1 936 résultats
194589388Cannes: Adrien Maeght 1945. Fine. Adrien Maeght Cannes 1945 20.5 x 24.5 cm Relié sous étui First edition one of 950 copies on Vélin Vidalon signed by André Marchand the only printing following 49 copies on Vélin d'Arches.Bound in black morocco-backed boards with corners smooth spine gilt fillet borders on cat's eye paper-covered boards marbled endpapers and pastedowns original wrappers and spine preserved all edges gilt. Slipcase edged in black morocco marbled paper panels. Binding signed by D. Saporito.Illustrated with 50 splendid original lithographs by André Marchand printed by Mourlot.Featuring previously unpublished texts by Georges Spyridaki René Lacôte Georges Hugnet Gabriel Audisio Raymond Queneau David Herbert Lawrence Pierre Emmanuel Luc Decaunes Léon-Marie Brest Jean Grenier Antonio Machado Marie Mauron Paul Eluard.A handsome and finely bound copy. Adrien Maeght hardcover
194479Limited edition 122/500. Drawing of Paul Eluard by Man Ray. Some wear to edges of covers and some darkening. See photos Internally very good. London Gallery Editions paperback
feb81285Used. For more details please contact me unknown
195263426Paris: Les Editeurs Français Réunis 1952. Fine. Les Editeurs Français Réunis Paris 1952 12 x 19 cm broché First edition on current paper of the French translation and adaptation established by Paul Eluard. Biography of the Bulgarian poet by Elsa Triolet. Two tears glued to the back of the head yellowed paper. Precious autograph dedication signed Paul Eluard: ""A Valentine Hugo my friend sic"". Les Editeurs Français Réunis unknown
19441005J8London: London Gallery Editions 1944. First edition. Paperback. Good. 8" by 6". Man Ray. One of only 500 signed copies a pleasing first edition of the English translation of Paul Éluard's poetry originally published in separate publications. A superb limited first edition English translation of Paul Éluard's poetry. Number 235 of 500 copies signed by the translators Roland Penrose and E. L. T. Mesens. The majority of Éluard's poems were originally published in separate publications throughout 1942 whilst France was under German occupation. This the first bilingual collection of his work with the English and French on opposing pages. Bound in the publisher's original paper wraps with the original unclipped dust wrapper. Printed on hand made paper with deckled edges multiple uncut leaves. Illustrated with a line-drawn portrait of Paul Éluard by Man Ray dated 1936. A founding figure of the Surrealist movement who remained in France during the war Éluard's verse encapsualates the terror of the French occupation with themes of liberté patience and entrapment. This poetry book was published as part of a series of French poetry from all over the world edited by Mesens. This copy would make a pleasing addition to any global poetry collection. Bound in the publisher's original paper wraps with unclipped dust wrapper. Externally in smart condition. With a closed tear to the front paper wrap and additional minor chipping and tears to extremities. A crease to back paper wrap. Dust wrapper with sunning to spine and extremities. A single stain to the rear of wrap. Chipping and loss of paper to head and tail of spine and fly leaves at extremities. Text block disbound from paper wrap. Otherwise internally bound pages bright and clean. Multiple uncut leaves. Signature of translators to the final page. Good London Gallery Editions paperback
195148249Paris: Pierre Seghers 1951. Fine. Pierre Seghers Paris 1951 14 x 19.50 cm 2 volumes brochés First edition on ordinary paper. Handsome autograph inscription from Paul Eluard to Raymond Queneau on the first volume: "". ce livre qui nous rajeunit. this book that makes us young again "" Pierre Seghers unknown
192092144Paris: Proverbe 1920. Fine. Complete copy of this iconic Dada journal with its subscription leaflet Proverbe Paris 1er février 1920 - 1er juillet 1921 14 x 22.5 cm & 208 x 275 5 fascicules sur feuillets double et 1 feuillet recto-versos An exceptionally rare complete collection in six issues of this important Dada journal including the very rare sixth no. of July 1921 entitled ""Invention et proverbe"". Contributions by Paul Eluard André Breton Céline Arnauld Tristan Tzara Philippe Soupault Louis Aragon Jean Cocteau Francis Picabia Jean Paulhan Maurice Raynal Georges Ribemont-Dessaignes Jacques-Emile Blanche Théodore Fraenkel among others. One of the most significant Dada journals published at the height of the movement with its very rare subscription leaflet. Undoubtedly the finest example of poetic parody conceived by the Dadaists as a radical response to the conventionalized atrophy of lan-guage and morality. ""These journals DdO4H2 ; M'amenez-y ; Proverbe and Z represent the specific product of the 1920 Dadaist frenzy. The most interesting of them standing clearly apart from the rest was unquestionably Proverbe which claimed to 'exist only to justify words'"" Michel Sanouillet Dada à Paris ""Thus through the alchemy of Eluard's editorial choices Proverbe became a genuinely Dada journal: consistently innovative exploring the diverse possibilities of language 'justifying' words that is calling them into question inventing its own idiom and more distinctively still indicting conventional syntax through aphorisms. These aphorisms according to Michel Leiris's phrase rhyme falsely: commonplaces caught in everyday speech i.e. 