3 038 résultats
feb23878Eminescu. Used. ; Romanian Edition of Carmen Romanul de dragoste 1970; For more details please contact me Eminescu unknown
feb97886Used. For more details please contact me unknown
112723Sydney Southern Cross Books 1984. 80pp. 4to. Original red leather decorated in gilt in dustwrapper with colour illustrated paper onlay. B&w illustrations colour tipped-in plates a near fine copy. First edition. One of the superior issue of 150 bound in leather of which this is number 77. Signed by Peter Lindsay. Sydney, Southern Cross Books, 1984. hardcover
194323764Paris: Collection "La Renommee" 1943. Limited Edition. Original Wraps. Very Good. Small Quarto. 147pp illustrated. 1/1000 numbered copies this copy #3. A very good copy in printed wraps with original tissue dj. Dj chipped. Laid in is a suite of prints in 6 different colors <br/><br/> Collection "La Renommee" paperback
Un volume de format petit in 8° carré de 252 pp.; Reliure cartonnée de l'éditeur, demi papier rouge à coins; titre et abeille dorée au dos. Bon état; voir photo.
192643215Paris.: Editions de la Roseraie. 1926. Full vellum with Yapp edges the binding painted by Martin see below and signed in ink at lower left original silver printed wrappers and backstrip preserved grey silk moiré doublures marbled endpapers t.e.g. polished paper chemise with gilt title and matching wool-lined slipcase. 4to. 255 x 205 mm. Engraved frontispiece decorative printed title with colour vignette 5 engraved plates each in two states and 34 etched vignettes 28 in colour by Charles Martin; a separate suite of all the vignettes with additional title is bound in at the rear of the volume the final illustration in the suite is present in the suite alone. Charles Martin's illustrations for Mérimée's Carmen in a beautiful painted binding.From the edition limited to 176 numbered copies with this one of 150 on vélin de Rives teinté and with an extra suite of the plates printed in black.Martin's painted binding signed on the front cover at lower left and executed in black ink with additional highlights in gilt and colour depicts for the front board a man and a woman the man with a gold earring and a cigarette between his lips the woman - it seems likely that this is a portrait of Carmen herself - with elaborate coiffure and a green leaf between her stylised lips her elaborate mantilla picked out in gilt; the rear cover depicts a landscape with mounted caballero and a hacienda with a cloud in outline behind; the spine features the title in magenta ink and a small vignette at the foot. Editions de la Roseraie. hardcover
195233570No place: Privately Printed 1952. Small 8vo. 96 pp. 3 tipped-in color plates. <br><br>Not the opera version rather a new translation of the prose work. The color illustrations are by Maggie Monier. The volume was printed as a Christmas gift for friends by Carl F. Braun and customers of his company.<br>Â Â Â Â A very handsome production. Publisher's black cloth spine gilt decorated front cover with an orange circle on which are a rose a Spanish fan a pistol and playing cards. In a slipcase of green paper over boards. Book in fine condition slipcase shows modest wear. Privately Printed hardcover books
2203JS238<p>Ilustração de Bernardo Marques. Tradução de Pedro Tamen. Fundação Calouste Gulbenkian. Lisboa. 1980.</p>_x000d_<p>De 32x235 cm. Com 84 ii págs. Encadernação do editor em tela com sobrecapa de proteção. Ilustrado no texto com desenhos a preto e branco e a cores de página inteira de Bernardo Marques. Exemplar não numerado de uma tiragem de 1000 e com danos à cabeça da sobrecapa. </p>_x000d_<p>Tem junto envelope com dedicatória de oferta. </p> I-245-D-4 hardcover
1941148549New York: The Limited Editions Club 1941. The Limited Editions Club signed limited edition of this novella that inspired Georges Bizet’s famous opera of the same name. Quarto bound in full modern morocco by Sangorski & Sutcliffe with gilt titles to the spine top edge gilt gilt inner dentelles marbled endpapers frontispiece of Prosper Mérimée illustrated with color lithographs. Boldly signed by illustrator Jean Charlot on the colophon page at the rear. One of an unstated number of copies this is number 331. In near fine condition with sunning to the spine. Translated from the French by Lady Mary Lloyd. Introduction by Konrad Bercovici. Illustrated by Jean Charlot. Prosper Mérimée 1803–1870 was a prominent French writer historian and archaeologist whose literary work reflects the Romantic fascination with exotic locales psychological complexity and the darker aspects of human passion. Though associated with the Romantic movement Mérimée’s prose is marked by clarity conciseness and an interest in realism that sets him apart from his more lyrical contemporaries. His most enduring works such as Carmen and Colomba often center on violent conflicts rooted in cultural difference honor and personal obsession. As Inspector-General of Historical Monuments Mérimée was also instrumental in preserving French architectural heritage demonstrating a scholarly rigor that shaped both his fiction and his public life. His blend of ethnographic detail and narrative economy helped lay the groundwork for modern short fiction in France. The Limited Editions Club unknown
70895London:: Hutchinson & Co. no date. publisher's red gilt-decorated cloth. Old ink gift inscription on half-title; spine slightly sunned; light use to cloth at extremities. 4to. Illustrated in color and black and white by Rene Bull. . Translated by A. E. Johnson. Hutchinson & Co., hardcover
192067876London:: Hutchinson & Co. ca. 1920. First edition; Edition De Luxe one of 100 copies this copy unnumbered signed by Rene Bull. publisher's gilt full vellum; a.e.g. Some very light rubbing/soiling to vellum; an attractive copy. Folio. Translated by A. E. Johnson. Hutchinson & Co., hardcover
Turin, Mille et Une Nuits, 1994. Un volume broché de format in 12 carré de 112 pp; couverture illustrée. Bon état.
