1 935 résultats
1980300450Louisiana State University Press 1980. Cloth. Near Fine/Very Good. One of France's major poets text in French and English unmarked back panel of dustjacket discoloured 91pp NF/VG. <br/> <br/> Louisiana State University Press hardcover
195061094Bordas. 1950. Paperback. Very Good- in Very Good- dust jacket. Softcover in illustrated wraps with glassine dust jacket which is torn at upper and lower spine with small areas of loss spine also sunned corners bumped; binding is tight but the original Marc Chagall colour lithograph frontispiece is loose and laid in; pages are unmarked with nine block-printed black and white plates and text in French.; 8.9 x 0.25 x 11.25 inches; 49 pages . Bordas paperback
195020-12701Grey Falcon Press 1950-01-01. Paperback. Good. Good condition with wear and markings. Grey Falcon Press paperback
ZD-O4NN-2DEXPaperback. Very Good. Limited Edition Philadelphia: Gray Falcon Press & Trianon Press London 1950. Softcover in illustrated wraps with glassine dust jacket. First Bilingual Edition. 93 pages illustrated with an original Marc Chagall color lithograph frontispiece plus nine block-printed black and white plates and additional in-text illustrations. A LIMITED EDITION OF 1500 copies 750 published by Trianon in the UK 750 by Gray Falcon in the US this is #985 by Gray Falcon Press. Very good condition partially un-opened with minor shelf-wear and yellowing to jacket; no owner marking NOT EX-LIBRARY. eb paperback
195074332Philadelphia and London:: The Grey Falcon Press; The Trianon Press 1950. First edition; No. 861 of 1500 copies. publisher's illustrated wrappers. A few minor spots and tanning tot he wrappers; contents fine. Folio. Illustrated by Marc Chagall; frontispiece in color. With the English Translation by Stephen Spender and Frances Cornford. The Grey Falcon Press; The Trianon Press, unknown
19509694Caravela Mizen Way Cobham Surrey: Grey Falcon/Trianon Press. Very Good in Very Good- dust jacket. 1950. First Edition; First Printing. Paperback. Heavy cardstock wraps with illustrated dustwrapper. This is #58 of 750 copies reserved for Trianon Press of a total of 1500 with the latter numbers reserved for Grey Falcon . Pages are lightly toned but clean and in very good- condition. Also comes with the original little tag that was used by the publisher to identify the limitation number of each copy this having "58" on it matching the number stamped on the limitations page. Complete with color frontispiece and 25 b&w drawings. . . Grey Falcon/Trianon Press paperback
1950016944PA: Grey Falcon Press 1950. Book. Illus. by Marc Chagall. Near Very Good. Soft cover. First Edition. Illustrated softcover has modest wear. Glassine wrapper has edgewear and is soiled. Limited edition #1370 of 1500 copies. Grey Falcon Press Paperback
1950D14046Philadelphia / London: Grey Falcon Press / Trianon Press 1950. First Edition Limited Edition. Paperback. Near Fine/Near Fine. Illustrated heavy cardstock wraps; with a full-color frontispiece and numerous illustrations in text. First edition with complete text in French and English number 1317 from a limited edition 750 copies reserved for the Grey Falcon Press total limitation of 1500 copies. Pencilled inscription on limitation page; otherwise book is fine. No glassine be thankful; it's more pleasant to handle. An excellent copy -- nice and bright. Tasteful bookplates of Louis and Anne Marie Davidson. <br/><br/> Grey Falcon Press / Trianon Press paperback
1950124518London: Trianon Press 1950. Softcover. VG Ex-art lib. bookplate inside front cover. Marc Chagall. Plain off-white wraps; Off-white illus. dj. with transparent paper overlay; 92 pp.; Color frontispiece hand reproduced; Profusely illustrated in bw. Text appears in both French and English; English translation by Stephen Spender and Frances Cornford; A collection of poems by Paul Eluard Eugene Emile Paul Grindel one of the founders of the surrealist movement accompanied by illustrations by Marc Chagall; Number 50 of 750 copies reserved for the Trianon Press London numbers 751-1500 reserved for the Grey Falcon Press Philadelphia. Trianon Press paperback
EEZZ7375fParis Le livre club du libraire 1968. Quadr. gr. 8°. Front. 50 nn. Bll. durchgehend illustriert OLn. m. Orig.-Stoffschuber. = Les Peintres du livre Eines von 3000 num. Exemplaren in franz. Sprache. - Die Illustrationen stammen aus der Ausgabe die 1946 in Paris bei Bordas erschienen ist. Les ill. sont reproduites d'après l'édition faite à Paris par Bordas en 1946 Paris, Le livre club du libraire, [1968] unknown
1950236392Philadelphia: The Gray Falcon Press. London The Trianon Press 1950. Number 1426 of 1500 copies. Illustrated by Marc Chagall with a 2 colour hand-coloured frontispiece and numerous line drawings many full-page. 1 vols. 4to. Pictorial cream wrappers. Fine. Number 1426 of 1500 copies. Illustrated by Marc Chagall with a 2 colour hand-coloured frontispiece and numerous line drawings many full-page. 1 vols. 4to. With two colour frontispiece reproduced by hand in the workshop of Daniel Jacomet under the control of Marc Chagall and black and white illustrations in the text. The Gray Falcon Press. London The Trianon Press unknown
