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200729879British School At Rome At the British Academy. 2007. Hardcover. Very Good in No Dust Jacket dust jacket. Very faint shelfwear else fine.; Vi 320 pages including 121 black and white illustrations and 11 colour plates. Ulla Rajala The bronze and iron age finds from Il Pizzo Nepi VT : the results of the intensive survey in 2000Claudia Carlucci Maria Anna De Lucia Brolli Simon Keay Martin Millett and Kristian Strutt An archaeological survey of the Faliscan settlement at Vignale Falerii Veteres province of Viterbo ; Alastair Small and Carola Small eds with contributions by Richard Abdy Alessandra De Stefano Roberta Giuliani Martin Henig Kathryn Johnson Philip Kenrick Tracy Prowse Alastair Small and Hans vanderLeest Excavation in the Roman cemetery at Vagnari in the territory of Gravina in Puglia 2002; T. P. Wiseman Where was the Porta Romanula Susan Russell Pirro Ligorio Cassiano Dal Pozzo and the Republic of Letters; A. D. Wright French policy in Italy and the Jesuits 1607–38;; Papers of the British School At Rome Vol. LXXV; 75; 320 pages . British School At Rome, At the British Academy hardcover
19772090502113712679Not Available 1977. Soft Cover. Fine. The book is in fine condition. Not Available paperback
9979Undated. England 1880s. 4to 4 pp. Bifolium. 87 lines. Text clear and complete. Fair on aged paper with wear to extremities and a spike hole to one corner. Written in ink in a Victorian hand and with three changes in pencil. Docketed at head 'The art of Vocalization'. Towards beginning writes that the subject is one which he has 'studied many years in close connexion with the most eminent Masters of Italy most of whom I may rank among my personal friends and the pith of whose conversations added to my own experience I propose embodying in a few short essays upon the Formation of the Voice'. Gives 'the advice of a tenor singer of some renown in Otello &c literally as I heard it spoken to a student - the author died two years ago at Milan' beginning: 'I know but little of music - in comparison to me you are a professor - my voice was by nature imperfect - my figure is diminutive - yet I have been 1st tenor of some of the best Theatres and with success - mark me if you want to sing .'. Ends with offer to extend his remarks 'to the other Voices' in 'a future number'. Undated. [England, 1880s? unknown
175021218Firenze: Con Licenza de' Superiori 1750. Stiff Wrappers. Good. 2 of 6 volumes ONLY. Two vols. 8vo. pp. ff 2 2-100 2-96 2-88 blank 2-82; ff 1 2-95 blank 2-96 2-106 blank; contemporary limp paper boards; volume II rebacked with brown library tape; volume I spine ends chipped and worn; library tickets to spines; library stamps and pencil annotations to title leaves; embossed library stamps scattered throughout both volumes; card pockets at rear pastedowns; electronic tag at rear pastedown of volume I; text leaves clean throughout; a reasonably attractive set. Properly de-accessioned. Stiff Wrappers. Con Licenza de' Superiori unknown
71-2117Italy: Italian publisher circa 1750. Engraving. 7 1/2 x 5 1/4 in. image. Very Good sheet trimmed to the border line.Provenance: From the Collection of the late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [Italy: Italian publisher, circa 1750]. unknown
1592371810Rome: Ex Typographia Apostolica Vaticana 1592. First edition of the Clementine Bible. Edition of 500 copies. Engraved title page reading: Biblia sacra vulgatae editionis. Sixti Quinti Pont. Max. iussu recognita atque edita. Letterpress title page printed in red and black. Text in double columns. 12 1131 1 blank 23 1 blank pp. 1 vols. Folio 349 x 250 mm. Full reddish-orange levant morocco spine titled in gilt raised bands highlighted in black boards with single rule in black dated 1957 on turn-in. Fine. Leather-tipped slipcase. First edition of the Clementine Bible. Edition of 500 copies. Engraved title page reading: Biblia sacra vulgatae editionis. Sixti Quinti Pont. Max. iussu recognita atque edita. Letterpress title page printed in red and black. Text in double columns. 12 1131 1 blank 23 1 blank pp. 1 vols. Folio 349 x 250 mm. First edition of the official text of the Catholic Bible issued under sanction of Clement VIII and therefore known as the "Clementine Bible" and superseding the controversial and suppressed edition of Sixtus V of 1590. The text is preceded by Cardinal Bellarmino's preface the Decree of the Council of Trent on the canonical Scriptures and a brief by Clement VIII.<br /> <br /> "It is generally admitted that on the whole the Clementine text . is critically an improvement upon the Sixtine. . The Clementine Bible of 1592 remains to the present day the standard edition of the Roman Church" Darlow & Moule. <br /> <br /> Nice wide-margined copy of this notable edition. Brunet I 878; Darlow and Moule 6184; Adams B1101; P.M. Baumgarten Neue Kunde von alten Bibeln pp. 316-322. Provenance: W. A. Copinger bookplate; General Theological Seminary gift of Cornelius Vanderbilt and Dean Augustus Hoffman bookplates Ex Typographia Apostolica Vaticana unknown
