1 936 résultats
20436Paris Seghers 1961 in 8 (23x14,5) 1 volume broché, couverture à rabats illustrée par Salvador Dali, 89 pages [1]. Tirage limité à 2500 exemplaires numérotés, celui-ci un des 2000 exemplaires numérotés sur hélioneige des papeteries Libert. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
36189Paris Seghers 1968 in 8 (21x13,5) 1 volume broché, couverture illustrée par Salvador Dali, 89 pages [1]. Salvador Dali I Domènech, dit Dali, Figueras 1904-1989, peintre, sculpteur, graveur, scénariste et écrivain catalan de nationalité espagnole. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1987183511Seghers Seghers, 1987. In-12 broché de 95 pages. Petites taches sur les tranches sinon Bon état.
1972144164Couverture souple. Broché. 99 pages.
1987209427Couverture souple. Broché. 95 pages.
76997Paris, Editions Surréalistes/Librairie José Corti, 1930. "19 x 24, 126 pp., broché, état moyen (couverture insolée; dos recollé; rousseurs sur les tranches et aux toutes premières pages)."
lc_59594France Loisirs/ Fundacio Gala-Salvador Dalí, 2004
2004RO20212016France Loisirs/ Fundacio Gala-Salvador Dalí. 2004. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 137 pages augmentées de nombreuses photos esquisses et dessins en noir et blanc et couleurs dans et hors texte.Jaquette et bandeau d'éditeur en bon état. Marque page en supplément. Signet conservé.. Avec Jaquette. . . Classification Dewey : 750-La peinture et les peintres
1968141441968 plaquette blanche in-octavo (booklet in-octavo), dos et couverture imprimés (spine and the cover printed), quatrième de couverture muette (back cover without text), gouttière non coupée (fore-edge uncut), pages de garde blanches (white endpapers), page de faux-titre (half title page), sans illustration (no illustration), 62 pages, 1968 à Paris José Corti,
1989R200142824José Corti. 1989. In-8. Broché. Etat d'usage, Couv. partiel. décollorée, Dos frotté, Papier jauni. 83 pages - coins frottés, pliure en coin en pied du 1er plat, annotatin à l'encre en pied de page de garde.. . . . Classification Dewey : 841-Poésie
2024R200139130Corti. 2024. In-8. Broché. Etat d'usage, Tâchée, Coiffe en pied abîmée, Intérieur frais. 75 pages, nombreuses photos, reproductions et illustrations en noir et blanc dans et hors texte - coins frottés.. . . . Classification Dewey : 750-La peinture et les peintres
199126517Paris José Corti 1991 GRAND In-8 174 et 13 ffnch, réédition de l'ouvrage de 1930 aux éditions surréalistes que diffusait Corti
11079GLM. Cahiers GLM. N° 7. Mars 1938. In-8° broché. 126 pages. E.O. Exemplaire du tirage de base, non justifié. Bel exemplaire.
19615226Paris, Seghers, 1961. 1 vol. br. in-8 de 96 pages, couverture à rabats illustrée par une gravure de Salvador Dali. Tête frottée avec toute petite fente au mors, quelques légères marques à la couverture.
193012578Paris, Editions Surréalistes, chez José Corti, 1930. Petit in-4 broché de [4]-125-[6] pages, couverture de papier rouge décoré d'une petite vignette répétée au titre d'après un dessin au trait de Salvador Dali. Partiellement non coupé, menues rousseurs.
193014960Paris, Editions Surréalistes, chez José Corti, 1930. Petit in-4 broché de [4]-125-[6] pages, couverture de papier touge décoré d'une petite vignette répétée au titre d'après un dessin au trait de Salvador Dali.
