Muniz SodreBiblio.com
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198813826Vozes 1988. Soft cover. Very Good. Fine interior faint foxing to top and bottom page edges light surface wear to covers. Text in Portuguese published in 1988. <br/> <br/> Vozes paperback
1103090674.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1167556488.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2006004088Vila Velha Brazil: Museu Vale do Rio Doce 2006. Paperback. Near Fine. 8vo. 88 16 pp. Bound in illustrated wrappers. Full-color illustrations including one fold-out and one gatefold. Text in Portuguese and English. Essay by Paulo Herkenhoff. Catalog for an exhibition held at Museu Vale do Rio Doce in Brazil. Near Fine minor wear to extremities of wrappers otherwise clean and sound. <br/><br/> Museu Vale do Rio Doce paperback
0656628170.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1868L3 box672 b9Oeuvres de Virgile; Traduction nouvelle accompagnee du texte Latin et precedee d'une notice biographique et litteraire. Quatrieme Edition. Tome 1 & Tome 2. Par Emile Pessonneaux. 1868 Charpentier Libraire-Editeur. Partial leather bound hardcover two volumes total 856 pages: 424 pp tome 1 432 pp tome 2. The books are in poor condition but no missing pages. Charpentier, Libraire-Editeur. hardcover
182822814London: William Pickering and John Major 1828. Assumed First Edition . Hard Back. Very Good/No Jacket. 5 1/2" x 8 1/2. 389 Pages. Printed for the Author by William Nicol At The Shakespeare Press in 1828. Book 1 Ends on Page 97. Book 2 Ends 0n Page 159 and Book 3 Ends on Page 389 the last page of the book. Sixteen pages of subscribers names. Mr. Major Bookseller subscribed to fifty copies. Raised bands on spine with marbled endpapers and page edges are gold. Front boards show light wear at the spine area. <br/> <br/> William Pickering and John Major hardcover
elala2336Amiens: Caron-Vitet 1836. 8vo. pp. lx 624. woodcut frontis. of the Crucifixion half-title on recto. text in double columns. some music. contemporary paneled gilt back some damage to spine & lower corners Amiens: Caron-Vitet, 1836 unknown
17564062Rome: Gioacchino & Giovanni Giuseppe Salvioni Stampatori Pontificii Vaticani 1756. 8vo 210 x 135 mm. 24 407 1 pp. 2 parts the Office of the Dead separately titled. Printed in red and black. Engraved frontispiece and 12 full-page engravings by Arnold Van Weserhout and Jacob Frey after Joseph Passarus Giuseppe Passaro two engraved title vignettes and 12 tailpiece vignettes a few unsigned others by Frey after Passaro or by M. Schedi engraver 3 engraved initials numerous red-printed woodcut initials. Occasional light browning. 18th-century Roman gold-tooled red goatskin covers with densely tooled dentelle border built up from leafy plant tools sprigs floral and arabesque tools each cornerpiece enclosing a grid with gold dots blossom tools and dots in central field ornamental centerpiece of large foliate arabesque and dandelion tools spine in six uniformly gold-tooled compartments block-printed pastedown endpapers with flower and fruit design stencil-colored in red green and yellow gilt edges with gauffred border design; upper cover a bit faded and bowed corner bumped a couple of scrapes to lower cover. Provenance: Horace de Landau 1824-1904 bookplate shelfmark no 47854; Vicomte de Cossette armorial bookplate. A rococo binding on a luxuriously printed and illustrated Office of the Virgin from the Salvioni press official printers to the Vatican. The Salvioni press used several workshops sometimes collectively mislabeled as the "Vatican" or "Salvioni" bindery. Those bound for the papal library were finely executed and different binderies can be identified by their tools color of leather and stylistic details. The present pretty but crowded binding decor with its in places overlapping tooling does not seem to belong to the corpus of binderies represented in for example the Vatican Library's 1977 exhibit catalogue of papal bindings. Stylistically it uses types of tools and decoration - the wide "Louis XV" style border and the basketweave cornerpieces - in vogue during the reigns of Clement XIV 1769-1774 and Pius VI 1775-1799. Its decoration is similar for example to binding no. 262 in Legature papali but it is of inferior workmanship and does not use the same tools. It was probably produced in a Roman shop executing many commissions and forced to work quickly although it could even be a provincial binding. Cf. Biblioteca Apostolica Vaticana Legature papali da Eugenio IV a Paolo VI no. 262 plate CXCI. Gioacchino & Giovanni Giuseppe Salvioni, Stampatori Pontificii Vaticani hardcover