1760260692Brünn: Johann Paul Krauss 1760. Engraved title in each volume vols. II-IV reading "Unser Lieben Frauen .". 189; 2 193-390; 2 393-590; 190 pp. 8vo. Contemporary Italian binding of full brown morocco covers gilt with two outer border rolls corner-pieces and arms of Prince-Bishopric of Trent spine gilt in six compartments a.e.g. Dutch gilt endpapers. Light wear to corners else fine. In original morocco pull-off case tooled in gilt to match lined with Dutch gilt paper. Some wear and splitting to edges of box. Engraved title in each volume vols. II-IV reading "Unser Lieben Frauen .". 189; 2 193-390; 2 393-590; 190 pp. 8vo. A beautiful Italian armorial binding of the mid 18th-century similar in style to those promoted by the Salvioni firm in the original pull-off case. OCLC locates only one copy of this scarce German breviary in the Bayerische Staatsbibliothek. Johann Paul Krauss unknown
1688254004Napoli Naples: Carlo Porpora 1688. Second edition. Engraved title. xx 229 3 pp. 4to. Mid-eighteenth century Italian polychrome enameled binding of full brown calf covers with two gilt-rolled panells central strap and scroll device built up from gouges surrounded by pointellé flowers with remnants of blue and red enamel edges gilt guaffered and painted with floral and hare design front free endpaper removed bookplate. Second edition. Engraved title. xx 229 3 pp. 4to. A history of ancient sport and games in Italy first printed in 1641. This copy in an elaborate eighteenth-century Neopolitan enameled binding with all edges gilt gauffered and painted. Graesse IV p. 113 Carlo Porpora unknown
1860257826Milan Venice & Verona: P. Ripamenti Carpano 1860. Volume 13 only. Engraved title and 9 engraved plates after contemporary Italian painters. xxxix i 68 xv iii pp. 4to. Bound in the publisher's "chocolate box" style of white paper boards elaborately embossed and chromolithographed front cover with a central die-cut oval revealing a hand-colored engraving of a woman pulling a necklace from a jewellery box her dress embellished with small jewels rear cover with a central embossed image of a floral boquet some foxing throughout in a custom cardboard chemise. Volume 13 only. Engraved title and 9 engraved plates after contemporary Italian painters. xxxix i 68 xv iii pp. 4to. Volume 13 of this Italian art periodical in a beautiful "chocolate box" style binding of embossed and chromolithographed paper boards. P. Ripamenti Carpano unknown
1618254275Venetiis Venice: Juntas 1618. Title with engraved border 11 full-page engravings black chant notation on red four-line staves lxiii i 557 3; 24; 14 pp. text in double columns printed in red and black. 8vo. Bound in contemporary maroon morocco richly gilt black morocco inlaid panel border surrounding central inlaid entrelac design rebacked preserving original spine lacking clasps and catches a.e.g. joints rubbed front joint starting some light foxing throughout contemporary and early ownership notes to endpapers. Title with engraved border 11 full-page engravings black chant notation on red four-line staves lxiii i 557 3; 24; 14 pp. text in double columns printed in red and black. 8vo. Juntas unknown
192029305Milan: Credito Italiano 1920. 1920. Very good. - Small quarto 9-3/4 inches high by 7-5/8 inches wide hardcover bound in natural vellum titled in black & with a vignette in black on each front cover. Yapp edges & cotton ties further enhance the binding. There is some light staining to the Vol. 1 covers with a short tear to the rear yapp. xiv & 238 pages plus 39 folding black-and-white plates in decorative green frames; and xiv & 1 leaf plus a folding plate & 255 tipped-in black-and-white plates in decorative green frames. There is minor staining to the bottom margins of a few of the Vol. 2 pages. Very good. <p>The folding plates in Volume 1 are views of Italian cities. The tipped-in plates in Volume 2 pertain to various industries--mining metallurgical electrical chemical automobile aviation etc.--and to other sectors of the economy such as agriculture shipyards hotels transport and communications. Milan: Credito Italiano, 1920. hardcover
