177 résultats
1965feb12412Pentru Literatura Universala 1965. Used. 1965; Romanian Edition of Carmen BPT - coperta albastra BPT 270; For more details please contact me Pentru Literatura Universala unknown
194109464Limited Editions Club 1941-01-01. Limited Edition. Hardcover. Very Good. 0x0x0. Signed by Illustrator. #459 of 1500 signed by illustrator Jean Charlot on the colophon. The slipcase is open at one bottom edge heavy wear and darkening to all edges damage to head of spine and darkening. Bound in colorful Spanish silk with buckram spine spine is darkened all else fine condition. All orders packed with care most dust jackets protected by Brodart sleeve independent bookseller since 2011 Limited Editions Club hardcover
1974Q-2070365603Gallimard Education 1974-05-01. Pocket Book. New. New. In shrink wrap. Looks like an interesting title! Gallimard Education unknown
192788838Paris: Payot Prose et Vers 1927. Brossura wrappers. Molto buono Very Good. Avec vingt-trois dessins de Prosper Mérimée et une introduction de Valery Larbaud. 16mo. pp. 326. Molto buono Very Good. Rilevanti mancanze al dorso Rubs and abrasions along spine. Prima edizione di 236 es. numerati. Payot, Prose et Vers unknown
191019999Henry Altemus Company. c. 1910. Hardcover. Very Good. Green cloth cover has rubbed corners and is clean bright and in very good condition. Boards and spine are straight. Binding is tight. Pages are clean and in very good condition. . Henry Altemus Company hardcover
1965feb1234151965. Used. For more details please contact me unknown
19201389963Zürich Switzerland: Rascher & Co 1920. Limited Edition #65/150. Hardcover. Large octavo 92 pages. In Good minus condition. Spine is torn beige and red. Boards have mildew-stained covers moderate shelving wear and fraying along extremities cloth binding torn from spine and moderate bumping chipping and fraying to fore corners. Text block age-toned head edge gilded with mild denting along edges; plates are mildly foxed throughout gilt and black endpapers. Signed flat by Alastair Illustrator in purple ink on publisher's limitation page limited edition #65/150. PO Consignment. 1389963. Special Collections - Downstairs. Rascher & Co hardcover
1926142351London: The Readers Library 1926. First printing of the UK photoplay edition originally published in 1846 by Michel Levy. <br/><br/>Basis for the 1926 film directed by Jacques Feyder and starring Raquel Meller. <br/><br/>Very Good plus in a Very Good plus dust jacket. Jacket had a couple of tiny closed tears and light nicking to the extremities. The Readers Library unknown books
194323764Paris: Collection "La Renommee" 1943. Limited Edition. Original Wraps. Very Good. Small Quarto. 147pp illustrated. 1/1000 numbered copies this copy #3. A very good copy in printed wraps with original tissue dj. Dj chipped. Laid in is a suite of prints in 6 different colors <br/><br/> Collection "La Renommee" paperback
192643215Paris.: Editions de la Roseraie. 1926. Full vellum with Yapp edges the binding painted by Martin see below and signed in ink at lower left original silver printed wrappers and backstrip preserved grey silk moiré doublures marbled endpapers t.e.g. polished paper chemise with gilt title and matching wool-lined slipcase. 4to. 255 x 205 mm. Engraved frontispiece decorative printed title with colour vignette 5 engraved plates each in two states and 34 etched vignettes 28 in colour by Charles Martin; a separate suite of all the vignettes with additional title is bound in at the rear of the volume the final illustration in the suite is present in the suite alone. Charles Martin's illustrations for Mérimée's Carmen in a beautiful painted binding.From the edition limited to 176 numbered copies with this one of 150 on vélin de Rives teinté and with an extra suite of the plates printed in black.Martin's painted binding signed on the front cover at lower left and executed in black ink with additional highlights in gilt and colour depicts for the front board a man and a woman the man with a gold earring and a cigarette between his lips the woman - it seems likely that this is a portrait of Carmen herself - with elaborate coiffure and a green leaf between her stylised lips her elaborate mantilla picked out in gilt; the rear cover depicts a landscape with mounted caballero and a hacienda with a cloud in outline behind; the spine features the title in magenta ink and a small vignette at the foot. Editions de la Roseraie. hardcover