1992004927Serpent's Tail 1992. Book. Good. Soft cover. Moderate wear to covers. Pages of text are clean and free of markings. Binding is tight and secure. Shipped within 24 hours from the beautiful Baltimore inner harbor area. First class service; accurate descriptions. Most items packed in boxes not envelopes. . Serpent's Tail Paperback
1990098531Atlas 1990. First Edition. Softcover. Near Fine Condition. Near Fine 1st ed Atlas Limited Edition paperback highly regarded English edition. Shop label to lower rear cover bright and unmarked throughout. Quantity Available: 1. Shipped Weight: Under 2kg. Category: Art & Design; ISBN: 0947757228. ISBN/EAN: 9780947757229. 84cxrarebooks is the trading name of Cambridge-based bookseller Marino Guida with 25 years experience in the trade. We guarantee the condition of all our books. Further images or a short video presentation of any book can be arranged on request. We send tax-free and tariff-free to EU US/Canada and Australia/NZ with insurance included for peace of mind. Inventory No: 098531. 9780947757229 Atlas paperback
193025360Paris: Editions Surrealistes Chez Jose Corti. 1930. First Edition; First Printing. Softcover. Red wraps a little rubbing to joints and small starts at joint ends but a very nice looking copy of this important experimental work an attempt to simulate various mental disorder an effort to bring latent content to the fore by poetic means.; Small 4to 9" - 11" tall; 124 pp . Editions Surrealistes Chez Jose Corti paperback
19302504Paris: Surréalistes 1930. First edition. Original wrappers. Good. FIRST EDITION ASSOCIATION COPY SIGNED AND INSCRIBED BY ANDRÉ BRETON. Written within the span of only three weeks during the summer of 1930 André Breton and Paul Éluard's L'Immaculée Conception is a quintessential example of the Surrealist practice of automatic writing. While Surrealism today may at first evoke painters such as René Magritte and Salvador Dalí Surrealism was demarcated by its founders namely Breton as an experiment as much if not more in language and literature as the visual arts. Thus the process of automatic writing which he developed across his lifetime sits at the heart of the first Surrealist Manifesto 1924-and L'Immaculée Conception represents a pinnacle automatic text executed by two of the major Surrealist vanguards themselves.<br /> <br /> In a 1961 interview with Judith Jasmin Breton maintained that the mission of Surrealism has been the same since 1924 and that Surrealism continues to be defined as:<br /> <br /> "automatisme psychique pur par lequel on se proposait d'exprimer par écrit ou de tout autre manière le véritable mécanisme de la pensée. Il s'agissait d'une dicté de la pensée en dehors de tout contrôle-et ceci était très important-de tout contrôle exercé par la raison et en dehors de toute préoccupation esthétique ou morale." Breton 1961<br /> <br /> pure psychic automation by which one proposes to express in writing or any other manner the true mechanism of thought. It was a dictation of thought beyond any control-and this was very important-any control exercised by reason and beyond any aesthetic or moral concern.<br /> <br /> Barring re-reading and editing the authors consequently forbade themselves "d'apprecier encours de route le produit de cette activité" from appreciating en route the product of this activity Breton 1961. At times losing "syntactical clarity" and "grammatical intelligibility" L'Immaculée Conception interrogates what it means to be human and divine and tackles sacred Christian doctrine in a meeting of Breton's and Éluard's characteristic wits Conley p. 607. Skirting all censorship and demonstrating an intelligence defiantly detached from the human faculties of reason and logic L'Immaculée Conception reinforces the Surrealist style of surprise and inverted expectation.