410 résultats
Due volumi legati insieme. In-8°, (15x10.5), (3), 104; (3), (16), legatura in piena pelle coeva, con decorazione a filetti in nero su entrambi i piatti, con decorazioni in oro agli angoli e al centro, e iniziali (BB) su entrambi i piatti. Dorso restaurato con nervature e due decorazioni floreali. Capilettera incisi, marca tipografica in fine. Due rarissime grammatiche ebraiche del Cinquecento, appartenute ad un mercante lucchese in Francia di quel periodo, Bartolomeo Balbani, le cui iniziali (BB) sono impresse sui piatti della legatura, con la sua firma sul frontespizio. Two books in one. In-8 °, (15x10.5), (3), 104; (3), (16), coeval full calf binding, with black filet decoration on both plates, gilt decoration at the corners and center of both sides, initials (BB) on both plates. Back restored with bands and two floral decorations. Engraved initial letters, printer’s mark at the end. Two very rare Hebraic grammars of the sixteenth century, belonging to a merchant from Lucca, in France in that period, Bartolomeo Balbani, whose initials (BB) are imprinted on both plates of the binding with his signature on the title page.
[scaffale Q] In-4° oblungo; 20 tavole. Rara ed elegante suite completa con le venti lettere dell’alfabeto incise da I. Paulini. In pieno stile manierista, le maiuscole formate da figure di uomini, donne e satiri, campeggiano in ameni paesaggi finemente dettagliati, in cui si aprono scene tratte dalla mitologia classica, riassunte da un titolo che ha per iniziale la lettera rappresentata. Cornici architettoniche animate da grottesche, personaggi, animali e eclettici motivi ornamentali inquadrano le lettere. Unica edizione, esemplare completo a quanto risulta dalle fonti da noi consultate.
Very Good Turkish, Ottoman (1500-1928) Contemporary quarter leather bdg. Handsomely bound. Six raised bands to spine, the second compartment has the title, the fifth has "issue 1-104", and the sixth has ex-owner's name of the volume, "Semseddin" lettered gilt. Original end-papers of the period. Slightly age-toned on the lower pages, fading on extremities of boards, overall a very good volume. Folio. (41 x 29 cm). In Ottoman script (Old Turkish with Arabic letters) and Turkish with Latin letters. This folio volume consists of 104 issues of the periodical, each issue has 4 pages, which has mostly color illustrated covers as well as several b/w ones. A rare togetherness of the first 104 issues of this Turkish satirical magazine, richly illustrated with thousands of attractive illustrations and caricatures, was published in Istanbul twice a week every Wednesday and Saturday with at least four, at most eight pages, during the Letter Revolution 1928, when the transition from the Arabic alphabet to new Latin letters was ensured. The collection provides an invaluable resource, reflecting the changes in society during and after the Letter Revolution in New Turkey, 1928, placing the new Latin alphabet instead of old Arabic letters and contributing to the development of reading and writing skills of the new Turkish society, as well as "creating the basis for the rapid social evolution in the young Turkish Republic Revolution" soon after the proclamation of the Republic in 1923. The newspaper had a printing house with the same name headquartered in Bab-i Ali (The Sublime Porte of Constantinople), the place where the heart of the Ottoman press was. Burhan Cahid Morkaya left Karagöz Newspaper and founded Köroglu Newspaper in 1928 and wanted the people living in Istanbul and Anatolia to be able to read and write new letters. Indeed, during the period of its publication, Köroglu Newspaper reached the most remote corners of the New Turkish Republic with its attractive cartoons covering local and mostly international subjects. In addition to this news and cartoons, Morkaya also published Turkish reading passages with Arabic letters that were transcripted into Latin letters. Therefore, he created a great positive effect that facilitated the transition to new letters during the Turkish Alphabet Revolution. Duman 1155.
