8 811 résultats
Former owner's name to inner cover in ink. Foxing to endpapers and textblock. Light pencil. Lower corners have light edgewear. ; Civ, 429 pp ; Vol. 1; 429 pages
Rebound in red buckram cloth. Dedication page repaired. Some light staining on the title and half-title, some light foxing in the text and light damp-staining in the bottom margin, else VG, printed on crisp heavy paper. Title in red and black. Former owner's name in ink. ; First edition. Vol. II only, Aeneid IV-XII. Pp 202-744. ; Volume 2 Only; Vol. 2; 542 pages
Full leather boards. Some chipping and edgewear to boards. Hard scratches and flecking to leather. Inner hinges cracked but holding. Tears to frontispiece with a bit of loss and 1 tear to titlepage (no loss). Foxing and browning to pages. Former owner's name in ink to rear endpaper. Dampstaining to rear inner gutter. ; Vol. II only, Aeneid V-XII. No Latin text ; Volume 2 Only; Vol. 2; 32mo 4" - 5" tall; 267 pages
Binding rubbed at extremities. A few small tears to cloth along joints and ends. Corners rounded. Spine slant. Light foxing. ; 310pp. The Globe Edition. ; Globe Edition; 310 pages
A few small tears to spine ends. Minor edgewear. Light pencilling. A few pages carelessly opened with a few small tears. ; 310pp. The Globe Edition. ; Globe Edition; 310 pages
Binding faded and rubbed, some fraying to spine ends. A bit Worn at corners, else VG. Faint dampstaining to upper corner of textblock affects a few pages. ; N. D. (likely 1890s-1900s) 404pp. Harper's Classical Library series. ; Harper's Classical Library; 404 pages
Former owner's name to ffep. Spine a bit sunned. Fraying and few small chips to spine ends. ; [Quinti horati flacci opera omnia]; Volume 1 Only. Clarendon Press Series; Vol. 1; 383 pages
Foxing/dustsoiling to top of textblock. DJ has light shelfwear. DJ flaps have minor foxing. ; 9.3 X 6.3 X 1.9 inches; 780 pages
Very light edgewear to corners. Minor shelfwear. ; Beginning with Sappho in the seventh century B. C. And ending with Hypatia and Egeria in the fifth century A. D. , Jane McIntosh Snyder listens carefully to the major women writers of classical Greece and Rome, piecing together the surviving fragments of their works into a coherent analysis that places them in their literary, historical, and intellectual contexts. ; A Godwit Paperback; 199 pages
Small octavo,original cloth,no dust jacket 366p. Edited and with an introductory essay by Margot Astrov. Bibliography and Index. Brown cloth with gilt letters on the spine and a vignette in gilt on the front cover of a winged serpent. Very minor wear to extremities with nothing rubbed through, gilt slightly dulled, previous owner's bookplate on front pastedown, else very good to near fine with no internal markings. No dust jacket. The Introduction includes an essay on "The Influence of Christianity on the Aboriginal Cultures of America." There are ten sections to the book containing poetry from native peoples in the Americas as follows: One: From the Northern Woodlands, the Basin Area and the Great Plains; Two: From the Southeast; Three: From the Deserts of the Southwest; Four: From the Pueblos; Five: From California; Six: From the Northwest; Seven: From the Far North; Eight: From Mexico; Nine: From Central America; Ten: From Peru.
310p. Plus index and color frontis. Illustrated with numerous photographs. 4to. Original full cloth binding. Original dust jacket. A great gift for wine lovers. Starting with a history of wine making and then going from country to country examining the history, varieties and techniques. Beautiful illustrations and photographs. Includes fifty international recipes for cooking with wine compiled by Madeleine Othenin-Girard. **PRICE JUST REDUCED! WHISKEY 1.