1740ST19100aVenetiis Venice: Giambattista Pasquali 1740. FIRST EDITION. 132 x 90 mm. 5 1/4 x 3 1/2". 20 p.l. 427 5 pp. <br/> FINE CONTEMPORARY VENETIAN RED MOROCCO GILT covers with border of repeating botanical tools raised bands flanked by decorative gilt rolls green silk pastedowns all edges gilt and gauffered. HOUSED IN THE ORIGINAL PULL-OFF MARBLED CALF CASE the book and its case within a brown cloth chemise and matching slipcase. ENGRAVED THROUGHOUT with numerous floral initials 20 charming tailpieces frontispiece and 15 full-page illustrations by M. Pitteri all designed by Giambattista Piazzetta. Front flyleaves with book labels of John Saks Arthur and Charlotte Vershbow and David R. Godine. See: Boorsch "Venetian Prints and Books in the Age of Tiepolo" p. 20 and no. 98; Selby Carol E. "A Small Masterpiece from the Eighteenth Century Publishing World." Bulletin of the Detroit Institute of Arts vol. 43 no. 3/4 1964 pp. 60-63. ◆A hint of rubbing to extremities one tiny abrasion to front cover flyleaves with offsetting from binder's glue one page with tiny ink spot in margin but AN EXTREMELY FINE COPY ENTIRELY CLEAN FRESH AND BRIGHT internally in a beautifully preserved binding and case.<br/> <br/> Preserved in its original pull-off case and in superb unsophisticated condition this is a very charming prayer book engraved by a trio of talented artists that is called "a small masterpiece" in the "Bulletin of the Detroit Institute of Arts" in 1964 and described in the June 2013 Christie's catalogue of the Vershbow sale as "one of the most desirable Venetian illustrated books of the 18th century." The plates here were designed by Giovanni Battista Piazzetta 1682-1754 a painter and illustrator whom Britannica calls "one of the outstanding Venetian artists of the 18th century." Piazzetta was known for his masterful use of chiaroscuro and dynamic compositions--both of which can be seen to great effect in the present work. The engravings were executed by a close collaborator of Piazzetta Marco Alvise Pitteri 1703-86 whom Selby calls "one of the most able and popular engravers in Venice being in demand for the reproduction of works of his most distinguished contemporaries." Using his own unique blend of engraving techniques described by Boorsh as "unprecedented and unimitated" Pitteri is able to translate Piazzetta's animated compositions into a small-scale format with figures that are beautifully highlighted and seem to glow on the page. But perhaps the most impressive part of this work is the text itself. What at first glance appears to be more than 400 pages of letterpress is in fact entirely engraved--an extraordinary feat of precision and patient craftsmanship by Angela Baroni daughter of engraver Giuseppe Baroni. It seems likely that Angela learned the craft from her father but little else is known about her life. Regardless Angela's talents speak for themselves through this work. As Carol Selby tells us "Engraving a book like this one is an undertaking indeed. . . . The more than 400 pages must each have been engraved in reverse on copper plates which being almost impossible to correct allowed little margin for error. The effect is charming lively controlled but free." Thanks to the original and very pretty pull-off case this little gem has remained in outstanding condition inside and out. The volume has a distinguished provenance having belonged to collectors known for their taste and discrimination in the acquisition of a range of especially desirable books: John A. Saks who bought it from Bernard Quaritch in 1981 then Arthur and Charlotte Vershbow then David Godine who bought it at the Vershbow sale for $3000. Giambattista Pasquali unknown
193672603Genoa: Barabino & Graeve 1936. Small Square 4to. 56 pp. Pictorial softcover with silver-coloured covers and map endpapers. Rubbing and creasing to extremities resulting in loss of silver covering at these parts. Internally clean. Illustrated throughout with black and white photographs which cover many different Italian Alpine resorts giving information on railway connections and accomodation and amenities. Cover design by Filippo Romoli who produced a lot of work for Barabino & Graeve themselves producers of travel posters for ENIT. The English edition. . Very Good. Softcover. 1936. Barabino & Graeve (1936) paperback
