388 résultats
19712091202133105007Hyundai Shichosha 1971. Soft Cover. Fine. Volume: 1 Hyundai Shichosha paperback
19852111902158300880Shichosha Overseas Poetry Series 1985. Soft Cover. Fine. Number of pages: 276 p Out of print Size: Size cm: 19.1 x 12.8 x 1.9 Number of books: 1 Shichosha Overseas Poetry Series paperback
19782092902137501585Idzuka shoten 1978. Soft Cover. Fine. Size: A5 Number of books: 2 Idzuka shoten paperback
194852350Paris: Louis Carré 1948. Brossura velina custodia wrappers glassine dust jacket slip-case. Molto buono Very Good. Il construit un tableau un é";"pi une rose un visage un sein nu. Con 7 tavole litografiche a colori anche a doppia pagina cm 18x38 - 21x16. Illustrazione in nero. 4to. pp. 66. Molto buono Very Good. Custodia con fioriture e bruniture Lightly soiled slip-case. Prima edizione di 1800 es. numerati. Louis Carré, unknown
19712110502150311520Hyundai Shichosha 1971. Soft Cover. Fine. Volume: 1 Hyundai Shichosha paperback
19692081502112001014Keisoshobo 1969. Soft Cover. Fine. Volume: 1 Keisoshobo paperback
19542111902152904067Aoki shoten 1954. Soft Cover. Fine. Size: B6 size Aoki shoten paperback
1948199144Geneve: Éditions Albert Skira 1948. Paperback. Good wraps tanned; scuffed smudged w/ rubbed edge-wear. may have area of dark staining to front wrap; may have light staining to lower edge. may have slight split to textblock; glue & joints intact. pgs remain bright. white wraps w/ black illustration 84 pp. w/ tipped-in color plates bw plates bw illustraitons. Text in French. A presentation of twenty years' worth of activity in Swiss Art Dealer Albert Skira's career. Mounted plates included by artists Henri Rousseau Andre Derain and Georges Roualt among others. Éditions Albert Skira paperback
193078323Paris: Editions Surréalistes 1930. Fine. Editions Surréalistes Paris 1930 20.50 x 26.50 cm une feuille Publisher's slip written jointly by Paul Eluard and André Breton for the first edition of ""La Femme visible"" by Salvador Dali published by Editions surréalistes de José Corti in 1930. Two very light marginal tears and two small crease marks at the foot of the document. Handsome copy. Editions Surréalistes unknown
193824803London: London Gallery 1938. Near very good condition; First page of notices missing lower half. 32 pages sewn into paper wraps. London Gallery unknown
19371704521937. MAN RAY. Les Mains Libres. By Paul Eluard. 208 pp. with 66 reproductions of drawings by Man Ray. 4to 280 x 225 mm. bound in the original illustrated wrappers in a new slipcase with morocco backed chemise. Paris: Editions Jeanne Bucher 1937. A pristine copy of this celebrated collaboration between Man Ray and Paul Eluard inscribed by Man Ray to Souzouki. Man Ray had moved to Paris in 1921 and in the 1930s was one of André Breton's surrealist circles. Unlike most illustrated books where the pictures illustrate the text this book uses the poems to illustrate the drawings which are important documents of Man Ray's non-photographic output. One of 650 printed on Chester Vergé of a total edition of 675 copies. From Manet to Hockney 104. unknown
192047900Paris. 1920 - 1921. Single printed folded sheets as issued. 6 issues. 221 x 139 mm. Issue no. 4 with a printed illustration 'Machine de bon mots' after a drawing by Francis Picabia and the printed stamp in red on outer unprinted wrapper: 'PROVERBE / n'existe que pour / justifier les mots.' A rare complete and unsophisticated set of this Paris dada periodical.Edited by poet Paul Eluard the focus of 'Proverbe' is far more seriously linguistic although it retains the playfulness to be expected from dada than many other periodicals of the period. Although the typical elements of dada typography are present - the variable font different register differing colours the ruling and the use of different angles of printing to the plane of the page - here it is the word that reigns. In fact only one of the issues is in any sense illustrated: issue 4 contains a reproduction of a drawing by Picabia the 'Machine de bon mots' but even here Picabia's concern is at least as semantic as visual.The first article of the