Very Good Serbo-Croatian Paperback. Roy. 8vo. (23 x 15 cm). In Aljamiado (Serbo-Croatian in Arabic letters), Arabic, and Persian with an introduction in Arabic. The third revised edition of the Waqf Directorate in Sarajevo. 104 p., 4 unnumbered b/w plates. "Ilmihal" [i.e. Catechism] recommended to all who want to know and learn Islamic ceremonies and practice. Learn how to pray, what are basic principles of the Islamic faith, what are the Islamic duties, what are the Islamic holidays, what constitutes proper Islamic behavior, and lots more. This extremely rare catechism book printed in Sarajevo in Croatian with Arabic letters (Aljamiado). This book is one of the late examples of Aljamiado literature beginning in early Andalusia and constitutes one of the rarest examples of the Ottoman book tradition. Aljamiado or Aljamía texts are manuscripts that use the Arabic script for transcribing European languages, especially Romance languages such as Mozarabic, Portuguese, Spanish or Ladino, and Bosnian with its Arebica script. According to Anwar G. Chejne, Aljamiado or Aljamía is "a corruption of the Arabic word ?ajamiyah (in this case it means foreign language) and, generally, the Arabic expression ?ajam and its derivative 'Ajamiyah are applicable to peoples whose ancestry is not of Arabian origin". During the Arab conquest of Persia, the term became a racial pejorative. In linguistic terms, the Aljamía is the use of the Arabic alphabet to transcribe a Romance language. It was used by some people in some areas of Al-Andalus as an everyday communication vehicle, while Arabic was reserved as the language of science, high culture, and religion. The systematic writing of Romance-language texts in Arabic scripts appears to have begun in the fifteenth century, and the overwhelming majority of such texts that can be dated belong to the sixteenth century. A key aljamiado text was the mufti of Segovia's compilation Suma de los principales mandamientos y devediamentos de nuestra santa ley y sunna, of 1462. In later times, Moriscos were banned from using Arabic as a religious language and wrote in Spanish on Islamic subjects. Examples are the Coplas del alhichante de Puey Monzón, narrating a Hajj, or the Poema de Yuçuf on the Biblical Joseph (written in Aragonese). Aljamiado played a very important role in preserving Islam and the Arabic language in the life of the Moriscos. After the fall of the last Muslim kingdom on the Iberian peninsula, the Moriscos (Andalusian Muslims in Granada and other parts of what was once Al-Andalus) were forced to convert to Christianity or leave the peninsula. They were forced to adopt Christian customs and traditions and to attend church services on Sundays. Nevertheless, some of the Moriscos kept their Islamic belief and traditions secretly through the usage of Aljamiado. In 1567, Philip II of Spain issued a royal decree in Spain, which forced Moriscos to abandon using Arabic on all occasions, formal and informal, speaking and writing. Using Arabic in any sense of the word would be regarded as a crime. They were given three years to learn the language of the Christian Spanish, after which they would have to get rid of all Arabic written material. Moriscos translated all prayers and the sayings of their prophet Mohammed into Aljamiado transcriptions of the Spanish language while keeping all Qur'anic verses in the original Arabic. Aljamiado scrolls were circulated amongst the Moriscos. Historians came to know about Aljamiado literature only in the early nineteenth century. Some of the Aljamiado scrolls are kept in the Spanish National Library in Madrid. The word aljamiado is sometimes used for other non-Semitic languages written in Arabic letters. For example, Bosnian and Albanian texts written in Arabic script during the Ottoman period have been referred to as aljamiado. However, many linguists prefer to limit the term to Romance languages, instead of using Arebica to refer to the use of Arabic script for Slavic languages... Not in OCLC.
Very Good French Original wrappers. Demy 8vo. (22 x 14 cm). In French. 33, [1] p., tables, and plates. First and only edition of this extremely rare treatise on How Kufic script is applied to print, a brief history of Kufic script, its use in ancient and modern times, examples of writing accompanied by illustrations, typesetting on the keyboard for linotype printing, its use on typewriters, its use in telegraphy (with Arab and international typesettings), etc. Ali Kenan (?-1962), married Emine Nemika Sultan (1888-1969) in 191 and became a groom to the Ottoman palace and the royal family. Only one copy can be traced in OCLC 1065045158, in The British Library, St. Pancras.
