Paul EluardLivre Rare Book
Paul EluardLivre Rare Book
Poètes d'aujourd'hui
1969400032727Seghers 1969 1969.
Démons et Merveilles · Joinville, France15,00 €
1 936 résultats
52069Editions de la Main à Plume.E.O.In-32 br.TBE.
KN6019VLWBroché bon état.Contenu propre . 1952.244 pages . PHOTOS SUR DEMANDE
1969400032727Seghers 1969 1969.
1948AUB-2289Lausanne, H.-L. Mermod (Collection du Bouquet)1948. Bon exemplaire broché, in-12 (17x13), couverture ornée et remp. d'éd., numéroté, 177 pages avec table
1928Elu1<p><strong>ÉLUARD Paul 1895-1952</strong></p><p>Autograph letter signed " Votre Eluard " to Joë Bousquet<br />Arosa 4 Nov. 1928 4 p. in-4°<br />Stamped and postmarked autographed envelope<br />Some tiny spots one word crossed off in Bousquet's hand<br />Pencil annotations by Lucien Scheler</p><p><strong>Magnificent letter by Éluard enriched with three autograph poems featured in his collection <em>L'Amour la Poésie</em></strong></p><p><strong><u>One of the poet's major works dedicated to his wife Gala who was then on the verge of leaving him for Salvador Dalí</u></strong></p><p><strong><em>"Such strikingly new concordances that I'm startled with a kind of dread by their appearance of eternity"</em></strong><br /><strong>— Jacques Rèce <em>Variété</em> on <em>L'Amour la Poésie</em></strong></p><p><em>" Mon bien cher ami voici les poèmes promis. De la 2e partie la manière noire<br /><strong>Ce livre aurait 5 parties :</strong></em><br /><strong><em>Premièrement</em></strong><br /><strong><em>Seconde Nature</em></strong><br /><strong><em>Comme une image</em></strong><br /><strong><em>Défense de savoir 1</em></strong><br /><strong><em>Défense de savoir 2</em></strong></p><p><strong><em>Le tout : L'AMOUR LA POÉSIE</em></strong><br /><strong><em>Et dédié à Gala</em></strong></p><p><strong><em>Aucun poème n'a de titre. Environ 100 poèmes. Mais de jour en jour mon corps mange ma tête. J'ai hâte de partir d'ici. Trop de nerfs trop de cauchemars.</em></strong><br /><em>Peut-être puisque vous ne m'avez pas dit si vous avez un gramophone détestez-vous la musique. Mais soyez certain que ce que je vous aurai conseillé n'a avec celle-ci que de mauvais rapports.</em><br /><em>Ce que vous me dites sur la lâcheté de Paulhan</em> le nom a été caviardé au stylo rouge peut-être de la main de Bousquet lui-même pour ne pas de compromettre <em>ne m'étonne pas.</em><br /><em>Nous voudrions déjà être à Carcassonne. Je vous fais adresser le Tanguy de Nelli.</em><br /><em>Je voudrais écrire des chansons et c'est drôle je n'ai jamais eu si peu envie de chanter. Avez-vous fini par obtenir l'Histoire de l'Œil Si oui vous dites publiquement ce que vous en pensez. </em><em>Et vous êtes le seul.</em><br /><em>Votre Eluard "</em></p><p>The letter is enriched with three autograph poems by Éluard annotated XXIX XXXV and XXXVII</p><p><em>" XXXV Seconde nature "</em> on top of first page</p><p><em>" Ils n'animent plus la lumière</em><br /><em>Ils ne jouent plus avec le feu</em><br /><em>Pendus au mépris des victoires</em><br /><em>Et limitant tous leurs semblables</em><br /><em>Criant l'orage à bras ouverts</em><br /><em>Aveugles d'avoir sur la face</em><br /><em>Tous les yeux comme des baisers</em><br /><em>La face battue par les larmes</em><br /><em>Ils ont capturé la peur et l'ennui</em><br /><em>Les solitaires pour tous</em><br /><em>Ont séduit le silence</em><br /><em>Et lui font faire des grimaces</em><br /><em>Dans le désert de leur présence. "</em></p><p><em>" XXIX Seconde nature "</em> on se separate sheet</p><p><em>" Toutes les larmes sans raison</em><br /><em>Toute la nuit dans ton miroir </em><br /><em>La vie du plancher au plafond</em><br /><em>Tu doutes de la terre et de ta tête </em><br /><em>Dehors tout est mortel </em><br /><em>Pourtant tout est dehors </em><br /><em>Tu vivras de la vie d'ici</em><br /><em>Et de l'espace misérable </em><br /><em>Qui répond à tes gestes</em><br /><em>Qui placarde tes mots </em><br /><em>Sur un mur incompréhensible </em></p><p><em>Et qui donc pense à ton visage "</em></p><p><em>" XXXVII Seconde nature "</em> on another separate sheet</p><p><em>" A genoux la jeunesse à genoux la colère </em><br /><em>L'insulte saigne menaces ruines</em><br /><em>Les caprices n'ont plus leur couronne les fous </em><br /><em>Vivent patiemment dans le pays de tous. </em></p><p><em>Le Chemin de la mort dangereuse est barré</em><br /><em>Par des funérailles superbes</em><br /><em>L'épouvante est polie la misère a des charmes</em><br /><em>Et l'amour prête à rire aux innocents obèses.</em></p><p><em>Agréments naturels éléments en musique </em><br /><em>Virginités de boue artifices de singe </em><br /><em>Respectable fatigue honorable laideur </em><br /><em>Travaux délicieux où l'oubli se repaît. </em></p><p><em>La souffrance est là par hasard </em><br /><em>Et nous sommes le sol sur quoi tout est bâti</em><br /><em>Et nous sommes partout </em><br /><em>Où se lèvent le ciel des autres</em></p><p><em>Partout où le refus de vivre est inutile "</em></p><p>L'Amour la Poésie anticipates the end of the poet's relationship with Gala. He dedicates it to her with these words: "To Gala / This endless book."<br />At the time the poet's wife and muse — then openly the mistress of Max Ernst — meets Salvador Dalí. She leaves Éluard for the Surrealist painter at the very beginning of 1929.<br />Paul Éluard as Gala prepared to leave him said to her:<br />"Your hair slips into the abyss that justifies our separation."</p><p><u>The collection ultimately comprises only three parts:</u><br />– <em>First of All</em> <em>Premièrement</em><br />– <em>Second Nature</em> <em>Seconde Nature</em><br />– <em>Like an Image</em> <em>Comme une image</em><br />The three poems presented here by Éluard to Bousquet are taken from the second part of the collection <em>Second Nature</em>. A complete manuscript of this section is preserved in the copy of <em>L'Amour la Poésie</em> held at the Saint-Denis Museum no. 26 in the catalogue of the exhibition <em>Paul Éluard</em> Saint-Denis 1963.<br />The last two parts — <em>Défense de savoir 1 & 2</em> mentioned by Éluard — were eventually compiled into a separate volume under that very title.<br />Speaking of the collection Éluard once said:<br />"The title was given to me by my daughter in 1928 she was 10 years old. I had asked her after modestly reading her a few of the poems."</p><p>1 – A short novel by Georges Bataille. Published clandestinely in 1928 under the pseudonym Lord Auch it recounts the sexual experiences of two adolescents and their growing perversity.</p><p><u>Bibliography:</u><em><br />Œuvres complètes</em> I ed. Marcelle Dumas and Lucien Scheler Pléiade edition in the section <em>Seconde Nature</em>:<br />– Poem XXXVII I p. 243 also reproduced in <em>Poésie</em> 1929 vol. VII p. 139<br />– Poem XXIX II pp. 243–244<br />– Poem XXXV XX p. 253</p>
1947C217289London: Martin Secker & Warburg 1947. Paperback . Very Good. Small quarto. 176pp. Original orange card covers. Slight wear and nicking to yapped edges slight fading to spine slight label remains inside front cover otherwise very good indeed. French text. Martin Secker & Warburg, paperback
1947916Trois Colines Geneve 1947. "Brochure with wear on the cover and spine. Collection Les Grands Peintres par leurs amis. Printed in Geneva"" Trois Colines Geneve unknown