first issue makes the aim of 'Proverbe' clear: 'Syntaxe' by Jean Paulhan with its urge to reinvigorate language is followed by pieces by Phillipe Soupault Tristan Tzara an aperçu by the Marquis de Sade and an editorial page of aphorisms mottoes advertisements and instructions. Perhaps the most memorable of these latter is the reassuring announcement concerning Picabia's '391': '391 ne contient pas d'arsenic. On peut le prendre en toute sécurité et en secret sans rien changer à ses habitudes.'The second issue saw the arrival of additional contributors and the editorial board of Louis Aragon André Breton Paul Eluard Jean Paulhan Francis Picabia Maurice Raynal and Philippe Soupault was expanded to include Georges Ribemont-Dessaignes. Issue 4 - the only illustrated issue - was printed on the recto only of the sheet but with an excised circular hole Picabia again incorporated into the issue and titled 'Bracelet de la Vie'.The contributions for issue five were published anonymously while issue 6 printed after a delay of nearly a year was titled additionally 'L'Invention' and gives only the initials readily identifiable of each of the contributors. On the final page of issue 6 the contributors are listed as: 'la Canule de verre Rides propres la Nourrice des étoiles le Grand serpent de terre le Mandarin citron l'Homme à vapeur la Pissotière à musique et l'Homme à la tête de perle'.'Je m'appelle maintenant tu. Tzara fou vierge. / Tristan Tzara est un idiote vierge. Francis Picabia. / Et il n'y aura jamais de faux Dada. Paul Eluard.' Proverbe No. 3 1920.' . a delicious melange of quotations from Picabia Paulhan Aragon Dermée and others . '. Ex-Libris Cat. 2. unknown
193748609Paris.: G. L. M. Guy Lévis Mano. 1937. Loose as issued poster and invitation original publisher's orange glazed paper wrappers stitched as issued with illustration by Picasso printed titles and advertisments in black to covers. Folio. 502 x 325 mm. 12mo. 184 x 138 mm. 16mo. 138 x 104 mm. Poster of cream paper glazed red / orange recto and with Picasso's illustration from 'Grand Air' and printed text in black the title above and conference details beneath the invitation a bifolium of thick cream wove paper Picasso's illustration at left with printed details of the conference at right in black the catalogue on cream wove paper leaf with definition of 'Surréalisme' from the 1924 manifesto and list of conferences recto verso with advertisement for works by Eluard leaves with quotations by Eluard regarding poetry quotations from various Surrealist-approved poets 'Signe ce que tu approuves' inserted leaves of grey paper with advertisements for publications by GLM central spread with 'Programme' and final leaf with advertisments. The very rare poster by Picasso together with the catalogue and the invitation - also with the same image by Picasso - for Paul Eluard's 1937 conference 'Avenir de la Poésie'.Paul Eluard's conference 'Avenir de la Poésie' Future of Poetry was held on October 2nd 1937 at the Comédie des Champs-Elysées 15 Avenue Montaigne the 'Salon Dada' in 1921 had been held at number 13 at 16.15 p.m. as part of the Exposition Internationale 1937. It seems surprising at least with hindsight to imagine that a Surrealist conference might occur under such an umbrella but the Surrealists were nothing if not serious and Eluard's devotion to poetry cannot be questioned or underestimated.'Avenir de la Poésie' saw Eluard as well as a number of actors close to the Surrealists Michèle Alfa Marcel Herrand who had participated at the dada evening 'Le Coeur à Barbe' in 1921 Jean Marchat Jean-Louis Barrault and Sylvain Itkine whose group 'Le Diable Ecarlate' featured extensively in the Exposition reading poems. The list of poets is comprehensive and included Petrus Borel Charles Baudelaire Gérard de Nerval Germain Nouveau the Comte de Lautréamont Isidore Ducasse Rimbaud Charles Cros Jarry Apollinaire Reverdy Breton Henri Michaux Tzara Péret René Char Eluard himself and Picasso.The poster invitation and catalogue all feature to the front cover a reproduction of the engraved collaboration between Picasso and Eluard 