131 résultats
1553110491553 3 tomes reliés en un volume, reliure janséniste en vélin blanc parcheminé in-quarto (jansenist's binding full vellum in-4) (17,5 x 24,7 cm), reliure d'époque, titre manuscrit à l'encre brune sur le dos (handwritten title on the spine), plats muets (cover without text), dos long (spine without raised band), tranches lisses (edges smoothes), titre en rouge et noir, Texte en Latin, Impression rouge et noire sur 2 colonnes encadrée de gloses (Johannes Andreae). (Baudrier VII-338)., orné d'un superbe bois (engraving-wood) (full page engraving) en noir en frontispice face à la page 1 intitulé "Bonifacius Octavius" + deux planches hors-texte (full page engraving) gravée sur bois (engraving-wood) en noir insérée entre la page 330 et 331 intitulées : "Arbor Afinitatis" et "Arbor Consanguinitatis" pour le SEXTUS. Liber decretalium, une planche dépliante gravée sur bois (engraving-wood) hors-texte (full page engraving) en noir intitulée : "Arbor Feu Figura Declarativa Titul. De jure Patro" pour le CLÉMENT V. Constitutiones , pas d'hors-texte pour le JEAN XXII. Extravagantes, les trois tomes sont ornés de superbes lettrines (dropped initial) gravées sur bois (engraving-wood), [(36)-463 pp] + [(16)-191 pp] + [(14) pp, (1) f. bl., 262 pp.] pages, 1553 Lyon, Hugues de La Porte & Antoine Vincent Editeurs,
155120137Lyon Rouillé 1551 in-16 plein-veau reliure plein veau havane in-seize (binding full calfskin in-16) (11,6 x 8 cm), dos 3 nerfs (spine with raised bands), décoration or et à froid, sans titre, entre-nerfs à fleuron or, filet à froid en place des nerfs avec double filet à froid de part et d'autre des nerfs et en tête et en pied, craquelures sur le dos (crackles on the spine), coiffe inférieure manquante, plats décorés or et à froid, d'un fleuron lozange or au centre dans un encadrement à triple filets à froid avec un fleuron or aux angles dans un encadrement à triple filets à froid, coins écornés (corners dog-eared), toutes tranches lisses dorées (gilt edges), Texte en latin, sans illustrations (no illustration) excepté une marque de l'éditeur gravée sur bois en noir en bas de la page de titre et orné de (illuminated of) bandeaux (headpiece) et lettrines gravés sur bois en noir, 869 pages + 7 pages d'index manuscrites à l'encre brune in-fine, 1551 à LYON Apud GULLIEMUM ROUILLIUM Editeur,
1541106481541 un volume, reliure époque allemande plein veau brun in-octavo (Small quarto (8 3/8 x 5 1/4 inches; 211 x 134 mm.), dos à nerfs (spine with raised bands) décoré à froid (blind-stamping decoration) coiffes manquantes, plats décorés à froid (cover blind-stamping) avec deux portraits centraux en médaillon dans un encadrement lui même aux médaillons, même chose pour le deuxième plat excepté toute la partie centrale ou il n'y a pas de médaillons mais un décor de 8 animaux mythiques "Dragons etc...", 2 fermoirs en bronze finement travaillés, la partie venant du 2ème plat servant à fermer le livre est manquante (coupée au ras), coins légèrement écornés, toutes tranches lisses (edges smoothes), illustré seulement de lettrines (dropped initial) gravées sur Bois (engraving-wood), petite tache brune en marge sur un centimètre carré sur les 90 premières pages, n'atteignant à aucun moment le texte, 669 pages+ l'index, 1541 sans lieu (cologne) Marpurgi Excusum in officina Christiani Egenolphi,
157019800Venetiis, apud Aldum, 1570, portrait de Aldus Pius Manutius gravé sur bois en médaillon au titre, (au dos de la p. de titre : Armes des Alde marque N°6) ; Editio Aldi Manutii Paulli F. Aldi N. In 8, vélin rigide, dos à faux nerfs dorés décoratifs, pièce rouge (reliure ancienne) ; [24], 45, [1 bl.], [1] f. bl., 352, 94 pp. (signatures : ?-??-??? ; (-((-((( ; A-Y ; a-e 8 ; f. 6).
156751823Ex Veterib. exemplaribus multo emendatiores, Cum indice copiosissimo, qui etiam locorum communium ac epitomes vicem supplet, 1 vol. in-8 reliure postérieure pleine basane marron, dos muet à 4 nerfs, Apud Andream Wechelum, Paris, 1567, 4 ff., 795 pp. et 16 ff. n. ch. (index et errata)
1554656101 vol. in-16 reliure postérieure pleine basane racinée, dos muet, Apud Gulielmum Rouillium [ Guillaume Rouillé ], Lugduni [ Lyon ], 1554, 340 pp. Signatures : a-x8, y4 (feuillets y3-4 blancs)
155565161555 Sebastianus Gryphus, Lugdunum, 1555. Deux volumes in-12 plein vélin ivoire, dos lisses, titre manuscrit, tranches rouges, 519+459 pages et table, texte et latin. Léger travail de vers sur le premier volume, coupes frottées et léger manque à une charnière du tome second.