1935092825Marcel Lubineau 1935. First Edition. Paperback. Very Good. 1626 / 2000 copies. A very good clean copy in original paper wraps. Illustrated throughout. Creases on the spine with minor loss at the head and tails. No previous ownership markings. Marcel Lubineau, paperback
1926152714to. All orig. wrappers. Uncut. No 79 of 150 "sur vélin de Rives teinté" a total of 176. With 6 full page etchings and 36 charming illustrations in the text etched in colours and an extra suite of the textetchings in black 36 incl. a black title. unknown
Paris, Marcel Lubineau, 1935. In-4, broché, couverture illustrée en couleurs et rempliée, 148 pp. Tirage limité à 2000 exemplaires numérotés sur vélin d'Arches. Frontispice et planches en couleurs hors-texte. Bel exemplaire.
feb68179Used. For more details please contact me unknown
19305319DB1930. Paris La Pleiade 1930. 154 S. 1 Bl. mit Lithografien von R. Ben Sussan. Dreiviertel Lederband mit marmorierten Deckeln. N°. 86 von 115 nummerierten Exemplaren. - Sehr gut erhaltenes Exemplar. unknown
2106MA291<p>Ilustração de Bernardo Marques. Tradução de Pedro Tamen. Fundação Calouste Gulbenkian. Lisboa. 1980.</p>_x000d_<p>De 32x235 cm. Com 84 ii págs. Encadernação inteira de pele com ferros a ouro na pasta anterior. Com sobrecapa de proteção ilustrada. Ilustrado no texto com desenhos a preto e branco e a cores de página inteira de Bernardo Marques.</p>_x000d_<p>Exemplar n.º 16 de uma tiragem de 50 com marcador de páginas em fita vermelha danos à cabeça da sobrecapa de proteção.</p>_x000d_<p>Desta obra fez-se uma tiragem de 50 exemplares numerados de 01 a 50 em papel offset RAI/150 e encadernados em pele que constitui a edição original e uma tiragem de mil exemplares em papel offset RA/125 encadernados em pano. A composição e a impressão em offset e rotogravura foi executada por Neogravura Lda. A encadernação foi executada por Paulino Ferreira. Arranjo gráfico de Fernando de Azevedo. </p> I-74-A-19 hardcover
191072491London Uten Ã¥r. Ca. 1910. 4to. “Falskt†helpergamentbind. Gulldekor pÃ¥ ryggen og deklene. Helt gullsnitt. 203 s. Med 16 helsides farveplansjer utenom pagineringen. Rikt illustrert i svart/hvitt i teksten.4to. Faux vellum binding. Gilt decoratons on spine and covers. All edges gilt. With 16 full page colour plates apart form pagination. Richly illustrated in black and white in text. Hutchinson & Co. Engelsk. <br/><br/><em>“Edition de luxe. Limited to 100 copies signed by the artistâ€. Dette eksemplaret er signert men ikke nummereret.“Edition de luxe. Limited to 100 copies signed by the artistâ€. This copy is signed but not numbered. </em> hardcover
189624645Winchester MA: De Vinne Press 1896. Vellum. Full vellum with brass clasps one lacking. Teg. Very good. xxx111 pages. 23 x 15.5 cm. Limited edition copy 1 of 50 on Japanese vellum signed by Garrett in ink. Orig. full page watercolor painting on half title signed by Garret in pencil entitled "A Street in Granada." Plus seventeen copperplate etchings by Garrett. Bookplate of Francis Wilson reknown American actor and signed by him on free front endpaper. Covers slightly splayed. Lower back cover and spine toned at lower portion. De Vinne Press unknown
