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15934599Londini: Excudebant G. Bishop R. Newbery & R. Barker An. Dom. 1593. 1593. 1593 Folio. Collates para4A-P6 2A-2S6 3A-3M6 3N4 4A-4V6 4X4 5A-5L6 5M8 A-2K6 2L4. In six parts each with divisional title page and separate pagination or foliation. The title pages to the Old Testament read "Bibliorum pars secunda -tertia quarta ." and "Libri apocryphi sive appendix Testamenti Veteris .". The divisional titles to part 4 and the Apocrypha are dated 1592. That to the New Testament reads "D.N. Jesu Christi Testamentum Novum ." and bears the imprint "Londini excudebant reg. typograph. Anno salutis humanæ 1592.". Tremellius's and Be`ze's versions of the New Testament are printed in parallel columns. P6 2S6 4X4 and 2L4 are blank. Bound in modern tan goatskin with handmade paper endpapers. Old endpapers preserved. Titlepage laid down with minor loss at lower corner. Some wear to lower blank corners at both ends of the volume evidence of its having been disbound fora considerable time. Occasional unobtrusive ink marka and a few other signs of use but the contents generally clean and crisp. A very good copy. STC 2061.5. Londini: Excudebant G. B[ishop] R. N[ewbery] & R. B[arker], An. Dom. 1593. unknown
1574096271Excusum Londini: by Thomas Vautrollerius per assignationem Francisci Floræ 1574. STC 16427. A revised translation by Walter Haddon of the first prayer book of Edward VI.At foot of title: Cum priuilegio Regiæ Maiestatis. Calendar printed in red and black. Liber Psalmorum Davidis prophetae et regis. ." has separate title page with date 1574 on leaf 2A4r. In this issue leaf 2P3r lacks colophon. Another issue STC 16427 has colophon: Londini excudebat Thomas Vautrollerius. 1574. Book measures 6 x 4 inches. 28 299 leaves engraved title page. Bound in full leather. Professionally rebound not recently retaining most of the leather from the original or early top board calf light rubbed some loss of leather on corner of top board. Generally a very good clean firm binding. Internally small abrasion hole on margin of title page minor repair to inner margin of title page early annotaion in ink partially erased on verso of title some light browning to edges of about 10 pages. Pages in very good clean condition throughout. A very nice copy. Full Leather. Very Good. Small 8vo. by Thomas Vautrollerius] per assignationem Francisci Floræ Hardcover
154120902Coloniae Officina Melchioris Novesiani 1541 -in-folio demi-veau un volume, reliure demi-veau havane in-folio (binding half calfskin in-folio) (31 x 20,7 cm), reliure tardive (PASTICHE DEBUT 19EME), dos à nerfs (spine with raised band), décoration "or" et à froid (gilt and blind stamping decoration), titre frappé "o"r, pièce de titre sur fond marron avec filet "or", roulette "or" en place des nerfs avec un filet "or" et un filet à froid de part et d'autre des nerfs, entre-nerfs à fleuron "fleurette" "or", petitre fente au mors en tête sur 2 cm, papier peigné jaune et caca d'oie aux plats, toutes tranches lisses rouges (all red smooth edges), trés légère trace de mouillure claire en marge à droite des 10 premières pages, travail de vers en marge haute en fin de volume sans conséquence sur le texte (worms work no consequence for the understanding of the text), Texte en latin, sans illustrations (no illustrations) excepté une belle vignette marque de l'Editeur (10 x 8 cm) en bas de la page de titre avec la devise : "FESTINA LENTE"(se presser lentement) + de trés nombreuses Lettrines Historiées gravées sur bois en noir, 7p. d'Index + folio 175(350 pages), 1541 Coloniae Ex Officina Melchioris Novesiani Editeur,