156014605[Genève], Henri Estienne, Huldrich Fugger (Huldrici Fuggeri), 1560 ; in-8 ; plein vélin ivoire ; 100 pp. (A-F 8, G 2).
153815317Venetiis, Jacob Burgofranco, 1538. Petit in-8 de 260 feuillets [A-Z8; AA-CC8; DD4; EE-KK8] demi vélin, dos lisse orné de filets dorés, pièces de titre et tomaison rouge et brun (rel. XIXe).
1578113001578 3 tomes en 2 volumes (two books), reliure plein veau havane marbré in-octavo (binding full calfskin in-octavo)(14 x 20,3 cm), (reliure d'époque), dos 5 nerfs (spine with 5 raised bands) - entre-nerfs à la "fanfare" dorure très estompé (between the raised bands gilt very shaded off) - titre frappé or (gilt title), coiffes abîmées (head and tail of the spine lightly faded), plats avec craquelures et des épidermures (crackles and scratches on the covers), coins écornés (corners dog-eared), tranches jaspées (marbled edges) - petite tache d'encre sur la gouttière de queue du second volume (small ink mark on the bottom edge of the second book), texte 2 colonnes à manchette (text - 2 coloumns with marginal note) - texte en noir encadré de filets bruns rouge avec quelques soulignages à l'encre brune in texte (some underlining ), manque la page de titre du premier volume, remplacée par une photocopie (miss the title page of the first volume), illustrations : orné de 160 bois in-texte en noir par Tobias Stimmer (160 woodcuts in text and a map full page engraving by Tobias Stimmer) + une grande Carte hors-texte en noir de la Méditerranée et des pays circonvoisins (page 98 du tome 3) par Tobias Stimmer , cicatrices de mouillures sur la gouttière du second volume (scars of waterstains on the fore-edge of the second book), [(30)+ 612] + 251+ [ (6+ 224 + (72 pages d'index)] pages, 1578 Basileae per Thomam Guarinum,
1587ST14247Venetiis Venice: Hieronymus Polus 1587. 213 x 146 mm. 8 3/8 x 5 5/8". 12 p.l. 1126 pp. <br/> ESPECIALLY PLEASING CONTEMPORARY CALF covers with gilt French fillet frame and oval wreath of olive branches the center of the wreath in the shape of a cross flat spine ruled in gilt red morocco label. Title page with elaborate wood-engraved frame text profusely illustrated WITH 600 WOOD ENGRAVINGS depicting scenes from scripture after Holbein Bernard Salomon le Petit Bernard and others a handful of these a bit indistinct. Front pastedown with ex-libris of Leonis S. Olschki. Adams B-1093; STC Italian 93. Not in Darlow & Moule. ◆A little wear to joints and extremities spine a bit crackled separation at hinges but no looseness occasional minor browning or foxing otherwise in remarkably fine condition the text clean and crisp and in a still-lustrous entirely solid unsophisticated original binding.<br/> <br/> This is a very well-preserved handsomely bound and lavishly illustrated edition with distinguished provenance of the Louvain Bible first printed in Venice in 1578. Our edition contains 600 wood engravings illustrating the text ranging from portraits of prophets saints and evangelists to dramatic scenes from the histories of the Old Testament and the life of Christ and ending with an imaginative Apocalypse cycle. Many of these are the work of Lyonnaise artist Bernard Salomon 1506-61 known by the sobriquet "Le Petit Bernard" for his small engravings rich with detail. Others are based on the biblical woodcuts of Hans Holbein. The binding here is likely French; the flat spine with just one large gilt-framed panel and the olive branch decoration on the covers is characteristic of late 16th century and early 17th century French work. The exceptional condition here is typical of books from the collection of Leo Samuel Olschki 1861-1940 scion of a family of Prussian Jewish printers whose interest in printing history led to his becoming a celebrated antiquarian bookseller author founder of the journal "The Bibliophile" and publisher of works in the humanities. Hieronymus Polus unknown
1512372103Paris: Philippe Pigouchet for Simon Vostre 1512. Title page printed in red and black with woodcut device of Simon Vostre; full page woodcuts of St. Jerome crucifixion old coloring. Text in gothic type in two columns ornamental initials some colored text ruled in red throughout. 15 340 28 leaves. Terminal black dd6 present. 1 vols. Folio. Modern linen conservation binding. First leaf toned ownership marks struck out early bibliopole's description in ink at bottom of title. Some minor worming at end. Very good. Title page printed in red and black with woodcut device of Simon Vostre; full page woodcuts of St. Jerome crucifixion old coloring. Text in gothic type in two columns ornamental initials some colored text ruled in red throughout. 15 340 28 leaves. Terminal black dd6 present. 1 vols. Folio. Large folio Bible printed for Simon Vostre by Philippe Pigouchet the famous printer of some of the most beautiful Books of Hours. Uncommon in institutions and in the trade. Renouard ICP II 248; Delaveau & Hillard 778 Philippe Pigouchet for Simon Vostre unknown