Very Good Bulgarian Original blue cloth bdg. with embossing. Slightly stains on boards and toned on pages. Otherwise a very good copy. 12mo. (16,5 x 12 cm). In Bulgarian. 1230, [2] p. [HOLY BOOK IN BULGARIAN PRINTED IN TSARIGRAD (CONSTANTINOPLE)] Bibliia sirech sveshtenoto pisanie na Vetkhiia i Noviia zavet: Viarno i tochno prevedena ot pûrvoobraznoto. [.] In 1840 5,000 copies of the first complete translation of the New Testament were printed in Smyrna by the British and Foreign Bible Society. A second edition which was printed in Smyrna in 1850 was an almost exact reprint of the 1840 edition. A third edition followed in 1853 with 15,000 copies. The fourth edition was published in 1857 in Bucharest, and for the first time civil characters type was used. In 1859, two more editions were published. In 1866, a new "pocket" edition with text revised by Elias Riggs and Dr. Albert Long was printed in Constantinople. The New Testament was revised and reprinted a total of nine times. In the period from 1840 to 1860 the Eastern (Tarnovo) dialect was adopted as literary Bulgarian language and the Macedonian dialect, in which the New Testament had been translated, was widely rejected. By 1858 Neofit Rilski had finished large portion of the Old Testament. Riggs met with Neofit Rilski and discussed a possible revision of the Bulgarian New Testament to remove the Macedonian dialect elements. Neofit objected the revision, so Riggs took the translation and returned to Constantinople. In January 1859 Riggs invited the Bulgarian teacher Hristodul Kostovich to help him with the revision. In 1862 Long and Riggs visited the noted Bulgarian writer and poet Petko Rachov Slaveykov in Tryavna. Slaveykov agreed to help with the translation and began the work on the revising of Neofit's New Testament at once. Long joined the revision of the New Testament into the Eastern dialect in 1863 and later assisted with the translation of the Old Testament. In June 1871, after more than 12 years of revision and translation, 36,000 copies of the complete Bible translation in Bulgarian were published in Constantinople. The translation came to be known as the "Tsarigrad (Constantinople) Edition". Tsarigrad [or; Tsargrad, Tzargrad, Czargrad] Tsargrad is a Slavic name for the city or land of Constantinople, the capital of the Eastern Roman (Byzantine) Empire, and present-day Istanbul in Turkey. A physical copy of this edition is not located in OCLC. For digital register: OCLC 181122059.
In 4°, pp. (16), al frontespizio marca tipografica e fregi incisi su legno, grande capolettera inciso su legno. Legatura in cartonato moderno. Prima edizione. Camozzi (1515-1581) fu maestro di retorica a professore di filosofia a Bologna. Sembra che per la sua conoscenza di lingue orientali venne in fine incaricato a Roma di tradurre i testi dei Padri greci; tradusse anche Aristotele. In questa orazione ripercorre una storia dell’uso delle lettere dalle origini. Ascarelli p. 44.
In -folio, 2 voll., pp. (4), VIII, 1-224, (2), 223-244, 70 tavv. a colori; (4), XLIX, 464, tela con tassello e titolo al dorso. Sontuosa edizione completa di 70 litografie che riproducono, a colori, il cosiddetto “Codice Troano”, uno dei pochi manoscritti superstiti della lingua maya. Si tratta di uno dei primi cospicui tentativi di decodificare la scrittura della civiltà precolombiana: Brasseur (1814-1874) vi si dedicò per oltre cinque anni con passione, diligenza e competenza ma, purtroppo, partendo dallo sbagliato presupposto che i codici riproducessero un alfabeto fonetico, convinzione che derivava da un metodo cinquecentesco messo a punto da Diego de Landa, monaco spagnolo che sarebbe diventato vescovo dello Yucatàn. La tavola comparativa tra alfabeto latino e caratteri maya era inaffidabile. In base alla decrittazione di questo codice, fra l’altro, si ipotizzò la suggestiva descrizione del continente perduto di Mu, mitica terra collocata nel Pacifico. Il lavoro di Brasseur avrebbe avuto un corso scientifico molto limitato, e la sua teoria fu smentita entro la fine del secolo, ma una serie di miti costruiti sulle sue presunte scoperte, fra tutti proprio quello della terra di Mu, hanno avuto corso fino a oggi in ambito parascientifico e in numerose suggestioni letterarie. La pubblicazione fa parte di una serie di opere commissionate da Napoleone III (“Mission scientifique au Méxique”) intese allo studio del Sud America. A luxury edition, complete of 70 lythographies reproducing, in colors, the so said “Troano codex”, one of the few manuscripts survived to Maya civilization’s destruction. This is one of the first attempts to decipher their writing: Brasseur (1814-1874) studied the matter for five years but he was wrongly convinced that the codex was reproducing a phonetic alphabet. The myth of “Mu” land results from this erroneus interpretation. The publication is part of a collection of works about South America commissioned by Napoleon the III.