157165403Ad Thomiam Mermannum Coloniensem. Additi sunt, & aliorum lusus, 1 vol. in-8 cartonnage bradel XIXe, Apud Carolum Pectinarium [ Carlo Pettinari ], Florentiae [Florence ], 1571, 184 pp. Signatures : A-L8 M4
159521476Francofurti Ex. Off. Paltheniana Sumt. Joannis Spiessii 1595 in-8 plein vélin un volume, RELIURE ALLEMANDE D'EPOQUE ESTAMPEE A FROID, reliure plein vélin ivoire parcheminé in-octavo (binding full vellum in-8) (18 x 12 cm), dos à nerfs (spine with raised bands) décoré à froid (blind-stamping decoration) titre à l'encre brune façon janséniste, filet à froid en place des nerfs avec double filets à froid de part et d'autre des nerfs se rejoignant en pointe sur les mors, entre-nerfs décorés de multiples rinceaux à froid, plats Estampés à froid (Impression Allemande) (cover blind-stamping) d'une succession d'encadrement à décors feuillage, petit portraits en médaillons et écussons eux-mêmes dans un encadrement de quadruple filets à froid (with line blind-stamping) de part et d'autre, avec deux gravures à froid différentes aux centre des plats. 1er PLAT : notée en haut H. V. B. et en bas 1598, la gravure centrale représente deux femmes agenouillées implorant trois personnages, dont le personnage central serait un Pape avec noté à froid en bas de la gravure : HANS CYSTLER ANNO 88, AU 2ème PLAT : une gravure représentant au loin une cité fortifiée, un homme portant des planches sur son épaule et Hercule (en bas de gravure représentant l'Enfer) essayant de capturer Cerbère, le monstrueux chien de garde à deux têtes qui empêche à toute âme défunte de regagner le chemin de la vie, avec noté à froid en bas de la gravure : HANS CYSTLER ANNO 88, toutes tranches lisses (edges smoothes) bleues, texte en Latin, sans illustrations (no illustration) excepté une vignette "marque de l'Editeur" en bas de la page de titre gravée sur bois en noir + orné de bandeaux, lettrines (and illuminated of headpieces and dropped initials) gravés sur bois en noir, (884(898) + [36] p. d'Index) pages, 1595 Francofurti : Ex. Off. Paltheniana Sumt. Joannis Spiessii, Editeur,
156270764Ex diversorum exemplarium, praecipuè Victorij ac Manutij, collatione diligentissima castigatae. T. Pomponij Attici vita. Interpretatio eorum quae Graecè in Epistolis scriptasunt. Ex castigatione Ioannis Boulierij, 1 vol. in-12 reliure de l'époque plein veau brun, dos à 3 nerfs, filets et écoinçons estampés à froid en plats, Apud Antonium Vincentium [ Chez Antoine Vincent ], Excudebat Symphorianus Barbier [ Imprimé par Symphorien Barbier ], Lugduni [ A Lyon ], 1562, 656 pp. et 1 f. n. ch.
1571486271571 (Lyon) Lugduni, Apud Ioan. Tornaesivm (Jean de Tournes), Typogr. Regium (Typographe royal). MDLXXI - 1571 - In-16, 12 x 8,5 x 3,8 cm - Edition Originale - Reliure vélin de récupération avec manque -Collationné complet des 110 gravures sur bois- 637 pagers + Index (3) manque pages d'index- fortes mouillures - Envoi rapide et soigné - Réf. 48627
1566001293Antverpiae (Anvers) Plantin 1566
155716334Basilae (Bâle, Froben) apud Hieronymus Frobenium et Nicolaus Episcopius, 1557; in-folio ; veau granité foncé, dos à nerfs très décoré et doré, nombreuses fleurs de lys (reliure du XVIIIe siècle); (12) ff., le dernier blanc, 912 pp., (12) ff., marque de Froben à la dernière page ; (alpha-beta ; a-z ; A-Z ; Aa-Zz ; AA-II, 6) ; portrait gravé sur bois de Johannes Forster daté de 1556, dans sa 61e année, signé HBW.
