MACDONALD, Philip.MareMagnum
6 567 résultats
Barcelona, José Janés Editor, 1947 ('Al Monigote de Papel'). 4to.; 178 pp. Cubiertas originales.
Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 63, Delteil 65.
200801189Buenos aires, Editorial Lasada. S.A. - contemporanea, 1948 ; in-12, 118 pp., broché.
1910127618Couverture souple. Broché. 314 pages. Couverture réparée. Annotation sur la page de titre.
330207Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century . Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
330209Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century . Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
330208Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century . Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
330206Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century . Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
8vo. 81 pages. In Portugese. SUBJECT (S) : Maranos in Portugal. OCLC lists 24 copies worldwide. Pages darkened, otherwise very good condition. (MX-6-15)
189840301Philadelphia: J. Hoover & Sons 1898. Image 27 x 17 1/2 inches. Framed and glazed. Image 27 x 17 1/2 inches. Schley was selected "at the opening of the Spanish-American War to command the Flying Squadron at Hampton Roads.when Cevera's ships reached Martinique the Flying Squadron.at 9:35 July3 1898 the Spanish ships emerged from the harbor of Santiago and turned westward Schley's flagship the Brooklyn westernmost of the blockading line."<br/><br/>Xanthus Russell Smith 1839-1929 comes from a Family of Philadelphia Artists. He was the som of Russell Smith. J. Hoover & Sons unknown books
París, Gallimard, 1961. Traduit de l'Espagnol par Robert Marrast. Préface de M.-E. Coindreau. 220 p. 1 h. 8º. Cubiertas originales levemente rozadas. Ejemplar levemente mareado. 1ª edición francesa. Traducción de la novela "La isla".
201109987Paris, Grasset, 1987 ; in-8, 200 pp., broché, avec sa jaquette petites usures. Bon état.
2009100143623PU CAEN 2009 27x3 8x21 2cm. 2009. Broché.
194829257Espagne, Madrid, Editorial Fundamentos 1973. In-4 broché, non paginé, d'environ 120 pages au format 34,5 x 26,5 cm. Couverture illustrée. Dos carré avec titre. Plats et intérieur frais, malgré de tout petits frottis et tassements aux coins. Histoire racontée par de superbes collage et illustrations en noir, par l'auteur. Rare édition originale en très bel état de fraicheur. Précieux exemplaire enrichi d'une superbe et cordiale dédicace autographe, signée, de Chumy Chúmez à la pianiste et organisatrice de concerts, Annie Neuburger. Provenance idéale.Jose Maria González Castillo dit Chumy Chúmez, fut un dessinateur satirique, écrivain et réalisateur espagnol. Il travailla comme dessinateur de presse, dans des journaux et divers magazines tels que La Codorniz, Triunfo ou Madrid. Il fut interdit par le régime franquiste en 1971 et s'exila à Paris.
Octavo in illus. blue and white (white spine) paper wraps; 381 p. ; 23 cm. In Spanish.
Small white octavo color illus in red, blue, and black, 359 pages, 20 cm. In Spanish. Backwards E to Soledad in title. || Literature.
Octavo in white wrappers; 209 p.bibliographical references Text in Spanish // Sociology. Social sciences -- Study and teaching -- Latin America. Education, Pedagogy
G6077562017I3N00ILUSTRA 1900. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. ILUSTRA hardcover
Barcelona, Editorial AHR, 1953. 4to.; 222 pp., 1 h. Encuadernación original en tela estampada.
Large octavo in black wrappers; 379 p. ; 25 cm. Text in Spanish. Series: Extra Alfaguara; Contians: Londres -- El libro de las costumbre mundanas. // NOVELAS URUGUAYAS.† Novela uruguaya; Siglo XX.; Literatura uruguaya; Novela; Siglo XX.
Sevilla, Escuela de Estudios Hispano-Americanos, 1966 [Colección Mar Adentro]. 4to.; 167 pp. Cubiertas originales.
This is a very good softcover copy with just light cover wear. Completely clean. Text in Spanish. Illustrated throughout mostly in color. This catalog was prepared to accompany the exhibition at Ayuntamiento de Zaragoza, from June 25 to August 18, 1996. Bibliography.12" high X 9" wide, 195 pages. This book will be securely packed and shipped with tracking.
056637Paris Editions Sociales 1951 in 12 (18x12) 1 volume broché, 285 pages [2]. Collection '' Démocraties populaires ''. Hélène Parmelin, journaliste et romancière, essayiste et pamphlétaire, épouse du peintre Edouard Pignon, elle rencontra Picasso pour la première fois en 1944. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Paperback, 8vo, 146 pages, 24 cm. In French. Series: Collection "Theses, memoires et travaux". ; Serie Etudes catalanes; 3. Contents: Les juifs dans les royaumes chretiens iberiques a la fin du Moyen Age; Beatrice Leroy -- Les juifs de Gerone (Xe-XVe siecles) ; Ramon Alberch I Fugueras Linscription synagogale dOlot; Gerard Nahon -- Les bibles peninsulaires; Monique Boaziz Aboulker -- Les juifs catalans face aux chretiens; David Romano -- Jacques Ier le Conquerant et les juifs de Montpelier; Richard Ayoun -- Le rabbin Moshe Ben Nahman et la controverse de Barcelone; Robert Chazan -- Existe-t-il un judeo-catalan calque? --oui! ; Haim Vidal Sephiha. SUBJECT(S) : Jews -- Spain -- Gerona -- Congresses. Gerona (Spain) -- Ethnic relations -- Congresses. At head of title: Universite de Paris-Sorbonne (Paris IV) , Centre detudes catalanes. Includes bibliographical references. OCLC lists 27 copies worldwide. Crease mark across front cover. Wear to edges of cover and cover binding. Otherwise, very good condition. (Sef-21-20)
198721429Ministerio de cultura / Paris Musées, 1987. In-4 broché (24 x 27 cm), 307 pages, richement illustré en couleurs, catalogue de l'Exposition MAM/Musée d'art moderne de la Ville de Paris, 10 octobre/3 janvier 1988. En préambule des 220 uvres d'art exposées, textes de Pierre Daix : "L'art moderne espagnol et Paris", de Francisco Calvo Seraller : "Du futur vers le passé : la conscience historique de l'art espagnol", de Toma Llorens : "Exil et goût espagnol dans l'art moderne".