1984802031052<p>Soft cover. Condition: Very Good Limited Edition.</p><p>Facsimile of original no. 75 of nos. 27-106 published in 1958 with wraps Additionally with booklet "Miró Eluard and Cramer: A TOUTE EPREUVE. A Collaboration Between Artist Poet and Publisher" by Anne Hyde Greet.</p><p>Additional pictures on request.</p> George Braziller Inc paperback
DA02C-03087Gerald Cramer. Collectible - Good. New York: G. Braziller 1984. Facsimile reprint of the 1958 edition published by Gerald Cramer. Folio hardcover. 93pp. Color illustrations. French. Fair. Good portfolio cover and Fair slipcase. Slipcase dampstained and portfolio cover slightly dampstained. Gifter's inscription on inside. Lacking the "Introduction by Anne Hyde Greet" booklet else book Near Very Good. Joan Miro Poetry Books in French Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. Gerald Cramer hardcover
19842092902138101113Galerie Patrick Cramer 1984. Soft Cover. Fine. Size: 33.5cmx26cm Number of books: 1 Galerie Patrick Cramer paperback
198451633New York: George Braziller Inc 1984. Facsimile edition. Hardcover. fine. Quarto. Color illustrations by Miro. French text in a folded chemise box. Includes booklet in english. In slipcase. Facsimile edition. George Braziller Inc hardcover
57739Editions Albert Skira Genève 1948 - Impr. Albert Kundig In-8 87pp. illustr. nombreuses reproductions artistiques complet du supplement au catalogue Hiver 1948-1949 Nb-0263 Couverture et frontispice realises par Henri Matisse - Presentation par Paul Eluard unknown
19686812Paris: Gallimard 1968. Hardcover. Near Fine. pp 322 Bibliotheque de la Pleiade. A special edition fully illustrating the life and work of Paul Eluard. Near fine in fresh brown covers slight spine lean. In a very good dust jacket nicked and chipped to the bottom edge. No ownership inscription. Near Fine 1968 Gallimard hardcover
13309Arts et Metiers Graphiques 1936. paperback. Very Good. 0x0x0. Mid-century graphic design is documented in this 62 page French magazine. The cover is darkened and scuffed with age. Contains a poem by Paul Eluard graphics and ads from many eras. This graphic arts and typography magazine was published in France from 1927–1939. French language. All orders packed with care most dust jackets protected by Brodart sleeve independent bookseller since 2011 Arts et Metiers Graphiques paperback
194586101Paris: Les Editions de Minuit 1945. Fine. Les Editions de Minuit Paris 1945 13.50 x 20.50 cm broché First edition one of 120 numbered copies on pur fil paper the only deluxe copies. Work illustrated with a portrait of the author by Pablo Picasso. Discreet marginal restorations to the boards. Precious and handsome autograph inscription signed by Paul Eluard: ""A l'ami à Jean Cocteau ce livre écrit dans l'ombre muette d'un coeur et à un coeur qui ne se démentent pas Paul Eluard"" To my friend to Jean Cocteau this book written in mute shadow from a heart and to a heart that do not falter Paul Eluard. Les Editions de Minuit hardcover
194151630Paris: Nrf 1941. Fine. Nrf Paris 1941 14 x 23 cm broché Pre-first edition one of the rare numbered copies on pure thread paper the only deluxe copies. In this issue of the Nrf we also find contributions by Jacques Chardonne Les vocations tardives and Pierre Drieu La Rochelle Le corps. A very handsome copy. Nrf unknown
TJ-OI30-V4OAPaperback. Good. PARIS: G.L.M. 1936. Softcover in pale gray printed wrappers. First Edition. 60 pages 8 pages of ads at rear; with 8 photo-illustrations by Man Ray. Text in French including works by Paul Eluard Rene Char Jean Scutenaire and others. 'Avec un ex-libris par Salvador Dali'. The third issue of this important surrealist publication. Covers toned at edges spine sunned and a bit creased glued binding weak but holding text-block lightly age-toned else very good overall condition. No marks NOT EX-LIBRARY. fprwb paperback