'it means what it means' no. 2; nonsense phrases; sayings taken from Dadaist writings such as Tzara's 'My name is now you' no. 3; sentences of zero denotation such as 'With DADA every day rendez-vous anywhere' no. 4. In Dépaysement de l'aphorisme Marie-Paule Berranger compiled an exhaustive inventory of all the verbal operations proposed by the contributors to Proverbe ranging from the inversion of stereotypes to the portmanteau proverb the commonplace taken at face value the deflating riddle and the redefinition of grammatical rules: all ultimately underscoring the paradox of language. But to focus solely on this aspect is to overlook much else that the publication contains beyond sententious wordplay. Eluard while testing the effect of his own poems clearly took great pleasure in composing these explosive pages and wrote in another journal: 'Proverbe resembles the piers of a demolished bridge' Henri Béhar Dada Circuit total p. 302. A rare complete copy of this ephemeral and incandescent publication: ""of all the Dada journals the one that made the most coherent contribution to the problem of language"" Tristan Tzara. Dada exhibition Centre Pompidou 2005-2006 pp. 830-833. Proverbe unknown
192074039Paris: Proverbe 1920. Fine. Proverbe Paris 1er Avril 1920 14 x 22.50 cm 1 numéro sur 1 double feuille Very rare first edition of the third issue of this Dadaist review which would comprise six in total. Contributions by Paul Eluard Louis Aragon Francis Picabia Jean Paulhan Théodore Fraenkel Isadora Duncan Paul Dermée Georges Ribemont-Dessaignes Jean Cocteau Tristan Tzara Jacques-Emile Blanche Philippe Soupault. A pleasant copy. Proverbe unknown
1943B-04-040017<p><b>Revue Hommage1: </b>Dessins de Bonnard Dufy Maillol Matisse Picasso & <b>Hommage 2: </b>Dessins de Matisse </p><p>Art magazine published in Monaco and directed by Philippe Fontana. For this edition only the first and second number were published.</p><p>Hommage 1: Monaco December 1943. First number of Hommage magazine Folio in original grey folder wrapper. The collection containing: one poem by Pierre Emmanuel in fac-simile illustrated by Leon Zack in sepia and the following prints: Etude by Bonnard Symphonie by Dufy in double page two nudes by Maillol of which one in double page two portraits by Matisse and a satire by Picasso in double page.</p><p>Hommage 2: Dessins de Matisse Monaco Juin 1944. Poems de Paul Eluard foreword by Andre Rouveyre. Folio in original grey folder wrapper. The collection containing: 3 poems in fac-simile by Eluard preceded by an original lithograph by Leonor Fini on the frontispiece an original photograph by Brassai of Matisse at work introductory text by Rouveyre 10 prints reproducing the original drawings by Matisse for this edition complete of two blueprints with explanations for two portraits followed by a letter in fac -simile by Matisse with the list of the drawings. Limited and numbered edition of 1050 copies.</p><p>Very good condition. Extra pictures on request. </p> Philippe Fontana
1988202000650CalderBooks CB435 <b>First</b> trade paperback edition. <b>Condition</b>: Near fine very light edge and corner wear.<br /><br />Bilingual edition. Calder/Riverrun paperback
Eluard2<p><strong>ELUARD Paul 1895-1952</strong></p><p>" La Certitude d'avoir raison " autograph manuscript signed " Paul Eluard " N.p.n.d 1 p. in-4 Fold marks paper slightly crumpled some notes on verso from another hand</p><p><strong>Superb first draft manuscript on his vision of poetry: influence on men influence on the world influence on the construction of the relationship of men to their world</strong></p><p><em>" <strong>Il y a une tradition poétique et c'est la tradition de la découverte de l'invention la recherche d'un beau et d'un bien toujours nouveau</strong>. Le développement de l'imagination est lié à la transformation sociale : ils se commandent réciproquement. L'imagination change de monde. <strong>Il n'y a pas d'explorateurs ou d'inventeurs sans imagination. Cette reine du monde est la mère du progrès</strong>. Et tout en donnant raison à</em> Vladimir <em>Maïakovsky qui supposait l'existence dans la société de problèmes dont la solution n'est imaginable que par l'œuvre poétique " l'on peut espérer que l'œuvre poétique trouvera la solution par la résolution des problèmes sociaux. <strong>La poésie est le reflet du monde. Ce que je dis c'est ce que je vois et je dois forcément trouver un écho dans le cœur de mes semblables</strong>. Il n'y a sur terre qu'une vérité celle de l'homme au service de tous les hommes celle de tous les hommes au service de l'homme. <strong>La poésie ne sera bientôt plus un refuge</strong>. Elle devient la solution logique car elle est la vie une vie qui nourrit l'imagination une imagination qui transforme la vie. Comme l'amour elle doit être réciproque. Mais elle saut que cette réciprocité est entièrement fonction de l'égalité du bonheur matériel entre les hommes. Et l'égalité dans le bonheur porterait