1586R96571Romae [Rome], in aedibus Populi Romani (Stamperia del Popolo Romano) 1586-1587 Volumes 1 to 4, in 4 physical volumes: [40],854 + [24],853,[1] + [36],1349,[1] + [24],815,[1] pp., with engraved vignette (device of the city of Rome with S. Paulus and S. Peter, and in the midst the text "S.P.Q.R.") on title pages and in colophon on last page, 18cm., contemporary overlapping full-vellum bindings (intact and in good condition), handwritten title and author on spines in contemporary ink, text clean and bright with occasional light staining and very few old underlinings and annotations in margin of text, text printed in 2 columns, text in Latin, nice set in good condition, [detailed content: Volume 1: "Summa Theologiae S. Thomae Aquinatis cum optimis quibusque exemplaribus collata" (1587), Volume 2: "Prima secundae partis summae theologicae" (1586), Volume 3: "Secunda Secundae partis Summae Theologicae, cum scheamtibus D. Augustini Hunnaei & eiusdem ad quaestiones axiomatibus. Nunc demum Romae recognita" (1586), Volume 4: "Tertia pars Summae theologicae" (1586) // The complete work contains 7 volumes, of which the first four volumes are on offer here and which form Thomas' complete Summae. The missing volumes 5 to 7 are in fact additions and indices: "Supplementum ad tertiam partem quam s. Thomas.. nequiuit perficere" (vol.5), Aug. Hunnaeus' "De sacramentis Ecclesiae Christi axiomata" (vol.6) & "Quinque novi indices generales" (vol.7)], R96571
154573941545 un volume, reliure XIXème pastiche plein veau havane moucheté imitation XVIIème siècle (binding pastiche full calf imitation seventeenth century) in-quarto, dos à nerfs (spine with raised bands) décoré or (gilt decoration) filets or (gilt line) et filets à froid (blind-stamping line decoration) - entre-nerfs - compartiments à fleuron au fer plein (floweret with full blocking stamp)- fers spéciaux (specials blocking stamps) - titre frappé or (gilt title), date et éditeur frappés or, - pièce de titre sur fond rouge clair (label of title) avec filet or (label of title with gilt line), trés léger manque de cuir en haut du dos sur 3 millimètres carrés (head of the spine lightly faded), plats décorés à froid (cover blind-stamping) à double filets à froid, toutes tranches jaspées (marbled edges) en rose et bleu (red and blue edges), gouttière rognée (fore-edge smooth), naissances de rousseurs (beginning of the redness marks) + 2 petites taches couleur café au lait (scars of waterstains) sur la page de titre, sans illustration (no illustration) excepté une marque au titre dite "Au Griphon" gravée sur bois (engraving wood) en noir,avis au lecteur + 104 feuillets + errata, 1545 In Vinegia : per G. de Farri e fratelli,
1538645612 vol. in-folio reliure de l'époque plein veau brun, dos à 5 nerfs orné, Ex Officina Roberti Stephani [ Robert Estienne ], Paris, 1538 - 1539, 8 ff., 288-640 pp. et 3 ff.n. ch. ; 416-450 pp., 1 f., 158 pp., 50 ff. n. ch. Rappel du titre complet : M.T. Ciceronis Opera. Ex Petri Victorii codicibus maxima ex parte descripta, viri docti et in recensendis authoris huius scriptis cauti & perdiligentis : quem nos industria, quanta potuimus, consequenti, quasdam orationes redintegratas, tres libros De legibus multo quàm antea meliores, & reliquias de commentariis qui De Republica inscripti erant, magno labore collectas vndique, descriptásque libris, vobis exhibemus. Eiusdem Victorii explicationes suarum in Ciceronem castigationum. Index rerum et verborum.
