1 935 résultats
1947916Trois Colines Geneve 1947. "Brochure with wear on the cover and spine. Collection Les Grands Peintres par leurs amis. Printed in Geneva"" Trois Colines Geneve unknown
1984802031052<p>Soft cover. Condition: Very Good Limited Edition.</p><p>Facsimile of original no. 75 of nos. 27-106 published in 1958 with wraps Additionally with booklet "Miró Eluard and Cramer: A TOUTE EPREUVE. A Collaboration Between Artist Poet and Publisher" by Anne Hyde Greet.</p><p>Additional pictures on request.</p> George Braziller Inc paperback
DA02C-03087Gerald Cramer. Collectible - Good. New York: G. Braziller 1984. Facsimile reprint of the 1958 edition published by Gerald Cramer. Folio hardcover. 93pp. Color illustrations. French. Fair. Good portfolio cover and Fair slipcase. Slipcase dampstained and portfolio cover slightly dampstained. Gifter's inscription on inside. Lacking the "Introduction by Anne Hyde Greet" booklet else book Near Very Good. Joan Miro Poetry Books in French Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. Gerald Cramer hardcover
19842092902138101113Galerie Patrick Cramer 1984. Soft Cover. Fine. Size: 33.5cmx26cm Number of books: 1 Galerie Patrick Cramer paperback
198451633New York: George Braziller Inc 1984. Facsimile edition. Hardcover. fine. Quarto. Color illustrations by Miro. French text in a folded chemise box. Includes booklet in english. In slipcase. Facsimile edition. George Braziller Inc hardcover
57739Editions Albert Skira Genève 1948 - Impr. Albert Kundig In-8 87pp. illustr. nombreuses reproductions artistiques complet du supplement au catalogue Hiver 1948-1949 Nb-0263 Couverture et frontispice realises par Henri Matisse - Presentation par Paul Eluard unknown
19686812Paris: Gallimard 1968. Hardcover. Near Fine. pp 322 Bibliotheque de la Pleiade. A special edition fully illustrating the life and work of Paul Eluard. Near fine in fresh brown covers slight spine lean. In a very good dust jacket nicked and chipped to the bottom edge. No ownership inscription. Near Fine 1968 Gallimard hardcover
13309Arts et Metiers Graphiques 1936. paperback. Very Good. 0x0x0. Mid-century graphic design is documented in this 62 page French magazine. The cover is darkened and scuffed with age. Contains a poem by Paul Eluard graphics and ads from many eras. This graphic arts and typography magazine was published in France from 1927–1939. French language. All orders packed with care most dust jackets protected by Brodart sleeve independent bookseller since 2011 Arts et Metiers Graphiques paperback
194586101Paris: Les Editions de Minuit 1945. Fine. Les Editions de Minuit Paris 1945 13.50 x 20.50 cm broché First edition one of 120 numbered copies on pur fil paper the only deluxe copies. Work illustrated with a portrait of the author by Pablo Picasso. Discreet marginal restorations to the boards. Precious and handsome autograph inscription signed by Paul Eluard: ""A l'ami à Jean Cocteau ce livre écrit dans l'ombre muette d'un coeur et à un coeur qui ne se démentent pas Paul Eluard"" To my friend to Jean Cocteau this book written in mute shadow from a heart and to a heart that do not falter Paul Eluard. Les Editions de Minuit hardcover
194151630Paris: Nrf 1941. Fine. Nrf Paris 1941 14 x 23 cm broché Pre-first edition one of the rare numbered copies on pure thread paper the only deluxe copies. In this issue of the Nrf we also find contributions by Jacques Chardonne Les vocations tardives and Pierre Drieu La Rochelle Le corps. A very handsome copy. Nrf unknown
TJ-OI30-V4OAPaperback. Good. PARIS: G.L.M. 1936. Softcover in pale gray printed wrappers. First Edition. 60 pages 8 pages of ads at rear; with 8 photo-illustrations by Man Ray. Text in French including works by Paul Eluard Rene Char Jean Scutenaire and others. 'Avec un ex-libris par Salvador Dali'. The third issue of this important surrealist publication. Covers toned at edges spine sunned and a bit creased glued binding weak but holding text-block lightly age-toned else very good overall condition. No marks NOT EX-LIBRARY. fprwb paperback
G8478220461I4N00Institución Alfonso el Magnánimo Valencia = Institució Alfons el Magnànim Valencia. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Institución Alfonso el Magnánimo (Valencia) = Institució Alfons el Magnànim (Valencia) paperback
0670203262.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2070776506.GaudioCD. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1967feb13424Tineretului 1967. Used. 1967; Romanian Edition of Cele mai frumoase poezii; For more details please contact me Tineretului unknown