1950stela872Philadelphia: The Grey Falcon Press 1950. 1950. 4to. pp. 93. French & English text. colour lithograph frontispiece by Marc Chagall. b/w text & full-page illus. by Marc Chagall. wrs. partially opened scuffed edges & spine sunned wear to corners & spine with short tears at head and foot of spine First Bilingual Edition Limited Edition of 1500 copies 750 published by Trianon in the UK & 750 by Grey Falcon in the US. This copy is number 1384. 1st Edition. Philadelphia: The Grey Falcon Press, [1950]. unknown
1944163649Genève: Editions des trois Collines 1944. Softcover. Schönes Exemplar. 8°. französische Broschur mit Pergaminumschlag Nummeriertes Exemplar Nr. 44 von 3000 Exemplaren auf vergé bouffant crème. Umschlag in Schwarz und Bordeaux. Teilweise aufgeschnitten. Frankreich; 20. Jahrhundert; Surrealismus Editions des trois Collines, paperback
1946111700Genève-Paris: Trois Collines 1946. Softcover. Très bon exemplaire. gr.8°. mit zahlreichen Abbildungen auf Tafeln und im Text. französische Broschur Edition originale au tirage limité à 1120 dont 1000 exemplaires sur Vergé Bouffant crème numérotés celui-ci N° 361 après 20 sur Grand Vélin blanc et 10 exemplaires h.c. et 100 exemplaires h.c. numérotés de 1001-1100. Premier volume de la collection "Le Point d'Or" dirigée par Paul Éluard. Gérard Vulliamy est le gendre de Paul Eluard. Frankreich; 20. Jahrhundert; Surrealismus Collection "Le Point d'Or" Trois Collines, paperback
194616304Genevé Switzerland: Trois Collines. Very Good. 1946. Limited Edition. Paperback. This is number 577 of 1000 printed on cream laid paper. Cover is French folded paper over card. This edition is one of several books illustrated by Gérard Vuilliamy featuring twelve full page drawings. There is rubbing at upper spine and a small chip about 4 mm from base of spine. Top edge of front has wear over the crease for about an inch near front corner and spine corner resulting in a tear visible only on close examination. There is also a short tear in the top edge of the inner panel. First blank page has initials E. M. V. and date December 25th 1946 in pencil at bottom edge. Pages otherwise clean and unmarked. ; Drawings; 8vo 8" - 9" tall; 95 pages . Trois Collines paperback
194418798Geneva: Editions des Trois Collines 1944. First edition. First edition a numbered copy on vergé paper. Bound by Joanne Sonnichsen a coptic-style binding utilizing the most ancient structure as an experimental modern binding with her own paste-paper boards the bottom edges strengthened with leather strips onlays of dyed vellum top edge sprinkled decorated paper endsheets clamshell box. The binding was made for an exhibition at the Museé de la Reliure in Granville France in 1997. The binder's article about her experiments with the coptic structure "Playing with Structure: A 4th-Century Form for a 20th-Century Binding"appeared in Bookways: A Quarterly for the Book Arts Nos. 13 & 14 October 1994-January 1995 pp. 70-72. Editions des Trois Collines unknown
194789327Paris: Gallimard 1947. Softcover. Octavo 19cm; beige paper wrappers; all edges untrimmed; 234pp. Text in French. Spine-tanned with modest shelf-wear and -soil and tiny pencilled notes to upper rear wrapper; Very Good. Collection of verse. 89327. Gallimard unknown
1952513198Paris: GLM 1952. Softcover. Near Fine. First edition. Illustrated by Valentine Hugo. Quarto. 65pp. Pictorial wrappers.Text in French. Lightly worn near fine. Limited to 1200 numbered copies sur velin blanc of a total edition of 1425 numbered copies. GLM unknown
195226014Paris: GLM 1952. First edition. Hugo Valentine. Wrappers 65 pages illustrated with full-page black-and-white plates reproducing art by Valentine Hugo. One of 135 on velin de renage second paper total edition of 1425 numbered copies. Fine copy. GLM unknown
19631353437Paris: Seghers 1963. Limited Edition #41/75. Octavo 207 pages; VG/VG-; loose signatures house in printed red wraps protected in publisher's glassine; glassine with some small chipping and wear; #41 of 75 copies of the deluxe edition on Vergé de Hollande; Unpublished texts presented and annotated by Robert D. Valette. Illustrated with various documents in black in and out of text; text in french; shelved case 0. 1353437. Shelved Dupont Bookstore. Seghers unknown