celui-ci à une hauteur dont nous ne pouvons encore avoir que de faibles notions. Paul Eluard "</em></p><p>This reflection on what poetry is according to Eluard is worth a little overview of the different ways he had to consider this mode of expression: Already before the war Eluard sees poetry as well as the fruit of an aesthetic literary and political commitment. With Aragon and Breton he closely followed the rising ideological conflicts but refused to let art submit to these problems. It is also the collection <em>Capital de la douleur</em> 1926 that remained the best known of the poet at that time. However during the Second World War politics and poetics ended up becoming one under his pen and his poetry became a weapon in its own right; one naturally thinks of the famous hymn to "Liberté" under the Occupation.</p><p>On November 28 1946 shortly after the probable date of our manuscript Nusch Eluard the poet's wife died. The latter then renewed his vision of poetry passing it "from the horizon of one man to the horizon of all". This desire for universality is superbly expressed here: "What I say is what I see and I must necessarily find an echo in the hearts of my fellow men." Moreover the approach to poetry as the common of all stems from a philological reflection on the relationship of men to language whose conclusion is that "The poet … will give us back the delights of the purest language as well that of the man of the street as of the wise as that of the woman the child or the madman. Les Sentiers et les routes de la poésie 1952.</p><p>Part of this manuscript the second and third sentences can be found in the section <em>Poèmes retrouvés</em> volume II of the Pléiade p. 873 under the title <em>Aujourd'hui la Poésie</em>: it is a fragment of a lecture given by Eluard on April 9 1946 at the French Institute in Prague.</p><p>Another part the last sentence is found in <em>Avenir de la Poésie</em> Œuvres complètes tome I de la Pléiade p. 526. We know that Eluard made many conferences and declarations in Prague during the spring of 1946 then Italy and Greece. One can legitimately think that this manuscript dates from this time.</p><p>Lucien Scheler does not mention this text either in the alphabetical index of the periodicals that published Eluard or in the chronological index. Still chances are he knew the text at least by a typed copy. The signature and the pencil endorsement seem to indicate a publication.</p>
1956N - 2024 - 114<p>Paul Eluard. Louis Broder Paris 1956. In Octavo 8x73/8 in. Loose as issued in original wrappers in Montval laid paper chemise and slipcase in blue satin. One of 100 numbered copies on Rive wove paper. Signed on the justification page by all the artists with exception of Léger Laurens and Tanguy. The book is a tribute to Paul Eluard who died in 1952 and includes a collection of 12 poems printed with Eluard s handwriting in facsimile and 16 prints that accompany the poems by: Picasso 2 etchings Braque etching Leger lithograph Ernst etching Beaudin drypoint Chagall etching Masson etching Arp woodcut Dominguez drypoint Miro etching Giacometti etching Villon etching Laurens woodcut Hugo drypoint Tanguy etching. Beautiful rare edition. Complete and in very good conditions: Slipcase and Hard chemise in blue satins with some discolorations and light wears. Inside in excellent conditions except for a small and pale stain on the poem Les yeux fertiles and one on the poem Defense de savoir two very small and pale stains on Chagall lithograph and light offprint on the poem Exemples Imbécile habitant.</p> Louis Broder
194976866Paris: Gallimard 1949. Fine. Gallimard Paris 1949 12 x 19 cm broché First edition on ordinary paper. Handsome copy. Gallimard unknown
1975192142New Directions Pub. Corp January 1975. Paper Back. Good. Bumped corner toning on spine & back cover owner inscription inside a solid unmarked copy. In French and English. New Directions Pub. Corp unknown
lc_93666Editions du Tambourinaire., 1946
1946150951946 Editions du Tambourinaire. broché, 36p. Très bon état.
195323738Paris: Au Ménestrel 1953. Paperback. Very good. One sheet folded to make two pages loose in a folder with an illustration by Andre Beaudin on the front. Paper tanned otherwise a very good copy. <br/><br/> Au Ménestrel paperback books
193786600Cartonnage d'éditeur. Non coupé. Chacun des cahiers est imprimé sur un papier satiné de couleurs.
194886698Couverture souple rempliée jaune imprimée en rouge et bleu. Légères décharges des couvertures sur les gardes.
196051402Sous étui et sous chemise cartonnés.
196087005Couverture souple à rabats. Complet de la photographie d'Éluard en frontispice et de la couverture avec reproduction d'un dessin à l'encre de Chine de couleur par René Char.
194584514Couverture souple imprimée couleurs. Portrait de l'auteur par Picasso en frontispice. Dos et couverture partiellement déchirés et décollés.
194482279Reliure demi-chagrin bleu nuit. Dos lisse avec titre doré en long. Tête dorée. Couverture et dos conservés. Reliure signée J. MUEL.
192682354Reliure demi-maroquin marron à bandes. Dos long avec titre doré. Tête dorée. Couverture et dos conservés.
193982921Couverture souple. Bel état intérieur.