193931<p>Rare and extraordinary double-sided Surrealist binding by Georges Hugnet executed for his own library.<br /><br />He later gave it to Robert Altmann.<br /><br />At the beginning Georges Hugnet mounted a long autograph note offering first-hand details about his production of Surrealist bindings:<br /><br />"This 'book-object' invented for the personal copy of Chanson complète that Paul Éluard had given me is the last I ever made in my workshop on rue de Buci with the help of my bookbinder assistant Louis Christy who died in October 1940. Since then I have never executed any others; the Nazi occupation extinguished this vein in me.<br /><br />Here is the list of 'book-objects' that I still have in my library:<br /><br />Comte de Lautréamont Les Chants de Maldoror 1934<br />G.H. Onan 1934<br />Paul Éluard Défense de savoir 1934<br />André Breton L'Air de l'eau 1935<br />Paul Éluard Facile 1935<br />Hans Bellmer Die Puppe 1935<br />Hans Bellmer a collection of original black-and-white and colour photographs of Bellmer's dolls<br />Raymond Roussel Locus Solus 1937<br /><br />In total between 1934 and 1939 I composed around twenty 'book-objects' which at the time were housed in the libraries of Mme Lise Deharme and Peggy Guggenheim Messrs. Paul Éluard André Breton Robert Valançay P. Bomsel etc. as well as in my own. My 'book-objects' exist only in a single copy with the exception of Défense de savoir which I reproduced in order to offer it to Paul Éluard who desired it and another set of original photographs of Hans Bellmer's dolls commissioned from me after seeing my copy by Robert Valançay.<br /><br />Paris 25 October 1964<br />Georges Hugnet<br /><br />I am happy that the only 'book-object' I can still dispose of enters your library my dear Robert Altmann."<br /><br />Extraordinary "book-object" by Georges Hugnet in one of the 20 copies of Chanson complète illustrated with four lithographs by Max Ernst.<br /><br />Chanson complète is the fourth collaboration between Max Ernst and Paul Éluard following Répétitions Les Malheurs des immortels and Au défaut du silence. It was produced at a time when Éluard had recently been excluded from the Surrealist group by Breton due to his Stalinist positions and several critics have seen in it an act of solidarity by the painter.<br /><br />The volume contains fourteen poems and four lithographs. These are frottage-based works in which the artist's familiar universe reappears: birds animals vegetal forms and female bodies particularly eroticised in the third plate.<br /><br />For this final binding of his invention intended for his personal library Georges Hugnet deployed his full talent in the field. It is imbued with a diffuse eroticism. The hair-like fur framing the algae—or coral—on a pink ground inevitably evokes a female sexual form. One thinks of Étant donnés Marcel Duchamp's final work where a female body is similarly revealed within an ovoid black form.<br /><br />Georges Hugnet's extensive note highlights the rarity of the "book-objects" he created. "The bindings of Georges Hugnet—which are rather ghostly constructions around books—prepare and dress them for the greatest ball of their life" wrote Benjamin Péret in no. 10 of Minotaure Winter 1937.<br /><br />These creations represent both the culmination of "artistic" binding and its ironic subversion. The binding whose execution Hugnet entrusted to his friend Louis Christy a self-taught bookbinder close to the Surrealists who said he had 'made himself among masters who barely knew their craft' becomes a kind of "mental object." It is no longer decoration but the creation of a unique object "the book fulfils its purpose" as he said fully belonging to Surrealist production.<br /><br />Among the "book-objects" mentioned but not precisely listed in Hugnet's note one may also cite Herbe à la lune by Valentine Penrose.<br /><br />Robert Altmann to whom Hugnet gave this copy was the director of the Brunidor publishing house based in New York and later Paris specialising in illustrated books with engravings.<br /><br />Provenance: Jean-Paul Kahn collection.</p> Gallimard