154049324Paris: F. Gryphius 1540. Two parts in one volume 16mo in 8s. 199 1 blank; 136 16 indexff. "Novvm testamentum" in cartouche vignette at title-page along with Gryphius' griffin device Renouard 413; 90 three-quarter page including repeats and 15 smaller woodcut illustrations including repeats; 21 historiated initials and woodcut lettrines; cartouche vignettes with book titles; printed marginalia; half-title for the second part Epistles and the Book of Revelation. Text not divided into verses; occasional quotations in Greek. Later vellum over boards; manuscript title at the spine faded; speckled paper endleaves; edges stained red. Light dampstain at bottom margins extending up into text and gutter at the later leaves; small puncture at leaf 140 resulting in slight loss of text. A good complete copy of a very scarce illustrated New Testament with clean woodcut illustrations throughout.<br /> <br /> Collation: a-z8 &8 Aa8 A-T7 blank leaf 200; lacks final blank T8.<br /> <br /> Third Gryphius New Testament in 16mo format. Arranged in two parts with the Epistles and the Book of Revelation presented separately it reproduces the Vulgate text edited by Robert I Estienne for his Latin Bible edition of 1532. While some of the woodcuts appear in Gryphius' complete octavo Bible of 1541 this separate Testament is even more lavishly illustrated. Based upon Mortimer's description of the 1541 Bible we can ascertain that at least some of the Apocalypse woodcuts in the present volume are based on Holbein while most of the other illustrations whose blocks had been completed by 1539 "are relatively independent of earlier sets" Mortimer.<br /> <br /> An important shift in Bible illustration occured in the Netherlands in the late 1520s as printers began to focus on copiously illustrated small format editions of the New Testament to better explain the text and assist private devotion. The subtitle in our volume "cum ad ueritatem historiae tum ad uenustatem singulari artificio expressis" with the truth of history as well as beauty expressed by a singular artifice is clearly suggestive of this shift. Adopting this new format François Gryphius became the "first Paris printer to illustrate a Bible in the Renaissance style" Johnson quoted in Mortimer. These illustrations first appeared in the Acts of the Apostles and the Book of Revelation in Gryphius' pocket New Testament edition of 1537 Novum Testamentum additis picturis in Acta Apost. et Apocalipsin quibus miracula et visiones exprimuntur The New Testament with added illustrations in the Acts of the Apostles and the Book of Revelation depicting miracles and visions. Subsequent editions would include an expanding suite of woodcuts and were published at Paris by Gryphius under the present title in 1539 1540 1541 and 1542; Antwerp editions appeared in 1542 and 1545. The suite of illustrations in the present work is identical in placement and inventory with the data cited by Mortimer for the 1541 edition 90 cuts by repetition of 58 blocks from the larger set and 15 cuts by repetition of 6 small blocks and confirmed by inspection of the digitized version of the 1541 edition at the Bibliothèque de la Ville de Lyon. The only notable differences in graphic materials between the two editions appears occasionally in the selection of woodcut initials; the later edition also has several more unset initials indicated by guide letters than appear in our 1540 edition. <br /> <br /> All editions are quite scarce with only a handful of copies of each surviving.<br /> <br /> Provenance and annotations: Old entries at paste-down and front endleaf of George Woodhouse with his note about prior provenance dated May 1875; E. Holwell noting "This curious edition published in A.D. 1540" References: Cf. Deleveau & Hillard Bibles imprimées Paris 1539 and 1542; Antwerp 1542; Le Long/Masch 2.3 1783 p.279 Paris ed. 1542; R. Mortimer French 16th Century Books no.70 ed. 1541 illustrating woodcuts on a3 recto and P3 recto as per our copy and no. 69 8vo Bible 1541. For a discussion of the development of the woodcut series in these Gryphius pocket bibles see: A.F. Johnson "Some French Bible illustrations" Gutenberg Jahrbuch 1935 p.190.<br /> <br /> Full title and imprint: Novvm testamentum illvstratum insignium simulacris cum ad ueritatem historiae tum ad uenustatem singulari artificio expressis. Excudebat Fran. Gryphius An. M.D.XL. Cum priuelegio Regio.<br /> <br /> Typeface: Gryphius's own Brevier Roman or Petite-Text with scattered Greek. U. Aberdeen note via OCLC. F. Gryphius unknown
158311101Lyon, s.n. (François Conrard), 1583 ; in-8 ; demi-vélin à petits coins, étiquette orange titre manuscrit (reliure probablement de la mi-XIXe) ; (32), 362, (10) pp., *-2*-8 A-Z8 [croix]2 ; marque 2 au titre.