19472402Paris: Éditions Cahiers d’Art 1947. First edition. 48 pp. Plain wrappers with attached dust jacket. Some toning to cover extremities minor handling wear near fine.<br /> <br /> One of 500 numbered copies although Eluard noted that only 258 copies were printed due to a lack of paper. Eluard’s poignant tribute to his wife Nusch published a few months after her sudden and unexpected death. Illustrated with eleven exquisite photographs of Nusch by Man Ray and Dora Maar. Nusch had also been the subject of Man Ray’s camera in the similarly superlative Facile published ten years earlier. In 1965 Louis Aragon during a tribute to his friend mentioned his first encounter with the book: “He signed it with an invented name Didier Desroches because he had killed Paul Eluard… What he had shown me of Didier was of a confounding beauty. This little book which was to appear as the work of an unknown it is an understatement to say that in my eyes it surpasses all that Eluard signed with his name. I thought it then and I think it today.†A rare and beautiful book. Éditions Cahiers d’Art unknown
1937D4508Paris: Éditions Jeanne Bucher 1937. Limited Edition. Hardcover. Near Fine. Rebound in solid brown crushed morocco with gilt-lettered spine; 4to; with pictorial title and 56 plates by Man Ray illustrating poems by Eluard. Inscribed and signed by Man Ray though recipient's name has been removed and signed by Eluard on half-title. Original wraps laid-in. Spine evenly sunned; very light rubbing to spine tips and corners. One plate Breton portrait has pencil measurement indications perhaps left by the publisher otherwise are all nice and clean. <br/><br/> Éditions Jeanne Bucher hardcover
194521208641945. Paris: Editions de la Revue Fontaine. 1945. 8vo. Original beige wrappers with fold-over flaps; black title lettering in black; pp. unpaginated; pages lightly toned with minimal spotting to front end paper; otherwise very good. Signed by both Eluard and Ernst and intriguingly inscribed by Eluard in French 'To Mr and Mrs Edwin Sisler this book of which I only did a third' possibly insinuating the presence of a third collaborator. Second Edition this work numbered 558 of the run of 1860.A landmark of Surrealism and the first collaboration between two of the movement's most essential and revered contributors. Combining Ernst's images with Eluard's poetry Les Malheurs Des Immortels explores the relationship between painting and poetry 'the role of the image as an icon of psychic processes and the ambivalent status of the scopic function or the reversibility of blindness and revelation'. unknown
193621640Paris: G.L.M. Guy Lévis Mano 1936. First Edition. Limited Issue. Very Good/No Dust Jacket As Issued. <br /> THE ARTISTIC FRIENDSHIP THAT SHAPED MODERNISM<br /> Surrealist collaboration at the height of the movement pairing Éluard's lyric intensity with Picasso illustrations.<br /> <br /> A seminal collaboration of the Surrealist movement pairing the lyrical intensity of Paul Éluard with the graphic genius of Pablo Picasso. Produced during a period of profound creative and political synergy between the two artists-just months before the inception of Guernica-this volume is a hallmark of Guy Lévis Mano's aesthetic of restrained modernist typography. The work features a portrait and four full-page illustrations by Picasso masterfully integrated into the text.<br /> <br /> KEY FEATURES<br /> Visuals: Portrait of Éluard and four full-page illustrations by Pablo Picasso.<br /> Limitation: Copy No. 512 of 1240 numbered copies on papier Alfa teinté total edition of 1500.<br /> Imprint: Printed on the presses of G.L.M. 6 rue Huyghens Paris; completed 15 October 1936.<br /> Press: Typography and design by Guy Lévis Mano the premier printer for the Surrealist avant-garde.<br /> Binding: Original printed wrappers; octavo 4.75 x 7.375 inches.<br /> Provenance: Mature Surrealist period; documented collaboration between Éluard and Picasso.<br /> <br /> CONDITION: Very Good -- An exceptional copy. The bindings are tight and square showing only minimal shelf handling wear. Internally the text block is clean with even age-toning consistent with the tinted Alfa paper stock. Notably the original glassine wrapper is present and has been preserved separately to prevent the common acidic transfer or 'ghosting' to the wrappers. HISTORICAL SIGNIFICANCE --<br /> Les Yeux fertiles is more than a poetry collection; it is a document of a friendship that defined the 20th-century Parisian avant-garde. By 1936 Éluard and Picasso were inextricably linked in their opposition to the rising tide of Fascism. The 'Fertile Eyes' of the title refer to the transformative power of the Surrealist gaze. This G.L.M. edition is highly prized by collectors for its 'book-as-object' quality where the white space of the page is as vital as the ink of Picasso's drawings.<br /> <br /> SUBJECTS: Surrealism Modernist Poetry Artistic Collaboration Pablo Picasso French Avant-Garde Livre d'Artiste Limited Editions Fine Press.<br /> <br /> BIBLIOGRAPHIC REFERENCE: Cramer 27; Bloch 289; Baer 608; G.L.M. BN n°114. G.L.M. (Guy Lévis Mano) unknown
1989031673Paragon House 1989 Book. Fine. Hardcover. First American Edition. 8vo - over 7¾ - 9¾" tall. book is tight with no markings page edge has a couple of tiny red marker marks great copy. Paragon House hardcover