195233570No place: Privately Printed 1952. Small 8vo. 96 pp. 3 tipped-in color plates. <br><br>Not the opera version rather a new translation of the prose work. The color illustrations are by Maggie Monier. The volume was printed as a Christmas gift for friends by Carl F. Braun and customers of his company.<br>Â Â Â Â A very handsome production. Publisher's black cloth spine gilt decorated front cover with an orange circle on which are a rose a Spanish fan a pistol and playing cards. In a slipcase of green paper over boards. Book in fine condition slipcase shows modest wear. Privately Printed hardcover books
1941148549New York: The Limited Editions Club 1941. The Limited Editions Club signed limited edition of this novella that inspired Georges Bizet’s famous opera of the same name. Quarto bound in full modern morocco by Sangorski & Sutcliffe with gilt titles to the spine top edge gilt gilt inner dentelles marbled endpapers frontispiece of Prosper Mérimée illustrated with color lithographs. Boldly signed by illustrator Jean Charlot on the colophon page at the rear. One of an unstated number of copies this is number 331. In near fine condition with sunning to the spine. Translated from the French by Lady Mary Lloyd. Introduction by Konrad Bercovici. Illustrated by Jean Charlot. Prosper Mérimée 1803–1870 was a prominent French writer historian and archaeologist whose literary work reflects the Romantic fascination with exotic locales psychological complexity and the darker aspects of human passion. Though associated with the Romantic movement Mérimée’s prose is marked by clarity conciseness and an interest in realism that sets him apart from his more lyrical contemporaries. His most enduring works such as Carmen and Colomba often center on violent conflicts rooted in cultural difference honor and personal obsession. As Inspector-General of Historical Monuments Mérimée was also instrumental in preserving French architectural heritage demonstrating a scholarly rigor that shaped both his fiction and his public life. His blend of ethnographic detail and narrative economy helped lay the groundwork for modern short fiction in France. The Limited Editions Club unknown
192067876London:: Hutchinson & Co. ca. 1920. First edition; Edition De Luxe one of 100 copies this copy unnumbered signed by Rene Bull. publisher's gilt full vellum; a.e.g. Some very light rubbing/soiling to vellum; an attractive copy. Folio. Translated by A. E. Johnson. Hutchinson & Co., hardcover
1935092825Marcel Lubineau 1935. First Edition. Paperback. Very Good. 1626 / 2000 copies. A very good clean copy in original paper wraps. Illustrated throughout. Creases on the spine with minor loss at the head and tails. No previous ownership markings. Marcel Lubineau, paperback
1926152714to. All orig. wrappers. Uncut. No 79 of 150 "sur vélin de Rives teinté" a total of 176. With 6 full page etchings and 36 charming illustrations in the text etched in colours and an extra suite of the textetchings in black 36 incl. a black title. unknown
19305319DB1930. Paris La Pleiade 1930. 154 S. 1 Bl. mit Lithografien von R. Ben Sussan. Dreiviertel Lederband mit marmorierten Deckeln. N°. 86 von 115 nummerierten Exemplaren. - Sehr gut erhaltenes Exemplar. unknown
191072491London Uten Ã¥r. Ca. 1910. 4to. “Falskt†helpergamentbind. Gulldekor pÃ¥ ryggen og deklene. Helt gullsnitt. 203 s. Med 16 helsides farveplansjer utenom pagineringen. Rikt illustrert i svart/hvitt i teksten.4to. Faux vellum binding. Gilt decoratons on spine and covers. All edges gilt. With 16 full page colour plates apart form pagination. Richly illustrated in black and white in text. Hutchinson & Co. Engelsk. <br/><br/><em>“Edition de luxe. Limited to 100 copies signed by the artistâ€. Dette eksemplaret er signert men ikke nummereret.“Edition de luxe. Limited to 100 copies signed by the artistâ€. This copy is signed but not numbered. </em> hardcover