In-8 p., legatura edit. in marocchino oasis marrone, sigla in oro al piatto anter., astuccio con cuffia in pelle, pp. 128,(4), disegno nello stile di Feliciano nel frontespizio in rosso e giallo, con figure nel t. e 5 tavv. di iscrizioni f.t., riprodotte in calcografia. Trattato sulla costruzione geometrica dell’alfabeto maiuscolo romano (ca. 1460) di Felice Feliciano veronese, dal Codice Vat. Lat. 6852, con le 25 maiuscole in facsimile colorate a mano a due colori da Ameglio Trivella e a fronte la loro costruzione. Cfr. Mardersteig,122: “L’"Alphabetum Romanum" del Feliciano venne pubblicato in lingua italiana, inglese e tedesca: l’introduzione e le note bibliografiche di Giovanni Mardersteig sono state tradotte in italiano da Oreste Ferrari”. Tiratura di 160 esempl. numerati, su carta a mano Magnani. Solo i primi 50 sono rilegati in p. marocchino. Il ns., 8, è in ottimo stato.
[ii] + 16pp. + 153 [154] engraved pages with 15 emblems per page engraved by N.Verien + 24pp. de tables, 1st edition, titlepage is missing, 20cm., cart.cover (marbled plates, spine in leather with gilt title and decorations), marbled endpapers, occassional small stains at pages, Good copy, scarce, T77109, [Detailed content: 2 pages of author's dedication to "Monsiegneur le Dauphin", 16 pages of text: "Explication alphabetique des médailles ou figures hieroglyfiques du Livre second", 154 pages of engravings and 24 pages of tables], This book concerns only the second section of the work [the first section is: "Emblemes et devises latines, espagnoles et italiennes… livre premier", the third one is: "Supports et cimiers pour les ornemens des armes. livre troisième". The work has been reprinted in 1696 and 1724 under the title "recueil d'emblemes"]
In-8°, 30pp, una tavola ripiegata, legatura in carta semplice, intonso In-8°, 30pp, one folded plate, paper binding, uncut.
In-8°, XVI, 138, una tavola ripiegata, legatura in carta semplice, intonso In-8°, XVI, 138, one folded plate, paper binding, uncut.
In 4° oblungo (mm. 215x275); 25 carte contenenti il frontespizio illustrato e le 24 lettere calligrafate e ornate dell'alfabeto incise in rame. Nota manoscritta alla carta di guardia superiore: "Ricordo del Duchino Mele, 1833". Tagli gialli. Legatura coeva in mezza pelle con piatti di cartone marmorizzato e bordurine dorate al dorso. <BR>Buon esemplare con frontespizio facsimilato, fioriture dovute al tipo di carta e alcune mende ai bordi della legatura.<BR>
In-8°, XXVIII, 100pp, 8 tavole numerate, 1 non numerata (tutte fuori testo), legatura in carta semplice, intonso In-8°, XXVIII, 100pp, 8 numbered plates, 1 plate not numbered (all inset plates), paper binding, uncut.