1509372247Basel: per Johannem Petri de Langdorff et Johannem Froben de Hammelburg 1509. Printer's device on title hand colored at an early date. Large manuscript initials in red and blue; rubricated throughout. 14 CCCXLVII 28 leaves. Manuscript references and extensive early marginalia in Hebrew in O.T.; citations in Table keyed to N.T. and underlined. Contemporary colored deerskin sectional fore-edge tabs. Folio 13 x 8-1/2 inches. Full burgundy morocco by Zaehnsdorf. Title leaf repaired at gutter and bottom corner; minor staining. Printer's device on title hand colored at an early date. Large manuscript initials in red and blue; rubricated throughout. 14 CCCXLVII 28 leaves. Manuscript references and extensive early marginalia in Hebrew in O.T.; citations in Table keyed to N.T. and underlined. Contemporary colored deerskin sectional fore-edge tabs. Folio 13 x 8-1/2 inches. A scarce Latin bible the first edition of the Vulgate with the printed marginal references to canon law. These 'Concordantiae iuris canonici' according to Masch were compiled by Johannes Niuicellensis an abbot and were printed separately in 1482. This is also the first edition to printed the commendatory hexastich by Matthias Sambucellus on the title page beginning: "Emendata magis scaturit nunc biblia tota."<br /> <br /> A tall copy with generous margins lovely stylish manuscript initials and full rubrication. VD16 B2584. Delaveau & Hillard 771; cf. Darlow & Moule note after 6092. Provenance: Dr. Charles Clay Manchester 19th century inscription on front endpaper sold Sotheby Wilkinson & Hodge May 18 1883; General Theological Seminary bookplate blindstamps; [per Johannem Petri de Langdorff et Johannem Froben de Hammelburg unknown
15192682Lyon: Jacques I Mareschal for Simon Vincent 1519. <p>8vo 180 x 126 mm. 30 500 54 pp. with pagination errors. Title and first table printed in red and black text in two columns with printed marginalia indices and summary in 3 columns. Colophon on fol. RR4v. Publisher’s woodcut device Baudrier no. 2 on title and final verso full-page woodcut showing the six days of Creation within ornamental border historiated woodcut initials throughout; red paragraph marks to opening page and red highlighting to the facing woodcut. Mainly faint marginal dampstain in upper margins light discoloration to outer margins. Contemporary Flemish blind-tooled calf over wooden boards sides with leafy roll-tool border enclosing central panel with intersecting triple fillets forming a saltire design the compartments filled with a repeated foliate tool arranged symmetrically one of two fore-edge clasps two catches; many deckle edges preserved worn a few small chips to leather pastedown endpapers renewed. Provenance: early ownership inscriptions on title: Mrr Cornelius Adamus ter Borch; and Siba Lÿken; contemporary marginal notes and some text markings crosses in margins and underlinings in first few books Genesis-Deuteronomy; abundant 17th and/or 18th-century philological annotations in Genesis and Exodus and in the indices including full page of notes on blank page 2E5v.<br /> <br /> A complete portable Bible printed in very small types containing an ample scholarly apparatus and finding aids for the use of theology students and scholars; this copy with contemporary annotations and in a contemporary blind-tooled calf binding probably Flemish. This compact glossed Bible densely and economically printed with no break between the Old and New Testaments is enlivened by hundreds of historiated woodcut initials from woodcut alphabets designed by Guillaume Leroy who also designed the six-part full-page woodcut of the Creation. <br /> <br /> Mareschal’s useful “pocket†Bibles were bestsellers this being the fourth of six octavo editions from his press. They were among the first Bible editions to include a rhyming mnemonic Biblical summary by the minorite friar Franciscus Gothi in which each four-line verse summarizes a Biblical chapter. Occupying here the final two quires and called for in the colophon it is not recorded by Baudrier or Gültlingen. Possibly buyers had the choice of including it or not in their copies. Otherwise the text of Mareschal’s octavo Bibles follows that of the Bible printed in Basel in 1509 by Johann Petri and Froben using the text edited by the Dominican Alberto Castellano and supplying for the first time marginal notes citing canon law. The apparatus includes four tables and a glossary of Hebrew names. As in the Petri editions a six-line commendatory poem by Matthias Sambucellus is printed on the title here with the first word of the last line incorrectly given as “Omne†instead of “Omine.â€<br /> <br /> The publisher Simon Vincent belonged to Lyon’s powerful booksellers' guild the Compagnie des Libraires whose members helped Mareschal during his early years impressed by his skill conscientiousness and sobriety â€a rare trait among printers of this period†notes Baudrier qualities which contrasted markedly with those of the printer Michel Topie whose press Mareschal had acquired in 1512 Baudrier 11:383.<br /> <br /> USTC 145003; Adams B-997; Pettegree & Walsby French Vernacular Books III: 57271. Darlow & Moule II: 6093 note; Baudrier Bibliographie lyonnaise 11: 401 and pp. 380 397 & 448; Gültlingen Bibliographie des livres imprimés à Lyon 2:209 no. 56.</p> Jacques I Mareschal [for Simon Vincent] unknown