<br /> <br /> This first edition copy is signed by André Breton to Monique Fong a.k.a. Monique Fong Wust with the following inscription:<br /> <br /> "'Le rosier d'écume de mer' à Monique Fong avec les affectueux compliments d'André Breton"<br /> <br /> "'The sea-foam rose' to Monique Font with the affectionate compliments of André Breton"<br /> <br /> In this personalised message Breton quotes from the penultimate chapter's final section "L'idée du devenir":<br /> <br /> "Si c'était à recommencer si c'était à recommencer. Le rosier d'écume de mer est debout à côté de moi dans ce portrait poétiquement définitif" Breton and Éluard p. 110<br /> <br /> If I had to star over if I had to start over. the sea-foam rose stands at my side in this poetically-definitive portrait.<br /> <br /> A Surrealist writer and intellectual closely connected with many other prominent champions of the movement Fong Wust first met Breton at a party hosted by Claude Lévi-Strauss and would later maintain a lifelong correspondence with Marcel Duchamp-documenting much of the movement's aims ambitions and successes.<br /> <br /> The book is number 179 of 2000 copies printed on hand-made paper from Sorel-Moussel. Formerly "la véritable capitale du papier" the true capital of paper Sorel-Moussel is a village in northern France renown for its paper mills constructed in 1814 and operated by famed printer Firmin Didot which ceased production in the later half of the twentieth century Cathelinais p. 5.<br /> <br /> <br /> References:<br /> <br /> André Breton "Le sel de la semaine" interview by Judith Jasmin Radio-Canada 27 February 1961 <br /> <br /> C. Cathelinais "L'ancienne papeterie devenue entrepôt abritera une turbine électrique" Paris-Normande 26 February 1987<br /> <br /> Katharine Conley "Writing the Virgin's Body: Breton and Eluard's Immaculée Conception" The French Review 67.4 1994 600-608<br /> <br /> <br /> BRETON ANDRÉ and ÉLUARD PAUL. L'Immaculée Conception. Paris: Surréalistes 1930. Quarto 7¼ x 9¼ inch; 184 x 235 mm number 179 of 2000 copies printed on papier impondérable hand-made in Sorel-Moussel; pp. 130; originals wrappers glassine; housed in a custom presentation box. Front wrapper detached but held snugly under glassine text block with splits. Fading to spine and perimeter of wrapper.<br /> <br /> RARE SIGNED AND WITH AN INTERESTING ASSOCIATION. Surréalistes unknown
1930937Paris: Editions Surréalistes chez José Corti 1930. Bel exemplaire. In-4° 130 pp vignette sur le titre par Dali. Broché couverture rouge de l'éditeur. Édition originale. Tirage limité n° 1239 sur papier impondérable des papeteries Sorel-Moussel surrealismePoëzie Editions Surréalistes, chez José Corti unknown
71-3285Paris: 1937. 8vo. 190 pp. Soft cover. Exemplaire 351 de 1200. ages partially uncut. Text in French. Very Good spine and covers sunned. Paris: 1937. paperback
19362608Paris: GLM 1936. First edition thus. 38 pp. folding frontispiece. Original printed wrappers. Minor toning else fine.<br /> <br /> One of 100 numbered copies of a total edition of 115 copies of the edition de tête. Folding frontispiece illustration by Dalí. After reading Paul Valéry's "Notes on Poetry" in Les Nouvelles littéraires in 1929 Breton and Eluard's snide rejoinder appeared in the final issue of La Révolution Surréaliste. Their "'rewriting' of his pronouncements 'corrected' Valéry's entire rationalist system with wry irreverence- 'three parts humor one part indignation' said Maxime Alexandre" Polizzotti p. 327. This is the first separate publication adding an extra aphorism and epigraphs from Ducasse and Breton and Eluard themselves. GLM unknown
1990152759London: Atlas Press 1990. Trade Paperback. Very Good. Light wear to cover. Interior pages clean and unmarked; tight binding. 124 pages. Translated by Jon Graham; Frontispiece by Salvador Dali; Introduction by Antony Melville. Keywords: Andre Breton Poems Poetry Surrealism Collaboration Automatic Writings Conception Interuterine Life Death Original Judgement Possessions Atlas Press paperback
19521007NRF, Le Point du Jour, Paris 1952. 1 volume in-12 (194 x 145 mm)carré, 318 pages, broché sous couverture illustrée imprimée. ÉDITION ORIGINALE. Exemplaire du S.P. (Service de Presse) justifié en page de titre et en 4ème de couverture enrichi d'UN TRÈS SYMPATHIQUE ENVOI AUTOGRAPHE SIGNÉ D'ANDRÉ BRETON À JEAN DUTOURD.