In-8°, 24pp, legatura in carta semplice In-8°, 24pp, paper binding
In-8°, 24pp, legatura in carta semplice, intonso In-8°, 24pp, paper binding, uncut
Very Good Russian Very attractive early Russian edition of this famous Georgian national poem 'The knight in the panther skin', richly illustrated in very well binding. This is a Georgian medieval epic poem, written in the 12th century by Georgia's national poet Shota Rustaveli, and a definitive work of the Georgian Golden Age, the poem consists of over 1600 Rustavelian Quatrains and is considered to be a "masterpiece of the Georgian literature". Original decorative green cloth bdg. with Rustaveli's embossed portrait. Art-nouveau borders on board. Faded titles and decorations on spine. A very good copy. 4to. (27 x 20 cm). In Russian. [5], 315, [7] p., [18] b/w full-paged plates. Shalva Nutshubidze, (1888-1969), was a Georgian philosopher, translator, and public benefactor, one of the founders of the Tbilisi State University (TSU), founder of Alethology. The main fields of scientific activity of Shalva Nutsubidze were: alethology, history of Georgian philosophy, history of the old Georgian literature, Rustvelology, problems of the oriental renaissance. He was also a well-known translator: he translated The Knight in the Panther's Skin of Shota Rustaveli, Visramiani, and other outstanding literary works in Russian. Nutsubidze is co-author of a well-known theory about the identity of Pseudo-Denys Areopagite and Georgian philosopher of the 5th century Peter the Iberian (Theory of Nutsubidze-Honigmann).
In-8°, 8pp, legatura in cartoncino decorato In-8°, 8pp, decorated cardboard
[Calligrafia] (cm.19,7x29,5) oblungo ottima mezza pergamena XIX sec. Tavole 10 incise in rame e numerate, frontis compreso, racchiuso entro elegante fregio architettonico con 4 uccelli agli angoli. L'opera, contiene raffinati alfabeti riccamente ornati. rarissimo, manca a Marzoli-Morison, Jenssen, Guilmard e Berlin-Katalog. Il nostro esemplare corrisponde esattamente a quello descritto da Bonacini e Choix. Berlin-katalog n°4853 e Bonacini 1769 hanno un esemplare con una parte di 14 tavole e una di 10, da non confondere con la nostra edizione che ha titolo diverso, è a se stante e ben completa. Esemplare molto fresco e bello. Ex libris nobiliare alla sguardia. *Choix 15306; *Bonacini 1770.[f64] Libro
Very Good Turkish, Ottoman (1500-1928) Full leather bdg. Cr. 8vo. (19 x 13 cm). In Karamanlidika (Ottoman Turkish with Greek letters). 104 p. Partly uncut. Ai Kuriakai tou Etous: Yani senenin her kiryakisinde okunan Evangelion'un izahati içün. Phylladion (Juz): 5. Prep. by Savvas Dimitriadis. [In Greek] Sundays of the year: [In Turkish with Greek alphabet] Exegesis of the Gospel which is read every Sunday of the year. Sermons delivered by the doctor E. Emmanuelidis. Printed and published with the approval of the Patriarchate Ecclesiastical Commission. [In Greek:] "Act reasonably and speak practically" (S. Isidore de Peluse). Publisher: Savvas Dimitriadis. Paper 5: Imprimerie du Patriarchat, March 1902. [Published] 12 fascicles, nos 1-12 (November 1901- October 1902). 56 to 128 pages per booklet, with serial number and indication of the month of the year at the bottom of each title page. Contents: P. 1: Title.; P. 2: Notice saying that the Greek translation of these "Homilies" is reserved to the author (E. Emanuelidis).; P. 3: Preface by S. Dimitriadis which explains the need for each Christian to devote Sunday to meditate "these fragrant flowers of the Holy Orthodoxy". By publishing from November 1901 under the title "Ai Kuriakai tou Etous", Emmanuel Emmanuel's sermons, he rendered his orthodox brothers an appreciable service. Procopi (Ürgüb), March 1, 1902.; Homilies. Fifth of Twelve. First and Only Edition. Balta (XX Siecle) 5.; Dallegio & Salaville IV, 337.
