45 résultats
18174557BB1817. 2 Bde. London Schulze e Dean u. Trovansi Presso R. Zotti 1817. Klein-8°. 1 Bl. 4 328 S.; 1 Bl. 4 S. S. 13-326. Lederbde. d. Zt. mit reicher Rückenvergoldung Stehkantenvergoldung u. goldgepr. Rückenschildern Gelenke berieben Ecken leicht bestossen. Mit 3 Namenszügen auf den fl. Vorsätzen. Bd. 2: Es fehlen die Seiten 1-12. Mit stärkerem Wurmfrass über die ersten 20 Seiten. Durchgehend leicht gebräunt. unknown
1827117847Cremona: Luigi de Micheli e Bernardo Bellini 1827. Hardbound. Tight bindings with some general wear and foxing to pages but no major flaws;. Quarter leather with marbled paper over boards; gilt lettering and decoration on spine; each work numbered individually; occasional bw engravings;. Text in Classical Italian of the version spoken in the 18th-19th centuries. This grouping contains the original 14 volumes in 7 books two volumes per book. It is a lovely matched set. Luigi de Micheli e Bernardo Bellini hardcover
182014112Milan: Societa Tipografica de' Classici Italiani 1820. 8vo. 5 vols. I: Frontis. LV 1 565 3 pp. II: 642 2 pp. III: 646 2 pp. lacking half-title. IV: 626 2 pp. V: 4 617 11 index pp. <br><br>Five-volume set of collected works by the celebrated 18th-century poet and librettist with the first three volumes dedicated to his historical plays. Contemporary vellum spines with gilt-stamped leather title and volume labels and gilt-stamped decorative bands; bindings lightly soiled a bit sprung with spine labels chipped and rubbed spines with shelving numbers in white one volume lacking volume label. All page edges stained gold. Front pastedowns with institutional bookplates title-pages with shadows of pencilled numerals. Vol. III lacking half-title. Intermittent light foxing most pages clean. Societa Tipografica de' Classici Italiani hardcover books
1830514751 vol. in-18 reliure de l'époque plein maroquin marron à grain long, dos lisse orné en long, coupes et chasses dorées, toutes tranches dorées, Biblioteca Poetica Italiana, scelta e publicata da A. Buttura, Presso Aimé-André, Librajo, Parigi [ Paris ], 1830, xii-287 pp. ; 303 pp. ; 319 pp.
1840194170Londre : Dulau et Cie . Whittaker e Cia . Booker E Dolman . J. Souter 1840. Fifth Edition. Hardback. Very good copies in contemporary bindings of 1/2 aniline calf over marbled boards. Gilt-titled leather labels to spines elaborately gilt-tooled compartments. Spine bands and panel edges slightly dust-toned and rubbed as with age. Marbled endpapers. Remains particularly well-preserved overall; tight bright clean and strong. ; 8vo 8"" - 9"" tall; Description: 2v. 328 326p. ; 16cm. Subjects: Italian drama -- 18th century -- Opera seria libretti -- Libretto. Language: Italian. Londre : Dulau et Cie ... Whittaker, e Cia ... Booker E Dolman ... J. Souter hardcover
1837693381 vol. in-18 reliure de l'époque plein chagrin vert bronze, dos lisse, plats richement ornés et estampés à froid, coupes ornées, P. Rolandi, Londra, 1837, 322 pp. et 1 f.
1819RO80052409SEGUIN Fr. AINE. 2nde édition. 1819. In-16. Relié demi-cuir. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. Environ 500 pages par volume. Titre, filets et tomaison dorés sur le dos cuir marron. Tranches mouchetées bleues. Coins frottés.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
184550493Napoli : Luigi Jaccarino 1845-1852. 389 - 450 - 467 - 170 - 942 777 pages illustrÂŽ de 23 lithographies ˆ deux teintes demi-parchemin piÂces de titre et de tomaisons en cuir ornementations dorÂŽs plats papier marbrÂŽ quelques rousseurs reliures de lՎpoque. 2947 Luigi Jaccarino unknown
1821194157Londra : da torchj di J.F. Dove. E trovansi presso R. Zotti 1821. Third Edition. Hardback. Very good copy bound in contemporary 1/2 aniline calf over marble boards. Gilt-titled leather label to spine. Slight tear between top of spine and front panel. Spine bands and panel edges somewhat dulled and rubbed as with age. Minor scattered marginal foxing. Remains particularly well-preserved overall; tight bright clean and strong. ; 8vo 8"" - 9"" tall; 326 pages; Description: 2v. 326 328p. 15.5cm. Subjects: Italian drama -- 18th century -- Opera seria libretti -- Libretto. Language: Italian. Contents: vol.1: Artaserse. La clemenza di Tito. Ciro riconosciuto. Temistocle. Zenobia. Issipile. L'olimpiade ; vol.2: Attilio Regolo. Siroe. Demofoonte. Achille in Sciro. Giuseppe riconosciuto. Gioas re di Giuda. Isacco figura del redentore. Galatea. L'isola disabitata. Le cinesi. La strada della gloria. Il ciclope. Cantate XV. La primavera. L'estate. La liberta` a Nice. Palinodia a Nice. La partenza. Inno a Venere. Madrigali. Londra : da torchj di J.F. Dove. E trovansi presso R. Zotti hardcover
182257789Livorno, Glauco Masi, 1822. 8vo. Bound in a splendid full call binding with gilt title-label, richly gilt spine and elaborately gild boards with broad gilt floral borders and gilt, crowned initials to centre (""J. P.""). Edges of boards and all edges gilt. Small damp stain to the lower blank margin and to the top of the first 10 leaves, otherwise internally very nice and clean. With gift-inscription for James Pennethorne from D. Gregory (presumably hos uncle). With lithographed frontispiece portrait of the author. X, 264"" 259 pp.