G8478220461I4N00Institución Alfonso el Magnánimo Valencia = Institució Alfons el Magnànim Valencia. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Institución Alfonso el Magnánimo (Valencia) = Institució Alfons el Magnànim (Valencia) paperback
0670203262.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2070776506.GaudioCD. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1967feb13424Tineretului 1967. Used. 1967; Romanian Edition of Cele mai frumoase poezii; For more details please contact me Tineretului unknown
193931<p>Rare and extraordinary double-sided Surrealist binding by Georges Hugnet executed for his own library.<br /><br />He later gave it to Robert Altmann.<br /><br />At the beginning Georges Hugnet mounted a long autograph note offering first-hand details about his production of Surrealist bindings:<br /><br />"This 'book-object' invented for the personal copy of Chanson complète that Paul Éluard had given me is the last I ever made in my workshop on rue de Buci with the help of my bookbinder assistant Louis Christy who died in October 1940. Since then I have never executed any others; the Nazi occupation extinguished this vein in me.<br /><br />Here is the list of 'book-objects' that I still have in my library:<br /><br />Comte de Lautréamont Les Chants de Maldoror 1934<br />G.H. Onan 1934<br />Paul Éluard Défense de savoir 1934<br />André Breton L'Air de l'eau 1935<br />Paul Éluard Facile 1935<br />Hans Bellmer Die Puppe 1935<br />Hans Bellmer a collection of original black-and-white and colour photographs of Bellmer's dolls<br />Raymond Roussel Locus Solus 1937<br /><br />In total between 1934 and 1939 I composed around twenty 'book-objects' which at the time were housed in the libraries of Mme Lise Deharme and Peggy Guggenheim Messrs. Paul Éluard André Breton Robert Valançay P. Bomsel etc. as well as in my own. My 'book-objects' exist only in a single copy with the exception of Défense de savoir which I reproduced in order to offer it to Paul Éluard who desired it and another set of original photographs of Hans Bellmer's dolls commissioned from me after seeing my copy by Robert Valançay.<br /><br />Paris 25 October 1964<br />Georges Hugnet<br /><br />I am happy that the only 'book-object' I can still dispose of enters your library my dear Robert Altmann."<br /><br />Extraordinary "book-object" by Georges Hugnet in one of the 20 copies of Chanson complète illustrated with four lithographs by Max Ernst.<br /><br />Chanson complète is the fourth collaboration between Max Ernst and Paul Éluard following Répétitions Les Malheurs des immortels and Au défaut du silence. It was produced at a time when Éluard had recently been excluded from the Surrealist group by Breton due to his Stalinist positions and several critics have seen in it an act of solidarity by the painter.<br /><br />The volume contains fourteen poems and four lithographs. These are frottage-based works in which the artist's familiar universe reappears: birds animals vegetal forms and female bodies particularly eroticised in the third plate.<br /><br />For this final binding of his invention intended for his personal library Georges Hugnet deployed his full talent in the field. It is imbued with a diffuse eroticism. The hair-like fur framing the algae—or coral—on a pink ground inevitably evokes a female sexual form. One thinks of Étant donnés Marcel Duchamp's final work where a female body is similarly revealed within an ovoid black form.<br /><br />Georges Hugnet's extensive note highlights the rarity of the "book-objects" he created. "The bindings of Georges Hugnet—which are rather ghostly constructions around books—prepare and dress them for the greatest ball of their life" wrote Benjamin Péret in no. 10 of Minotaure Winter 1937.