'Grand Air'. The very rare print 'Grand Air' was issued - a few proofs aside - only with the ten copies of the édition de tête of Eluard's verse collection 'Les Yeux Fertiles'. Eluard and Picasso had each contributed to 'Grand Air' Eluard a poem of eighteen lines and Picasso the pictorial frame: at right a nude female minotaur a mask opposite at left out of which the minotaur seems to have snatched the left eye above a rocky landscape with a reclining smoking figure with cat beneath; that the cat appears to be suckling three small black fish underlines the essential Surrealism of the whole.'Le pain est plus utile que la poésie. Mais l'amour au sens complet humain du mot l'amour-passion n'est pas plus utile que la poésie.' Paul Eluard. For the material presented here Eluard's central verse has been replaced with the title of the conference 'Avenir de la Poésie' with his retained signature beneath while the entirety of Picasso's framing is present and the image is attributed to him for the catalogue and invitation at lower left. Details of the conference are printed above and beneath for the catalogue and poster and facing the illustration on the invitation.The poster is not described by Christophe Czwiklitzer in his 1968 'Catalogue Raisonné des Affiches de Pablo Picasso'. The first 'original' poster listed an original lithograph is from 1948 while the first 'exécutées par différents procédés de reproduction' is from 1939.While the catalogue 'Avenir de la Poésie' is rare and the invitation rarer still we trace no other examples of the poster in any collection public or private. G. L. M. (Guy Lévis Mano). unknown
1998Q-345819102XInsel Frankfurt 1998-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Insel, Frankfurt hardcover
195148786Paris.: Cercle d'art. 1951. Original publisher's printed wrappers with titles to front cover in black. 4to. 285 x 228 mm. With original lithograph by Picasso and 29 lithographs after Picasso drawings printed by Mourlot. The édition de tête with Picasso's original lithograph.From the edition limited to 150 copies with the original lithograph; this copy exceptionally signed by Picasso in pencil and with the collector's mark WDB.The book published the 29 drawing Picasso made of variations on the theme of peace for the 30th Anniversary of the French Communist Party.Mourlot 203; Cramer 62. Cercle d'art. unknown
1944079662paris: Pierre Seghers. Small Qto. Limited edition copy 998 of 1500. Illustrated with drawings by Picasso. Housed in a late brown buckram cloth clamshell box. The original card covers are clean and solid. Overall a very Good copy. . Very Good. Paperback. 1944. Pierre Seghers paperback
1948329970Paris: Rene Drouin 1948. paperback. very good-. Pablo Picasso. Illustrated in black and white. 132 pages. Tall 4to paper pictorial wrappers toned and chipped with loss of wrapper at head and tail paint residue on front cover edges. Paris: Rene Drouin 1948. A very good- copy internally clean and tight.<br/> <br/> Rene Drouin unknown
1951118496Paris : Editions du Cercle dÕArt 1951. 295x225mm. collation effectuÂŽ: 29 dessins n/b in texte dont un en couleurs brochÂŽ. Couverture ˆ rabats. Un des 2000 exemplaires sur papier vÂŽlin offset supÂŽrieur numÂŽrotÂŽ n.¡ 322 / 2000. Ce volume achevÂŽ dÕimprimer en octobre mil neuf cent cinquante-et-un a ÂŽtÂŽ tirÂŽ pour les lithographies sur les presses de Mourlot FrÂres la typographie est de lÕimprimerie Union ˆ Paris. Bloch 687. Cramer 62. Mourlot 203. TrÂs bel exemplaire. 284 Editions du Cercle dÕArt unknown
194843123Paris: Rene Drouin 1948. first edition. Paperback. Good/good. 10 x 13 in. French covers i.e. DJ over paper wraps. Lavish B&W photos of the artist in his studio and plates of the work. Condition is GOOD ; paper on spine is mostly gone. The binding is signatures sewn togather and the first signature is a touch loose with the threads visible at the title pg otherwise the remainder of the binding is guite soild. Text is bright and unmarked. The front and back of the DJ are excellent very clean with minor toning and wear. Art. RGR. Rene Drouin paperback