1931IRIrmMER85New York: William Farquhar 1931. 1931. 4to. pp. 3 p.l. 128 2. many b/w illus. some full-page. paper-backed cloth remnants of small sticker on front endpaper. dw. dw. soiled tattered & quite chipped. First Trade Edition illustrated and translated by Sterner. F. Hardcover. New York: William Farquhar, [1931]. Hardcover
1941IRIrmMÉR56New York: The Limited Editions Club 1941. 1941. 4to. pp. 143 1colophon. 34 lithographs 33 in colour 1 b/w 8 full-page incl. frontis. & title vignette. A very good copy in original quarter cloth spine darkened. without the slipcase. Limited to 1500 copies but not stated signed by the Illustrator Charlot. Designed and printed on Worthy special paper by Aldus Printers New York set in linotype Bodoni colour lithographs printed by Albert Carman NY bound by Russell-Rutter Company NY. LEC Quarto-Millenary 124. Signed by Authors. Hardcover. New York: The Limited Editions Club, 1941. Hardcover
19403093104Barcelona.: Montaner y Simón. 1940. Hardcover. Good. 13 cm. XIV p. 1 h. 164 p. 2 h. 17 lám. Encuadernación en tapa dura de editorial en plena piel. Colección 'Biblioteca Selección'. Mérimée Prosper 1803-1870. Prosper Mérimée. Traducción de Pedro de Tornamira. Prólogo de Alfredo Gallart. Autocaricatura de Mérimée. Ilustraciones de Gustavo Doré y F. Gómez Soler. Grab. intercal. Doré Gustave. 1832-1883. Gómez Soler Francisco. ca. 1860-1899 . Literatura francesa. Novela corta. Cuento literario. Siglo XIX. 821.133.1-32"18" 821.133.1-3 Montaner y Simón. hardcover
192526792New York: Brentano 1925. First American edn. 12mo pp. 75. Moscow Art Theatre Musical Studio. Text by Lipskeroff after the story by Prosper Merimee. Introduction by Oliver Sayler. Wrappers. Cover torn at staples o/w VG. Brentano unknown books
190339060Paris: Librairie de la Collection des Dix / A. Romagnol 1903. A FOLIO PROOF COPY ON IMPERIAL JAPANESE PAPER of this quirky and brutal livre d'artiste. Illustrated with etchings by Chessa after Merson for the illustrations and Cossard for the manuscript text. From a total edition of 500 copies this is ONE OF ONLY TEN COPIES PRINTED IN FOLIO FOR THE PUBLISHER THE ONLY COPIES WITH THE PLATES PRIINTED BEFORE STEELFACING aciérage. These ten copies were printed on different papers and this copy is printed throughout on Imperial Japanese paper. These ten copies are mentioned in the prospectus but not in the justification surely because they were never offered for sale. LAID IN IS AN AUTOGRAPH LETTER BY MERSON SIGNED IN INK. Folio. Loose as issued in original wraps. Wraps a bit worn and spotted internally FINE AND BRIGHT with the illustrations extremely sharp and in perfect condition. Perhaps the unique surviving unbound proof copy on Japanese paper. Ray 300 Ray didn't know about the proof copies. <br/><br/> Librairie de la Collection des Dix / A. Romagnol paperback
1927102623Paris : Les Editions G. CrÂs et Cie. 1927. 245x190mm. planches en couleurs illustrÂŽ par Joseph HÂŽmard brochÂŽ. couverture rempliÂŽe. Hormis nom du possesseur sur le haut de la page de garde supÂŽrieure bel exemplaire. Exemplaire sur papier vÂŽlin pur fil de Rives numÂŽrotÂŽ n.¡ 607 / 655. 1225 Les Editions G. CrÂs et Cie. unknown
191329555Paris: Éditions d'Art Édouard Pelletan 1913. Limited edition no. 215 of 700 copies. 8vo. viii XIV 332 10 pp. Finely bound by Canape in contemporary red half morocco over marbled boards gilt lettered to one panel of the spine the remainder elegantly gilt tooled with a central compartment with a crown and the ciphered initials "C.C" original front and rear wrappers bound in marbled endpapers with the armorial bookplate of an Arnold Schweitzer to the front pastedown top edge gilt. Portrait of Charles IX designed and engraved by J.-L. Perrichon after Clouet plus vignettes and ornamented letters throughout by him. A lovely copy. Paris: Éditions d'Art Édouard Pelletan unknown
1927168398Paris: G. Crès et Cie 1927. Broché. Etat moyen. in-8. Joseph Hémard. 305 pp. Exemplaire numéroté hors commerce sur vélin de Rives. Déchirure sur le dos. Brochage très fragile à relier. Collection "Les livres modernes". G. Crès et Cie unknown