182257789Livorno Glauco Masi 1822. 8vo. Bound in a splendid full call binding with gilt title-label richly gilt spine and elaborately gild boards with broad gilt floral borders and gilt crowned initials to centre "J. P.". Edges of boards and all edges gilt. Small damp stain to the lower blank margin and to the top of the first 10 leaves otherwise internally very nice and clean. With gift-inscription for James Pennethorne from D. Gregory presumably hos uncle. With lithographed frontispiece portrait of the author. X 264; 259 pp. <br/><br/><em>A magnificent copy which has belonged to the famous English architect and planner James Pennethorne famous for his parks and buildings in central London."For a period of thirty years in the mid-nineteenth century James Pennethorne was more intimately involved with the planning and building of London than any other major architect. A pupil of John Nash he took over his teacher's practice and became government architect for the first half of Victoria's reign. He was responsible for the planning of new streets the laying out of parks and the design of important public buildings such as the Public Record Office the west wing of Somerset House and the Duchy of Cornwall office. It is therefore almost impossible for Londoners to avoid coming into contact with some aspect of his work." Cambridge Studies in the History of Architecture. </em> hardcover
1808926F23Avignone: Fratelli Seguin 1808 . Leather. Very Good. 5.5" by 3.5". None. A charming six volume edition of the works of Italian poet and celebrated librettist Pietro Metastasio. In the original Italian.A six volume 'Edizione Portatile' or portable edition of the works of the poet who was the most celebrated librettist in Europe during the eighteenth century for the opera seria; his librettos were set more than eight hundred times.Metastasio authored over twenty-eight operas and thirty-four other stage works.Retaining the original half titles and in attractive calf bindings. In full calf binding with extensive gilt detailing to back strips. Minor losses of leather to spine label perimeters. Light rubbing to back strips. Front hinge of volume I strained and VI strained but firmly held. Internally firmly bound. Pages generally clean and bright. Very Good Fratelli Seguin hardcover
1806008493Londra: A. Dulau & Co. 1806. Book. Very good- condition. Hardcover. Second edition. 16mo - over 5¾" - 6¾" tall. Two volume set. Vol. I: vi 284 pages of text. Vol. II: iv 284 pages of text. Original full leather bindings with black leather spine labels. Hinges are cracking and worn but remain attached functional and attractive. Moderate rubbing to extremities. The first volume is illustrated with a frontisportrait of Metastasio. Italian poet and dramatist; court poet to Charles IV 1730; Pietro Antonio Domenico Bonaventura Trapassi; lyric dramas oratorios poems for cantatas opera. A. Dulau & Co. Hardcover books
18191207240005Firenze : Gabinetto di Pallade 1819. Hardcover. Very Good. 7 Volumes. 8vo. Marbled boards. Each volumes spine bound in contemporary leather. Gilt lettering on spine. 4 raised bands 5 compartments. Good bindings and covers. Minimal wear to extremities. Italian. Clean unmarked pages with minimal toning. Please feel free to view our photographs. Firenze : Gabinetto di Pallade hardcover
181182569Couverture souple. Le tome 5 est manquant. 16 volumes brochés de 300 à 400 pages environ contenant des gravures hors-texte. 14 x 23 cm. Les couvertures dont défraîchies, les dos sont pour la plupart très défraîchis avec de nombreux manques. Manque au premier plat et aux premières pages du tome 4. Quelques rousseurs et mouillures. Intérieurs en très bon état.