1951210213London: Lund Humphries 1951. Hardcover. VG-: Missing dust jacket. Library number written in white on the front cover. The glue holding the fabric to the spine has dried and it is split and lifted along the front edge. Tanning to the end pages. Plate on the front pasted end page. Clean body pages and solid binding. A blue casebound book with bronze text on the spine. Unpaginated. 77 plates some in color. Contains two essays: "Drawings of Picasso" by Roland Penrose and "Picasso: Good Master of Liberty" by Paul Eluard. "Issued in collaboration with the Institute of Contemporary Arts on the occasion of the exhibition 'Drawings and Watercolours Since 1853' held at Dover Street London W1 to commemorate the 70th birthday of Picasso 25 October 1951." Lund Humphries hardcover
19841575520858Gerald Cramer 1984. Hardcover. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Minor shelf and handling wear overall a clean solid copy with minimal signs of use. 16 pg text with book in slipcase as issued. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Gerald Cramer hardcover
1928Elu1<p><strong>ÉLUARD Paul 1895-1952</strong></p><p>Autograph letter signed " Votre Eluard " to Joë Bousquet<br />Arosa 4 Nov. 1928 4 p. in-4°<br />Stamped and postmarked autographed envelope<br />Some tiny spots one word crossed off in Bousquet's hand<br />Pencil annotations by Lucien Scheler</p><p><strong>Magnificent letter by Éluard enriched with three autograph poems featured in his collection <em>L'Amour la Poésie</em></strong></p><p><strong><u>One of the poet's major works dedicated to his wife Gala who was then on the verge of leaving him for Salvador Dalí</u></strong></p><p><strong><em>"Such strikingly new concordances that I'm startled with a kind of dread by their appearance of eternity"</em></strong><br /><strong>— Jacques Rèce <em>Variété</em> on <em>L'Amour la Poésie</em></strong></p><p><em>" Mon bien cher ami voici les poèmes promis. De la 2e partie la manière noire<br /><strong>Ce livre aurait 5 parties :</strong></em><br /><strong><em>Premièrement</em></strong><br /><strong><em>Seconde Nature</em></strong><br /><strong><em>Comme une image</em></strong><br /><strong><em>Défense de savoir 1</em></strong><br /><strong><em>Défense de savoir 2</em></strong></p><p><strong><em>Le tout : L'AMOUR LA POÉSIE</em></strong><br /><strong><em>Et dédié à Gala</em></strong></p><p><strong><em>Aucun poème n'a de titre. Environ 100 poèmes. Mais de jour en jour mon corps mange ma tête. J'ai hâte de partir d'ici. Trop de nerfs trop de cauchemars.</em></strong><br /><em>Peut-être puisque vous ne m'avez pas dit si vous avez un gramophone détestez-vous la musique. Mais soyez certain que ce que je vous aurai conseillé n'a avec celle-ci que de mauvais rapports.</em><br /><em>Ce que vous me dites sur la lâcheté de Paulhan</em> le nom a été caviardé au stylo rouge peut-être de la main de Bousquet lui-même pour ne pas de compromettre <em>ne m'étonne pas.</em><br /><em>Nous voudrions déjà être à Carcassonne. Je vous fais adresser le Tanguy de Nelli.</em><br /><em>Je voudrais écrire des chansons et c'est drôle je n'ai jamais eu si peu envie de chanter. Avez-vous fini par obtenir l'Histoire de l'Œil Si oui vous dites publiquement ce que vous en pensez. </em><em>Et vous êtes le seul.</em><br /><em>Votre Eluard "</em></p><p>The letter is enriched with three autograph poems by Éluard annotated XXIX XXXV and XXXVII</p><p><em>" XXXV Seconde nature "</em> on top of first page</p><p><em>" Ils n'animent plus la lumière</em><br /><em>Ils ne jouent plus avec le feu</em><br /><em>Pendus au mépris des victoires</em><br /><em>Et limitant tous leurs semblables</em><br /><em>Criant l'orage à bras ouverts</em><br /><em>Aveugles d'avoir sur la face</em><br /><em>Tous les yeux comme des baisers</em><br /><em>La face battue par les larmes</em><br /><em>Ils ont capturé la peur et l'ennui</em><br /><em>Les solitaires pour tous</em><br /><em>Ont séduit le silence</em><br /><em>Et lui font faire des grimaces</em><br /><em>Dans le désert de leur présence. "</em></p><p><em>" XXIX Seconde nature "</em> on se separate sheet</p><p><em>" Toutes les larmes sans