17562896Rome: Gioacchino & Giovanni Giuseppe Salvioni 1756. <p>8vo 208 x 133 mm. 24 407 1 pp. 2 parts the Office of the Dead separately titled. Printed in red and black. Engraved frontispiece and 12 full-page engravings by Arnold Van Weserhout and Jacob Frey after Joseph Passarus Giuseppe Passaro two engraved title vignettes 12 engraved tailpiece vignettes a few unsigned others by Frey after Passaro or by M. Schedi engraver 3 engraved capital initials numerous red-printed woodcut initials. Foxing occasionally severe short marginal tear to fol. Z7.<br /> Slightly later eighteenth-century Roman gold-tooled red goatskin covers with large dentelle border composed of a triple neo-classical roll-tooled outer frame enclosing six large ornaments each with a basketweave design of diagonally crossing gilt fillets framed in volutes and leafy sprigs a few tiny petal or star tools board edges protected with a probably later frame of silver or silver-plated metal discreetly nailed to the binding two elaborately chased silver fore-edge clasps and catches spine in six uniformly gold-tooled compartments gilt edges with gauffred border design pair of green ribbon page markers marbled endpapers; 20th-century black morocco felt-lined case. Provenance: with Gumuchian Catalogue XII/1930/225; Maurice Burrus bookplate purchased from Gumuchian in 1934 purchase notes at end. <br /> <br /> A striking rococo binding in fine condition on a luxuriously printed and illustrated Office of the Virgin from the official Vatican press.<br /> <br /> From the mid- to late eighteenth century the Salvioni press used one or more bookbinding workshops that produced finely gold-tooled bindings for their Vatican publications. Although often referred to as the “Salvioni bindery†this appellation is circumstantial: â€the Salvioni firm was responsible for promoting the bindings but it is not known which workshop produced them†British Library Database of Bookbindings. Some of these “Vatican†bindings incorporated variously colored or mottled leather. This example with its basketweave cartouches relies purely on tooling for its effect. An example evidently from the same workshop on a book printed at Rome in 1791 by Salomini using analogous cartouches as corner-pieces as well as a similar “spiraling†border design and some of the same leafy spray and star tools is reproduced in Legature papali no. 264.<br /> <br /> “Whereas the . more flamboyant bindings produced by the Salvioni Bindery rely frequently on polychrome enamel heightening these Vatican bindings strike a somewhat more sober note with their very fine dark-red morocco and rich gold-tooling of high quality†Martin Breslauer Catalogue 107/428.<br /> <br /> Gumuchian Catalogue de Reliures du XVe au XIXe siecle no. 225 plate 68. Cf. British Library Database of Bookbindings Shelfmark c27e18; For other “Salvioniâ€Â bindings see Miner / Walters Art Gallery The History of Bookbinding no. 523; Biblioteca Apostolica Vaticana Legature papali da Eugenio IV a Paolo VI no. 264 plate CXCIII. </p> Gioacchino & Giovanni Giuseppe Salvioni unknown
1976030012Los Angeles: University Of California 1976. 1st Edition . Hardcover. Near Fine. Xi463; 464-697 Pp. Two Volumes. Doctoral Dissertation Bound In Blue Cloth Spine Gilt. A Few Neat Library Marks And Labels Otherwise Fine. No Library Number On Spine. <br/> <br/> University Of California hardcover
033229434X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19612221673<p>First edition. Octavo. Frontispiece drawing of Adam and Eve by Tomas Di Taranto. Original stiff white wrappers light soiling; short tear. No dust jacket. Very good. 143 pages.</p><p>Signed and inscribed by Pinto on half title page to poet Alicia Ghiragossian; with name stamped on title page.</p> Francisco A. Colombo paperback
175616169Arezzo: Michele Bellotti Stampatore. Good with no dust jacket. 1756. Hardcover. Edgewear chipping to front board of volume two front paste-down of volume two detaching at bottom edge from board some text stains not affecting legibility some minor worming not affecting text in volume two otherwise light wear. Spine labels reverse volume numbers. Solid oversize hardcovers. ; Bilingual Italian and Latin languages in parallel columns. Two of two volumes complete set. Engraved portraits of Ariosto and Barbolani by Andrea Bolzoni. Signatures: v. 1: a4 A-3G4 3H6 -- v. 2: A-3G4. Title-page of t. 1 in red and black; title vignettes; decorative initials head and tail pieces. Period half leather binding with marbled boards and endpapers red spine labels with gilt lettering gilt spine rolls and decoration and black and red edge decor. Custom bookplate of Vera Kossovski on both paste-downs. Attractive 18th-century printing of the classic Italian epic poem of Lodovico Ariosto with the First Edition of the Latin translation of Torquato Barbolani. ; vii 435; 421 3 in 2v pages . Michele Bellotti Stampatore hardcover
