce fut surtout comme aquarelliste comme lithographe comme illustrateur que Beaumont acquit toute sa notoriÂŽtÂŽ. Comme lithographe il eut sa place dans la brillante phalange dont l'ÂŽditeur Aubert publiait les oeuvres. Comme aquarelliste Beaumont est bien personnel et ce fut lui qui traÂa la route ˆ bon nombre d'artistes gracieux. Avec Vibert il fut en outre le fondateur de la SociÂŽtÂŽ des Aquarellistes''. in BÂŽnÂŽzit. Vicaire VI Manuel de l'amateur de livres du XIXÂme 549 - BÂŽnÂŽzit I Dictionnaire des peintres p. 550 - Osterwalder I Dictionnaire des illustrateurs p. 103 - Bailly-Herzberg Dictionnaire de l'estampe en France p. 24 - Grand-Carteret I Les Moeurs et la caricature en France 1930. Marge des plats insolÂŽ. Rabats de la chemise dÂŽsolidarisÂŽs. Petite t‰che claire en marge supÂŽrieure des derniers feuillets. Du reste belle condition. b42961 unknown
2745972057.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
191945Paris: Librarie Hachette 1919. Signed Limited Edition. Cream Parchment over Boards. Very Good. Arthur Rackham. Number 414 of 500 signed special editions: French Edition de Luxe. Parchment-covered boards feature gilt title and silhouette figure of the titular Cendrillon Cinderella. Spine features gilt title and two gilt mice. Edition contains tipped-in color frontispiece; not featured in trade edition 3 double page illustrations with color one single page illustration with color as well as numerous full and half page illustrations throughout the text. Classic Rackham border designs also ornament the title page and frontispiece. A Very Good copy shows mottling of boards and edgewear. Quarto. 110pp. Librarie Hachette hardcover
2246320828.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
195021024Paris: Jean Porson 1950. Limited Edition. Full Morocco. Gilt and silver blindstamped modernist decoration. Slipcase with morocco trim. Fine/Very Good. Henry Lemarié. Magnificent and striking Art Deco full morocco binding by J. Lambert of a lush edition of the most classic fairy tale. No. 25 of 30 copies with illustrations in two states apart from text as well as several of the 39 illustrations shown in their progressive stages of the coloring process. states but then also presented as a progressive with the each step of the coloring process presented. 4to. 24.5 by 16.5 cm. Although the story is short with pagination running from 1 to 33 with the last page not paginated and there are two pages of verse two pages describing the pagination the book is thick thanks to the thickness of the paper -- the leaves could fairly be described as of a card stock. There are about 140 leaves in all with heavy gilt edges. Original wraps bound in. Notwithstanding the occasional light fox mark we can comfortably grade this copy as Fine. The slipcase remains very solid. Its paper pastedown does have a few scratches and spme schmutz. Jean Porson unknown