15192682Lyon: Jacques I Mareschal for Simon Vincent 1519. 8vo 180 x 126 mm. 30 500 54 pp. with pagination errors. Title and first table printed in red and black text in two columns with printed marginalia indices and summary in 3 columns. Colophon on fol. RR4v. Publisher's woodcut device Baudrier no. 2 on title and final verso full-page woodcut showing the six days of Creation within ornamental border historiated woodcut initials throughout; red paragraph marks to opening page and red highlighting to the facing woodcut. Mainly faint marginal dampstain in upper margins light discoloration to outer margins. Contemporary Flemish blind-tooled calf over wooden boards sides with leafy roll-tool border enclosing central panel with intersecting triple fillets forming a saltire design the compartments filled with a repeated foliate tool arranged symmetrically one of two fore-edge clasps two catches; many deckle edges preserved worn a few small chips to leather pastedown endpapers renewed. Provenance: early ownership inscriptions on title: Mrr Cornelius Adamus ter Borch; and Siba Lÿken; contemporary marginal notes and some text markings crosses in margins and underlinings in first few books Genesis-Deuteronomy; abundant 17th and/or 18th-century philological annotations in Genesis and Exodus and in the indices including full page of notes on blank page 2E5v.A complete portable Bible printed in very small types containing an ample scholarly apparatus and finding aids for the use of theology students and scholars; this copy with contemporary annotations and in a contemporary blind-tooled calf binding probably Flemish. This compact glossed Bible densely and economically printed with no break between the Old and New Testaments is enlivened by hundreds of historiated woodcut initials from woodcut alphabets designed by Guillaume Leroy who also designed the six-part full-page woodcut of the Creation. Mareschal's useful "pocket" Bibles were bestsellers this being the fourth of six octavo editions from his press. They were among the first Bible editions to include a rhyming mnemonic Biblical summary by the minorite friar Franciscus Gothi in which each four-line verse summarizes a Biblical chapter. Occupying here the final two quires and called for in the colophon it is not recorded by Baudrier or Gültlingen. Possibly buyers had the choice of including it or not in their copies. Otherwise the text of Mareschal's octavo Bibles follows that of the Bible printed in Basel in 1509 by Johann Petri and Froben using the text edited by the Dominican Alberto Castellano and supplying for the first time marginal notes citing canon law. The apparatus includes four tables and a glossary of Hebrew names. As in the Petri editions a six-line commendatory poem by Matthias Sambucellus is printed on the title here with the first word of the last line incorrectly given as "Omne" instead of "Omine."The publisher Simon Vincent belonged to Lyon's powerful booksellers' guild the Compagnie des Libraires whose members helped Mareschal during his early years impressed by his skill conscientiousness and sobriety "a rare trait among printers of this period" notes Baudrier qualities which contrasted markedly with those of the printer Michel Topie whose press Mareschal had acquired in 1512 Baudrier 11:383.USTC 145003; Adams B-997; Pettegree & Walsby French Vernacular Books III: 57271. Darlow & Moule II: 6093 note; Baudrier Bibliographie lyonnaise 11: 401 and pp. 380 397 & 448; Gültlingen Bibliographie des livres imprimés à Lyon 2:209 no. 56. Jacques I Mareschal [for Simon Vincent] unknown books
1527372109Coloniae: Petrus Quentel excudebat 1527. First Protestant Bible printed in Latin. Title-page with large woodcut vignette of arms of Cologne lion and gryphon rampant with and three crowns; numerous illustrations by Anton Woensam and ornamental initials throughout. Ff. 8 CCCXXV 1 LXXXVII i.e. 85 5. Manuscript marginal glosses in red chiefly calling out names names in Kings. 1 vols. Folio. Contemporary blindstamped pigskin over bevelled wooden boards clasps perished. Some soiling repairs to hinges painted fore-edge tabs. Very good. First Protestant Bible printed in Latin. Title-page with large woodcut vignette of arms of Cologne lion and gryphon rampant with and three crowns; numerous illustrations by Anton Woensam and ornamental initials throughout. Ff. 8 CCCXXV 1 LXXXVII i.e. 85 5. Manuscript marginal glosses in red chiefly calling out names names in Kings. 1 vols. Folio. The first Protestant Bible in Latin edited by Johan Rüdel Rudelius printed in Cologne by Peter Quentel or Quentell and notable for the wood engraved illustrations by Anton Woensam Anton von Worms particularly those at the head of each of the four gospels. Matthew faces an angle who is touching his stylus; a lion is seated beside Mark; a bull with Luke; and an eagle stands beside John.