1935Eluard6<p><strong>ÉLUARD Paul 1895-1952</strong></p><p>Autograph poem signed " Paul Eluard "<br />N.p.n.d 2 p. in-folio on thin green paper<br />Some slight browning on margins<br />Bespoke framing</p><p><strong>Complete manuscript of one of the four poems published in <em>Facile</em> a masterpiece of surrealism testifying to the artistic emulation between Paul Éluard his wife Nusch and Man Ray to whom she serves as a model</strong></p><p>A LA FIN DE L'ANNÉE DE JOUR EN JOUR PLUS BAS IL ENFOUIT SA CHALEUR COMME UNE GRAINE.</p><p><em>" I</em><br /><em>Nous avançons toujours</em><br /><em>Un fleuve plus épais qu'une grasse prairie</em><br /><em>Nous vivons d'un seul jet</em><br /><em>Nous sommes du bon port<br /></em><br /><em>Le bois qui va sur l'eau l'arbre qui file droit</em><br /><em>Tout marché de raison bâclé conclu s'oublie</em><br /><em>Où nous arrêterons-nous</em><br /><em>Notre poids immobile creuse notre chemin<br /></em><br /><em>Au loin les fleurs fanées des vacances d'autrui</em><br /><em>Un rien de paysage suffisant</em><br /><em>Les prisons de la liberté s'effacent</em><br /><em>Nous avons à jamais</em><br /><em>Laissé derrière nous l'espoir qui se consume</em><br /><em>Dans une ville pétrie de chair et de misère</em><br /><em>De tyrannie<br /></em><br /><em>La paupière du soleil s'abaisse sur ton visage</em><br /><em>Un rideau doux comme ta peau</em><br /><em>Une aile salubre une végétation</em><br /><em>Plus transparente que la lune du matin<br /></em><br /><em>Nos baisers et nos mains au niveau de nous-mêmes</em><br /><em>Tout au-delà ruiné</em><br /><em>La jeunesse en amande se dénude et rêve</em><br /><em>L'herbe se relève en sourdine</em><br /><em>Sur d'innocentes nappes de petite terre</em><br /><em>Premier dernière ardoise et craie</em><br /><em>Fer et rouille seul à seule</em><br /><em>Enlacés au rayon debout</em><br /><em>Qui va comme un aveu</em><br /><em>Écorce et source redressée</em><br /><em>L'un à l'autre dans le présent</em><br /><em>Toute brume chassée</em><br /><em>Deux autour de leur ardeur</em><br /><em>Joints par des lieues et des années<br /></em><br /><em>Notre ombre n'éteint pas le feu</em><br /><em>Nous nous perpétuons. "</em></p><p><em>" II</em><br /><em>Au-dessous des sommets</em><br /><em>Nos yeux ferment les fenêtres</em><br /><em>Nous ne craignons pas la paix de l'hiver<br /></em><br /><em>Les quatre murs éteints par notre intimité</em><br /><em>Quatre murs sur la terre</em><br /><em>Le plancher le plafond</em><br /><em>Sont des cibles faciles et rompues</em><br /><em>À ton image alerte que j'ai dispersée</em><br /><em>Et qui m'est toujours revenue<br /></em><br /><em>Un monotone abri</em><br /><em>Un décor de partout<br /></em><br /><em>Mais c'est ici qu'en ce moment</em><br /><em>Commencent et finissent nos voyages</em><br /><em>Les meilleures folies</em><br /><em>C'est ici que nous défendons notre vie</em><br /><em>Que nous cherchons le monde<br /></em><br /><em>Un pic écervelé aux nuages fuyants au sourire éternel</em><br /><em>Dans leurs cages les lacs au fond des trous la pluie</em><br /><em>Le vent sa longue langue et les anneaux de la fraîcheur</em><br /><em>La verdure et la chair des femmes au printemps</em><br /><em>La plus belle est un baume elle incline au repos</em><br /><em>Dans des jardins tout neufs amortis d'ombres tendres</em><br /><em>Leur mère est une feuille</em><br /><em>Luisante et nue comme un linge mouillé<br /></em><br /><em>Les plaines et les toits de neige et les tropiques luxueux</em><br /><em>Les façons d'être du ciel changeant</em><br /><em>Au fil des chevelures</em><br /><em>Et toujours un seul couple uni par un seul vêtement</em><br /><em>Par le même désir</em><br /><em>Couché aux pieds de son reflet<br /></em><br /><em>Un couple illimité.</em><br /><em>Paul Eluard "</em></p><p>This poem entitled <em>À la fin de l'année de jour en jour plus bas il enfouit sa chaleur comme une graine</em> 66 lines long and in two parts appears between <em>L'Entente</em> and <em>Facile et bien.</em></p><p>An icon art book first published on October 24 1935 by printer-publisher Guy Levis Mano Easy was printed in 24 copies on Imperial Japan paper. This was followed by 200 non-commercial copies on vellum and a limited edition of 1250 copies.<br />Born from an artistic collaboration between Man Ray Paul Eluard and his wife Nusch the book magnifies the body of the latter by the word of the poet and the light of the photographer. After his collection Au default du silence in which Gala was omnipresent Éluard composed these four poems evoking Nusch echoed by a subtle set of layout twelve photographs by Man Ray representing Nusch completely naked. His body never appears in its entirety according to a process specific to the Man-Light. The book contributed to the awakening of eroticism in the art of the 30s.</p><p>About <em>Facile</em> Pierre Emmanuel writes in <em>Le Je universel chez Paul Éluard</em> G.L.M 1948: "Identical to oneself in its inexhaustible creation of self woman is also like the sign or better: the condition of the identity of all things. It would be necessary to quote almost entirely some of <em>Facile</em>'s poems to give the right idea of the "understanding" that is established between feminine eroticism and the fertilizing energies of the earth – between the gestures of the woman and the movements of the human destiny… "</p><p>The handwritten poems of this collection one of the most emblematic of the poet are rare.</p><p><u>Bibliography:</u><br /><em>Facile – Poèmes de Paul Éluard / Photographies de Man Ray</em> – G.L.M Paris 1935<br /><em>Paul Éluard</em> – Œuvres complètes – Tome 1 éd. Marcelle Dumas et Lucien Scheler Pléiade p. 462 – 464</p><p><u>Provenance:</u><br />Christian Genet Collection</p>