1612ST13801London: printed by Thomas. Snodham. for Iohn Stepneth and are to be sold at his shop at the west-end of Paules Church 1612. FIRST EDITION. 205 x 155 mm. 8 x 6". 18 p.l. 611 1 pp. 601-08 misnumbered 561-68 8 leaves. <br/> New unlettered limp vellum by Courtland Benson in imitation of the original binding. STC 1896; ESTC S124314. ◆Half a dozen gatherings a little browned occasional mild foxing or small rust spots additional trivial imperfections otherwise an excellent copy clean and very fresh in a pleasing new binding.<br/> <br/> This conversation manual by an Italian teacher based in London offers an intriguing glimpse into the lives and concerns of the wealthier classes in 17th century Europe. An early effort to teach language through dialogue the book is part cultural history part guide to better health and it is clear evidence of the importance of the study of Italian in Elizabethan and Jacobean England. The seven dialogues cover subjects from health to travel to servants with Italian and English text on facing pages. Many of the dialogues begin with phrases that will be familiar to all beginning language students: greeting others selecting items of clothing asking prices or directions ordering food. As the conversations progress they explore various topics that one might expect to encounter in polite society. An early morning exchange between master and servant evolves into a discussion of the importance of sleep the optimal amount of sleep for good health and the significance of dreams. A dialogue that begins with ordering meals leads to an involved colloquy about the benefits and disadvantages of fasting and abstinence; the virtues and defects of bread butter meat dairy and eggs; diet recommendations for the healthy and the sick; the best diet for each season; and the importance of a walk after dinner. Other dialogues include advice for travellers observations on the political situation and life at court and finally a discussion of that most eternally fascinating topic: love. This work is of continuing interest and value to linguists as it documents the Benevento Italian dialect which is in need of preservation. It's an extraordinarily rare book probably because it was the sort of volume subjected to hard use: in addition to ours we could trace only two copies in ABPC and RBH since 1948. printed by T[homas]. S[nodham]. for Iohn Stepneth, and are to be sold at his shop at the west-end of Paules Church unknown
28024Vue a route du promenade Faglio a Livorn" "Vue du San Antoine e.d. Ferdinande.a Livorn" and two scenes in Augsbourg. 1 vols. Image 12 x 16 inches; matted and framed. Vue a route du promenade Faglio a Livorn" "Vue du San Antoine e.d. Ferdinande.a Livorn" and two scenes in Augsbourg. 1 vols. Image 12 x 16 inches; matted and framed. unknown
30706ITALIAN ARCHITECTURE I MONVMENTI ITALIANI. FASCICOLO XI. Rome: La Liberia dello Stato 1937. Folio. Portfolio wrappers. 4 pages 2 plates of which 6 double page. First edition. Serial publication of monographs on Italian architecture. Each monograph is separate work. This one is on "Il Duomo di Barga" with four pages of text an twenty-one plates of plans elevations and measured details numbered I to XXV Cover torn at bottom. Wrappers rubbed and chipped else very good. unknown
30704ITALIAN ARCHITECTURE I MONVMENTI ITALIANI. FASCICOLO X. Rome: La Liberia dello Stato 1937. Folio. Portfolio wrappers. 4 pages 1 plates of which 4 double page. First edition. Serial publication of monographs on Italian architecture. Each monograph is separate work. This one is on S. Maria delle Grazie in Milano with four page of text and eighteen plates of plans elevations and measured details numbere to XXII. Wrappers rubbed and chipped else very good. unknown
30705ITALIAN ARCHITECTURE I MONVMENTI ITALIANI. FASCICOLO III. Rome: La Liberia dello Stato 1934. Folio. Portfolio wrappers. 4 pages 2 plates. First edition. Serial publication of monographs on Italian architecture. Each monograph is separate work. This one is on "La Scuola architettonica di Vicenza Palazzi Minori" with four pages of text and eighteen plates of plans elevations and measured details. Wrappers rubbed and chipped else very good. unknown