<br /> <br /> Quentel was the printer of Tyndale's quarto Cologne English New Testament known from a single surviving fragment in the Grenville Collection where this same illustration to Matthew appears. It is a reasonable inference that each of the four gospels would have carried an illustration. The project which had "'got as far as the letter K' the signature that would have taken the work well into Mark" ODNB was unfinished at the time of Tyndale's flight from Cologne in 1525. Quentel's print shop was raided but sheets of the first gospel translated from the original Greek and printed in English soon began to circulate in England. Tyndale settled in Worms where Schöffer completed an octavo printing of the first complete English New Testament in 1526 a facsimile of the Grenville fragment and its illustration were published in 1871.<br /> <br /> The blocks for the illustrations evidently survived the raid on the Quentel's shop and are used here at the head of each of the four gospels.<br /> <br /> A notable edition in the history of the printing of the Bible. Adams B1007; Darlow & Moule 6107 note; VD16 B2589; Copinger 210. Provenance: Cartusiae Buxiana Buxheim inscription on title; Thomas Raffle early signature on title; General Theological Seminary blindstamps bookplate Petrus Quentel excudebat unknown
1590371036Rome: Ex Typographia Apostolica Vaticana 1590. First edition of the Sixtine Vulgate Bible large paper copy. Engraved illustrated title-page. Title in red and black text in double columns. 3 vols. Folio. Italian full red morocco binding of the seventeenth or early eighteenth century elaborately gilt with triple floral scrollwork borders stars in cornerpieces about a central motif stencilled paste paper endsheets a.e.g. Boxed. First edition of the Sixtine Vulgate Bible large paper copy. Engraved illustrated title-page. Title in red and black text in double columns. 3 vols. Folio. The engraved title reads: Biblia sacra vulgatae editionis ad concilii Tridentini praescriptum emendata et a Sixto V.P.M. recognata et approbata.<br /> With the preliminary document the Bull of Sixtus V beginning 'Aeternus ille caelestium terrestriumq. rerum omnium conditr ac moderator Deus .". This is often lacking.<br /> <br /> An extraordinary copy of the Sixtine Bible containing the Vulgate text as edited by Pope Sixtus V intended as the first ecclesiastically authorized text to be used throughout Christendom. "In its text it comes closer to R. Stephanus' Bible of 1538-40 than to the Louvain editions" Darlow & Moule who discuss the textual variations. This copy includes examples of the printed overslips required to correct hurried printing. The association with Aldus II suggested by Renouard and lasting long thereafter is spurious.<br /> Pope Sixtus V died soon after the book was printed and was followed by three short-lived popes. The Sixtine Bible had "aroused antagonism among both clergy and laity" and was swiftly condemned; the edition was withdrawn by Pope Clement VIII soon after his elevation to the papal throne in 1592 and many copies were destroyed. Preparations began in 1591 for a new edition of the Vulgate printed in 1592 and known as the Clementine Bible which long remained the standard Vulgate text.<br /> <br /> The ordinary issue of this printing measures 13-3/8 inches tall as in the Brooker copy sold 2024; the present copy measures 15-3/4.<br /> <br /> AN OUTSTANDING LARGE PAPER COPY OF A NOTABLE EDITION. Copinger 521; Darlow & Moule 6181; Adams B1098; BM STC Italian 1465-1600 p. 93; EDIT 16 CNCE 5805. Provenance: Vincenzo Maria Carafa 1739-1814 Prince of Roccella and Duke of Bruzzano engraved bookplates MS shelfmark :H 5; Douglas Maxwell Moffat bought of Quaritch in Dec. 1939; General Theological Seminary Ex Typographia Apostolica Vaticana unknown
1590372093Rome: Ex Typographia Apostolica Vaticana 1590. First edition of the Sixtine Vulgate Bible. Engraved illustrated title-page. Title in red and black text in double columns. 8 479 1; 5 482-899; 5 902-1141pp. Lacks the 4ff preface i.e. the papal bull of Sixtus V beginning "Aeternus ille caelestium terrestriumq. rerum omnium conditr ac moderator Deus ." as often. Folio 13-1/2 x 9-1/2 inches. Later red morocco spine darkened corners bumped some repairs at head and tail of spine marbled endpapers gilt edges. Engraved title and title page paper-backed. Red quarter morocco clamshell box. First edition of the Sixtine Vulgate Bible. Engraved illustrated title-page. Title in red and black text in double columns. 8 479 1; 5 482-899; 5 902-1141pp. Lacks the 4ff preface i.e. the papal bull of Sixtus V beginning "Aeternus ille caelestium terrestriumq. rerum omnium conditr ac moderator Deus ." as often. Folio 13-1/2 x 9-1/2 inches. The Sixtine Bible containing the Vulgate text as edited by Pope Sixtus V intended as the first ecclesiastically authorized text to be used throughout Christendom. "In its text it comes closer to R. Stephanus' Bible of 1538-40 than to the Louvain editions" Darlow & Moule who discuss the textual variations. <br /> <br /> The association with Aldus II suggested by Renouard and lasting long thereafter is spurious.