1544321627Wittenberg Germany: Veit Kreutzer 1544. Hardcover. Very Good. Wittenberg: Veit Kreutzer 1544 German edition of Melanchthon's Loci Communes first published in Latin in 1521 as "Loci communes or Loci communes rerum theologicarum seu hypotyposes theologicae" Latin for Common Places in Theology or Fundamental Doctrinal Themes. Very good. Pages of the text are numbered entirely in roman numerals to page CCCLIII. With an unnumbered register index of 23 pages. Beautiful contemporary stamped ivory vellum veneer boards with a set of elegant silver clips. No front endpaper. The copy bears an early bookplate "Ex bibliotheca Gust. Ad. Hauseri theol et philos. stud. Cl nr" inside the front board. Light pencil signatures from the 19th century trace the stewardship of Ole Lokensgaard 1854-1931 Granite Falls Minnesota who came to the US in 1857. The family was associated through his son Gerhard W. Lokensgard with St. Olaf College in Northfield. It has been held by the family through 3 generations. The Loci Communes evolved with the reform movement. This 1544 edition is translated by Justus Jonas into German based on Melanchthon's 1542 revision. Title in English: "The Heubtartike Christian Literature/ drawn together/ By Philippum Melanthon/ called in Latin/ Loci Communes Theologici. Germanized by Justum Jonam/Doctor/ and in the 1542nd year/ By Philip. Melanth. checked again and improved." The Loci Communes evolved with the movement. Philipp Melanchthon 1497 – 1560 was a German reformer a collaborator with Martin Luther and part of the Wittenberg team that established the foundation of the Protestant Reformation. Melanchthon was its first systematic theologian and an intellectual leader of the Lutheran Reformation who with Luther was a primary founder of Lutheranism. Loci Communes was Melanchthon's Magnum Opus. "Melanchthon points out that he wrote the Loci Communes to encourage people to bypass extra-biblical sources and go straight to scripture. He does not believe it makes sense to try to integrate philosophy with the interpretation of the Holy Scriptures. Melanchthon berates the scholastic methodology of dialectic. He discusses the skewing of scripture that those who employ such methodology foisted upon the interpretation of scripture". The colleagues that Luther assembled in Wittenberg’s theological faculty formed the nucleus of his team. This included Justus Jonas 1493 –1555 who served in addition to roles as advisor and legal expert as translator of the works of Luther and Melanchthon from Latin into German or German into Latin. In the 16th century intellectuals across Europe spoke Latin. To spread the Wittenberg message this process of translation and revision was essential to the maturing of the movement. The later editions were published from 1543-1559 with the final edition being published just one year before Melanchthon’s death in 1560. The 1560 edition is four times the size of the original 1521 edition. "The German text of the third generation remains close to the second generation of the Latin Loci; the text is a revision by Melanchthon of the translation of Jonas.He once confessed that he found the final revision of this German translation better than the Latin Loci CR 22 31/32." We believe that this 1544 Jonas translation may be the one to which Melanchthon refers. But that is a matter for further scholarly investigation. The simple beauty of the copy with its silver clasps is exceptional. Veit Kreutzer hardcover
155724175Bâle, Apud Episcopium Juniorem, 1557 Petit in-8 maroquin rouge, plats ornés de filets et de pointillé or formant des losanges de fleurs et de fleurs de lys , armes au centre des plats dans une couronne de feuillages, dos à nerfs orné de fleurs de lys. 860-(42) pp. (Reliure postérieure).