Epic and tragedy, from Homer's Achilles and Euripides' Pentheus to Marlowe's Tamburlaine and Milton's Satan, are filled with characters challenging and warring against the gods. Nowhere is the theme of theomachy more frequently and powerfully represented, however, than in the poetry of early imperial Rome, from Ovid's Metamorphoses at the beginning of the first century AD to Statius' Thebaid near its end. This book -- the first full-length study of human-divine conflict in Roman literature -- asks why the war against god was so important to the poets of the time and how this understudied period of literary history influenced a larger tradition in Western literature. Drawing on a variety of contexts -- politics, religion, philosophy, and aesthetics -- Pramit Chaudhuri argues for the fundamental importance of battles between humans and gods in representing the Roman world. A cast of tyrants, emperors, rebels, iconoclasts, philosophers, and ambitious poets brings to life some of the most extraordinary artistic products of classical antiquity. Based on close readings of the major extant epics and selected tragedies, the book replaces a traditionally Aeneid-centric view of imperial epic with a richer dialogue between Greek and Roman texts, contemporary authors, and diverse genres. The renewed sense of a tradition reveals how the conflicts these works represent constitute a distinctive theology informed by other discourses yet peculiar to epic and tragedy. Beginning with the Greek background and ending with a look ahead to developments in the Renaissance, this book charts the history of a theme that would find its richest expression in a time when men became gods and impiety threatened the very order of the world. ; 416 pages
4p. 8vo. Original full printed wraps. Remains of album mountings on rear wrap, with small loss. Nice copy. Very scarce. WWI 13
8vo., brown cloth, backstrip lettered in silver, a very good, bright, clean copy in price-clipped dustwrapper. Waddell's classic account was first published in 1927.
Very light shelfwear to book else fine. DJ has light edgewear. ; This collection of essays honors Alexander Gordon McKay, one of the most respected names in Vergilian studies. Written by some of the world's leading scholars, the essays offer new perspectives on the larger Vergilian world which Dr. McKay's scholarship has so richly illuminated. The Two Worlds of the Poet focuses primarily on Vergil and Augustan literature and art, with several essays that expand the Vergilian theme and reflect the wide research interests of Professor McKay in such areas of classical studies as literature, art, architecture, painting, and sculpture. Vergil's world presents two faces, each inseparable from the other-the world which formed the poet and the world which the poet himself created—and it is proper that a volume which commemorates a scholar whose own work has elucidated both of these worlds should address itself to each. Several essays examine the poet's modus creandi—his use of the simile; his assimilation of the language and motifs of Roman comic drama; his exploitation of the rich store of Greek, Etruscan, and Roman mythological, legendary, and historical material; and his treatment of a variety of themes which touch upon the very essence of the human condition. Other essays touch upon various aspects of Vergil's material and cultural environment, enabling readers to place his created work in a broader perspective. Contributors offer new perspectives on the post-classical treatment of Vergilian themes, illustrating how the reception of Vergil varied with successive generations. The volume concludes with the reflections of the senior statesman of Vergilian criticism upon the scholar's art and mission. Vergil knew that to understand the present it was essential to break out of the narrow circle of the moment and to reach into the past, thereby affirming our own humanity and our place in the world and finding paths into the future. Vergil and his poetry create evocative connections that cut across time and place and culture, providing a glimpse at the universal human experience. The essays in The Two Worlds of the Poet explore Vergil's own struggle to find his place in the world, chronicle the pathway by which we gain entry into the world of the poet, and examine how the world of the poet has influenced and enriched our world. ; Classical Studies Pedagogy Series; 548 pages