181182569Padova nel seminario 1811. Paperback. <b>Livre en italien</b>. Couverture souple. Le tome 5 est manquant. 16 volumes brochés de 300 à 400 pages environ contenant des gravures hors-texte. 14 x 23 cm. Les couvertures dont défraîchies les dos sont pour la plupart très défraîchis avec de nombreux manques. Manque au premier plat et aux premières pages du tome 4. Quelques rousseurs et mouillures. Intérieurs en très bon état. <i>ref. 82569</i> Padova nel seminario paperback
181476109Firenze: Vittorio Alauzet stampatore 1814. Plena piel con 2 tejuelos y dorados. Vittorio Alauzet stampatore unknown
1827117847Cremona: Luigi de Micheli e Bernardo Bellini 1827. Hardbound. Tight bindings with some general wear and foxing to pages but no major flaws;. Quarter leather with marbled paper over boards; gilt lettering and decoration on spine; each work numbered individually; occasional bw engravings;. Text in Classical Italian of the version spoken in the 18th-19th centuries. This grouping contains the original 14 volumes in 7 books two volumes per book. It is a lovely matched set. Luigi de Micheli e Bernardo Bellini hardcover books
1823807R1Prato: Dalla Tipografia di Luigi Vannini 1823. Vellum. Very Good. 6.5" by 4". None. A delightful vellum-bound complete collection of the writings of Metastasio in the original Italian language illustrated with engraved plates. Peitro Metastasio was an Italian poet and librettist active during the eighteenth century widely considered the most important writer of opera seria libretti. His writings inluded 'Ezio' 'Demetrio' 'L'Olimpiade' 'Catone in Utica' 'La clemenza di Tito' 'Il trionfo di Clelia' and 'Didone abbandonata' with composders including Domenico Sarro Francesco Feo and Leonardo Vinci.Volume I is illustrated with a frontispiece portrait of the author and four engraved plates. Volume II is illustrated with eight plates volume III with eight volume IV with five volume V with four volume VI with three and volume VII with two.Fourteen volumes bound as seven. In the original Italian language.Bound in lovely full vellum with gilt spines and calf spine labels. In a full vellum binding. Externally generally smart; some slight rubbing more noticeable to the spine label of vol XIII and to the head of volume VII. Otherwise minor wear to the heads and tails of the spines; boards have the odd mark. Very Good Dalla Tipografia di Luigi Vannini hardcover
183821239961838. Rome: 'A la Stamparia ar Curso n. 336'. 1838. 8vo. In the publisher's printed self-wrappers title within typographic border woodcut angel within typographic border to rear cover upper cover lettered 'Treato Palaccorda Carnoval 1838'; slight foxing to title; small marginal paperflaws to 2 ff. variable marginal spotting to last 5 ff.; else very well preserved. First edition extremely rare of this lively programme in Romanesco or Roman dialect issued for the 3 February 1838 Carnival performance of La Didona an adaptation in Romanesco of Metastasio's 1724 Didone abbandonata. The opera is thought to have been translated into Romanesco by the poet and abbot Alessandro Barbosi. This anonymously authored programme advertising the opera as being in the 'Roman language of Trastevere' trans. was to be distributed at the box office 'dar buteghino de la cummedia' at Rome's Teatro della Pallacorda on the night of the opera staged back-to-back with a prequel by Luigi Randanini Un teatro drento na casa ciove er provemio de la commedia also in Romanesco. Our programme which encourages viewers to attend both showings if they can provides an engaging and colloquial summary of the context of the play glowing reviews of the set design and a blow-by-blow account of the plot. 'So you want me to give you the long and short of it without going on and on He the man who wrote Didone abbandonata did everything to inspire anyone who goes to see it. Sound good The clothes are just like the ones they wore a thousand years ago. The scenery is all made of medium-thick Frabbiano i.e. Fabbriano paper made of white rags all painted on the spot . by a painter so gifted that even the sun appears as it would in real life' p. 8 trans. and the prop weapons gleam like silver. The summary is deliberately kept light in tone and brief so that it can be 'better understood by those who - poor things! - are not especially literate and cannot read a story as old as this one detail by detail' p. 9 trans. The Avviso is not only a significant resource with regard to nineteenth-century Roman dialect but also provides insights into the use of plays and operas in Romanesco as a means of 'making the classical repertoire known to a wider audience. The Avviso is a true translation. It is neither a pure intellectual exercise in and of itself nor an adaptation a parody or worse an irreverent remake. With the exception of a few adjustments designed to justify space-time collocations inevitably connoted by the dialect the fidelity to the original text is absolute and the care is such that the work's dramatic impact is in no way taken away altered or diminished' Barboni p. 118.The Teatro Pallacorda famous for staging plays and operas in Romaneseco was renamed Teatro Metastasio in 1841 closed during the First World War and was demolished in 1936; it was formerly a tennis court thought to be the site at which Caravaggio murdered Ranuccio Tomassoni in 1606 prompting his flight from Rome. The libretto of Barbosi's Didona would not be published until 1851 without the author's name and with commentary by Filippo Tacconi. No copies traced in the US or the UK; not on Library Hub. OPAC SBN attributing authorship to Gaspare Randanini finds a single copy at the Biblioteca comunale Mozzi-Borgetti in Macerata. Ludovisi traces another at the Biblioteca Nazionale Centrale di Roma. See Biancini 'Didone o Didona: un successo nel tempo' in Acquaro and Ferari eds I Fenici: L'Oriente in Occidente 2004; Ludovisi 'L'Avviso strasordinario e il Bollettone: studio linguistico con un'ipotesi attributiva' in Vox Romanica 82 2023 pp. 75-101. hardcover