<br /> Pope Sixtus V died soon after the book was printed and was followed by three short-lived popes. The Sixtine Bible had "aroused antagonism among both clergy and laity" and was swiftly condemned; the edition was withdrawn by Pope Clement VIII soon after his elevation to the papal throne in 1592 and many copies were destroyed. Preparations began in 1591 for a new edition of the Vulgate printed in 1592 and known as the Clementine Bible which long remained the standard Vulgate text.<br /> <br /> As often e.g. the Brooker copy this copy without the preface the Bull of Sixtus declaring the text to be immutable and forbidding any reprint without papal permission. Copinger 521; Darlow & Moule 6181; Adams B1098; BM STC Italian 1465-1600 p. 93; EDIT16 CNCE 5805. Provenance: Henry John Farmer Atkinson his sale Sotheby Wilkinson & Hodge March 1896 lot 2752 sold for £18.15s to; Bernard Quaritch; General Theological Seminary bookplate Ex Typographia Apostolica Vaticana unknown
1527318283Coloniae: Petrus Quentel excudebat 1527. First Protestant Bible printed in Latin. Title-page with large woodcut vignette of arms of Cologne lion and gryphon rampant with and three crowns; numerous illustrations by Anton Woensam and ornamental initials throughout. Ff. 8 CCCXXV 1 LXXXVII i.e. 85 5. 1 vols. Folio. Recent half calf and marbled boards. Title page soiled old remargining tissue repairs on verso; some marginal worming and soiling generally clean with generous margins. Stamps of Cambridge Public Library in ink or in blind on four leaves. First Protestant Bible printed in Latin. Title-page with large woodcut vignette of arms of Cologne lion and gryphon rampant with and three crowns; numerous illustrations by Anton Woensam and ornamental initials throughout. Ff. 8 CCCXXV 1 LXXXVII i.e. 85 5. 1 vols. Folio. The first Protestant Bible in Latin edited by Johan Rüdel Rudelius printed in Cologne by Peter Quentel or Quentell and notable for the wood engraved illustrations by Anton Woensam Anton von Worms particularly those at the head of each of the four gospels. Matthew faces an angle who is touching his stylus; a lion is seated beside Mark; a bull with Luke; and an eagle stands beside John.<br /> <br /> Quentel was the printer of Tyndale's quarto Cologne English New Testament known from a single surviving fragment in the Grenville Collection where this same illustration to Matthew appears. It is a reasonable inference that each of the four gospels would have carried an illustration. The project which had "'got as far as the letter K' the signature that would have taken the work well into Mark" ODNB was unfinished at the time of Tyndale's flight from Cologne in 1525. Quentel's print shop was raided but sheets of the first gospel translated from the original Greek and printed in English soon began to circulate in England. Tyndale settled in Worms where Schöffer completed an octavo printing of the first complete English New Testament in 1526 a facsimile of the Grenville fragment and its illustration were published in 1871.<br /> <br /> The blocks for the illustrations evidently survived the raid on the Quentel's shop and are used here at the head of each of the four gospels.<br /> <br /> A notable edition in the history of the printing of the Bible. Adams 1007; not in Darlow & Moule but see note to 6107; VD16 B2589.OCLC: 22847218 Petrus Quentel excudebat unknown
1557254216Basilaea Basel: Nicolaum Bryling Nicolaus Brylinger 1557. Woodcut border and printer's device on title. INCOMPLETE. 8 479 of 500 8 leaves. Lacking ff. 46-56 & 61-70. 1 vols. 8vo. Bound in contemporary blind panel-stamped pigskin over bevelled wooden boards clasps removed binding worn exposing boards on rear cover title page detached contemporary marginalia by Johannes Weneken throughout. Woodcut border and printer's device on title. INCOMPLETE. 8 479 of 500 8 leaves. Lacking ff. 46-56 & 61-70. 1 vols. 8vo. Brylinger published the only 16th century edition of Luther's Bible in Switzerland published one of the earliest Greek and Latin diglot Bibles and published a series of 8vo editions of the Bible with diglot and Greek-only text which was popular with students. Darlow & Moule makes no mention of this or any other Latin-only edition by Brylinger.<br /> Front paste-down endpaper and front free endpaper display extensive annotations in Greek and Latin presumably by Johannes Weneken. The marginal annotations provide a fascinating insight into how this book was used. Not in Darlow & Moule but cf. 4621; Adams 1056; OCLC: 46973017 6 copies only 3 of which in U.S. Nicolaum Bryling [Nicolaus Brylinger] unknown