1574001927<p>Paris: pour Galliot du Pre 1574. 3rd Edition . Hardcover. Very Good. French translation from the 1st edition in Latin Occulta Naturae Miracula published 1559. 12mo collated as Title page with woodcut of viking ship pp2 pp213 plus 30 pages of alphabetical index to rear. Hardcover issued without dust jacket. Slightly later rebind of full leather with 5 raised bands and leather title label to spine and half of the "Gen de Paris" stamp to front cover. Binding in good condition with some rubbing to all edges and boards and a little chipping to top of back board. Inside except for the very odd mark all pages with all edges dyed red in excellent clean and bright condition with no foxing waterstains fingermarks etc. . For added interest the bookplate of Baron Hyacinthi Theodori dean of the Faculté de médecine de Paris circa 1720s is pasted to front pastedown. Levinus Lemnius was a celebrated Dutch physician whose medical writings were much translated. He studied under the famous Swiss botanist and bibliographer Konrad Gesner at the University of Louvain and under the famous Flemish anatomist Andreas Vesalius at the University of Padua. This Renaissance treatise on natural philosophy and medicine draws on classical sources particularly Aristotle with Lemnius being influenced by the "airs waters places" doctrine from the Hippocratic Corpus. This important work includes explanations of demonology somnambulism and the physical causes of mental illness the properties and healing virtues of herbs and gemstones alongside oddities like hermaphrodites. An superb copy of a very scarce early work with an interesting provenance. <br /><br /></p> pour Galliot du Pre hardcover
155226569Romanarum Antiquitatum Libri Decem Exvariis Scriptoribus Summa fide singularique diligentia collecti, a Ioanne Rosino Bartholomaei F., cum indicibus locupletissimis, [suivi de : ] Notitia Utraque cum Orientis tum Orientis ultra arcadii honoriique Caesarum tempora, illustre vetustatis monumentum, ensemble en 1 vol. in-folio reliure de l'époque anciennement restaurée demi-basane marron, dos à 6 nerfs, Ex Officina Haeredum Petri Pernae, Basileae, 1583 , 12 ff. n. ch., 491 pp. et 32 ff. n. ch. (tables), collation : ()6, ()()6, a8, b-z6, A-O6, P4, Q-Y6, Z8 et Apud Hieronymum Frobenium et Nicolaum Episcopium, Basileae, 1552, 108 ff. n. ch. collation : *8, a-o6, p4, q-r6 avec plus de 100 bois gravés
1553110491553 3 tomes reliés en un volume, reliure janséniste en vélin blanc parcheminé in-quarto (jansenist's binding full vellum in-4) (17,5 x 24,7 cm), reliure d'époque, titre manuscrit à l'encre brune sur le dos (handwritten title on the spine), plats muets (cover without text), dos long (spine without raised band), tranches lisses (edges smoothes), titre en rouge et noir, Texte en Latin, Impression rouge et noire sur 2 colonnes encadrée de gloses (Johannes Andreae). (Baudrier VII-338)., orné d'un superbe bois (engraving-wood) (full page engraving) en noir en frontispice face à la page 1 intitulé "Bonifacius Octavius" + deux planches hors-texte (full page engraving) gravée sur bois (engraving-wood) en noir insérée entre la page 330 et 331 intitulées : "Arbor Afinitatis" et "Arbor Consanguinitatis" pour le SEXTUS. Liber decretalium, une planche dépliante gravée sur bois (engraving-wood) hors-texte (full page engraving) en noir intitulée : "Arbor Feu Figura Declarativa Titul. De jure Patro" pour le CLÉMENT V. Constitutiones , pas d'hors-texte pour le JEAN XXII. Extravagantes, les trois tomes sont ornés de superbes lettrines (dropped initial) gravées sur bois (engraving-wood), [(36)-463 pp] + [(16)-191 pp] + [(14) pp, (1) f. bl., 262 pp.] pages, 1553 Lyon, Hugues de La Porte & Antoine Vincent Editeurs,