1587<p>Firenze: G. Barbera 1900. An oblong octavo bound in olive green cloth over limp card yapp edges. 236 pp. Green silk ribbons are laced across the covers and spine with one long tie remaining. Exceptional Art Nouveau cover design consisting of gilt ruled borders surrounding a rose tree in full bloom planted in an urn with the title of the book printed on a gilt ribbon entwined around the stem. Other gilt ornamental foliage on the corners of the spine. A rare and captivating Italian guest book with 28 sections of "Confessioni" from visitors. Each "Confessioni" is comprised of a list of 35 questions regarding the tastes preferences and interests of the guests. The subject matter of the queries includes a wide and fascinating variety of subjects ranging from literary opinions to personal defects. Printed on cream stock with gray-green ink each page has several questions a space for the answer and a variety of lovely Art Nouveau ornamental devices. Color title page illustrated with vignettes of a man and woman reading with floral arrangements and ornaments in the style of of Alphonse Mucha. Five pages at the front of the book are to be used as an index. Lovely ornamental "Fine" closes the volume. Binding a bit shaken and some offsetting from the ribbons on to the endleaves hinges else a fine copy of a most unusual Art Nouveau book. Bellesimo! $425.00</p> hardcover
a53766Siena 1908. In Italian. Extract from the Bulletino Senese di Storia Patria. Lg.8vo. 261pp. illustrations wraps. Inscribed and signed by the compilator to R. Robert Langton Douglas the noted art critc and writer. The wraps of this scarce item have been taped along the spine. The tape enters the main part of the front wrap at the left margin and at the top left edge. The wraps are soiled and the rear wrap colophon is chipped with some taping at edges as well. The leaves and illustrations are in very nice condition. A scarce item with an important association that could use a careful restoration. Sold as described. . paperback
1767223077Milan: Federico Agnelli 1767. First edition. Engraved portrait frontispiece to volume I. xv 1 343; 2 352; 2 423; 2 374 4; pp. 375-805 Additioni. 4to 25.5 x 20 cm.; 10 x 8 inches. Contemporary half vellum over patterned paper boards brown morocco lettering-piece to spine extremities slightly bumped or rubbed. BEAUTIFUL COPY uncut. First edition. Engraved portrait frontispiece to volume I. xv 1 343; 2 352; 2 423; 2 374 4; pp. 375-805 Additioni. 4to 25.5 x 20 cm.; 10 x 8 inches. Fine set of this massive and important bibliography by the Bolognese Argelati 1685-1755 posthumously published with additions and corrections by Angelo Teodoro Villa 1723-1794. Federico Agnelli unknown
1741214611Venezia . Milano: Michel'Antonio Panza 1741. Second edition. 12 266pp. 1 vols. 4to. Later vellum-backed boards uncut red leather spine label. Boards scuffed tear in lower joint very slight internal foxing; overall a very good sound copy. Second edition. 12 266pp. 1 vols. 4to. Michel'Antonio Panza unknown
1753214550Venezia: Giambatista Pasquali 1753. Title page of volume I printed in red and black woodcut title vignettes initials tailpieces. 2 vols. 4to. Contemporary vellum morocco spine labels worn. Apart from repair to head of spine of vol. II a lovely set from the library of the Borghese-Fantuzzi family armorial bookplate. Title page of volume I printed in red and black woodcut title vignettes initials tailpieces. 2 vols. 4to. The definitive edition of this celebrated catalogue of works written in Italian -- a virtual PMM of Italian printing. It first appeared in 1706 as a bibliopraphical appendix to the Fontanini's work Della eloquenza italiana with 1500 entries. Subsequent editions appeared in 1727 1736 and 1737 before this last and most important edition -- which is entirely the bibliographical part of the work -- containing 5000 entries of Italian works in poetry prose arts sciences etc. with the invaluable commentary by Zeno and an index. Besterman 3213; Graesse II 612 Giambatista Pasquali unknown
UX-JJU2-J86QBologna Museo civico archeologico 21 febbraio-3 maggio 1998. Very Good. FIRST EDITION Milano: Skira 1988. Tall softcover in stiff pictorial French-fold wraps. 217 pages illustrated throughout with color and b/w reproductions of antique Hungarian jewels weapons and objects. Includes texts on the origins the economy the social and religious aspects and the art of Hungary as well as maps bibliography etc. Text in Italian. A catalogue of the exhibition held in Milano Italy in 1998. Several ink-stamps by a prominent institution otherwise very good overall condition. lr paperback
1025K993008Venezia Palazzo Grassi 20 maggio-16 settembre. Very Good. Square stout Softcover Edition. One corner bumped a few pages creased but overall very good condition. No underlining etc. NOT EX-LIBRARY!!!! B paperback