15546212Lyon: Jean de Tournes 1554. First edition. Octavo 6 3/4 x 4 3/4 inches; 171 x 121 mm. . 16 1152 76 pp bound without the last two blank leaves as in most copiese.g. Mortimer OCLC. The penultimate leaf had only a fleuron at the foot of the page and the final leaf was blank. Arabesque title border and 198 with 1 repeat woodcuts in the text by Bernard Salomon. Title-page with faint early ink "ex-Libris petri ------ at top blank margin. Title-page expertly cleaned some occasional mainly marginal faint foxing otherwise a superb example of this wonderfully illustrated mid sixteenth-century Latin Bible. Bound ca. 1880 by Chambolle-Duru in full brown crushed levant morocco spine with five raised bands lettered in gilt gilt ruled board edges decorative gilt turn-ins marbled endpapers all edge gilt. Armorial bookplate "In Memori: Weiler Bibliotheca Trautner Falkiana" on verso of front free endpaper.<br /> <br /> First De Tournes Latin Bible based on Robert Estienne's text and beautifully illustrated with 198 woodcuts by Bernard Salomon. "Considerable work could be done on Salomon's sources for these cuts. The Expulsion from Paradise suggests Holbein's version; the New Testament shows some dependence on the set owned by Sébastien Gryphius. the Apocalypse blocks are enlarged copies of the fine Janot Apocalypse. But the cumulative effect of Salomon's carefully detailed scenes is that of an individual contribution to Bible illustration. Particularly interesting from the point of view of technique are the night scenes in Exodus and the storm over Noah's ark. In this 1554 Bible the New Testament blocks are printed with arabesque strip borders at the sides. Arabesque and type ornament headpieces." Mortimer Contents include: Old Testament; Psalms; New Testament Epistles Acts; Index Testimoniorum & Index Epistolarum.<br /> <br /> Robert I Estienne 1503-1559 was a French protestant printer and scholar born into a printmaking family. He would take over his family's Paris firm in 1526 where he printed significant works in Latin Greek Hebrew and other languages. His 1531 Thesaurus linguae latinae is considered a major milestone in lexicography. Despite his many commissions for the King religious tensions forced Estienne to flee to Geneva. <br /> <br /> This bible was illustrated by Bernard Salomon c.1508-1561 a French artist who is known for engravings and illustrations. Although little is known about his life his art reveals stylistic influences from Mannerism and the School of Fontainebleau executed in a detailed and small scale. Salomon is known to have collaborated with the printer Jean de Tournes and produced decoration for emblem books bibles and classic texts. Many of his engravings also appear as source material for art objects such as a Faience plate at the MET featuring the Sacrifice of Noah.<br /> <br /> Brunet I 876 & Supplement I 125; Darlow & Moule 6134 note; Mortimer French no. 81. Jean de Tournes unknown
1527318283Coloniae: Petrus Quentel excudebat 1527. First Protestant Bible printed in Latin. Title-page with large woodcut vignette of arms of Cologne lion and gryphon rampant with and three crowns; numerous illustrations by Anton Woensam and ornamental initials throughout. Ff. 8 CCCXXV 1 LXXXVII i.e. 85 5. 1 vols. Folio. Recent half calf and marbled boards. Title page soiled old remargining tissue repairs on verso; some marginal worming and soiling generally clean with generous margins. Stamps of Cambridge Public Library in ink or in blind on four leaves. First Protestant Bible printed in Latin. Title-page with large woodcut vignette of arms of Cologne lion and gryphon rampant with and three crowns; numerous illustrations by Anton Woensam and ornamental initials throughout. Ff. 8 CCCXXV 1 LXXXVII i.e. 85 5. 1 vols. Folio. Cologne 1527 : Quentel's Protestant Bible in Latin. The first Protestant Bible in Latin edited by Johan Rüdel Rudelius printed in Cologne by Peter Quentel or Quentell and notable for the wood engraved illustrations by Anton Woensam Anton von Worms particularly those at the head of each of the four gospels. Matthew faces an angle who is touching his stylus; a lion is seated beside Mark; a bull with Luke; and an eagle stands beside John.<br/><br/>Quentel was the printer of Tyndale's quarto Cologne English New Testament known from a single surviving fragment in the Grenville Collection where this same illustration to Matthew appears. It is a reasonable inference that each of the four gospels would have carried an illustration. The project which had "'got as far as the letter K' the signature that would have taken the work well into Mark" ODNB was unfinished at the time of Tyndale's flight from Cologne in 1525. Quentel's print shop was raided but sheets of the first gospel translated from the original Greek and printed in English soon began to circulate in England. Tyndale settled in Worms where Schöffer completed an octavo printing of the first complete English New Testament in 1526 a facsimile of the Grenville fragment and its illustration were published in 1871.<br/><br/>The blocks for the illustrations evidently survived the raid on the Quentel's shop and are used here at the head of each of the four gospels.<br/><br/>A notable edition in the history of the printing of the Bible. Adams 1007; not in Darlow & Moule but see note to 6107; VD16 B2589.OCLC: 22847218 Petrus Quentel excudebat unknown books