raison</em><br /><em>Toute la nuit dans ton miroir </em><br /><em>La vie du plancher au plafond</em><br /><em>Tu doutes de la terre et de ta tête </em><br /><em>Dehors tout est mortel </em><br /><em>Pourtant tout est dehors </em><br /><em>Tu vivras de la vie d'ici</em><br /><em>Et de l'espace misérable </em><br /><em>Qui répond à tes gestes</em><br /><em>Qui placarde tes mots </em><br /><em>Sur un mur incompréhensible </em></p><p><em>Et qui donc pense à ton visage "</em></p><p><em>" XXXVII Seconde nature "</em> on another separate sheet</p><p><em>" A genoux la jeunesse à genoux la colère </em><br /><em>L'insulte saigne menaces ruines</em><br /><em>Les caprices n'ont plus leur couronne les fous </em><br /><em>Vivent patiemment dans le pays de tous. </em></p><p><em>Le Chemin de la mort dangereuse est barré</em><br /><em>Par des funérailles superbes</em><br /><em>L'épouvante est polie la misère a des charmes</em><br /><em>Et l'amour prête à rire aux innocents obèses.</em></p><p><em>Agréments naturels éléments en musique </em><br /><em>Virginités de boue artifices de singe </em><br /><em>Respectable fatigue honorable laideur </em><br /><em>Travaux délicieux où l'oubli se repaît. </em></p><p><em>La souffrance est là par hasard </em><br /><em>Et nous sommes le sol sur quoi tout est bâti</em><br /><em>Et nous sommes partout </em><br /><em>Où se lèvent le ciel des autres</em></p><p><em>Partout où le refus de vivre est inutile "</em></p><p>L'Amour la Poésie anticipates the end of the poet's relationship with Gala. He dedicates it to her with these words: "To Gala / This endless book."<br />At the time the poet's wife and muse — then openly the mistress of Max Ernst — meets Salvador Dalí. She leaves Éluard for the Surrealist painter at the very beginning of 1929.<br />Paul Éluard as Gala prepared to leave him said to her:<br />"Your hair slips into the abyss that justifies our separation."</p><p><u>The collection ultimately comprises only three parts:</u><br />– <em>First of All</em> <em>Premièrement</em><br />– <em>Second Nature</em> <em>Seconde Nature</em><br />– <em>Like an Image</em> <em>Comme une image</em><br />The three poems presented here by Éluard to Bousquet are taken from the second part of the collection <em>Second Nature</em>. A complete manuscript of this section is preserved in the copy of <em>L'Amour la Poésie</em> held at the Saint-Denis Museum no. 26 in the catalogue of the exhibition <em>Paul Éluard</em> Saint-Denis 1963.<br />The last two parts — <em>Défense de savoir 1 & 2</em> mentioned by Éluard — were eventually compiled into a separate volume under that very title.<br />Speaking of the collection Éluard once said:<br />"The title was given to me by my daughter in 1928 she was 10 years old. I had asked her after modestly reading her a few of the poems."</p><p>1 – A short novel by Georges Bataille. Published clandestinely in 1928 under the pseudonym Lord Auch it recounts the sexual experiences of two adolescents and their growing perversity.</p><p><u>Bibliography:</u><em><br />Œuvres complètes</em> I ed. Marcelle Dumas and Lucien Scheler Pléiade edition in the section <em>Seconde Nature</em>:<br />– Poem XXXVII I p. 243 also reproduced in <em>Poésie</em> 1929 vol. VII p. 139<br />– Poem XXIX II pp. 243–244<br />– Poem XXXV XX p. 253</p>
1947C217289London: Martin Secker & Warburg 1947. Paperback . Very Good. Small quarto. 176pp. Original orange card covers. Slight wear and nicking to yapped edges slight fading to spine slight label remains inside front cover otherwise very good indeed. French text. Martin Secker & Warburg, paperback
1947916Trois Colines Geneve 1947. "Brochure with wear on the cover and spine. Collection Les Grands Peintres par leurs amis. Printed in Geneva"" Trois Colines Geneve unknown
1984802031052<p>Soft cover. Condition: Very Good Limited Edition.</p><p>Facsimile of original no. 75 of nos. 27-106 published in 1958 with wraps Additionally with booklet "Miró Eluard and Cramer: A TOUTE EPREUVE. A Collaboration Between Artist Poet and Publisher" by Anne Hyde Greet.</p><p>Additional pictures on request.</p> George Braziller Inc paperback