<br /><br />These creations represent both the culmination of "artistic" binding and its ironic subversion. The binding whose execution Hugnet entrusted to his friend Louis Christy a self-taught bookbinder close to the Surrealists who said he had 'made himself among masters who barely knew their craft' becomes a kind of "mental object." It is no longer decoration but the creation of a unique object "the book fulfils its purpose" as he said fully belonging to Surrealist production.<br /><br />Among the "book-objects" mentioned but not precisely listed in Hugnet's note one may also cite Herbe à la lune by Valentine Penrose.<br /><br />Robert Altmann to whom Hugnet gave this copy was the director of the Brunidor publishing house based in New York and later Paris specialising in illustrated books with engravings.<br /><br />Provenance: Jean-Paul Kahn collection.</p> Gallimard
1935Eluard6<p><strong>ÉLUARD Paul 1895-1952</strong></p><p>Autograph poem signed " Paul Eluard "<br />N.p.n.d 2 p. in-folio on thin green paper<br />Some slight browning on margins<br />Bespoke framing</p><p><strong>Complete manuscript of one of the four poems published in <em>Facile</em> a masterpiece of surrealism testifying to the artistic emulation between Paul Éluard his wife Nusch and Man Ray to whom she serves as a model</strong></p><p>A LA FIN DE L'ANNÉE DE JOUR EN JOUR PLUS BAS IL ENFOUIT SA CHALEUR COMME UNE GRAINE.</p><p><em>" I</em><br /><em>Nous avançons toujours</em><br /><em>Un fleuve plus épais qu'une grasse prairie</em><br /><em>Nous vivons d'un seul jet</em><br /><em>Nous sommes du bon port<br /></em><br /><em>Le bois qui va sur l'eau l'arbre qui file droit</em><br /><em>Tout marché de raison bâclé conclu s'oublie</em><br /><em>Où nous arrêterons-nous</em><br /><em>Notre poids immobile creuse notre chemin<br /></em><br /><em>Au loin les fleurs fanées des vacances d'autrui</em><br /><em>Un rien de paysage suffisant</em><br /><em>Les prisons de la liberté s'effacent</em><br /><em>Nous avons à jamais</em><br /><em>Laissé derrière nous l'espoir qui se consume</em><br /><em>Dans une ville pétrie de chair et de misère</em><br /><em>De tyrannie<br /></em><br /><em>La paupière du soleil s'abaisse sur ton visage</em><br /><em>Un rideau doux comme ta peau</em><br /><em>Une aile salubre une végétation</em><br /><em>Plus transparente que la lune du matin<br /></em><br /><em>Nos baisers et nos mains au niveau de nous-mêmes</em><br /><em>Tout au-delà ruiné</em><br /><em>La jeunesse en amande se dénude et rêve</em><br /><em>L'herbe se relève en sourdine</em><br /><em>Sur d'innocentes nappes de petite terre</em><br /><em>Premier dernière ardoise et craie</em><br /><em>Fer et rouille seul à seule</em><br /><em>Enlacés au rayon debout</em><br /><em>Qui va comme un aveu</em><br /><em>Écorce et source redressée</em><br /><em>L'un à l'autre dans le présent</em><br /><em>Toute brume chassée</em><br /><em>Deux autour de leur ardeur</em><br /><em>Joints par des lieues et des années<br /></em><br /><em>Notre ombre n'éteint pas le feu</em><br /><em>Nous nous perpétuons. "</em></p><p><em>" II</em><br /><em>Au-dessous des sommets</em><br /><em>Nos yeux ferment les fenêtres</em><br /><em>Nous ne craignons pas la paix de l'hiver<br /></em><br /><em>Les quatre murs éteints par notre intimité</em><br /><em>Quatre murs sur la terre</em><br /><em>Le plancher le plafond</em><br /><em>Sont des cibles faciles et rompues</em><br /><em>À ton image alerte que j'ai dispersée</em><br /><em>Et qui m'est toujours revenue<br /></em><br /><em>Un monotone abri</em><br /><em>Un décor de partout<br /></em><br /><em>Mais c'est ici qu'en ce moment</em><br /><em>Commencent et finissent nos voyages</em><br /><em>Les meilleures folies</em><br /><em>C'est ici que nous défendons notre vie</em><br /><em>Que nous cherchons le monde<br /></em><br /><em>Un pic écervelé aux nuages fuyants au sourire éternel</em><br /><em>Dans leurs cages les lacs au fond des trous la pluie</em><br /><em>Le vent sa longue langue et les anneaux de la fraîcheur</em><br /><em>La verdure et la chair des femmes au printemps</em><br /><em>La plus belle est un baume elle incline au repos</em><br /><em>Dans des jardins tout neufs amortis d'ombres tendres</em><br /><em>Leur mère est une feuille</em><br /><em>Luisante et nue comme un linge mouillé<br /></em><br /><em>Les plaines et les toits de neige et les tropiques luxueux</em><br /><em>Les façons d'être du ciel changeant</em><br /><em>Au fil des chevelures</em><br /><em>Et toujours un seul couple uni par un seul vêtement</em><br /><em>Par le même désir</em><br /><em>Couché aux pieds de son reflet<br /></em><br /><em>Un couple illimité.</em><br /><em>Paul Eluard "</em></p><p>This poem entitled <em>À la fin de l'année de jour en jour plus bas il enfouit sa chaleur comme une graine</em> 66 lines long and in two parts appears between <em>L'Entente</em> and <em>Facile et bien.</em></p><p>An icon art book first published on October 24 1935 by printer-publisher Guy Levis Mano Easy was printed in 24 copies on Imperial Japan paper. This was followed by 200 non-commercial copies on vellum and a limited edition of 1250 copies.<br />Born from an artistic collaboration between Man Ray Paul Eluard and his wife Nusch the book magnifies the body of the latter by the word of the poet and the light of the photographer. After his collection Au default du silence in which Gala was omnipresent Éluard composed these four poems evoking Nusch echoed by a subtle set of layout twelve photographs by Man Ray representing Nusch completely naked. His body never appears in its entirety according to a process specific to the Man-Light. The book contributed to the awakening of eroticism in the art of the 30s.</p><p>About <em>Facile</em> Pierre Emmanuel writes in <em>Le Je universel chez Paul Éluard</em> G.L.M 1948: "Identical to oneself in its inexhaustible creation of self woman is also like the sign or better: the condition of the identity of all things. It would be necessary to quote almost entirely some of <em>Facile</em>'s poems to give the right idea of the "understanding" that is established between feminine eroticism and the fertilizing energies of the earth – between the gestures of the woman and the movements of the human destiny… "</p><p>The handwritten poems of this collection one of the most emblematic of the poet are rare.</p><p><u>Bibliography:</u><br /><em>Facile – Poèmes de Paul Éluard / Photographies de Man Ray</em> – G.L.M Paris 1935<br /><em>Paul Éluard</em> – Œuvres complètes – Tome 1 éd. Marcelle Dumas et Lucien Scheler Pléiade p. 462 – 464</p><p><u>Provenance:</u><br />Christian Genet Collection</p>
1957105400Pierre Seghers 1957. Hardcover. Very good/No jacket. Inscribed by Lucien Clergue on the half-title page. <br /> <br /> Dust Jacket by Picasso.Very nice copy colors bright and sharp.<br /> <br /> Small wear and small tears near spine on dj. Book intact few center pages are partially separated. Pierre Seghers hardcover
1962043727Seghers 1962. hardcover. Very Good/Very Good. Very Good blue cloth boards with white lettering along spine. Binding and hinges tight and square; Contents clean and unmarked. VG dust jacket not price clipped; light rubbing along edges mylar covered. Unpaginated. Also includes good slip cover. Text in French. Seghers hardcover