1557254216Basilaea Basel: Nicolaum Bryling Nicolaus Brylinger 1557. Woodcut border and printer's device on title. INCOMPLETE. 8 479 of 500 8 leaves. Lacking ff. 46-56 & 61-70. 1 vols. 8vo. Bound in contemporary blind panel-stamped pigskin over bevelled wooden boards clasps removed binding worn exposing boards on rear cover title page detached contemporary marginalia by Johannes Weneken throughout. Woodcut border and printer's device on title. INCOMPLETE. 8 479 of 500 8 leaves. Lacking ff. 46-56 & 61-70. 1 vols. 8vo. Brylinger published the only 16th century edition of Luther's Bible in Switzerland published one of the earliest Greek and Latin diglot Bibles and published a series of 8vo editions of the Bible with diglot and Greek-only text which was popular with students. Darlow & Moule makes no mention of this or any other Latin-only edition by Brylinger.<br/>Front paste-down endpaper and front free endpaper display extensive annotations in Greek and Latin presumably by Johannes Weneken. The marginal annotations provide a fascinating insight into how this book was used. Not in Darlow & Moule but cf. 4621; Adams 1056; OCLC: 46973017 6 copies only 3 of which in U.S. Nicolaum Bryling [Nicolaus Brylinger] unknown books
1540372229Paris: Ex officina Roberti Stephani typographi Regii 1540. Third edition and the first with these illustrations. Printer's device on title pages woodcut illustrations in text including 5 full-page ornamental initials. 10 268; 1 104 i.e. 103 error in pagination omitting leaf 83; 90; 92 ff. Collation: 10 a-z⸠A-I⸠K-Lâ¶ Aa10 Bb-Mm⸠Nnâ¶ AA-KK⸠LL10 2a-2l⸠2mâ´. Early manuscript annotations. 1 vols. Folio 17x11-1/4 inches. Contemporary blindstamped pigskin over bevelled wooden boards title stamped on the upper cover lacks bosses hinges and clasps upper joint cracked darkening to spine other wear. Early vellum manuscript waste at inner hinges. Minor staining minor foxing a few scattered edge tears. Provenance: Christopher Jonas a Taubenheim early inscription mentioning commentary by Rabbi Moses ben Nahman Gerondi; Polling Monastery armorial bookplate; Duplum Bibliothecae Regiae Monacensis; General Theological Seminary stamps bookplate. Third edition and the first with these illustrations. Printer's device on title pages woodcut illustrations in text including 5 full-page ornamental initials. 10 268; 1 104 i.e. 103 error in pagination omitting leaf 83; 90; 92 ff. Collation: 10 a-z⸠A-I⸠K-Lâ¶ Aa10 Bb-Mm⸠Nnâ¶ AA-KK⸠LL10 2a-2l⸠2mâ´. Early manuscript annotations. 1 vols. Folio 17x11-1/4 inches. The third and finest folio edition of Latin Vulgate Bible prepared by scholar/printer Robert Estienne 1503-59. Though the edition was entered into the Vatican's Index of Prohibited Books and is correspondingly scarce ultimately this text served as the foundation of the official Roman Vulgate. The illustrations of Noah's ark the Tabernacle of Moses and Temple of Solomon were widely copied.<br /> <br /> The general title page and the Prophetae are dated 1540; that of the New Testament is dated 1539; and that for the Hebraea Chaldaea Graeca & Latina Nomina . cum Interpretationis and Index is dated 1538. "The text was revised from additional MS sources; a list given at the end of the preface enumerates at least 16 MSS and 3 printed editions. This edition contains the first printing of the Prayer of Manasses in Greek and Latin. It is the text of this monumental edition which became the foundation of the official Roman vulgate ." Schreiber. The text of the Oratio Manassae is printed here for the first time leaf v8v.<br /> <br /> This is a tall and generally well preserved copy with good margins. Darlow & Moule 6117; Renouard pp. 48-9 no. 1; Copinger 275; Schreiber Estiennes 359; Adams B1022; Mortimer French 16th cent. 68 Ex officina Roberti Stephani typographi Regii unknown
151829908Paris: Germain Hardouyn. Colophon: "ont este imprimees a Paris pour Germain Hardouyn demorant entre les deux portes du Palais a lenseigne de Saincte Marguerite. 1518. First of the edition. Printed on vellum and beautifully illuminated with forty hand-painted miniatures. There are sixteen large and twenty four small miniatures i.e. metalcuts painted in blue red brown green yellow white and gold and numerous one- and two-line initials in gold and blue pictorial metal-cut borders throughout partly illuminated. With full page miniatures: Skeleton Maria with the infant Jesus Jesus on Mount of Olives Flight to Egypt The Three Magi Nativity Crucification etc. 8vo 17.8 x 11/0 cm handsomely bound in eighteenth century full marbled polished calf the edges gilt the spine with raised bands gilt decorated. 112 leaves printed on vellum in a Gothic typeface twenty-four lines per page. Almanach / Calendar for the years 1518 -1525. Signatures: A - O8 14 quires = 112 leaves complete. A handsome and well preserved copy complete. A FINE PRINTED BOOK OF HOURS FROM THE EARLY 16TH CENTURY PARIS. In the late fifteenth and early sixteenth century printed books of hours like the present copy were produced in greater numbers than manuscript horae in part in order to meet the demands of a bourgeoning middle class audience that could afford such items.<br> RARE. Not in Brunet Bohatta Lacombe Mortimer French Adams Germain Hardouyn. (Colophon: "ont este imprimees a Paris pour Germain Hardouyn demorant entre les deux portes du Palais a lensei hardcover