1578112941578 6 tomes reliés en un fort volume, reliure plein veau havane (binding full calfskin) in-folio (38 x 25 cm), dos à nerfs (spine with raised bands) décoré or (gilt decoration) filets or (gilt line) et filets à froid (blind-stamping line decoration) - entre-nerfs - compartiments à fleuron au fer plein (floweret with full blocking stamp), rinceaux, filets or et roulette or - titre frappé or (gilt title)- pièce de titre sur fond marron clair (label of title) avec filet et roulette or (label of title with gilt line), plats décorés or (gilt decoration) frottés (rubbed) épidermés (lights scratches), charnière fendue (cracked joints) sur 4 centimètes en haut du 1er plat, coins écornés (corners dog-eared), plats ornés d'un encadrement à double filets or avec rinceaux aux angles (joints and corners with double gilt line) frottés (covers lightly rubbed) avec un ornement décoratif doré en ovale avec rinceaux et entrelacs au centre de chaque plat, toutes tranches lisses (all edges smoothes). Edition illustrée d'un titre frontispice en rouge et en noir à encadr. au tome I, titre au même encadr. à la 4e partie du tome II, marques typographiques, initiales historiées et figures gravées par Jost Amman et de 105 figures sur bois (10 x 15 cm) (engraving-wood) in-texte en noir, dans le goût de la renaissance maniériste, avec de nombreuses scènes de batailles et de meurtres Certaines répétées plusieurs fois + fronts-de-chapitre bandeaux (headpiece) + lettrines (dropped initial) + culs-de-lampe (tailpiece) , les 5 autres tomes sont illustrés d'un titre frontispice + fronts-de-chapitre bandeaux (headpiece) + lettrines (dropped initial) + culs-de-lampe (tailpiece) avec en plus la Marque de l'imprimeur gravée sur la dernière page, cicatrices de mouillures marginales (scars of waterstains), manque marginal de papier sur la page n'affectant pas la compréhension du texte (lack of paper, but the text is intact), [(35) + (1 bc) +905 +(1 bc) + (23) pages] + [47 pages] + [119 pages] + [82 pages] + {104 pages] + [94 pages], 1578 Francforti ad moenum (francfort sur le main) apud Johannem and Sigismondum Feyerabendt Editeur,
15531214091553 Lutetia, Cura ac diligentia Caro Stephani, Cum privilegio Regis - M.D.LIII (1553) - Edition princeps - Grand in-octavo, reliure plein veau, dos à cinq nerfs, caissons et fleurons dorés, titre doré - Ex-libris sur l'intérieur du premier plat "Ex-Libris Antoni Marioe Dumas Rectoris de Chauffaille" - 611 pages - Texte sur deux colonnes - Ouvrage en latin
1558303259Lugduni: Apud Haered. Seb. Gryphi 1558. 478 p.; 333 1 16 pp. 108 woodcut vignettes by repetition of 78 blocks by Jacques Le Fevre. Printer's griffin device on title-page. 2 vols. 16mo. 19th-century polished calf; joints starting spine of first volume chafed; vol. I title soiled worn and remargined at gutter some toning and soiling to text throughout. 478 p.; 333 1 16 pp. 108 woodcut vignettes by repetition of 78 blocks by Jacques Le Fevre. Printer's griffin device on title-page. 2 vols. 16mo. Published by Sebastian Gryphius a German bookseller and printer who settled in Lyon in the 1520s. Described by Febvre and Martin as the "Prince of the Lyon book trade" in the 1540s he supported local humanist culture and used the italic type developed by Aldus Manutius to print compact beautiful books.<br /> <br /> A famous illustrated New Testament important "chiefly because of its influence on Bernard Salomon's New Testament cuts". Baudrier VIII 290; Mortimer French 16th Century Books 90 edition of 1560; OCLC: 551931968 locates one copy Apud Haered. Seb. Gryphi unknown