Very light shelfwear to book and DJ else fine. ; This collection of essays honors Alexander Gordon McKay, one of the most respected names in Vergilian studies. Written by some of the world's leading scholars, the essays offer new perspectives on the larger Vergilian world which Dr. McKay's scholarship has so richly illuminated. The Two Worlds of the Poet focuses primarily on Vergil and Augustan literature and art, with several essays that expand the Vergilian theme and reflect the wide research interests of Professor McKay in such areas of classical studies as literature, art, architecture, painting, and sculpture. Vergil's world presents two faces, each inseparable from the other-the world which formed the poet and the world which the poet himself created—and it is proper that a volume which commemorates a scholar whose own work has elucidated both of these worlds should address itself to each. Several essays examine the poet's modus creandi—his use of the simile; his assimilation of the language and motifs of Roman comic drama; his exploitation of the rich store of Greek, Etruscan, and Roman mythological, legendary, and historical material; and his treatment of a variety of themes which touch upon the very essence of the human condition. Other essays touch upon various aspects of Vergil's material and cultural environment, enabling readers to place his created work in a broader perspective. Contributors offer new perspectives on the post-classical treatment of Vergilian themes, illustrating how the reception of Vergil varied with successive generations. The volume concludes with the reflections of the senior statesman of Vergilian criticism upon the scholar's art and mission. Vergil knew that to understand the present it was essential to break out of the narrow circle of the moment and to reach into the past, thereby affirming our own humanity and our place in the world and finding paths into the future. Vergil and his poetry create evocative connections that cut across time and place and culture, providing a glimpse at the universal human experience. The essays in The Two Worlds of the Poet explore Vergil's own struggle to find his place in the world, chronicle the pathway by which we gain entry into the world of the poet, and examine how the world of the poet has influenced and enriched our world. ; Classical Studies Pedagogy Series; 548 pages
471pp., 23cm., in the series "The works of Saint Augustine. A translation for the 21st century. Part I - Books" vol.5, previous owner's name on first page, softcover, VG, ISBN 0-911782-96-6, [English translation]
This is a fine hardcover copy with no wear at all. Completely clean. Text in Spanish and English. Illustrated in color. Limited edition of 1500 copies. Lacking the small booklet and folded panel. Perhaps these were handed out at the exhibition, as there is no pocket or container envelope for them attached to the book. 10" high X 8" wide, 334 pages. This book will be securely packed and shipped with tracking.
209 p. 25 cm. Hardcover Very good condition
2 tiny white paint spots to upper corners. Spine a bit sunned. Minor shelfwear. ; Looks at the five complete manuscripts of Lucan written in the first hundred years of the Carolingian period. ; Loeb Classical Monographs; 223 pages
Minor rubbing to boards. ; Looks at the five complete manuscripts of Lucan written in the first hundred years of the Carolingian period. ; Loeb Classical Monographs; 223 pages
Scholar's bookplate to inner cover (G. P. Goold). Spine and part of front board lightly sunned. ; Looks at the five complete manuscripts of Lucan written in the first hundred years of the Carolingian period. ; Loeb Classical Monographs; 223 pages
Notes in ink and pencil by G. P. Goold (? ) to some pages. Light bumping to a couple of corners. ; Cambridge Classical Texts and Commentaries; 482 pages; The Tragedies of Ennius were theatrical adaptations of Attic originals. None has survived; but fragments of twenty-two of them can be found in the work of other writers. Dr Jocelyn prints all the identifiable fragments, substantial extracts from the works which quote them and, where necessary, a critical apparatus. The long introduction discusses the early history of Roman public spectacles; the physical conditions of the theatre in the third and second centuries; the effect these had on the poets who had to adapt the scripts of Attic tragedies; the general character of the Latin plays thus produced; and the fate of these scripts (particularly those of Ennius) in later antiquity. The commentary is both detailed and discursive. Besides glossing and interpreting in the usual way, it considers the problems of restoring individual fragments and of using these fragments to reconstruct both the plays from which they came and the Attic originals. It also elucidates the methods used by Ennius to reproduce the effects of language and style of the classical Athenian dramatists.
Tiny faint stain to front wrap. Very slight shelfwear. Else fine. ; Psalter is in Old English and Medieval Latin. Apparatus is in English. Tiberius C vi is a "continuous interlinear gloss to a psalter of the Gallican version (ff. 31-129) ". ; Ottawa Mediaeval Texts and Studies; 302 pages
This is a very good softcover copy with almost no wear. Completely clean inside and out. Text in English and Spanish. This catalog was prepared to accompany the exhibition at El Museo del Barrio in New York from October 2001 through February 2002. The exhibition then travelled to the Bass Museum in Miami. The exhibition presented contemporary Brazilian art from the 1990's. Illustrated in color. 21 artists in the exhibition. Bibliography. 9" high X 7" wide, 142 pages. This book will be securely packed and shipped with tracking.