1896266939Winchester Massachusetts: Emdund H. Garrett Printed at the DeVinne Press 1896. Number 26 of 50 copies on Japan vellum signed by the translator. Watercolor on fly-title preceeding p. 1 of "Ronda Bridge Over the Tajo" by Garrett titled and signed in pencil and 19 etchings each signed in pencil by Garrett. Titled in red and black. xxx ii 118 2 pp. 1 vols. 8vo. Recent quarter green morocco marbled boards retaining original green printed endpapers "Winchester 1896" t.e.g. Previous owner's gift inscription on front blank. Garrett Edmund H. Number 26 of 50 copies on Japan vellum signed by the translator. Watercolor on fly-title preceeding p. 1 of "Ronda Bridge Over the Tajo" by Garrett titled and signed in pencil and 19 etchings each signed in pencil by Garrett. Titled in red and black. xxx ii 118 2 pp. 1 vols. 8vo. A beautiful and stylish 1896 edition of the Prosper Mérimée novella written in 1845 and the source for Georges Bizet's opera 1875.<br /> <br /> With a tipped-in 3-page autograph letter signed "Louise I. Guiney" to Garrett Jan. 11 1893discussing her memoir of the author which appears on pp. ix-xxx: "I will set out to do some 21 pages as readable as I can make them and of course I will treat Prosper 'as if I loved him' after Walton's style with his worm ."<br /> <br /> With an autograph note signed describing the printing of the book from Edmund H. Garrett on the title page verso. Garrett also signed each etching as it appears in the book. Emdund H. Garrett [Printed at the DeVinne Press] unknown
1896266939Winchester Massachusetts: Emdund H. Garrett Printed at the DeVinne Press 1896. Number 26 of 50 copies on Japan vellum signed by the translator. Watercolor on fly-title preceeding p. 1 of "Ronda Bridge Over the Tajo" by Garrett titled and signed in pencil and 19 etchings each signed in pencil by Garrett. Titled in red and black. xxx ii 118 2 pp. 1 vols. 8vo. Recent quarter green morocco marbled boards retaining original green printed endpapers "Winchester 1896" t.e.g. Previous owner's gift inscription on front blank. Garrett Edmund H. Number 26 of 50 copies on Japan vellum signed by the translator. Watercolor on fly-title preceeding p. 1 of "Ronda Bridge Over the Tajo" by Garrett titled and signed in pencil and 19 etchings each signed in pencil by Garrett. Titled in red and black. xxx ii 118 2 pp. 1 vols. 8vo. With A.L.s. from Louise Guiney to the Illustrator. A beautiful and stylish 1896 edition of the Prosper Mérimée novella written in 1845 and the source for Georges Bizet's opera 1875.<br/><br/>With a tipped-in 3-page autograph letter signed "Louise I. Guiney" to Garrett Jan. 11 1893discussing her memoir of the author which appears on pp. ix-xxx: "I will set out to do some 21 pages as readable as I can make them and of course I will treat Prosper 'as if I loved him' after Walton's style with his worm ."<br/><br/>With an autograph note signed describing the printing of the book from Edmund H. Garrett on the title page verso. Garrett also signed each etching as it appears in the book. Emdund H. Garrett [Printed at the DeVinne Press] unknown books
189623328Winchester Mass: Edmund H. Garrett 1896. First edition. Garrett Edmund H. Original heavy vellum slightly marked with vellum-hinged clasp fasteners missing one clasp nice condition. One of 50 copies printed at the De Vinne Press on Japanese paper signed by Garrett. Additionally inscribed by Garrett as a wedding-present to a Miss Mary Bacon. BAL 6738 describes only the trade edition. Edmund H. Garrett unknown
189623328Winchester Mass: Edmund H. Garrett 1896. First edition. Garrett Edmund H. Original heavy vellum slightly marked with vellum-hinged clasp fasteners missing one clasp nice condition. One of 50 copies printed at the De Vinne Press on Japanese paper signed by Garrett. Additionally inscribed by Garrett as a wedding-present to a Miss Mary Bacon. BAL 6738 describes only the trade edition. <br/><br/> Edmund H. Garrett hardcover books
1931IRIrmMER85New York: William Farquhar 1931. 1931. 4to. pp. 3 p.l. 128 2. many b/w illus. some full-page. paper-backed cloth remnants of small sticker on front endpaper. dw. dw. soiled tattered & quite chipped. First Trade Edition illustrated and translated by Sterner. F. Hardcover. New York: William Farquhar, [1931]. Hardcover