In-8°; in antiporta un'incisione su rame di Lasinio dal titolo "La buona madre", pp. 96, (2); il testo contiene pagine con l'alfabeto, i dittonghi, le sillabe, parole suddivise in sillabe. una tavola con l'alfabeto maiuscolo e minuscolo e la postura per impugnare il pennino, 6 vignette incise su rame. Legatura in brossura editoriale originale col titolo stampato. istruzione abecedario educazione alfabeto scrittura alphabet education writing
In-8°, (1), XX, 152, (1), legatura in carta semplice In-8°, (1), XX, 152, (1), paper binding, uncut.
In-8°, (1), XX, 152, (1), legatura in cartonato In-8°, (1), XX, 152, (1), cardboard binding
In-8°, 4pp, legatura in carta semplice, intonso In-8°, 4pp, paper binding, uncut
Very Good Turkish, Ottoman (1500-1928) Original color map of Eastern Anatolia, Dogu Beyazit, Bayazid, Bargiri, Nakhchevan, Karakilise, Van, etc. 50x60 cm. In Ottoman script (Enverî). 1 p. Scale: 1:200.000. Slightly toned, several small holes on paper. Otherwise a very good copy. Enverî script is the war minister Enver Pasha's alphabet and writing amendment, which he tried to implement within the Ministry of War between 12 March 1914 and 10 August 1914. Starting from the Tanzimat (Westernization) period in the Ottoman Empire, the discussions on simplification in language, writing, alphabet and reading-writing had increased and at the end of the 19th century, military necessities also became one of the concerns. The problems such as the low rate of literacy among the recruited soldiers, the need to teach the soldiers how to read and write in a short time, and their misconceptions about the spelling of proper nouns led Enver Pasha to add the writing problem to his reform agenda, once he took office. Enver Pasha's reform is based on the principle of writing the Ottoman letters, which take different forms in the beginning, in the middle and at the end according to their unification with the other letters, separately in their original state without merging them. While this new alphabet was being created, the existing 32 letters in the Ottoman were preserved. The 8 vowels in the Turkish language, which could not be written with the old letters, was shown by placing small marks on the existing vowels and by doing so a new alphabet consisting of a total of 40 letters was created. With this alphabet, officially called 'Ordu Elifbasi', rules were adopted such as writing of the letters without merging them, writing the words as they are pronounced. At first glance, Enver Pasha's writing reform, which appeared as a definite solution to the theory of the solution of the ongoing debates on the alphabet and the spelling, formed a wide experiment field in the military. It was not possible to use Ordu Elifbasi, which essentially is a transliteration alphabet that allows transferring the sounds of these three different languages (Turkish, Arabic, Persian) to a single alphabet, in the daily life. Thanks to this new alphabet and spelling, learning to read and write were accelerated to some extent. However, it was seen that the literacy rate of the well-educated, literate people fell to the spelling and did not even progress. This alphabet and spelling reform, which Enver Pasha thought of spreading to the whole country, caused much more problems as it was experienced in the army. Although it was postponed until the end of the mobilization period following the declaration of the mobilization, Ordu Elifbasi, which remained in force for 152 days, eventually failed to be realized. (Source: Karakus: Enver Pasha's Alphabet And Spelling Attempt: Ordu Elifbasi (Army Alphabet)).In this extremely rare document, there are some articles and thoughts on a case. This is one the serie of the Bonn projection maps which are the first map series in modern techniques in Turkey and the Ottoman Empire. In order to produce these maps covering Turkish territory, Reconnaissance Branch was incorporated into The Mapping Commission. The maps were produced in the datum based on the latitude and longitude of Ayasofya Mosque in equal area Bonn Projection. The field works for the 123 sheets covering the country were conducted by 76 staff. The production was completed in 18 years starting from east west. Field works continued without stopping except in years 1914 and 1920. This map series called also reconnaissance maps contributed a lot to producing 1:25.000 scale maps. Extremely rare. KW: "Harfleri Islah Cemiyeti" Hurûf-i munfasila Reform Turkish Letter revolution First World War WW 1 Map Geography Military maps.