1957105400Pierre Seghers 1957. Hardcover. Very good/No jacket. Inscribed by Lucien Clergue on the half-title page. <br /> <br /> Dust Jacket by Picasso.Very nice copy colors bright and sharp.<br /> <br /> Small wear and small tears near spine on dj. Book intact few center pages are partially separated. Pierre Seghers hardcover
1962043727Seghers 1962. hardcover. Very Good/Very Good. Very Good blue cloth boards with white lettering along spine. Binding and hinges tight and square; Contents clean and unmarked. VG dust jacket not price clipped; light rubbing along edges mylar covered. Unpaginated. Also includes good slip cover. Text in French. Seghers hardcover
195753319Seghers Paris 1957. First Edition. Hardcover. Very Good Condition/Very Good. ELUARD PAUL. Corps Memorable Paris: Pierre Seghers 1957. Thin quarto copy No. 709 pp. 35 plus 12 glossy halftone plates plain boards quarter-bound in light brown wood dust jacket with front panel image by Pablo Picasso photos by Lucien Clergue all text in French. Thirteen poems by Eluard illustrated with Clergue's photos of what may be the same female body shown from different angles always headless and in water. See Bertolotti Books of Nudes p. 147: "The book shows women looking like Juno coming out of the waves of the sea as if they were symbolic forms of life." Condition of this book: Jacket bright with wear at corners no tears with original acetate overwrap. Leaves clean but a couple are loose which is typical of this book; images fine. Size: Quarto. Text is in French. Text body is clean and free from previous owner annotation underlining and highlighting. Binding is loose but fully intact. All edges clean neat and free of foxing. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Antiquarian & Rare; France; 1950s; French Language; Poetry. Pictures of this item not already displayed here available upon request. Inventory No: 53319. . Seghers hardcover
196219393Paris: Pierre Seghers 1962. hardcover. Very Good/Very Good. large 8vo 1962 Pierre Seghers hardcover with dust jacket Inscribed by Lucien Clergue in 1962 dust jacket cover design by Picasso DJ has light edge wear page edges lighlty tanned poems in French with photographs by Lucien Clergue Pierre Seghers hardcover
2003364021Paris: Seghers 2003. First Edition. hardcover. very good/very good. 8vo. pp.65. Seghers hardcover
2003BN33389Seghers 2003. 2003. Hardcover. 207 x 20 x 13 cm. Corps mémorable Relié de Paul Eluard Auteur Lucien Clergue Auteur Cet ouvrage a été publié une première fois en 1957 par Pierre Seghers. Cette édition a été suivie d'une nouvell - version en 1969. Depuis longtemps épuisé ce livre-culte est enfin réédité enrichi de nouvelles photographies inédites de Lucien Clergue <br/><br/>Corps mémorable Relié de Paul Eluard Auteur Lucien Clergue Auteur Cet ouvrage a été publié une première fois en 1957 par Pierre Seghers. Cette édition a été suivie d'une nouvell - version en 1969. Depuis longtemps épuisé ce livre-culte est enfin réédité enrichi de nouvelles photographies inédites de Lucien Clergue Seghers hardcover
196088057s. l.: s. n. 1960. Fine. s. n. s. l. s.d. 18 x 9 cm une coupure de journal Newspaper Clipping Annotated by Paul Éluard Newspaper clipping featuring a black-and-white photo of a zebra with Paul Eluard's autograph note: ""Almost as well drawn as Gala"" Presqu'aussi bien dessinée que Gala. Eluard's visual and unusual dedication to Gala his first wife whom he nicknamed ""the zebra"". Gala was the utlimate muse and icon of the Surrealists first as Eluard's wife and mistress of Max Ernst then through her marriage with Salvador Dalí. s. n. unknown
194629571Bourges: Départ 1946. Fine. Départ Bourges Janvier 1946 16 x 24 cm agrafé First edition one of 80 numbered copies on coated paper the only deluxe copies. Other contributions by J.F. Boulet C. Malamond C. Jaby. Issue illustrated by J. Bouillet and D. Bonneau Spine and covers partially faded small stain to front cover handsome interior condition. Départ unknown