197412029Livraria Duas Cidades 1974. Soft cover. Good. Light edgewear one crack in binding with corresponding spine crease cocked spine more from construction style than wear all said and done collectible copy. Melhor que supere o seu desgosto com o alto preco ambos nos sabemos que se quiser uma colecao com ambicao de seriedade da historia brasileira esse e um tomo indispensavel. Ser brasilianista e dose. Pode crer. Deus e mais. Este trabalho é o reestudo de um movimento milenarista ocorrido entre 1912 e 1916 na chamada zona serrana de Santa Catarina analisado do ponto de vista da sociologia da religião. A intenção do autor é analisar o comportamento social de uma comunidade humana que enfrentando uma crise global recolocou os problemas fundamentais de sua existência como grupo e ao fazê-lo elaborou um universo mítico adotando as condutas ritualizadas correspondentes. Dedica-se ao estudo das condições que levaram a comunidade a esse caminho e procura entender a construção de uma comunidade que vive organiza-se e luta contra seus adversários dentro de um espaço e de um tempo míticos. Complementa o livro uma cronologia minuciosa dos eventos incluída entre os Anexos e uma série de treze depoimentos selecionados pelo autor entre a bibliografia analisada. <br/> <br/> Livraria Duas Cidades paperback
200111473Indiana University Press 2001. Library Binding. Fine/No Jacket. Library binding relie d'editeur: plain blue cloth with gilt author/title/publ on spine and no jacket in new condition. ISBN 0253339197 <br/> <br/> Indiana University Press unknown
193815233Carrick & Evans 1938. 1st Edition . Hardcover. Acceptable/No DJ. At one time the DJ had been taped in Mylar which left adhesive residue and browning stains on boards and pictorial map endpapers; half the title page vertical strip on right has been torn out and missing possibly to rid the book of library stamps. There is a library stamp on bottom edge and "salvage" stamped on half title page and back pictorial map endpapers which suffered extensive abrasions and sticker scars from removal of now missing jacket. There was an attempt to rub out call numbers on spine which left a large black splotch. In addition to the library discard issues the spine is bulging and separated from block sunned frayed on edges and split at the back pastedown. There is a mild yellowing of text especially edges. Boards are worn faded and soiled. Text and illustrations are quite readable and this is more than reasonable reading copy of a scarce title. Letter "A' on title info page. <br/> <br/> Carrick & Evans hardcover
ria9780199283613_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book applies contemporary linguistic theories and the findings of traditional grammar to the study of Latin syntax. It the first full-scale work of its kind in English and contains extensive examples from literary and non-literary hardcover
1984002493Mexico D. F.: Fondo Editorial De La Plastica Mexicana Banco Nacional De Comercio Exterior 1984. First edition. Hardcover. Very Good/very good. O'Higgins Pablo. Folio. 166 2 pp. Bound in full yellow cloth stamped in terra cotta on cover and spine blind stamp decoration on rear cover. Text in Spanish. Includes chronology and bibliography. Born Paul Higgins Stevenson in Salt Lake City Utah in 1904 O'Higgins immigrated to Mexico in 1924 where he studied under Diego Rivera for several years. In 1937 he and fellow artists Leopoldo Méndez and Luis Arenal founded the artist's print collective Taller de Gráfica Popular. Very Good internally clean rear hinge shaken and worn bumping to extremities in Very Good dust jacket with 1" tear to head of spine wear and chipping to spine and extremities some fading. <br/><br/> Fondo Editorial De La Plastica Mexicana, Banco Nacional De Comercio Exterior hardcover
1870List1327Lima 1870. Albumen photographs measuring 2 x 3 ½ inches on larger mounts. Some slight fading a few spots to one image including one with loss about very good overall. A striking pair of early carte-de-visite portraits of Peruvian women from the Courret studios at 197 Calle de la Union one bearing the Courret Hermanos imprint and the other with just Eugenio Courret’s credit from the same studio. Eugenio formed the Courret Hermanos firm in 1863 with his brother Aquiles. The portrait of the woman and child is particularly uncommon for the Courret catalog as most of the photographs they took were of single wealth patrons. unknown
2023__9211220785United Nations 2023. Paperback. New. 246 pages. Spanish language. United Nations paperback
1905CA0060286iv pages with five facsimile indigenous maps. Size Royal Octavo 9 1/2" x 7". Issued in original wrappers. Volume five <i>Relaciones Geograficas de la Diocesis de Tlaxcala</i>. Manuscripts of the Real Academia de la Historia de Mardrid y del Archivo de Indias en Sevilla. Year 1580-1582. First Edition.<br /><br />Modern scholarship continues to be deeply indebted to the labors of Francisco del Paso y Troncoso less for any extended completed studies or synthesis than for a lifetime of collecting historical materials of the greatest importance to continuing investigation. His activities in Europe during the 23 years he spent searching out copying and preparing for publication a vast store of prime documentary materials for the pre-Conquest and colonial history of Mexico have been abundantly documented. Paso y Troncoso saw his prime mission as twofold. First he proposed to gather and publish as complete a corpus of Sahagun documents as possible. His interest in the great Franciscan had stemmed from the days when Paso y Troncoso as a young man had helped Joaquin Garcia Icazbalceta prepare the latter's Bibliografia mexicana del siglo XVI. Second