1558303259Lugduni: Apud Haered. Seb. Gryphi 1558. 478 p.; 333 1 16 pp. 108 woodcut vignettes by repetition of 78 blocks by Jacques Le Fevre. Printer's griffin device on title-page. 2 vols. 16mo. 19th-century polished calf; joints starting spine of first volume chafed; vol. I title soiled worn and remargined at gutter some toning and soiling to text throughout. 478 p.; 333 1 16 pp. 108 woodcut vignettes by repetition of 78 blocks by Jacques Le Fevre. Printer's griffin device on title-page. 2 vols. 16mo. Published by Sebastian Gryphius a German bookseller and printer who settled in Lyon in the 1520s. Described by Febvre and Martin as the "Prince of the Lyon book trade" in the 1540s he supported local humanist culture and used the italic type developed by Aldus Manutius to print compact beautiful books.<br/><br/>A famous illustrated New Testament important "chiefly because of its influence on Bernard Salomon's New Testament cuts". Baudrier VIII 290; Mortimer French 16th Century Books 90 edition of 1560; OCLC: 551931968 locates one copy Apud Haered. Seb. Gryphi unknown books
158837032Genevae: Henricus Stephanus 1588. Folio 33 cm; 13". 6 ff. 555 1 blank pp. 8 ff. lacks final blank leaf; lacks vol. II Epistles Revelation. <br><br>An interleaved and heavily annotated copy of the Gospels and Acts of "Beza's third major edition of the Greek New Testament. The text follows that of the second major edition 1582 with only five exceptions" Darlow and Moule. => One should note that the title-page proclaims this "quarta editio" and that this is Estienne's third folio printing of Beza's N.T.<br>Â Â Â Â Beza's New Testament Greek text is here accompanied by his Latin and the Vulgate i.e. Catholic Latin translations the trio appearing in parallel columns on each page with => extensive notes that often fill as much as one-third to one-half of a page and with parallel references additionally set in the margins. The volume's title-page is printed in red and black and bears Henri Estienne's printer's device; a different finely wrought woodcut headpiece opens each book with each column on those pages bearing a woodcut initial at its head and a few of the books of the N.T. end with woodcut tailpieces.<br>Â Â Â Â Evidence of readership: An interleaved copy with => the vast majority of the leaves bearing an early 19th-century reader's notes and annotations. The notes cite references published as late as 1809 and it is clear that the natively German-speaking scholar was comfortable in Greek Hebrew Latin and English.<br>Â Â Â Â Provenance: Ownership signature on title-page of Leon St. Vincent. Later in The Howell Bible Collection Pacific School of Religion properly released; no markings.<br>Â Â Â Â The paper stock used for the interleaving has the classic ProPatria watermark and that and its countermark match Churchill's 151 which has a starting date of 1799. <br>Â Â Â Â <br>Â Â Â Â Darlow & Moule 4650; Adams B1711. On the interleaves' watermarks see: Churchill Watermarks in paper in Holland England France etc. in the XVII and XVIII centuries. 19th-century half vellum with German pastepaper over boards spine with tinted and tooled label text recased and new endpapers; vol. I only of this production without the Epistles and Revelation. Title-page creased and dust-soiled all leaves before pp. 9/10 rodent-gnawed in lower outside corner with loss of paper but not of text or manuscript annotation and a bit of light waterstaining to rearmost leaves only. => An important edition and a singular copy. [Henricus Stephanus] hardcover books
1515659741 vol. in-4 (20,45 x 14,3 cm en marges) reliure XVIIIe restaurée en plat postérieurement, dos lisse muet, Impressit Simon Luerensis [ Simone da Lovere ], Venetiis [ Venezia ; Venise ], 1515, 57 ff.