he expected to copy documentary source materials related to colonial Mexico an elaborate group of varied papers which he generically called "Papeles de Nueva Espana." In a letter from Madrid Paso y Troncoso outlined to the Secretary of Public Instruction his views and plans for the "Papeles de Nueva Espana". He mentioned that for various reasons the material had he had compiled for publication under that general title should be divided into series each according to the class of data it contained. Each series would begin with a volume 1 and subsequent volumes would include similar documents rather than being only a single series with diverse materials. Various circumstances frustrated Paso y Troncoso's dream of putting numerous volumes of several series each of the PNE into print. He published four relatively complete volumes and two partial volumes of Series 2. "Geography and Statistics." Complete were volumes 1 4 5 6 and partially complete were volumes 3 and 7. At Paso y Troncoso's death various works were in the printing houses of Spain. Most of these volumes seem to have been lost or dispersed. Only volume 1 of series was published Salazar's Cronica de Nueva Espana. Several later hands have dipped into the mass of material Paso y Troncoso compiled for PNE and have utilized his transcripts or copies for publication.<br /><br /><b>Condition:</b><br /><br />Spine and edges sunned edge wear with some small tears unread else a very good copy. Establecimiento tipografia paperback
1905CA0061332xi pages with index. Royal Octavo 9 1/2" x 7". Issued in original wrappers. Volume one <i>Relaciones Geograficas de la Diocesis de Tlaxcala</i>. Manuscript 2.800 of the National Library of Madrid. First Edition.<br /><br />Modern scholarship continues to be deeply indebted to the labors of Francisco del Paso y Troncoso less for any extended completed studies or synthesis than for a lifetime of collecting historical materials of the greatest importance to continuing investigation. His activities in Europe during the 23 years he spent searching out copying and preparing for publication a vast store of prime documentary materials for the pre-Conquest and colonial history of Mexico have been abundantly documented. Paso y Troncoso saw his prime mission as twofold. First he proposed to gather and publish as complete a corpus of Sahagun documents as possible. His interest in the great Franciscan had stemmed from the days when Paso y Troncoso as a young man had helped Joaquin Garcia Icazbalceta prepare the latter's Bibliografia mexicana del siglo XVI. Second he expected to copy documentary source materials related to colonial Mexico an elaborate group of varied papers which he generically called "Papeles de Nueva Espana." In a letter from Madrid Paso y Troncoso outlined to the Secretary of Public Instruction his views and plans for the "Papeles de Nueva Espana". He mentioned that for various reasons the material had he had compiled for publication under that general title should be divided into series each according to the class of data it contained. Each series would begin with a volume 1 and subsequent volumes would include similar documents rather than being only a single series with diverse materials. Various circumstances frustrated Paso y Troncoso's dream of putting numerous volumes of several series each of the PNE into print. He published four relatively complete volumes and two partial volumes of Series 2. "Geography and Statistics." Complete were volumes 1 4 5 6 and partially complete were volumes 3 and 7. At Paso y Troncoso's death various works were in the printing houses of Spain. Most of these volumes seem to have been lost or dispersed. Only volume 1 of series was published Salazar's Cronica de Nueva Espana. Several later hands have dipped into the mass of material Paso y Troncoso compiled for PNE and have utilized his transcripts or copies for publication.<br /><br /><b>Condition:</b><br /><br />Spine and edges sunned edge wear with some small tears front heal hinge beginning to tear unread else about very good. Establecimiento tipografia paperback
036581752X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1926149674Waltham St Lawrence: The Golden Cockerel Press 1926. The Passion of the Lord Jesus Christ with six wood-engravings by Eric Gill rare with dust jacket Limited edition number 31 of 250 copies only. Reviewed by the Times Literary Supplement on 29 July 1926 the reviewer noted "this is a production for which we have nothing but praise. The first requirements a harmony of form and balance of weight between illustrations and type are perfectly fulfilled. In spirit Mr Gill's illustrations could hardly be bettered; they are both religious and decorative." Quarto. 2 full-page and 4 other illustrations by Gill. Original white buckram spine lettered in gilt. Text printed in red and black. With dust jacket. Minimal soiling to covers with corners slightly bumped else an attractive near-fine copy. Dust jacket toned at spine with extremities frayed still a very good copy of a scarce dust jacket. Gill 276. hardcover
